Category: favorite writers/lit reviews

  • Review of Samuel Butler’s the Way of All Flesh

    Review of Samuel Butler’s the Way of All Flesh

    Review of Samuel Butler’s the Way of All Flesh

    https://wp.me/p7NAzO-32B

    As part of my goal to read as many of the world’s greatest classic works of literature as I can before I go on to the next world, I have been working my way through classic books.

    Reading the Classics

    Updated Reading the Classics

    Updated Lists

    Reading the Classics

    Flashman Novels

    One of the books, I recently read was Butler, Samuel: “The Way of All Flesh.”

    This book, written in the 19th century is a novel about four generations of the fictional Pontifex family.  The author grew up with the family as they were from the same town in northern England.  The author becomes particularly close with the grandson Earnest and becomes his Godfather, mentor, best friend, and guardian.

    Co-pilot provided the following  overview.

    “The novel draws on Butler’s own life experiences and examines the transmission of Victorian values from one generation to the next.

    First Generation: “Old” John Pontifex

    John Pontifex, a gentle and artistically gifted carpenter in the village of Pelham, England, marries Ruth. Their son, George, becomes a successful publisher of religious texts.

    Commentary:  the only Pontifex that seems to have been relatively content with his life.

    Second Generation: George Pontifex

    George marries and has several children, including Theobald. Theobald becomes a clergyman and marries Christina Allaby.

    Commentary:  George Pontifex grows up in a religious family but ultimately does not enter the Church but becomes a publisher of Christian books and is well known in the Christian ministries of the time.  He pressures his son Theobold to become a minister or risk his inheritance.  He is a horrible father, mistreating his children, and his wife, but considers himself to a paragon of Christian virtue.

    Third Generation: Theobald and Christina

    They raise their children—Ernest, Charlotte, and Joey—in a strict religious environment. Ernest, the central character, attends a boarding school but struggles academically and morally.

    Comment: Theobald becomes even more of a tyrant and terror to his children than his own father had been to him. He is determined to beat down any hint of rebellion or independence amongst his children who must obey his every dictate.  His wife, tries to mollify his worst parenting instincts.  Like his father, he considered himself to be a paragon of religious virtue and had no patience with “dissent” or “Roman Catholicism’

    Fourth Generation: Ernest

    Ernest’s life takes unexpected turns, including a secret inheritance from his aunt Alethea. His marriage to Ellen, a housemaid, becomes complicated.

    Comment:   His marriage is indeed complicated as his wife it turned out, was an alcoholic and married to another man so technically thier marriage was considered to be illegitimate,  He is left with two children to raise and he finds a home for them. His wife runs off to America with one of her numerous boyfriends.  His parents eventually forgive Earnest’s “marriage” as they saw him as a victim of an evil woman which in some sense he was.

    Fifth Generation: Alice and Georgie  The story continues with Ernest’s illegitimate children, Alice and Georgie.  Earnest struggles with what to do about their upbringing and finds a home for them through the help of his Godfather, who was his father’s best friend. despite having a falling out with him over how he was treating his children.

    Comment:

    The book details the impact of strict Protestantism on children and discusses the age-old problem of fathers and sons. Each of the men in the story has have problems relating to and rearing thier sons.  One of the themes of the book is how these family dynamics often continue to impact families, and men in particular don’t seem to be capable of learning from their mistakes as parents. Each of the men in the novel struggle with how to follow their consciousness and their strict interpretation of Christianity as they struggle to raise their children.

    The fourth-generation son, Earnest is particularly negatively impacted by his overbearing strict father’s upbringing much as he had had with own father.  Earnest wanted to follow his dreams of becoming a composer and musician. But his father was determined that he should go to college and become a minister much as he been forced to become a minister.

    Along the way he is derailed and ends up serving six months in prison. Unbeknownst to him, his favorite Aunt, the only person in his family he felt close to, had left him a small inheritance which he gains on his 26th birthday, much to the chagrin of his parents who felt that they should have inherited the family money.  This becomes yet another source of parental-children discord.  Earnest also falls in love and marries a woman who used to work for his father.  She turns out to be an alcoholic and leaves him immigrating to America which another man leaving Earnest to deal with finding a place to raise his illegitimate children.  In the end of the novel, father and son attempt to reconcile.

    Overall, I found this book to be a powerful indictment of traditional Victorian morality and all that it entails.  The novel resonated with me because I had a lot of problems with my own overbearing father just as he had with his father, and I also had estranged relations with my siblings and my mother.  To sum up, a powerful somewhat disturbing look at family dynamics that is still very relevant over 150 years later as most of the classic novels tend to be.

    Co-pilot provides more background information on the novel and its literary reputation. I

    Synopsis:

    The Way of All Flesh, written by Samuel Butler, follows several generations of the fictional Pontifex family. The novel draws on Butler’s own life experiences and examines the transmission of Victorian values from one generation to the next.

    Literary Reputation:

    The Way of All Flesh is a semi-autobiographical novel that boldly critiques Victorian-era hypocrisy. Written between 1873 and 1884, it remained unpublished during Samuel Butler’s lifetime due to its controversial content. However, when it was finally published posthumously in 1903, it was accepted as part of the general reaction against Victorian norms.

    Here are some key points about its literary reputation:

    Significance: Some consider The Way of All Flesh to be the first twentieth-century novel, as it challenges conventions and sheds light on the darker aspects of Victorian domestic life1.

    Legacy: In 1998, the Modern Library ranked it twelfth on its list of the 100 best English-language novels of the 20th century2.

    Iconoclastic: Samuel Butler’s autobiographical account, informed by his own upbringing and adulthood, exposes the hypocrisy within a Victorian clerical family.

    So, as you write your review, keep in mind that this novel is not only a compelling family saga but also a powerful critique of its time. Happy writing! 😊📚345

    1supersummary.com2en.wikipedia.org3cliffsnotes.com4books.google.com5books.google.com6goodreads.com— see less

     

    Certainly! The Way of All Flesh delves into several thought-provoking themes, making it a rich and multifaceted work. Let’s explore some of these themes:

    Christianity and Its Variations:

    At its core, The Way of All Flesh grapples with different expressions of Christianity. Samuel Butler, through his protagonist Ernest Pontifex, dissects the nuances between high and low Anglicanism, Roman Catholicism, ritualism, and evangelicalism.

    The novel doesn’t outright reject Christianity; rather, it critiques specific aspects of Anglicanism. Butler portrays the Anglican Church as demanding blind faith while offering a mishmash of unscientific and self-contradictory teachings. The Church’s insistence on accepting dogma without questioning its reasonableness becomes a central point of contention.

    However, scattered throughout the novel are glimpses of another Christianity—one that is rational, humble, and life-affirming. This unorthodox version encourages coherence, compatibility with scientific findings, and a willingness to adapt beliefs based on new information.

    Hypocrisy and Social Conventions:

    The Way of All Flesh exposes the hypocrisy prevalent in Victorian society. The Pontifex family embodies societal norms, but their actions often contradict their professed values. The novel critiques the gap between public appearances and private realities.

    Social conventions—

    Especially those related to marriage, family, and religion—are scrutinized. Butler challenges the idea that adhering to societal norms necessarily leads to moral goodness.  In some ways this is also a proto-feminist novel as the female characters try to navigate their way through a male dominated society.

    Generational Conflict and Rebellion:

    comment: 

    This is strongest element of the novel for me,  as it subsumes the other themes into it.

    The novel spans multiple generations of the Pontifex family. Each generation grapples with its own set of expectations and norms.

    Ernest, the central character, rebels against the rigid structures imposed by his parents and the Church. His intellectual journey takes him from disinterest to orthodoxy and eventually to heterodoxy.

    Individual Autonomy and Authenticity:

    Ernest’s struggle for autonomy drives the narrative. He seeks to live authentically, even if it means rejecting societal norms.

    The tension between conforming to expectations and forging one’s own path is a recurring theme. Ernest’s pursuit of personal truth becomes a powerful force in the novel.

    Education and Intellectual Growth:

    Education plays a significant role in shaping characters’ lives. Ernest’s experiences at school and university profoundly impact his worldview.

    The novel questions the purpose of education: Is it merely to conform to societal norms, or should it encourage critical thinking and personal growth?

    In summary, The Way of All Flesh is a layered exploration of faith, hypocrisy, rebellion, and the struggle for authenticity. Its critique of Victorian mores remains relevant even today. 📚✨12

    I have completed 65 % of the books in the three-volume set titled “50 Books You Must Read Before You Die”

    Bolded indicates that I have read the book

    The list follows

    50 Masterpieces You Have to Read Before You Die

    Started reading the first one of Volume 3

    Bolded indicates I have read it.

    Vol 1 starts with Volume One

    Alcott, Louisa May: Little Women
    Austen, Jane: Pride and Prejudice
    Austen, Jane: Emma
    Balzac, Honoré de: Father Goriot
    Barbusse, Henri: The Inferno
    Brontë, Anne: The Tenant of Wildfell Hall
    Brontë, Charlotte: Jane Eyre
    Brontë, Emily: Wuthering Heights
    Burroughs, Edgar Rice: Tarzan of the Apes
    Butler, Samuel: The Way of All Flesh
    Carroll, Lewis: Alice’s Adventures in Wonderland
    Cather, Willa: My Ántonia
    Cervantes, Miguel de: Don Quixote
    Chopin, Kate: The Awakening
    Cleland, John: Fanny Hill
    Collins, Wilkie: The Moonstone
    Conrad, Joseph: Heart of Darkness
    Conrad, Joseph: Nostromo
    Cooper, James Fenimore: The Last of the Mohicans
    Crane, Stephen: The Red Badge of Courage
    Cummings, E. E.: The Enormous Room
    Defoe, Daniel: Robinson Crusoe
    Defoe, Daniel: Moll Flanders
    Dickens, Charles: Bleak House
    Dickens, Charles: Great Expectations
    Dostoyevsky, Fyodor: Crime and Punishment
    Dostoyevsky, Fyodor: The Idiot
    Doyle, Arthur Conan: The Hound of the Baskervilles
    Dreiser, Theodore: Sister Carrie
    Dumas, Alexandre: The Three Musketeers
    Dumas, Alexandre: The Count of Monte Cristo
    Eliot, George: Middlemarch

    George Elliot Novels

    Fielding, Henry: Tom Jones
    Flaubert, Gustave: Madame Bovary
    Flaubert, Gustave: Sentimental Education
    Ford, Ford Madox: The Good Soldier
    Forster, E. M.: A Room With a View
    Forster, E. M.: Howard End
    Gaskell, Elizabeth: North and South
    Goethe, Johann Wolfgang von: The Sorrows of Young Werther
    Gogol, Nikolai: Dead Souls
    Gorky, Maxim: The Mother
    Haggard, H. Rider: King Solomon’s Mines
    Hardy, Thomas: Tess of the D’Urbervilles
    Hawthorne, Nathaniel: The Scarlet Letter
    Homer: The Odyssey
    Hugo, Victor: The Hunchback of Notre Dame
    Hugo, Victor: Les Misérables
    Huxley, Aldous: Crome Yellow
    James, Henry: The Portrait of a Lady

    Volume 2

    – Little Women [Louisa May Alcott]
    – Sense and Sensibility [Jane Austen]
    – Peter Pan (Peter and Wendy) [J.M. Barrie]
    – Cabin Fever [ B. M. Bower]
    – The Secret Garden [Frances Hodgson Burnett]
    – A Little Princess [Frances Hodgson Burnett]
    – Alice’s Adventures in Wonderland [Lewis Carroll]
    – The King in Yellow [Robert William Chambers]
    – The Man Who Knew Too Much [Gilbert Keith Chesterton]
    – The Woman in White [Wilkie Collins]
    – The Most Dangerous Game [Richard Connell]
    – On the Origin of Species, 6th Edition [Charles Darwin]
    – Robinson Crusoe [Daniel Defoe]
    – The Iron Woman [Margaret Deland]
    – David Copperfield [Charles Dickens]
    – Oliver Twist [Charles Dickens]
    – A Tale of Two Cities [Charles Dickens]
    – The Double [Fyodor Mikhailovich Dostoyevsky]
    The Memoirs of Sherlock Holmes [Arthur Conan Doyle]
    – The Curious Case of Benjamin Button [Francis Scott Fitzgerald]
    – A Room with a View [E. M. Forster]
    – Dream Psychology [Sigmund Freud]
    – Tess of the d’Urbervilles [Thomas Hardy]
    – Siddhartha [Hermann Hesse]
    – Dubliners [James Joyce]
    – The Fall of the House of Usher [Edgar Allan Poe]
    – The Arabian Nights [Andrew Lang]
    – The Sea Wolf [Jack London]
    – The Call of Cthulhu [Howard Phillips Lovecraft]
    – Anne of Green Gables [Lucy Maud Montgomery]
    – Beyond Good and Evil [Friedrich Wilhelm Nietzsche]
    – The Murders in the Rue Morgue [Edgar Allan Poe]
    – The Black Cat [Edgar Allan Poe]
    – The Raven [Edgar Allan Poe]
    – Swann’s Way [Marcel Proust]
    – Romeo and Juliet [William Shakespeare]
    – Treasure Island [Robert Louis Stevenson]
    – The Elements of Style [William Strunk Jr.

    Vol 3  finished keeping for the historical record

    This book contains the following works arranged alphabetically by authors’ last names.

    Started with volume 3 then will go back and do volumes one, two, and the Harvard classics. The goal is to finish all of these by the end of next year.  I almost finished Volume One.  Will do some of the WC reading books as well.

    – What’s Bred in the Bone [Grant Allen]
    – The Golden Ass [Lucius Apuleius]
    – Meditations [Marcus Aurelius]
    – Northanger Abbey [Jane Austen]
    – Lady Susan [Jane Austen]
    – The Wonderful Wizard of Oz [Lyman Frank Baum]
    – The Art of Public Speaking [Dale Breckenridge Carnegie]
    – The Blazing World [Margaret Cavendish]
    – The Wisdom of Father Brown [Gilbert Keith Chesterton]
    – Heretics [Gilbert Keith Chesterton]
    – The Donnington Affair [Gilbert Keith Chesterton]
    – The Innocence of Father Brown [Gilbert Keith Chesterton]
    – Fanny Hill: Memoirs of a Woman of Pleasure [John Cleland]
    – The Moonstone [Wilkie Collins]
    – Lord Jim [Joseph Conrad]
    – The Further Adventures of Robinson Crusoe [Daniel Defoe]
    – The Pickwick Papers [Charles Dickens]
    – A Christmas Carol [Charles Dickens]
    – Notes From The Underground [Fyodor Mikhailovich Dostoyevsky]
    – The Gambler par Fyodor [Mikhailovich Dostoyevsky]
    – The Lost World [Arthur Conan Doyle]
    – The Hound of the Baskervilles [Arthur Conan Doyle]
    – The Sign of the Four [Arthur Conan Doyle]
    – The Man in the Iron Mask [Alexandre Dumas]
    – The Three Musketeers [Alexandre Dumas]
    – This Side of Paradise [Francis Scott Fitzgerald]
    – Curious, If True: Strange Tales [Elizabeth Cleghorn Gaskell]
    – King Solomon’s Mines [Henry Rider Haggard]
    – The Hunchback of Notre Dame [Victor Hugo]
    – Kim [Rudyard Kipling]
    – Captain Courageous [Rudyard Kipling]
    – The Jungle Book [Rudyard Kipling]
    – Lady Chatterley’s Lover [David Herbert Lawrence]
    – The Son of the Wolf [Jack London]
    – The Einstein Theory of Relativity [Hendrik Antoon Lorentz]
    – The Dunwich Horror [Howard Phillips Lovecraft]
    – At the Mountains of Madness [Howard Phillips Lovecraft]
    – The Prince [Niccolò Machiavelli]
    – The Story Girl [Lucy Maud Montgomery]
    – The Antichrist [Friedrich Wilhelm Nietzsche]
    – The Republic [Plato]
    – The Last Man [Mary Shelley]
    – Life On The Mississippi [Mark Twain]
    – The Kama Sutra [Vatsyayana]
    – In the Year 2889 [Jules Verne]
    – Around the World in Eighty Days [Jules Verne]
    – Four Just Men [Edgar Wallace]
    – Ben-Hur: A Tale of the Christ [Lewis Wallace]
    – Jacob’s Room [Virginia Woolf]

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    Published – Jul 26, 2024
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  • Flashman Novels

    Flashman Novels

    Flashman Novels

    Review of the Flashman  Novels George MacDonald Fraser

    https://wp.me/p7NAzO-32r

    Cosmos Reading List 2023

    Reading the Classics Updated Lists
    The Flashman novels are a series of historical fiction books written by George MacDonald Fraser, following the adventures of Harry Paget Flashman, a fictional British army officer. The series spans from the mid-19th century to the early 20th century, covering various historical events and figures.  The Flashman novels are written in a satirical, mocking style, reflecting the times of the alleged author of the novels, Harry Flashman who was based on a character in Tom Brown’s satire of the British public schools of the 19th century.

    The original Harry Flashman was a notorious bully who was kicked out of his elite boarding school.  The Flashman novels re-imagine him becoming despite his many character flaws, a heroic army officer who served in many of the epic wars of the 19th century, including fighting in the War of 1812, the US Civil War, the Indian Wars, the Chinese Wars, and the Crimean campaigns.  Along the way, he has numerous affairs, meets and becomes friends with people in both low places and high places, and is a scoundrel to boot

    I have read about half of the books.  Among my favorites are “Flashman and the Redskins” which takes place in the 1840s and the 1870s Indian wars in the U,S, including his involvement in the events of Custer’s last stand, “. Flashman and the “Angel of the Lord” which imagines him encountering and helping John Brown in his aborted raid on Harper’s Ferry that helps set off the civil war, and ” Flashman and the Dragon” which recalls his involvement in the March to Beijing which ended the opium wars, as well as encounters with the Taiping rebels.

    Among the more controversial parts of his character, is his many affairs along the way with over 400 women.  He is indeed a scoundrel for the ages. The writing is crisp, very descriptive of the times, and of course sexist, racist, and colonist.  Just part of the time. In many ways, his character resembles the James Bond character of Ian Fleming flame

    On the plus side, the novels are historically accurate for the most part, minus the fact that Flashman did not actually exist. But he is the kind of figure that we imagined could have existed.

    To sum up, the Flashman novels are a real treat to read.

    Novels in the Series:

    Publication sequence[edit]

    Books by publication sequence
    Title and time Publisher Date Length (first edition) Plot Ref.
    Flashman
    (1839–1842)
    Herbert Jenkins 1969 256 pp Flashman’s expulsion from Rugby School for drunkenness leads him to join the British Army. He joins the 11th Regiment of Light Dragoons commanded by Lord Cardigan. After an affair with a fellow-officer’s lover, he fights a duel, but cheats. He is posted to Scotland because of the affair and is billeted with the Morrison family; he takes advantage of one of the daughters, Elspeth. After a forced marriage, Flashman is required to resign his position in the Hussars and instead is gazette into a position with the East India Company.

    After revealing his language and riding skills, Flashman is assigned to Afghanistan, where he is present at the retreat from Kabul, the last stand at Gaydamak and the Siege of Jalalabad.

    [29]
    Royal Flash
    (1842–1843 and
    1847–1848)
    Barrie & Jenkins 1970 256 pp Fleeing from a police raid on a brothel he was visiting, Flashman meets Lola Montez and Otto von Bismarck. Some years later Flashman is tempted to Munich, where Bismarck has him abducted; he is blackmailed into imitating Prince Carl Gustaf, a fictional member of the Danish royal family. Gustaf is to be married to Duchess Irma, the ruler of the fictional Duchy of Stricken; according to Bismarck the prince has contracted a sexually transmitted disease, which would be embarrassing if uncovered by his future wife. This turns out to be a lie and the prince has been imprisoned in Jotunberg Castle. Flashman is a doppelgänger of the Prince and is trained to take his place until the Prince is cured. Flashman is accompanied to Strackenz by Bismarck’s accomplices, Rudi von Starnberg, Detchard and de Gautet, and is married to the Duchess. Shortly afterwards, while out hunting, Flashman finds out that Bismarck meant to double-cross him and kill him, but he turns the tables on his attacker and tortures the information out of him and kills him instead. He is then captured by Strackenzian nationalists and forced to help them storm Jotunberg Castle. They are successful, but Flashman and von Starnberg fight in the dungeon, with Flashman narrowly escaping death before escaping back to England, with the help of Montez, who robs him along the way. [30]
    Flash for Freedom!
    (1848–1849)
    Barrie & Jenkins 1971 272 pp Flashman is falsely accused of cheating at cards, and runs away from disgrace by accepting an offer of a berth on the slaving ship part owned by his father-in-law; the ship is captained by John Charity Spring, an ex-fellow of Oriel College, Oxford who quotes Latin and Greek at length. After sailing to Dahomey, Spring buys slaves from King Ghezo; the deal goes wrong and the crew are attacked by Gezo’s Amazons, resulting in the mortal wounding of the third mate, Mr Comber. Comber dies but admits to Flashman that he is a spy for the navy, giving Flashman his papers to prove his identity. The ship makes its way to America but is captured by the United States Navy. Flashman assumes the identity of Comber and escapes, hiding in the brothel of Susie Willinck. He is abducted by the Underground Railroad and forced to assist in transporting a slave to freedom in Canada. He is accused of being an abolitionist and escapes, ending up employed as a slave driver on a plantation. Caught having sex with the owner’s wife, he is himself sold into slavery, but escapes with a slave, before being assisted to freedom by junior congressman Abraham Lincoln. He returns to New Orleans and demands passage to Britain from Spring. [31]
    Flashman at the Charge
    (1854–1855)
    Barrie & Jenkins 1973 286 pp Flashman is ordered to protect and mentor William of Celle—a (fictional) cousin of Queen Victoria—during the Crimean War; William is killed. Flashman is subsequently involved in The Thin Red Line, the charge of the Heavy Brigade and the charge of the Light Brigade, where he surrenders. He is taken into Russia and placed in the custody of Count Pencherjevsky; he also meets his old schoolfellow Scud East and Count Nicholas Pavlovich Ignatiev, a vicious Russian army captain. After overhearing plans for the Russian invasion of British India, Flashman and East escape, but Flashman is recaptured. He is taken by Ignatiev across central Asia as part of his plans to conquer India but is subsequently rescued from prison by cohorts of Yaqub BegTajik and Uzbek warriors attack and destroy the Russian fleet with the aid of Flashman, who had been drugged with hashish. [32]
    Flashman in the Great Game
    (1856–1858)
    Barrie & Jenkins 1975 336 pp Flashman is at Balmoral Castle as a guest of Queen Victoria; he meets Lord Palmerston, who recruits him to go to Jhansi in India and investigate rumours of a rebellion among the Sepoys. Flashman again encounters Nicholas Pavlovich Ignatiev, and the Russian tries to kill him while hunting. Once in Jhansi he meets the queen, Rani Lakshmibai. He listens to her grievances against the British Raj and attempts to seduce her. Shortly afterwards he is nearly garroted by Thuggees and assumes the disguise of Makarram Khan, a Hasanzai of the Black Mountain, and takes refuge in the native cavalry at Meerut. While there, the Sepoy Mutiny begins. Flashman survives the Siege of Cawnpore and the Siege of Lucknow but ends up imprisoned in Gwalior after an attempt to deliver Lakshmi into British hands. He is released just in time to witness her death in battle. In the aftermath Flashman is awarded the Victoria Cross and is knighted; he is also given a copy of the recently published Tom Brown’s School Days, which describes him being a bully and a coward while at school. [33]
    Flashman’s Lady
    (1842–1845)
    Barrie & Jenkins 1977 328 pp Flashman meets Tom Brown, a former acquaintance from Rugby School, and agrees to play cricket at Lord’s Cricket Ground for a team made up of Old Rugbeians. Following separate threats from a bookmaker and a Duke, Flashman accompanies Don Solomon Haslam—a businessman from the East Indies—Elspeth and his father-in-law on a trip to Singapore. Once there, Haslam reveals himself to be the pirate Sulieman Usman, and he kidnaps Elspeth. Flashman reluctantly gives chase in the company of James Brooke to rescue her but is himself captured by Usman. He escapes from Usman’s ship at Madagascar, but is captured and enslaved by the Malagasy, eventually becoming military advisor and lover to Queen Ranavalona I. He and his wife finally escape from the island during an Anglo-French naval attack. [34]
    Flashman and the Redskins
    (1849–1850 and
    1875–1876)
    William Collins, Sons 1982 512 pp The story immediately follows the end of Flash for Freedom!

    Part one In his haste to leave New Orleans and avoid arrest, Flashman agrees to accompany Susie Willinck and her company of prostitutes westwards on the California Gold Rush; Willinck forces him into marriage before the journey. Despite being attacked by a band of Comanche on the journey, they reach Santa Fe, New Mexico, where Flashman absconds with $2,000 made from selling one of the prostitutes, Cleonie, to Navajos. Flashman falls in with a group of travellers but he discovers them to be scalp-hunters, when they attack a band of Apaches. Flashman joins in but refuses to take any scalps or rape captive women, and when the scalp-hunters are attacked by the remainder of the tribe, he is saved and marries Sonsee-Array, the daughter of chief, Mangas Coloradas. He eventually escapes and is saved by Kit Carson on the Jornada del Muerto.
    Part two In 1875 Flashman returns to America with his wife, Elspeth. Later, in Washington DC, he meets George Armstrong Custer and Mrs. Arthur B. Candy, and travels to Bismarck, North Dakota, with Mrs. Candy to pursue a carnal relationship. She reveals herself to be the former slave Cleonie, and he is kidnapped by Sioux and kept captive at Greasy Grass. He escapes just in time to take part in the Battle of the Little Bighorn, where he sees the defeat and death of Custer—possibly being the one who kills him. Flashman is captured, partly scalped and hidden by Frank Grouard, who reveals himself to be his illegitimate son from Cleonie. Grouard breaks a promise to his mother and decides not to kill Flashman, but instead takes him back to DeadwoodDakota Territory.

    [35]
    Flashman and the Dragon
    (1860)
    William Collins, Sons 1985 352 pp While in Hong Kong, Flashman is reluctantly persuaded by an English vicar’s wife to escort a shipment of opium into Canton; en route he discovers that instead of opium he is carrying guns to the Taiping rebels. He is subsequently put onto the British embassy intelligence staff in Shanghai. He then travels to the mouth of the Peiho to join Lord Elgin‘s staff for his march to Peking. During the course of the march he is captured by Qing imperial troops and becomes the prisoner and lover of Yehonala, the imperial concubine. He is finally freed when the British army arrives at Peking; he then witnesses the destruction of the imperial Summer Palace. [36]
    Flashman and the Mountain of Light
    (1845–1846)
    William Collins, Sons 1990 332 pp Flashman is in India, and is dispatched by Major George Broadfoot to the Punjab, masquerading as a solicitor attempting to settle the Soochet legacy with Maharani Jind Kaur. After becoming entangled in the intrigues of the Punjabi court, Flashman is forced to flee at the outbreak of the First Sikh War, but becomes involved in plans by the Punjabi nobility to curb the power of the Khalsa. Returning to the relative safety of the British forces, Flashman arrives just in time to become an unwilling participant in the attack on Ferozepore. Injured, he attempts to avoid the rest of the war in a sick bed, but is called on by Jind Kaur to smuggle her son Duleep Singh and the Koh-I-Noor diamond out of the country. [37]
    Flashman and the Angel of the Lord
    (1858–1859)
    HarperCollins 1994 400 pp While in South Africa Flashman has a chance meeting with John Charity Spring. Spring drugs Flashman and ships him to the US, where charges are still outstanding against him. Flashman avoids the authorities, but is found by Crixus, a leader of the Underground Railroad, who blackmails him into joining John Brown and taking part in his raid on Harpers Ferry. He is accompanied by one of Crixus’ followers, a black man named Joe Simmons, who actually works for the Kuklos, a forerunner of the Ku Klux Klan. The Kuklos also want Flashman to help Brown, but in order to start a civil war. The wife of the leader of the Kuklos works for Allan Pinkerton, who also wants Flashman to join with Brown, but to slow him down and prevent the raid into the South from ever happening. Despite Flashman’s attempts, the raid goes ahead and he is caught in the arsenal when the US Marines attack. [38]
    Flashman and the Tiger
    (1878–1894)
    HarperCollins 1999 352 pp The Road to Charing Cross“— Flashman goes to Berlin with Henri Blowitz to help get a copy of the Treaty of Berlin and publish it in The Times. Five years later, he is trying to avoid being sent to Sudan with Charles George Gordon when a letter from Blowitz arrives inviting him to Paris. He rides the maiden journey of the Orient Express and is blackmailed by Bismarck into joining Rupert Willem von Starnberg (the son of the villain from Royal Flash). Flashman and Starnberg are instructed by Bismarck to save Emperor Franz Josef from assassination by Magyar nationalists, but Flashman is in turn tricked by Starnberg, who is one of the assassins.
    The Subtleties of Baccarat“—Flashman is an observer of the Tranby Croft affair, which he discovers was caused by his wife.
    Flashman and the Tiger“—Flashman meets “Tiger Jack” Moran in the aftermath of the Battle of Isandlwana; the pair escape to Rorke’s Drift. Years later Moran reveals he was the cabin boy on Captain John Charity Spring’s ship, the Balliol College (see Flash for Freedom!); he has been seeking revenge against the ship’s crew and was blackmailing Flashman’s granddaughter in order to sleep with her. While trying to kill him, Flashman is mistaken for a tramp by Sherlock Holmes, while the police arrest Moran for trying to kill Holmes (see “The Adventure of the Empty House“).
    [39]
    Flashman on the March
    (1867–1868)
    HarperCollins 2005 320 pp While in Trieste, Flashman meets an old school friend, Jack Speedicut, who enlists him to escort a shipment of Maria Theresa thalers to General Robert Napier. Napier is based in Abyssinia, on a military expedition against King Tewodros II. On Flashman’s arrival in Abyssinia, Napier enlists him and despatches him on a secret undercover mission to recruit Queen Masteeat and her Galla people, who are opposed to Tewodros. Flashman succeeds in enlisting the assistance of Queen Masteeat but is then captured by Tewodros’ forces. Flashman is held captive while Napier’s forces advance and then storm the capital Magdala, and is present when the king commits suicide. [40]

    Fictional chronology[edit]

    Title page of Thomas Hughes‘s 1857 novel Tom Brown’s School Days, the origin of the Flashman character

    Flashman’s fictional chronology
    Title Years covered Publication order Locations Ref.
    Flashman 1839–1842 1 Britain, India and Afghanistan [41]
    Royal Flash 1842–1843 2 Britain, Germany and Denmark [42]
    Flashman’s Lady 1842–1845 6 Britain, Borneo and Madagascar [43]
    Flashman and the Mountain of Light 1845–1846 9 Indian Punjab [44]
    Royal Flash 1847–1848 2 Germany and Denmark [42]
    Flash for Freedom! 1848–1849 3 Britain, West Africa and the USA [45]
    Flashman and the Redskins 1849–1850 7 USA [46]
    Flashman at the Charge 1854–1855 4 Britain, Crimea and Central Asia [47]
    Flashman in the Great Game 1856–1858 5 Britain and India [48]
    Flashman and the Angel of the Lord 1858–1859 10 India, South Africa and the USA [49]
    Flashman and the Dragon 1860 8 China [50]
    Flashman on the March 1867–1868 12 Abyssinia [51]
    Flashman and the Redskins 1875–1876 7 USA [46]
    “The Road to Charing Cross” 1878 11 Berlin [52]
    “Flashman and the Tiger” 1879 11 Africa [53]
    “The Road to Charing Cross” 1883–1884 11 Europe [52]
    “The Subtleties of Baccarat” 1890 & 1891 11 Britain [54]
    “Flashman and the Tiger” 1894 11 Britain [53]

     

    META AI and Co-Pilot provided me with the following additional information

     

    From Wikipedia, the free encyclopedia

    George MacDonald Fraser‘s Flashman novels

    The Flashman Papers is a series of novels and short stories written by George MacDonald Fraser, the first of which was published in 1969. The books centre on the exploits of the fictional protagonist Harry Flashman. He is a cowardly British soldier, rake and cad who is placed in a series of real historical incidents between 1839 and 1894. While the incidents and much of the detail in the novels have a factual background, Flashman’s actions in the stories are either fictional, or Fraser uses the actions of unidentified individuals and assigns them to Flashman. Flashman is a character in the 1857 novel by Thomas HughesTom Brown’s School Days; Hughes’ version of the character is a bully at Rugby School who is expelled for drunkenness. The character was then developed by Fraser and appeared in the 1969 novel Flashman. Fraser went on to write a total of eleven novels and one collection of short stories featuring the character.

    During the course of Fraser’s novels, Flashman goes from his expulsion from school into the army. Although he is a coward who tries to run away from any danger, he is involved in many famous military episodes from the 19th century, often taking actions that cause or affect subsequent events, such as his flatulence affecting the Charge of the Light Brigade,[a] or being the person who probably shot George Armstrong Custer. When circumstances run against him and he is forced to fight, he often does so relatively capably. Despite his cowardice and his attempts to flee, he becomes a decorated war hero and rises to the rank of brigadier-general. He also meets people who either were notable at the time—such as Benjamin Disraeli and the Duke of Wellington—or who became well known after Flashman met them—such as Abraham Lincoln. Flashman either has, or tries to have, sex with most of the female characters: by the tenth book he estimates that he has had sex with 480 women.

    The publication sequence of the books differs from the fictional chronology, with the time frame of some books overlapping. One of the novels, Flashman and the Redskins, is in two parts: part one takes place in 1849–50, while the second covers 1875–76. Although the main series of stories finishes in 1894, Flashman lives on until 1915 and appears in his late 80s in another Fraser novel, Mr American.

    Context[edit]

    The great mass of manuscript known as the Flashman papers was discovered during a sale of household furniture … The papers, which had apparently lain untouched for fifty years, in a tea chest … were carefully wrapped in oilskin covers.

    Explanatory note, Flashman[2]

    The series consists of twelve historical fiction books written by the journalist, author and screenwriter George MacDonald Fraser, that were published between 1969 and 2005. The series consists of eleven novels and one collection of short stories, spanning from 1839 to 1894; they are the memoirs of the fictional character General Sir Harry Paget FlashmanVCKCBKCIE. Although Flashman is fictional, the settings and history of the events, and the people with whom he interacts are all largely based around historical events and individuals, although three contain elements of other novels.[3][b] Flashman first appeared in the 1857 semi-autobiographical novel Tom Brown’s School Days by Thomas Hughes as a bully at Rugby School, who persecutes Tom Brown, and who is expelled for drunkenness: Fraser’s series of novels starts with Flashman’s expulsion from school. Based on a literary conceit, an explanatory note—itself also fictional—at the start of Flashman sets the context and explains that the memoirs had been found in an auction house in Ashby, Leicestershire, and had subsequently come into the possession of Fraser, who has acted in the role of editor.[6] Fraser also included pages of notes and appendices at the end of each volume, providing the factual background for Flashman’s endeavours.[3]

    Fraser was working as a journalist on The Glasgow Herald when he wrote the first novel, Flashman; writing in the evenings, after work, he took 90 hours in total to write the story.[7][8] After the book was published, he left journalism and took up writing novels.[7] When a break from writing was forced upon him by a broken arm, he abandoned the book until his wife read the manuscript and urged him to finish.[8] He did not find a publisher for the novel for two years, until Barrie & Jenkins published it in 1969.[8] When the novel was published in the US the same year, of the 34 reviews read by Alden Whitman of The New York Times, ten of them considered the book to be a genuine autobiography.[9] Fraser researched each novel at Trinity College Dublin.[10] From their first publication, the books were a commercial success,[11] and new editions appeared on the best-sellers’ lists.[12]

    Flashman[edit]

    Main article: Harry Paget Flashman

    FLASHMAN, Harry Paget, brigadier-general, V.C., K.C.B., K.C.I.E.: Chevalier, Legion of Honour; Order of Maria Theresa, Austria; Order of the Elephant, Denmark (temporary); US Medal of Honor; San Serafino Order of Purity and Truth, 4th class

    Biographical note, Flashman on the March[13]

    Flashman is from a semi-aristocratic background; he recounted that his great-grandfather “made a fortune in America out of slaves and rum, and piracy, too, I shouldn’t wonder”.[14] His father was “a dissolute former MP, living beyond the bounds of respectable society, and … his mother [was] born of the self-promoting Paget family“.[15] Despite joining the army after expulsion from school, Flashman is a self-confessed coward with a false reputation for bravery, earned at the expense of others, and despite him trying to avoid danger at all costs.[16] He is also “a scoundrel, a drunk, a liar, a cheat [and] a braggart”,[7] who was described by Fraser as “an unrepentant old cad” whose only positive features are “humour and shameless honesty as a memorialist”.[17]

    Flashman is 6 feet 2 inches (1.88 m) tall, weighs 13 stone (180 lb; 83 kg) (12½ stone in the first book, fourteen stone in the last), has broad shoulders and is attractive to women.[15][c] He was forced into marriage in the first book, after he “caddishly deflowered” Elspeth Morrison,[3] the daughter of a wealthy Scottish textile manufacturer with whom he had been billeted.[15] Despite being married—and the fact he deeply loves his wife—Flashman is “a compulsive womaniser”[10] who has bedded 480 women by the tenth book in the series, which was set in 1859.[20] Elspeth is also probably unfaithful to him on several occasions.[15] Flashman notes that he has three “prime talents, for horses, languages, and fornication”;[21] he was also described by the master-at-arms of the 11th Hussars as a strong swordsman[22] and was skilled with a lance, particularly at tent pegging.[23] When it is necessary for him to control his fear, he will perform bravely, although is more adept at saving his own skin at the expense of others.[10]

    In the course of the series, Flashman is promoted to the rank of brigadier-general and decorated numerous times by different countries. While the books cover some of the awards—such as being given the Victoria Cross for his actions during the sieges of Cawnpore and Lucknow[24]—some stories are not known, such as how and why he served on both sides of the American Civil War and how he won the Medal of Honor.[25][d]

    During his travels Flashman meets people who took part in 19th-century events, including Queen VictoriaAbraham LincolnOtto von BismarckOscar Wilde and Florence Nightingale, and he is involved as a participant in some of the century’s most notable events, including the Indian Rebellion, the Taiping Rebellion, the charge of the Light Brigade, the Siege of KhartoumJohn Brown’s raid on Harpers Ferry and the Battle of the Little Bighorn.[27]

    Flashman died in 1915, although the details are unknown.[28]

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    The End

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    The Year of Twelve Songs Pt 2. Some of you have heard this one before, but not quite like this. Link to the whole story in the comments section below. 😎
  • Roy Dufrain Updates

    Roy Dufrain Updates

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    Roy Dufrain Updates

    guest post by Roy Dufrain

    Roy Dufrain is my college roommate from UOP.  We lived at the Euclid House next to campus which became an alternative frat house of sorts. We had wild parties every Friday night for two and a half years – the best parties on campus. Boy, we had fun   He taught me so much, became a “deadhead” because of him, and tried various things with him, and we occasionally performed demented music together at campus events.  He was a Raymon College student, but unfortunately, because of money problems did not finish his senior year.  He was also the editor at the university’s paper and published a number of my poems and essays while we were there.

    University of the Pacific Raymond college history

    Raymond College, an undergraduate honors college at the University of the Pacific, existed from 1962 to 1979. Located in Stockton, California, it was a unique institution with an interdisciplinary curriculum that emphasized learning across the natural sciences, social sciences, and humanities. Let’s delve into its fascinating history:

        1. Founding and Vision:
          • Raymond College was the brainchild of University of the Pacific President Robert Burns. Faced with a new generation of qualified applicants, he sought to create a personalized educational experience for students.
          • Inspired by the success of Oxford, Cambridge, and the Claremont colleges, President Burns envisioned residential cluster colleges as a way to maintain high academic standards while expanding the university.
          • Raymond College was the first of three cluster colleges developed under this vision.
        2. Curriculum and Structure:
          • The college offered an innovative interdisciplinary liberal arts curriculum.
          • Initially, it provided an accelerated three-year program, but later expanded to offer a four-year program as well.
          • Key components of the curriculum included:
            • Introduction to the Modern World: A shared cohort experience for incoming first-year students.
            • Language study: A year of language learning.
            • Math, physics, chemistry, and biology: Sequential courses.
            • Humanities and social science classes: Literature, philosophy, art, religion, economics, history, psychology, and sociology.
          • Students received written evaluations (term letters) instead of traditional letter grades.
        3. Provost and Philosophy:
          • Provost Warren Bryan Martin played a pivotal role in shaping Raymond College.
          • He emphasized the importance of the liberal arts and the holistic preparation of students for a fulfilling life.
          • The first class of students arrived in the fall of 1962.
        4. Legacy and Impact:
          • Raymond College influenced the entire University of the Pacific.
          • Its emphasis on student-centered learning, liberal arts, and interdisciplinary studies raised academic expectations across campus.
          • The college operated in the tradition of the liberal arts, fostering intellectual curiosity and engagement.

    Raymond College, though short-lived, left a lasting mark on education, demonstrating that sometimes “growing larger by growing smaller” can lead to transformative experiences for students1234.

    He is a talented writer and musician living in Clear Lake California.

    you can check his work out here at Medium and on Substack as well as on his web page

    Roy Dufrain.Com

    THE YEAR OF TWELVE SONGS is my latest music project. Some of you got a preview recently, with an all-acoustic version of a song called Finish Strong. Now I’m sharing a new version with added instruments and my efforts at sound production. Plus some backstory and something sort like old-fashioned liner notes (remember those?). I plan to do this with a different song every month and hopefully learn a lot in the process. Check it out with the link below and let me know what you think.

    Roy Dufrain Jr.

    Hey Jake, everything is at roydufrain.com. hope all’s well with you.

    ROYDUFRAIN.COM

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    ROY DUFRAIN JR

    Roy’s Best Books 2023

    Some words I liked a lot this year.

    ROY DUFRAIN JR

    Far Sickness, by Joshua and Ava Mohr

    This is my 8th annual December ramble about the books of my year. Not necessarily books that came out this year, but books I read (or heard) that moved me, taught me, made me cry, or cracked me up. It kind of feels like I’m late with this year’s edition but hey—two-day shipping at your preferred online bookseller, right?

    FICTION

    Nowadays I often avoid reading the latest best-selling, prize-winning, must-read fiction that everyone’s talking about. Because over the years I’ve learned not to trust hype. I like to wait a few years to see if anyone’s still talking about the book. See if the title comes up in a discussion and someone says, God, I loved that book, years after they read it, and they start talking about the character or scene that stuck with them. To me, that’s how you know. Not by critics’ reviews book trailers or Reese Witherspoon. (However, if Ms Witherspoon is out there somewhere, this does not mean I wouldn’t want MY book on your list someday! Just sayin’).

    ROY DUFRAIN JR is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

    Upgrade to paid

    But this year I read two of the latest novels from two big names in fiction—because I had loved previous work by both authors and because multiple writer-friends flat-out raved about these new books. And now I will rave about them myself.

     

    Demon Copperhead, by Barbara Kingsolver, is the best novel I’ve read in years. The best overall reading experience that delivers in all facets. The sense of total immersion in a world, the intense rooting interest in a main character, the epic scope of historical context, the deep underlying interrogation of the real world, and the sheer delight in artful language. I can’t think of what more to ask from a novel. And, frankly, I can say pretty much the same things about The Vaster Wilds, by Lauren Groff, although Groff’s tale delivers in its particular way. Read them both, and see what you think.

    NON-FICTION

    The Gutenberg Revolution: How Printing Changed the Course of History, by John Man. Okay, I admit there are maybe three people reading this who could be marginally interested in this book. One of them is my father, a fellow ink-stained wretch as we used to say in the biz. And the others have similar or adjacent backgrounds. But, even if you don’t have ink and perhaps newsprint in your blood, or an old pica pole in a desk drawer at home, this is a fascinating blow-by-blow account of the twists and turns of fate, greed and genius that resulted in one of humankind’s most impactful technologies, on a par with gunpowder, the electric light or the personal computer.

    BONUS NON-FICTION

    Beatles 66: The Revolutionary Year, by Steve Turner. An amazingly detailed, month-by-month tour through a year in which the world changed the Beatles and the Beatles changed the world. I went to Audible on this one and listened to most of it in the car on a long drive to and from a writer’s retreat. It made for a great company.

    Consider This: Moments in My Life After Which Everything was Different, by Chuck Palahniuk, author of the novel, Fight Club. This is a very different kind of craft book: personal, direct, funny, truth-telling, even illuminating at times. The subtitle hints at one of the biggest takeaways because Palahniuk is referencing what he sees as the key piece of wisdom he has to pass on—in the end, writes about the moment after which everything was different. If that gets your writer’s brain running like a hamster, this book’s for you.

    And in the GREAT BOOKS BY NICE FOLKS I KNOW category… Far Sickness, by writer/teacher/editor Joshua Mohr, who is a huge favorite among scribblers here on the Upper Left Coast. This slightly demented short novel—a collaboration with Josh’s ten-year-old daughter Ava—seems to live somewhere between the old Fractured Fairy Tales cartoons from the Rocky and Bullwinkle Show, and a Guillermo del Toro film, and this juxtaposition of innocence beside horror is only enhanced by Ava’s charmingly bloody illustrations. But underneath all of that is a heart-wrenching journey through the deepest kind of trauma and regret to somewhere resembling hope. Which is exactly what readers usually get from Josh’s work.

    That’s all for this year, folks. Remember, as Stephen King said…

    “Books are a uniquely portable magic.”

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    The Last Great Acid Trip

    Or how I won a footrace against a dog named Pig Pen

    ROY DUFRAIN JR

    Remember the Red River Valley

    A story, a drink, and a song

    ROY DUFRAIN JR

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    © 2024 Roy Dufrain

    Remember the Red River Valley

    A story, a drink and a song

    I was watching the movie based on Cheryl Strayed’s memoir Wild, and there’s this scene where a little boy with the sweetest voice sings Red River Valley to Reese Witherspoon. I hadn’t heard that song in I don’t know how long, and in an instant I was transported—in that way that a song can flip a switch and turn your mind (and your heart) into a four-chord time machine. Know what I mean?

    I was no longer a late-middle-aged man reclined on my couch watching Reese Witherspoon’s hit movie. I was eight or nine years old, and it was 1966 or 67. My older sister Debi and I were staying with our grandparents somewhere in Sacramento. I don’t remember why or for how long, yet I’m sure I could draw an accurate floorplan of the tiny one-bedroom bungalow they had. Memory is such a rickety contraption

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    The Red Shoebox Guitar

    Sting-Rays, Stratocasters, Beatle Boots and Destiny

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    Previously published by the Coachella Review. (thecoachellareview.com)

    Photo by Dima Dimax from Pexels

    On hot Saturdays the neighborhood men took refuge in their garages.

    They opened their garage doors and ran portable fans, and they turned up the Giants game on the transistor radios that sat on their workbenches. The men fixed things and made things and drank bottled beer out of old round-shouldered refrigerators. Wives and children were generally not invited.

    That summer of 1966, Bobby Highfill and I were both eight years old. Our mothers were forever shooing us out from under their feet and into the great outdoors, which in our corner of suburbia consisted of a few square blocks of housing tract and one dead-end street of undeveloped lots known to local kids as the Trashlands, where Bobby and I both served honorably in the Great Dirt Clod Wars of Concord, California.

    Another garage to which we were generally not invited belonged to Mrs. Chambers, a widow who seemed to always have her hair in curlers and parked her pale green Hudson Hornet by the curb and turned the garage over to her only child’s rock and roll band. Her son, Larry Chambers, was the lead guitarist, and my own uncle sang and played rhythm guitar.

    Uncle Art, my mother’s baby brother, lived with us on Cranbrook Way because he’d been kicked out by my grandparents for reasons my mother insisted I was too young to understand. He was seventeen years old, and he went to high school and drove a red Corvair and had a blonde girlfriend who wore pink lipstick and pointy sweaters. And he played guitar in a real working band that played dances all over the Bay Area and once opened up for Martha and the Vandellas.

    The band was called the Royal King’s Four. They played Top Forty fluff like Sherry by the Four Seasons and Sugar Shack by… whoever the hell did Sugar Shack. But, like every other cover band in the world in 1966, they were now learning Beatles songs as fast as they could.

    They rehearsed in Mrs. Chambers’ garage, usually in privacy, but when it was hot they would open the garage just like the neighborhood men. A small crowd would gradually form in the driveway, mostly teen girls in tight shorts with pastel blouses tied up in front to flash their soft, smooth bellies. Yes, even at eight I noticed how the girls were drawn to the music. But Bobby Highfill and I would wriggle our way through the girls to get a clear view of the band. Well, not the band so much as their instruments—more precisely, the guitars.

    The guitars were called Stratocasters, and they were magical. Mysterious chrome knobs and complicated hand movements controlled the sounds that traveled across the wires and erupted from the amplifiers as sparks of music. The guitar my uncle played was painted like a flame, and Larry’s guitar was black as his bad-boy pompadour. When the band took a break, the Stratocasters were laid down in cases lined with gold velvet, where they waited for their masters like swords locked in stone.

    It’s possible to want something so much that you don’t dare ask for it or even speak of it, for fear of the hole that a no would leave in your heart.

    And yet, someone noticed.

    It was one of those hot Saturdays, and Bobby and I were pedaling our Sting-Rays homeward after another glorious battle in the Trashlands, when we heard his father’s whistle on the wind. I’ve never been able to whistle like Mr. Highfill. My sister learned to do it, but I never could. He had one of those two-finger whistles that you heard from blocks away and recognized as a command. We pedaled harder.

    When we arrived at Bobby’s house, Mr. Highfill stood in the driveway, arms crossed. The garage door was open. He was a balding man in khaki slacks and a short sleeve button-down shirt. I’m not sure I ever knew what he did for a living—sales I think, but of what I have no idea.

    We skidded to a stop and dropped our bikes on the front lawn. Without a word, Mr. Highfill turned and, with a wave of his arm, invited us into the garage. We followed numbly beyond the raised door, into the inner sanctum, where the fan whirred and the refrigerator hummed and the fluorescent light sputtered. The live smell of fresh sawdust and the sweetness of paint hung in the warm air.

    Mr. Highfill took something off the workbench and bent down to lay it in my arms. It was my first guitar—handmade from the finest materials available in the closets and garages of suburbia: a Keds shoebox for the body; a plywood neck, nails for string pegs and four industrial-strength rubber bands for strings. The plywood was marked with thin stripes of brown paint to represent frets. The shoebox body of the guitar was spray-painted cherry red and decorated with golden musical notes rendered in glitter and Elmer’s glue.

    It was the most beautiful, most inspiring thing I had ever touched.

    My own father often said that I was old before my time. I was an oddly serious kid, frequently reading deep meanings in the tea leaves of my young life, and in my restless mind the red shoebox guitar foretold something momentous and inexorable. Of course, Bobby received a matching guitar, and I decided right then that we were manifestly destined to embark on a career as a performing duo.

    But first, we needed a repertoire.

    A year before, when I was seven, my favorite Beatle was Paul—you know, the cute Beatle. I liked John too, but he was merely the clever and cheeky Beatle. Some would say he was actually a smart-aleck punk overflowing with attitude. Then, at a certain point, it became clear that John was something more—he was the troubled Beatle.

    It became clear with the song, Help! It was one of the first Beatles records with lyrics that were noticeably more complex and interesting than “I want to hold your hand” or “She loves you, yeah yeah yeah.” I didn’t understand my reaction consciously at all, but I was drawn to it immediately. (Like I said, an oddly serious kid.) Forever after, my favorite Beatle was John—the Beatle with inner demons.

    Bobby and I spent most of that Sunday in my bedroom with a portable phonograph, a notepad, and the 45rpm record of Help! By day’s end, we had the vocals down cold… okay, we had the vocals down lukewarm.

    Next, we needed outfits.

    All the big bands wore matching outfits. The Beatles had shiny blue-gray suits with collarless jackets and black leather boots. The Beach Boys had striped shirts. Every band on TV matched—except for those hoodlums, the Rolling Stones. Even the Royal King’s Four had matching suits and skinny ties and boots like the Beatles.

    Bobby and I had seen pictures of the Beatles wearing turtleneck sweaters, and we each had red turtleneck shirts. We’d seen the Royal King’s Four wearing their jeans “pegged” at the bottom, and we bothered our mothers into doing the same to ours. But we still needed that final touch.

    We needed the boots.

    I don’t know how Bobby got his Beatle boots, but I had my aunt to thank. It happened when I was dragged along on a shopping trip with Aunt Irene and my mother. My two older sisters could be left on their own for the entire day, but I could not be trusted to the same degree.

    The shopping itinerary included Kinney Shoes. The ladies inspected pumps and flats and sandals and kept the salesman busy measuring their feet and helping them with try-ons. I posted myself at the display of kid-size Beatle boots, and I didn’t move. I didn’t say anything. I just stayed and stared in a trance of longing. Like all mothers, mine was adept at tuning out her children when convenient. And my Aunt Irene was not a sucker for a child’s dreamy yearning. She was a woman with both the posture and character of a straight-backed chair. But, to my surprise and relief, she became my benefactor. “Will you buy the damn shoes already,” she said to my mother. “I can’t stand to look at him anymore.”

    Now, all we needed was an audience.

    Our first (and only) paying gig was something of a guerrilla performance. We were not, per se, invited to perform in Mrs. Chambers’ driveway. However, it was conveniently located within our limited touring radius, being just down the street from my house on Cranbrook Way.

    We showed up on a Tuesday afternoon unannounced, looking sharp in our matching turtlenecks, pegged jeans and Beatle boots. The garage was open and the Royal King’s Four were practicing. A crowd of four or five girls loitered on the concrete, popping their gum, looking out cooly from under long bangs. We waited for the band to take a break, then we stepped out front with our matching shoebox guitars.

    Our setlist for this engagement consisted of Help!… followed, of course, by an encore performance of Help! In the showbiz vernacular of today, we killed. We were paid a whole quarter each by the fawning Mrs. Chambers and every member of the band. The teen girls squealed and said “Aww, so cute.” One of them tousled my hair.

    Being an oddly serious kid, I quickly invested most of my fortune in literature. Batman, Superman, Richie Rich, Little Archie. Comic books were twelve cents apiece then, three for a quarter. I’ve since performed for less satisfying payment on more than a few occasions.

    I didn’t yet know that the summer of ‘66 would be my last on Cranbrook Way.

    My father was fed up with the Bay Area rat race, especially some of the rats in charge. He found a new job in a small town by a big lake in the distant hills of Northern California. The Royal King’s Four broke up when Uncle Art joined the army. On our last day in Concord, Bobby came over to say goodbye and we took one last spin around the Trashlands on our Sting-Rays. Then my father added my bike to the pickup load while Bobby and I stood on the bright sidewalk and shook hands like men as tears slipped onto our cheeks.


    I found my second guitar under the Christmas tree in 1968—a three-quarter size Harmony acoustic from the Sears catalog. Classic sunburst finish, with a white plastic pick guard and a golden braided cord to use as a strap. I begged my parents for lessons at the local music store known as Bandbox Music. I was sure that Skip, the owners’ son, would turn me into a full-fledged guitar god in no time at all.

    After three weeks of one-finger chords and plinking out Twinkle Twinkle, I was hopelessly, irredeemably bored. Now I begged my parents to let me quit. But, thanks to those excruciating lessons, I wrote my first song in 1970, an instrumental I called Psychedelic Butterfly. By then I was twelve years old, the Beatles had broken up, and I was newly under the musical spell of Jerry Garcia and the Grateful Dead.

    I guess you’d have to say that Harmony acoustic was my first “real” guitar—certainly more real to the hands and eyes and ears. But perhaps not to the heart.

    My newest guitar is a beautiful all-mahogany Martin acoustic that cost more than many automobiles I’ve owned. But, every time I pick it up, some part of me is back at that garage on Cranbrook Way, keeping time with my Beatle boots and strumming that glittering red shoebox guitar.

    https://www.roydufrain.com/p/the-red-shoebox-guitar?r=kcikc&utm_campaign=post&utm_medium=web

    https://www.roydufrain.com/p/for-the-great-john-prine?r=kcikc&utm_campaign=post&utm_medium=web

     

    Roy introduced me to Baseball, and American Football. We saw a lot of basebal games on TV at the Euclid House as well as SNL in its prime time seasons.  as well as 70’s classic TV shows.

    THE YEAR OF TWELVE SONGS is my latest music project. Some of you got a preview recently, with an all-acoustic version of a song called Finish Strong. Now I’m sharing a new version with added instruments and my efforts at sound production. Plus some backstory and something sort like old-fashioned liner notes (remember those?). I plan to do this with a different song every month and hopefully learn a lot in the process. Check it out with the link below and let me know what you think.

    Roy Dufrain Jr.

     

  • Yet More Music By Gary Noland

    Yet More Music By Gary Noland

    Yet More Music By Gary Noland

     

    (5) Gary Noland _ Facebook

    Composergarynoland – Composition Lessons, Music, Piano

    gary noland
    gary noloand cartoon

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

    Gary Noland Music Updates

    More Gary Noland Music

    Gary Noland’s Music Updates

    Gary Noland is a friend I have know for more than 50 years. He writes music in a distinctive style. Well worth listening to.

    You can listen to his music on Sound cloud or You Tube.

    https://soundcloud.com/gary…/sets/bearded-avatar-goyles

    https://soundcloud.com/gary-noland/old-boston-for-piano… My OLD BOSTON for piano, Op. 116, No. 18 from my 20 COVIDITTIES (2020). Listen and enjoy!

    https://soundcloud.com/…/sets/resting-on-ones-quarrels-and The Pimpleton Procrasturbation Ensemble performs RESTING ON ONE’S QUARRELS.

    ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME performed by The Pimpleton Procrasturbation Ensemble.

    ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME, Op. 139, No. 6
    THE PIMPLETON PROCRASTURBATION ENSEMBLE performs ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME, Op. 139, No. 6, by GARY LLOYD NOLAND (October 19th, 2022). For more information on the composer, pleas
    My WHIPPING THE NIGHT ORGASTIC performed by the Pimpleton Procrasturbation Ensemble (January 25th, 2023): https://soundcloud.com/…/sets/whipping-the-night-orgastic
    UNBEARDED AVATAR-GOYLES, Op. 131, No. 5, performed by The Pimpleton Procrasturbation Ensemble. Enjoy!

    permafrost My TEEMING IMPERMAFROST, Op. 127, No. 6, performed by The Pimpleton Procrasturbation Ensemble.

    ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME performed by The Pimpleton Procrasturbation Ensemble.

    ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME, Op. 139, No. 6
    THE PIMPLETON PROCRASTURBATION ENSEMBLE performs ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME, Op. 139, No. 6, by GARY LLOYD NOLAND (October 19th, 2022).

    My WHIPPING THE NIGHT ORGASTIC performed by The Pimpleton Procrasturbation Ensemble.

    https://soundcloud.com/…/thank-heavens-it-was-only-a… My latest piece: THANK HEAVENS IT WAS ONLY A DREAM! WAIT, WHAT? performed by The Pimpleton Procrasturbation Ensemble (January 26th, 2024)—enjoy!

    I am pleased to present this brand new recording of pianist MYRNA SETIAWAN performing my GOLDEN GATE RAG, Op. 123 (1974, revised 2021): https://soundcloud.com/…/sets/golden-gate-rag-op-123-myrna

    https://soundcloud.com/…/sets/when-xmas-ornaments-go-rogue I made a pact with my Facebook friend, composer Allan Segall, to exchange titles for pieces. I provided him with a title and a new piece of his emerged within a day or two. With all the projects I have been involved in lately, it took me several months to fulfill my end of the bargain. I finally asked him for a title a couple weeks ago (on January 9th, 2024, to be precise) and he provided me with the title of this brand new piece (completed on January 23rd, 2024), which I am happy to include amongst a growing portfolio of holiday pieces. The Pimpleton Procrasturbation Ensemble (consisting of the composer and his five anagrammatic alter egos) performs WHEN XMAS ORNAMENTS GO ROGUE.

    https://soundcloud.com/gary-noland/th

    My latest composition: THERE’S NO THERE WHERE? performed by The Pimpleton Procrasturbation Ensemble (January 23rd, 2023): https://soundcloud.com/gary…/sets/theres-no-there-whereeres-no-there-where The Pimpleton Procrasturbation Ensemble performs THERE’S NO THERE WHERE?

    My recent CD album, ALEXANDER THEROUX SONGS & MUSICAL PORTRAIT is now available for purchase thru the following link: https://www.trepstar.com/purchase.asp?idprod=408300…

    https://soundcloud.com/…/four-heine-lieder-for-soprano Soprano Hayley Boggs and pianists Victor Hurgo Morales and Maryna Buksha perform my FOUR HEINE LIEDER, Op. 91. Enjoy!

     

  • guest blog by Douglas Richard Colthurst

    guest blog by Douglas Richard Colthurst

    Guest Blog by Douglas Richard Colthurst

    Cosmos Reading List 2022 Final Updates

    This is my first guest blog piece.  I got to know Douglas’s work through Fan Story.  I will be posting from time to time other guest posts from my Fan Story, Writing Com, and other writing groups.  I hope you enjoy his work as much as I have.

    Bio

    Douglas Richard Colthurst was born in 1955 on a farm in Cabery, a tiny town in central Illinois. Received a Bachelor’s in Biology from the University of Illinois at Urban-Champaign and a Doctorate in Dentistry from the University of Illinois at Chicago (I think?). 

published dentist with prison dentistry experience published poet and amateur painter novice wine sommelier comic book collector bilingual in English and German amazing father –  bowler, golfer, chef motorcycle license, and Harley owner

    You can contact him at

    Douglas Colthurst <colthurstdouglas74@gmail.com>
    colthurstdouglas@gmail.com>

    And see his portfolio at https://fanstory.com/myportfolio.jsp?userid=360707

    Victor Touche ? A 59-plus eight-year imposition on this planet. Who…. always wanted to slow down, explore the other side of his brain, and amount to something other than a paycheck. Of course, the other side of me would argue paycheck first you dolt, there’s time for the other later. Ah well, as Jackson Browne once said, something like I wake up every day to the great compromise. I have a lovely daughter of 21. (senior college, (oh me, oh my). Which fulfilled and completed my life to a degree I shall be ever grateful for. As all of you parents know. Love to cook. Wine. Wine Cellar at last. Harley Davidson. Rebel. Always did resent authority.

    Setting the scene.

    The Walk

    hate standing in lines. But there I was, happy as a clam, standing in line; for a fake diploma. (The real one came later by mail.) But it did represent the culmination of four years of pure hell, dental school. Some people didn’t seem to mind it. But for most of us, it was a long grind. One must study continuously. This is interrupted only by eating, sleeping, and lab work. Seriously. I am not inviting sympathy. One’s time is simply occupied until graduation. I finally learned of shortcuts that many students knew, but it was too late to use them. And I don’t think I would have anyway, but that is for another story; my dental school experiences.

    Since there was no time to assess my coming work situation, I graduated needing a job, housing, and money. My parents still lived in a rural town in central Illinois. They had seen an advertisement in the local paper for a dentist at Pontiac Maximum Security Prison. What? As in, what was I thinking? I know. I thought the same thing. I mean the same thing. But I could earn a little money, live with my parents, and buy a car. You know, start living.

    I interviewed and unfortunately got the job. Now, this was done by an “administrative company,” responsible for hiring all the healthcare professionals for Illinois’ prisons. This is pertinent because before, each dentist contracted with the state. This may not seem significant. It didn’t happen to me either. But, oh boy, was it ever. The only thing that matters in prison is power. Yeah, to be sure, the prisoners are in a stark Darwinian experiment. Yes, but all that matters to the guards is power. And to the multiple wardens. Think I exaggerate? Read on, gentle reader. So the dentist before me was there for some thirty years. And he had his self to answer to. I didn’t realize how irritated the wardens were with this setup. Petty? Absolutely. But we’re just getting started. Turns out there was a lot of built-up, pent-up resentment over the dental area not being under the direct control of the prison officer hierarchical system. Guess what? I wasn’t informed of all the myriad political land mines I was soon to step on. I firmly believe if I had listened only to the advice from my administrators, I wouldn’t be alive today.

    So I pull into the prototypical gravel parking lot at 7:30 AM. Pontiac was one of my old stomping grounds from high school. Quik’s was still there. Used to polish up the car or pick-up truck and drive around Quik’s. Over and over until we almost lost our minds. Cruisin’. Yep, we used to cruise Quik’s for hours. Good burgers. Probably not, but hey, we were teenagers. Big parking lot. Multiple lots for several businesses. All shut down after five or on weekends. Cruise, check out chicks. Repeat, ad infinitum. Once every hour or so, a new set of mounds bounced around. Gas was thirty cents a gallon. Gear heads. Pot heads. A little head now and then just to get by. Never got in trouble. Don’t know how.

    Oh yes, the Pontiac Prison gravel parking lot. Cool morning. The crunch of old familiar sounds as I stepped out onto the gravel. Almost brought a subconscious recognition of fear. The only time we heard those sounds, (of crunching gravel beneath our feet), was getting out of a car for a fight or a friend. I looked towards the prison.

    Simple barbed wire outer fence, with a small guard house. Grass lay after this for twenty feet or so, and then the administrative complex which housed everything, basically, except the prisoners. Long and rectangular, looked like a school. Ran the entire north side of the prison complex. Enter through glass doors and then proceed ten feet to the oldest, biggest, most intimidating steel gate that I had ever seen. Auguste Rodin’s “Gate of Hell,” without the ornament. Just swung grudgingly open momentarily, before slamming shut momentously on those huge groaning hinges. Shut. Silence, every time. For a moment, just made one reflect on the “end.” Period. Never have had quite the same feeling about gates since. Shudder, groan, goodbye is all they ever said.

    As I said, just stepped out onto the dewy morning gravel. A new day. A new life. Whoa there, cowboy, probably not what was said on the “inside,” eh? I have tried to tell people about this…” feeling” one notices emanating from Pontiac Prison. No one pays much mind until you’ll be going in. Ancient. Evil. Stark. Mania. Insanity. Loneliness. Despair. Hopelessness. A forever feel to these piled up, reeked up, soiled up rock confines. One feels the cement used is from Roman times. Filth, eking out of this place and contaminating you as you watched, mesmerized. Yes, I know. My assistant used to laugh at my exaggeration of these elements in the story of Pontiac. Till I took her there one day. Parked in the old gravel parking lot. Saw her laughs turn to that first recognition of fear.

    “Maybe we should go,” she said.

    “Why? We just got here. Come on, get out and take a look. Wanna go in?”

    She just shuddered and got back in the car. We talked about it later. She wasn’t laughing. She also felt that creeping nausea, that evil reach out to…
    Yep, that’s Pontiac alright…the parking lot.

    So, here I was on my first day. Boots on the gravel. Built like the proverbial “Brick …. House.” No, I’m not kidding. Thought I should mention this. It’s from dental school and the sick environments created there. But applies here too. Helps almost anytime, anyplace, as far as I can figure. Now, I wasn’t going in here to prove my manhood or fight or anything like that. Just the same, Darwinian is Darwinian. Went to the little gatehouse.

    “Hi,” the guard said. The guards get, and security in general gets, progressively surlier as one goes inside and/or their rank goes up. Not that the guards treated me badly, they didn’t.

    “Hi, uh, I’m new…”

    ” Dentist, aren’t you? Yes, I can see that.”

    He may not have even asked me for ID, after all, what were the chances some young punk would come here on the day the new dentist was, and falsely announce himself? Also, I don’t believe they ever searched for me. It was a courtesy. They may have once for a lockdown.

    “Just check in at administration. They’ll take it from there.”

    Walked up about twenty feet, went through the administrative-looking doors, and voila, instant prison life. Like switching on a light. Someone young, or white, stands out. Period. You better hope you’re standing out because you are NOT in prison blues. Just stopped to catch my breath.

    “Who you think you lookin’ at? Huh? You better get your pearly white back up the hall where it belongs. Fish.”

    “Ahem, me?”

    “Yea, YOU. Who the hell you think I talkin’ to?”

    A guard appears, “Alright Marcus, ain’t you s’posed to be somewhere? Best be gettin’ there.”

    Guard: “Can I help you, sir?”

    “Uh, yes, looking for administration?”

    “Healthcare or Prison?”

    “Healthcare.”

    “Right around that corner. You the new dentist?”

    “Yes, yes, that’s right.”

    As I rounded the corner I couldn’t help peeking into the room where the inmates made their phone calls or met with people and visitors. Just pure chaos. Boyfriend arguin’ with a girlfriend.

    “You know I didn’t. You tell Jackie his ass be mine.”

    And so on. And then I ran into that big fake smiling face I had seen so many times in the salesmen who frequented my father’s hardware store. The typical, seedy, untrustworthy, lyin’ when I can, and then some, the face of my immediate superior in the health administration. A job with little beginning and similar education, and soon representing nothing to me but a pain in the ass. I just wish I wasn’t always right on these matters.

    “Hello, you must be Victor.”

    “Uh, yes, you just interviewed me, remember?”

    “Oh, yes, of course, I do. We’re just excited to have you join us and start your career, aren’t you?”

    “Yes, about that. I don’t have my license back from the state yet. It’s just procedural, but don’t you think I should have it?”

    “Oh, don’t worry about it. You’re under our malpractice umbrella.”

    Now, at this time, I was so naive, I thought if he says so, it must be alright. Fortunately, my license arrived that week and all was well.

    “I think all your paperwork has been signed. Now, do you remember where the dental clinic is?”

    “Sure.” I kind of half thought to myself.

    “Ok, already? Here we go.”

    He walks me back down the hallway, where this other prisoner is now back again looking at me with defiance. Then turns right to the “gate.” Tells the guard to open it, this is the new Doc. As I’m still travailing the length of the door upwards with my eyes, I vaguely recognize…

    “Do you need anything else?”

    I felt like I was just ready to go under anesthesia. Dreamlike. Then the guard slammed the ton gate closed and my world reverberated. Boom. Unimaginable stopping-retaining power. I shuddered for a moment. Was just going to say something to the guard when I noticed he was on the other side of the gate. I stumbled a little on the interior cement steps then caught my balance. Turned around into the sun. 8:15 AM. The yard. Full of prisoners mowing, clipping, hoeing, scything, (I kid you not) the grass. Maybe two or three hundred of them.

    ALL came to a dead stillness. Not a sound. Not a twitch of a muscle. Uh-huh? Well, this was a bad decision and I turned back for the gate. The guard just smiled. Ok, ahem…ahem, ahem. Wasn’t ready for this today. Just a simple little two-block walk to the dental clinic, through these boys. Now, you may think what you like, but every man knows intrinsically what’s going down here. I had NO doubts. Ladies, you’ll just have to believe me, there are certain moments in a man’s life that cannot be misinterpreted.

    Besides, I still had Ronnie R., in the tower to protect me. Yes, sir, he would shoot down any gang member trying to do me bad. If he got permission to load his gun. If he wasn’t looking the other way on purpose. Ronnie would level that gun and shoot a gang member to save me. Hahaha. Yes, it was a pretty good joke, on me. Ronnie would no more do this than…I don’t know what. He works there. Hello. Even if he quit that day, there would be a contract out on the street for him to be dead. And the best part about it was I knew Ronnie, from high school. Yep, he was our local drug dealer and all-around Charlie Manson look-alike. (And if you need a psychiatrist to tell you Charlie Manson’s crazy, you might as well ask your priest if it’s time for an affair.) Yes, sir, I was…screwed and tattooed.

    So I took a deep breath, let it out, took my Goddamned testosterone Superman pill, and started to walk a walk, I would remember for a very long time. See, this was about not showing fear. Believe me, ladies, I know what I say. These men could easily kill me, beat me, etc. But that wasn’t it now. Now was to see if the boy could walk the walk. Remember, I told you I was built like a brick shit house. And thank God for me, psychologically at least. These guys hadn’t moved a muscle since I came in. Some on the sidewalks. Some are on the grass. Leaning on hoes. Foot in my way. Chest in my way. You get it. Oh, by the way, the game is played like this: Must stay on the sidewalk. That’s where one would normally walk. Walking around or in the grass is a big mistake. Of course, walking into someone is a big mistake also. Therein lies the crux.

    I walk down the few remaining steps to the yard. No movement but the eyes. They follow me. Test me. Judge me. Dare me. I come up to the first man who is in my way, partly, on the sidewalk. I’m getting pissed off. This helps me. I know where I am, but this intimidating, bully-stuff never set well with me. So, I mumble an excuse me, and do a combo go around (a little), push him away,(a little), and stare at him, (a little.) He says nothing, but there is no retaliation. This goes on in several similar confrontations, but mostly “eye fu..ing” as they say. Although one guy just had to not move and I was forced to push a little more than I wanted. You don’t push as much as take your shoulder and bump him out of the way. I thought things had been going well. One block-two hours. It seemed. Then this guy, and I thought there would be a little trouble. (uh, yeah…I accidentally knocked him over), (oh, BTW, that’s a no-no).

    But who should come to my rescue at that opportune moment? Ronnie R? No, even better. The cell blocks were just huge. All cement. Facing the yard, all one could see was oblong filth. The one I currently was in front of was like that. Complete silence still. Then a BOOMING BIG BLACK VOICE rang out from the empty cement cell block…

    “Hey, hey…I know what you need boy. (Just reverberating and booming in the silence.) You need someone that’s been locked up for a LONG time. Hey, hey.”

    Oh yeah, that just made my cracker-ass day. Then all hell broke loose. Everybody cat-callin’. Whistlin’ what a nice ass I had. You get it. To the clinic. Everybody was laughin’ now.

    Uh-huh? First-day jitters? Tell me about it.

    Casablanca

    And you flick another ash-
    mesmerized,
    her stockings pass.

    Stockings so seemed
    hands in your hair,
    tears…
    not really there.

    Shoes
    just for you…

    Hmm, perhaps
    another glass,
    another year,
    another lass.

    The memory,
    alive again…
    another chance-

    hands in your hair,
    you flick another ash.

    Jimmy Keane

    Played professional football,
    the forties, our beloved Bears.
    Big bear, big hands.

    Sweet, broke man.
    Not broken,
    just broke.

    Entertaining.
    Stories…
    oh, the stories he could tell.

    Best “hrmmph” I ever heard.

    Charm-when he wanted to-
    I’ve never seen better.
    Golf hustler,
    big, life-filled laugh.

    Truly, a man’s man.

    Memories-
    oh, to access them.
    He drifted in and out
    of memories, reality,
    at the end.

    Random brain perfusion?
    Dilaudid induced delusion?

    We all have perfect memory.
    Of this, I’m sure-
    just can’t access it.
    But we will,
    someday we will.

    Dilaudid,

    the dear medical establishment,
    induces random, multiple
    memory trails-not delusions.

    The patient actually gets
    a whiff of…
    eternity,
    peace,
    ecstasy.

    He reached out for me,
    tubes an’ all-
    my little hand
    and his big paw.

    Let me part
    with a little something
    we men, can’t admit.
    I loved this man.

    Try holding the hand
    of someone passing.
    It doesn’t get
    any more real,
    than this.

    The ignorance,
    lifted from your shoulders,
    is almost worth…
    What you miss

    Whenever you said something to him, or reprimanded him,
    (ha ha), all he ever said was-” Ok, Coach.”

    placed in storage

    Closet Bound

     

    Before the full length mirror
    stands the reflection of
    pressing matters.

    Parasitic woman
    presses her dresses,
    lays them in boxes
    alongside her letters.

    Pretty, pretty closets
    stacked full of dreams,
    and the empathy she lacks.

    Sees her future
    much clearer
    through crystal
    liquored glass.

    Parasitic woman
    presses her dresses,
    leaving her messes
    lay.

    From yesterday and before,
    it’s been forever for
    an arm to reach
    the children
    and not the glass.

    Languid mirror
    of narcissistic visions
    without means…

    Still, she presses on.

    The End

     

     

     

     

     

    Innocence must pass

    An Easel and A Quay

     

    My measured stroke seems smaller,
    but quicker by same measure.

    An innocence long squandered,
    as innocence must be.

    Unrolled another canvas
    and sat a new study.

    I thought perhaps she liked me,
    her legs she moved with ease.

    I began,
    but quickly saddened.
    Still, I painted
    the picture bound to be.

    An innocence so brilliant,
    colours that touched her,
    my hand just seemed to know.

    I paid her rather quickly,
    she asked if she could see.

    I smiled but said, “Come later,
    much later in the day.”

    Brushes against the easel…
    the paint had its way.

    Her innocence, those colours,
    splattered across the canvas,
    and tracked the quay.

    I walk a path familiar

    as I see her up the way.,

     

    This piece is fictional.
    Figurative, and fumbling. LOL

     

  • Famous Deaths 2000-2022

    Famous Deaths 2000-2022

    Famous Deaths 2000-2022

    We have lost so many great artists lately

    Stuart Woods RIP

  • Stuart Woods RIP

    Stuart Woods RIP

    Stuart Woods RIP

    Guilty Pleasures – the Novels of Stuart Woods

    https://www.stuartwoods.com/

    https://en.wikipedia.org/wiki/Stuart_Woods

    One of my favorite writers is Stuart Woods. Boy, can the dude pump them out!  In the last count, he has written over 80 books almost all of the best sellers and he has been pumping out one to two a year since he first got published in the late ’70s.

    He died this week at age 83.  He wrote over 90 books in his life and I have read most of them.

    He started out writing “Chiefs” which became a movie as well.  The main character is a police chief in a small town in Georgia.  The character reappears in many later novels, eventually becoming a two-term president, and in town, Delgado also appears as a place in many of his later novels.  Most of his novels are set in NYC, Maine, Key West, Los Angeles, and Santa Fe, New Mexico.

    Most of his books feature the exploits of Stone Barrington, an NYC high-society type who is a James Bond-like character.  He is a retired NYC cop, a lawyer, a real estate investor, a part-time CIA agent, and a player with many love interests.  He is also best friends with three presidents and the not-so-secret lover of the current President. He introduced me to Knob Creek bourbon which is now one of my favorite bourbons, and he is also partial to Martinis-made James Bond style.

    In this alternative universe, the President serves two terms, his wife serves two terms, and her secretary of State is elected President. Stone is friends with them all.

    Stone’s best friend is Dino Bachetti, his old NYC homicide partner who became NYC Police Commissioner and helps Stone out officially and unofficially over the years.  He has had a lot of love interests including Holly Barker who was a former secretary of state and president.

    Another recurring character is Ed Lee who is a friend of Stone who lives and works out of Santa Fe New Mexico.  Ed Lee is a 6’8 former college basketball player who becomes an attorney.

    My only criticism is that his books are very formalistic.  At some point, someone is going to be able to program a computer to write novels and his novels would be a great place to start because I am sure that a computer could generate believable Stone Barrington novels.  Having said that, his novels are still enjoyable.

    He has written a few non-Stone Barrington novels stand-alone novels. One I enjoyed recently was Palindrome which is a psychological thriller set on an island off the South Carolina coast. Written in the mid 90’s I believe.

    I often start a novel of his while waiting around in the PX for my wife to finish up, and throughout several visits, often finish the novel.

    The following is a list of his novels, I bolded the ones I have read. One of my bucket list reading goals is to finish reading all of his novels, including the last two coming out this fall..

    The list

    Stuart Woods   BOLD read

    Stuart Woods Books in Order

     Publication Order of Stone Barrington Books

    New York Dead (1991) Hardcover  Paperback  Kindle
    Dirt (1996) Hardcover  Paperback  Kindle
    Dead in the Water (1997) Hardcover  Paperback  Kindle
    Swimming to Catalina (1998) Hardcover  Paperback  Kindle
    Worst Fears Realized (1999) Hardcover  Paperback  Kindle
    L.A. Dead (2000) Hardcover  Paperback  Kindle
    Cold Paradise (2001) Hardcover  Paperback  Kindle
    The Short Forever (2002) Hardcover  Paperback  Kindle
    Dirty Work (2003) Hardcover  Paperback  Kindle
    Reckless Abandon (2004) Hardcover  Paperback  Kindle
    Two Dollar Bill (2004) Hardcover  Paperback  Kindle
    Dark Harbor (2006) Hardcover  Paperback  Kindle
    Fresh Disasters (2007) Hardcover  Paperback  Kindle
    Shoot Him If He Runs (2007) Hardcover  Paperback  Kindle
    Hot Mahogany (2008) Hardcover  Paperback  Kindle
    Loitering with Intent (2009) Hardcover  Paperback  Kindle
    Kisser (2009) Hardcover  Paperback  Kindle
    Lucid Intervals (2010) Hardcover  Paperback  Kindle
    Strategic Moves (2010) Hardcover  Paperback  Kindle
    Bel-Air Dead (2011) Hardcover  Paperback  Kindle
    Son of Stone (2011) Hardcover  Paperback  Kindle
    D.C. Dead (2011) Hardcover  Paperback  Kindle
    Unnatural Acts (2012) Hardcover  Paperback  Kindle
    Severe Clear (2012) Hardcover  Paperback  Kindle
    Collateral Damage (2012) Hardcover  Paperback  Kindle
    Unintended Consequences (2013) Hardcover  Paperback  Kindle
    Doing a Hard Time (2013) Hardcover  Paperback  Kindle
    Standup Guy (2014) Hardcover  Paperback  Kindle
    Carnal Curiosity (2014) Hardcover  Paperback  Kindle
    Cut and thrust (2014) Hardcover  Paperback  Kindle
    Paris Match (2014) Hardcover  Paperback  Kindle
    Insatiable Appetites (2015) Hardcover  Paperback  Kindle
    Hot Pursuit (2015) Hardcover  Paperback  Kindle
    Naked Greed (2015) Hardcover  Paperback  Kindle
    Foreign Affairs (2015) Hardcover  Paperback  Kindle
    Scandalous Behavior (2016) Hardcover  Paperback  Kindle
    Family Jewels (2016) Hardcover  Paperback  Kindle
    Dishonorable Intentions (2016) Hardcover  Paperback  Kindle
    Sex, Lies & Serious Money (2016) Hardcover  Paperback  Kindle
    Below the Belt (2017) Hardcover  Paperback  Kindle
    Fast and Loose (2017) Hardcover  Paperback  Kindle
    Indecent Exposure (2017) Hardcover  Paperback  Kindle
    Quick & Dirty (2017) Hardcover  Paperback  Kindle
    Unbound (2018) Hardcover  Paperback  Kindle
    Shoot First (2018) Hardcover  Paperback  Kindle
    Turbulence (2018) Hardcover  Paperback  Kindle
    Desperate Measures (2018) Hardcover  Paperback  Kindle
    A Delicate Touch (2018) Hardcover  Paperback  Kindle
    Wild Card (2019) Hardcover  Paperback  Kindle
    Contraband (2019) Hardcover  Paperback  Kindle
    Stealth (2019) Hardcover  Paperback  Kindle
    Treason (2020) Hardcover  Paperback  Kindle
    Hit List (2020) Hardcover  Paperback  Kindle
    Choppy Water (2020) Hardcover  Paperback  Kindle
    Shakeup (2020) Hardcover  Paperback  Kindle
    Hush-Hush (2020) Hardcover  Paperback  Kindle
    Double Jeopardy (2021) Hardcover  Paperback  Kindle
    Class Act (2021) Hardcover  Paperback  Kindle
    Foul Play (2021) Hardcover  Paperback  Kindle
    Criminal Mischief (2021) Hardcover  Paperback  Kindle

    Publication Order of Holly Barker Books

    Orchid Beach (1998) Hardcover  Paperback  Kindle
    Orchid Blues (2001) Hardcover  Paperback  Kindle
    Blood Orchid (2002) Hardcover  Paperback  Kindle
    Reckless Abandon (2004) Hardcover  Paperback  Kindle
    Iron Orchid (2005) Hardcover  Paperback  Kindle
    Hothouse Orchid (2009) Hardcover  Paperback  Kindle

    Publication Order of Ed Eagle Books

    Santa Fe Rules (1992) Hardcover  Paperback  Kindle
    Short Straw (2006) Hardcover  Paperback  Kindle
    Santa Fe Dead (2008) Hardcover  Paperback  Kindle
    Santa Fe Edge (2010) Hardcover  Paperback  Kindle

    Publication Order of Herbie Fisher Books

    Barely Legal(With Parnell Hall) (2017) Hardcover  Paperback  Kindle

    Publication Order of Rick Barron Books

    The Prince of Beverly Hills (2004) Hardcover  Paperback  Kindle
    Beverly Hills Dead (2008) Hardcover  Paperback  Kindle

    Publication Order of Teddy Fay Books

    Smooth Operator(With Parnell Hall) (2016) Hardcover  Paperback  Kindle
    The Money Shot(With Parnell Hall) (2018) Hardcover  Paperback  Kindle
    Skin Game(With Parnell Hall) (2019) Hardcover  Paperback  Kindle
    Bombshell(With Parnell Hall) (2020) Hardcover  Paperback  Kindle
    Jackpot(With Bryon Quarterboys) (2021) Hardcover  Paperback  Kindle

    Publication Order of Will Lee Books

    Chiefs (1981) Hardcover  Paperback  Kindle
    Run Before the Wind (1983) Hardcover  Paperback  Kindle
    Deep Lie (1986) Hardcover  Paperback  Kindle
    Grass Roots (1989) Hardcover  Paperback  Kindle
    The Run (1995) Hardcover  Paperback  Kindle
    Capital Crimes (2003) Hardcover  Paperback  Kindle
    Mounting Fears (2008) Hardcover  Paperback  Kindle

    Publication Order of Standalone Novels

    Under the Lake (1986) Hardcover  Paperback  Kindle
    White Cargo (1988) Hardcover  Paperback  Kindle
    Palindrome (1990) Hardcover  Paperback  Kindle
    L.A. Times (1993) Hardcover  Paperback  Kindle
    Heat (1994) Hardcover  Paperback  Kindle
    Dead Eyes (1994) Hardcover  Paperback  Kindle
    Imperfect Strangers (1995) Hardcover  Paperback  Kindle
    Choke (1995) Hardcover  Paperback  Kindle

    Publication Order of Non-Fiction Books

    Blue Water, Green Skipper (1977) Hardcover  Paperback  Kindle
    A romantic’s guide to the country inns of Britain and Ireland (1979) Hardcover  Paperback  Kindle

    AI Program Writes Stone Barrington Book

    I have often thought that someday an AI program will be able to write an effective thriller.  I write to Stuart Woods and IBM proposing a challenge.

    Big Blue and Stuart Woods would both write a Stone Barrington novel.  A jury of readers and critics would read the result and determine which one was the computer version and which was the human version.

    Stuart Woods took the challenge and IBM big blue went to work.  IBM won the contest as the jurry thought the computer version was better.

    About Stuart Woods:

    Stuarts Woods is an American novelist. He was born in Georgia in 1938, and died in August, 2022. He graduated from the University of Georgia in 1959. He then enrolled in the National Guard before moving to New York to start a career.

     

    He then moved to London and spent a further 3 years working in advertising before deciding that he wanted a change and he began writing his first novel. It is at this time that he decided to move to Ireland where he lived a solitary lifestyle, only leaving his home to make money writing adverts for local television.

    SailingWoods moved to Ireland in the 70s and this was where he fell in love with sailing. He spent many years competing in sailing competitions and learning how to be a better sailor. He finally bought his boat when his grandfather died and left him some money, so he could afford it. It was then that he took sailing more seriously and spent most of 1974 learning more about sailing.WritingWoods began writing about his experiences in his yacht races and he published 1977, the book Blue Water, Green Skipper. It seemed like he had found an ideal career based on the thing he loved most, sailing.Changing PlansHis second book was supposed to be about another boat race that he was due to take part in, but the race was canceled due to inclement weather, so he decided to drive around the UK and write a book about his adventures in the county inns.ChiefsWoods then went on to write his first novel called Chiefs. He made the mistake of selling the book to publishers unfinished because he thought he would have gotten a lot more for it had he waited until the book was finished.Norton was the company to publish the hardback, but he felt like the company let him down because they didn’t do much to promote the book. He then contacted Bentham Books, who published the paperback and it was much more successful.Charlton HestonIn 1983, the book was made into a tv series starring Charlton Heston and Danny Glover. It was aired by CBS over three nights and it ended up being nominated for three Emmy Awards.The popularity of the tv show meant that more people wanted to read the books and there was renewed interest in the paperback version of the books Woods won the Edgar Award for the Best First Novel.Series Over StandalonesWoods is one of those authors who are more focused on the series of novels over the standalone. His most popular series is the Stone Barrington Novels. He has just released his 27th novel in the series and he has written 3 more novels, which are set to be released in 2014.Who is Stone Barrington?Stone Barrington is a counsel for a law firm. After he finished college, he joined the police and served 14 years on the force. He left after disagreeing with his superiors and then got a job with the law firm. The novels tell the story of his exploits so far.In the Stone Barrington novels, Woods is often congratulated for getting the law procedures correct when he has no background in law himself. It is noticed a lot and one fan asked how he gets it all right. He indicates that he is a massive fan of law procedurals such as LA Law and Law & Order, so gets all of his knowledge from there. He has made a few friends who are Lawyers, so if he gets anything wrong, they tell him.Holly BarkerHolly Barker is a character in another series of books that he writes. She is an ex-army officer and navy brat. She left the army because of a sex scandal and she has to learn how to live a civilian life. She begins her new life as the Chief of Police and she learns just how dangerous her new life is.Even though Woods has written several series, which focus on the life of a single character, the characters from each of the novels do crossover into other series. For example, Stone Barrington appears in the second Holly Barker novel and he also appears in the second novel of the Rick Barron novels.Rick BarronThe Rick Barron novels are only two books deep at the moment. Rick Barron was a police detective and he was demoted after a run-in with a higher officer. He gets the job as security for Centurion Pictures but finds himself in the middle of a double murder case in the period that is said to be the golden age of Hollywood cinema.The first Rick Barron novel, The Prince of Beverly Hills, was meant to be a standalone novel but Woods ended up writing a sequel after he was bombarded with emails from fans asking him to write another. He has no plans to write another at this moment in time.After Chiefs was made into a TV series, one of his other books was adapted for TV as well. Grass Roots was made into a TV series in 1993. Since then, no other books have been made for TV.Woods indicates that he would love it for his other books to be made into movies and if a director has read one of the books and wants to buy the rights, then he encourages the writer to get in touch with his agent.

  • Reading G Keith Chesterton

    Reading G Keith Chesterton

    Reading G Keith Chesterton

    GK CHesteron

    GK Chesterton

    Reading the Classics

    George Elliot Novels

    Cosmos’s Reading List 2021

    1001 Books to Read Before You Die List

    As some of you might know, I am reading the classics these days.  I picked a three-volume series called  “50 Books You Must Read Before You Die” (free Kindle classic collection item) and started with volume three, and the Harvard classic collection (also a free Kindle classic item).  I recently finished reading the Gilbert Keith Chesterton selections.  Specifically, I read the following four items.

    The Wisdom of Father Brown [Gilbert Keith Chesterton]
    – Heretics [Gilbert Keith Chesterton]
    – The Donnington Affair [Gilbert Keith Chesterton] another Father Brown story
    – The Innocence of Father Brown [Gilbert Keith Chesterton]

    He was a towering figure in British intellectual life – a social conservative who became a Catholic.  He was friends with George Bernard Shaw and HG Wells and engaged in spirited debates with both during his life.  He wrote over 80 books on a wide range of topics. He was described as a big man who was very absent-minded, leaving his wife to take care of most mundane things.  I can relate to that.

    Reading these selections, particularly the three Father Brown selections from the viewpoint of the early 21st century, presents some challenges.  Like most writers of his era -late 19th century -mid 20th century, his writing sounds very ablest, anti-Semitic, colonist, elitist, racist, and sexist.  Of course, a writer in that era would simply not recognize the ablest, anti-Semitic, colonist, elitist, racist, and sexist aspects of his work, nor would he or she particularly care.  So, I noted that and moved on.

    comments greatly appreciated.

    He is perhaps most famous for his Father Brown stories.  (i had heard of these stories a long time ago). There is a BBC mini-series based on these stories that I would love to track down and watch someday.  Father Brown is an interesting fictional detective.  He reminds me a bit of Hercules Perot of Agatha Christie fame, or perhaps a bit of Sherlock Holmes as well.  Father Brown is a Catholic priest in England who develops a reputation as an amateur detective as he solves cases through his superior analytical ability, as well as his thinking outside the box to use a more modern idiom.  He travels around England, and France often with his friend, Flambeau who is a French detective, whom Father Brown convinces to turn away from a life of crime and go straight.

    Each of the stories is both a stand-alone story and fits a larger narrative as the characters evolve through time.

    I suppose my favorites were

    “The Wrong Shape”, The Saturday Evening Post, 10 December 1910.

    “The Sins of Prince Sardine”, The Saturday Evening Post, 22 April 1911.

    The Hammer of God (as “The Bolt from the Blue”, The Saturday Evening Post, 5 November 1910.

    “The Eye of Apollo”, The Saturday Evening Post, 25 February 1911.

    “The Sign of the Broken Sword”, The Saturday Evening Post, 7 January 1911.

    “The Fairy Tale of Father Brown”

    My least favorite was

    “The God of the Gongs” – because the racism in this story is just too much to deal with. The main murderer is a half-African from somewhere in the US who is a fighter but is accused of being a member of a Voodoo cult.  They used the N-word throughout to describe him and his cult members.

    The complete list follows:

    . The Innocence of Father Brown, 1911

    “The Blue Cross”, The Story-Teller, September 1910; first published as “Valentin Follows a Curious Trail”, The Saturday Evening Post, 23 July 1910

    “The Secret Garden”, The Story-Teller, October 1910. (The Saturday Evening Post, Sep 3, 1910)

    “The Queer Feet”, The Story-Teller, November 1910. (The Saturday Evening Post, Oct 1, 1910)

    “The Flying Stars”, The Saturday Evening Post, 20 May 1911.

    “The Invisible Man”, The Saturday Evening Post, 28 January 1911. (Cassell’s Magazine, Feb 1911)

    The Honour of Israel Gow (as “The Strange Justice”, The Saturday Evening Post, 25 March 1911.

    “The Wrong Shape”, The Saturday Evening Post, 10 December 1910.

    “The Sins of Prince Saradine”, The Saturday Evening Post, 22 April 1911.

    The Hammer of God (as “The Bolt from the Blue”, The Saturday Evening Post, 5 November 1910.

    “The Eye of Apollo”, The Saturday Evening Post, 25 February 1911.

    “The Sign of the Broken Sword”, The Saturday Evening Post, 7 January 1911.

    “The Three Tools of Death”, The Saturday Evening Post, 24 June 1911.

    1. The Wisdom of Father Brown (1914)

    “The Absence of Mr. Glass”, McClure’s Magazine, November 1912.

    “The Paradise of Thieves”, McClure’s Magazine, March 1913.

    “The Duel of Dr. Hirsch”

    “The Man in the Passage”, McClure’s Magazine, April 1913.

    “The Mistake of the Machine”

    “The Head of Caesar”, The Pall Mall Magazine, June 1913.

    “The Purple Wig”, The Pall Mall Magazine, May 1913.

    “The Perishing of the Pendragons”, The Pall Mall Magazine, June 1914.

    “The God of the Gongs”

    “The Salad of Colonel Cray”

    “The Strange Crime of John Boulnois”, McClure’s Magazine, February 1913.

    “The Fairy Tale of Father Brown”

    The Incredulity of Father Brown (1926)

    (I have not read these stories, but might track it down someday, mainly to see how these stories differ from his earlier stories, as they were written after World War 1 and the previous stories were written pre-war).

    “The Resurrection of Father Brown”

    “The Arrow of Heaven” (Nash’s Pall Mall Magazine, Jul 1925)

    “The Oracle of the Dog” (Nash’s [PMM], Dec 1923)

    “The Miracle of Moon Crescent” (Nash’s [PMM], May 1924)

    “The Curse of the Golden Cross” (Nash’s [PMM], May 1925)

    “The Dagger with Wings” (Nash’s [PMM], Feb 1924)

    “The Doom of the Darnaways” (Nash’s [PMM], Jun 1925)

    “The Ghost of Gideon Wise” (Cassell’s Magazine, Apr 1926)

    1. The Secret of Father Brown (1927)

    (Also not read)

    “The Secret of Father Brown” (framing story)

    “The Mirror of the Magistrate”

    “The Man with Two Beards”

    “The Song of the Flying Fish”

    “The Actor and the Alibi”

    “The Vanishing of Vaudrey” (Harper’s Magazine, Oct 1925)

    “The Worst Crime in the World”

    “The Red Moon of Meru”

    “The Chief Mourner of Marne” (Harper’s Magazine, May 1925)

    “The Secret of Flambeau” (framing story)

    1. The Scandal of Father Brown (1935)

    “The Scandal of Father Brown”, The Story-Teller, November 1933

    “The Quick One”, The Saturday Evening Post, 25 November 1933

    “The Blast of the Book/The Five Fugitives” (Liberty Aug 26, 1933)

    “The Green Man” (Ladies Home Journal, November 1930)

    “The Pursuit of Mr. Blue”

    “The Crime of the Communist” (Collier’s Weekly, Jul 14, 1934)

    “The Point of a Pin” (The Saturday Evening Post, Sep 17, 1932)

    “The Insoluble Problem” (The Story-Teller, Mar 1935)

    “The Vampire of the Village” (Strand Magazine, August 1936); included in later editions of The Scandal of Father Brown

    1. Uncollected Stories (1914, 1936)

    “The Donnington Affair” (The Premier, November 1914; written with Max Pemberton)

    (read)

    “The Mask of Midas” (1936)

    Wiki Summation

    Gilbert Keith Chesterton KC*SG (29 May 1874 – 14 June 1936) was an English writer,[2] philosopherlay theologian, and literary and art critic. He has been referred to as the “prince of paradox“.[3] Time magazine observed his writing style: “Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.”[4]

    Chesterton created the fictional priest-detective Father Brown,[5] and wrote on apologetics. Even some of those who disagree with him have recognized the wide appeal of such works as Orthodoxy and The Everlasting Man.[4][6] Chesterton routinely referred to himself as an “orthodox” Christian and came to identify this position more and more with Catholicism, eventually converting to Roman Catholicism from high church Anglicanism. Biographers have identified him as a successor to such Victorian authors as Matthew ArnoldThomas CarlyleJohn Henry Newman, and John Ruskin.[7]

    For more information see the following sites

    en.wikipedia.org › wiki › GG. K. Chesterton – Wikipedia

    1. K. Chesterton (2nd cousin) Signature. Gilbert Keith Chesterton KC*SG (29 May 1874 – 14 June 1936) was an English writer, [2] philosopher, lay theologian, and literary and art critic. He has been referred to as the “prince of paradox “. [3]

    Alma mater: Slade School of ArtUniversity College London

    Genre: Essays, fantasyChristian apologeticsCatholic apologeticsmysterypoetry

    Education: St Paul’s School

    Spouse: Frances Blogg ​(m. 1901)​

    www.britannica.com › biography › G-K-ChestertonG.K. Chesterton | British author | Britannica

    Jun 10, 2022, · G.K. Chesterton, in full Gilbert Keith Chesterton, (born May 29, 1874, London, England—died June 14, 1936, Beaconsfield, Buckinghamshire), English critic and author of verse, essays, novels, and short stories, known also for his exuberant personality and rotund figure.

    www.thefamouspeople.com › profiles › gilbert-kGilbert K. Chesterton Biography – Facts, Childhood, Family …

    Gilbert Keith Chesterton, better known as G. K. Chesterton, was a prominent literary figure in 20th-century London. He was a highly versatile individual who was as respected as a writer as he was for being an orator and Christian apologist.

    www.online-literature.com › chestertonGilbert Keith Chesterton – Biography and Works. Search Texts …

    Gilbert Keith Chesterton (1874-1936) was a prolific English critic and author of verse, essays, novels, and short stories. He is probably best known for his series about the priest-detective Father Brown who appeared in 50 stories. Between 1900 and 1936 Chesterton published some one hundred books.

    allpoetry.com › Gilbert-Keith-ChestertonGilbert Keith Chesterton – Poems by the Famous Poet – All Poetry

    Gilbert Keith Chesterton was born in London, England on the 29th of May, 1874. Though he considered himself a mere ‘rollicking journalist,’ he was a prolific and gifted writer in virtually every area of literature.

    Videos

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    Gilbert Keith Chesterton – Book Series In Order

    Gilbert Keith Chesterton was one of the critically acclaimed English novelists, orator, poet, journalist, biographer, philosopher, art and literary critic, and dramatist. He was better known by the name G.K. Chesterton and was often regarded as the ‘paradox prince’.

    www.azquotes.com › author › 2799-Gilbert_K_ChestertonTOP 25 QUOTES BY GILBERT K. CHESTERTON (of 1328) | A-Z Quotes

    Jun 14, 2017, · Gilbert K. Chesterton Life, Hate, Passion 126 Copy quote But the truth is that it is only by believing in God that we can ever criticize the Government. Once abolish God is, the Government becomes God. Gilbert K. Chesterton Believe, Russia, Government “Christendom in Dublin”.

    The complete list of the classics I am reading follows – bolded means I have read them.

    “50 Masterpieces You Have to Read Before You Die”

    Started reading the first one of volume 3

    Bolded indicated I have read it.

    Vol 3

    This book contains the following works arranged alphabetically by authors’ last names

    – What’s Bred in the Bone [Grant Allen]
    – The Golden Ass [Lucius Apuleius]
    – Meditations [Marcus Aurelius]
    – Northanger Abbey [Jane Austen]
    – Lady Susan [Jane Austen]
    – The Wonderful Wizard of Oz [Lyman Frank Baum]
    – The Art of Public Speaking [Dale Breckenridge Carnegie]
    – The Blazing World [Margaret Cavendish]
    – The Wisdom of Father Brown [Gilbert Keith Chesterton]
    – Heretics [Gilbert Keith Chesterton]
    – The Donnington Affair [Gilbert Keith Chesterton]
    – The Innocence of Father Brown [Gilbert Keith Chesterton]
    – Fanny Hill: Memoirs of a Woman of Pleasure [John Cleland]
    – The Moonstone [Wilkie Collins]
    – Lord Jim [Joseph Conrad]
    – The Further Adventures of Robinson Crusoe [Daniel Defoe]
    The Pickwick Papers [Charles Dickens]
    – A Christmas Carol [Charles Dickens]
    – Notes From The Underground [Fyodor Mikhailovich Dostoyevsky]
    – The Gambler par Fyodor [Mikhailovich Dostoyevsky]
    – The Lost World [Arthur Conan Doyle]
    – The Hound of the Baskervilles [Arthur Conan Doyle]
    – The Sign of the Four [Arthur Conan Doyle]
    – The Man in the Iron Mask [Alexandre Dumas]
    – The Three Musketeers [Alexandre Dumas]
    – This Side of Paradise [Francis Scott Fitzgerald]
    Curious, If True: Strange Tales [Elizabeth Cleghorn Gaskell]
    King Solomon’s Mines [Henry Rider Haggard]
    – The Hunchback of Notre Dame [Victor Hugo]
    Kim [Rudyard Kipling]
    – Captains Courageous [Rudyard Kipling]
    – The Jungle Book [Rudyard Kipling]
    Lady Chatterley’s Lover [David Herbert Lawrence]
    – The Son of the Wolf [Jack London]
    The Einstein Theory of Relativity [Hendrik Antoon Lorentz]
    The Dunwich Horror [Howard Phillips Lovecraft]
    – At the Mountains of Madness [Howard Phillips Lovecraft]
    The Prince [Niccolò Machiavelli]
    – The Story Girl [Lucy Maud Montgomery]
    The Antichrist [Friedrich Wilhelm Nietzsche]
    – The Republic [Plato]
    – The Last Man [Mary Shelley]
    Life On The Mississippi [Mark Twain]
    – The Kama Sutra [Vatsyayana]
    – In the Year 2889 [Jules Verne]
    Around the World in Eighty Days [Jules Verne]
    Four Just Men [Edgar Wallace]
    – Ben-Hur: A Tale of the Christ [Lewis Wallace]
    Tales of Space and Time [H. G. Wells]
    Jacob’s Room [Virginia Woolf]

    Vol 1

    Alcott, Louisa May: Little Women
    Austen, Jane: Pride and Prejudice
    Austen, Jane: Emma
    Balzac, Honoré de: Father Goriot
    Barbusse, Henri: The Inferno
    Brontë, Anne: The Tenant of Wildfell Hall
    Brontë, Charlotte: Jane Eyre
    Brontë, Emily: Wuthering Heights
    Burroughs, Edgar Rice: Tarzan of the Apes
    Butler, Samuel: The Way of All Flesh
    Carroll, Lewis: Alice’s Adventures in Wonderland
    Cather, Willa: My Ántonia
    Cervantes, Miguel de: Don Quixote
    Chopin, Kate: The Awakening
    Conrad, Joseph: Heart of Darkness
    Conrad, Joseph: Nostromo
    Cooper, James Fenimore: The Last of the Mohicans
    Crane, Stephen: The Red Badge of Courage
    Cummings, E. E.: The Enormous Room
    Defoe, Daniel: Robinson Crusoe
    Defoe, Daniel: Moll Flanders
    Dickens, Charles: Bleak House
    Dickens, Charles: Great Expectations
    Dostoyevsky, Fyodor: Crime and Punishment
    Dostoyevsky, Fyodor: The Idiot
    Doyle, Arthur Conan: The Hound of the Baskervilles
    Dreiser, Theodore: Sister Carrie
    Dumas, Alexandre: The Three Musketeers
    Dumas, Alexandre: The Count of Monte Cristo
    Eliot, George: Middlemarch
    Fielding, Henry: Tom Jones
    Flaubert, Gustave: Madame Bovary
    Flaubert, Gustave: Sentimental Education
    Ford, Ford Madox: The Good Soldier
    Forster, E. M.: A Room With a View
    Forster, E. M.: Howards End
    Gaskell, Elizabeth: North and South
    Goethe, Johann Wolfgang von: The Sorrows of Young Werther
    Gogol, Nikolai: Dead Souls
    Gorky, Maxim: The Mother
    Haggard, H. Rider: King Solomon’s Mines
    Hardy, Thomas: Tess of the D’Urbervilles
    Hawthorne, Nathaniel: The Scarlet Letter
    Homer: The Odyssey
    Hugo, Victor: The Hunchback of Notre Dame
    Hugo, Victor: Les Misérables
    Huxley, Aldous: Crome Yellow
    James, Henry: The Portrait of a Lady

    Volume 2

    – Little Women [Louisa May Alcott]
    – Sense and Sensibility [Jane Austen]
    – Peter Pan (Peter and Wendy) [J.M. Barrie]
    – Cabin Fever [ B. M. Bower]
    – The Secret Garden [Frances Hodgson Burnett]
    – A Little Princess [Frances Hodgson Burnett]
    – Alice’s Adventures in Wonderland [Lewis Carroll]
    – The King in Yellow [Robert William Chambers]
    – The Man Who Knew Too Much [Gilbert Keith Chesterton]
    – The Woman in White [Wilkie Collins]
    – The Most Dangerous Game [Richard Connell]
    – On the Origin of Species, 6th Edition [Charles Darwin]
    – Robinson Crusoe [Daniel Defoe]
    – The Iron Woman [Margaret Deland]
    – David Copperfield [Charles Dickens]
    – Oliver Twist [Charles Dickens]
    – A Tale of Two Cities [Charles Dickens]
    – The Double [Fyodor Mikhailovich Dostoyevsky]
    The Memoirs of Sherlock Holmes [Arthur Conan Doyle]
    – The Three Musketeers [Alexandre Dumas]
    – The Curious Case of Benjamin Button [Francis Scott Fitzgerald]
    – Dream Psychology [Sigmund Freud]
    – Tess of the d’Urbervilles [Thomas Hardy]
    – Siddhartha [Hermann Hesse]
    – The Fall of the House of Usher [Edgar Allan Poe]
    – The Arabian Nights [Andrew Lang]
    – The Sea Wolf [Jack London]
    – The Call of Cthulhu [Howard Phillips Lovecraft]
    – Anne of Green Gables [Lucy Maud Montgomery]
    – Beyond Good and Evil [Friedrich Wilhelm Nietzsche]
    – The Murders in the Rue Morgue [Edgar Allan Poe]
    – The Black Cat [Edgar Allan Poe]
    – The Raven [Edgar Allan Poe]
    – Swann’s Way [Marcel Proust]
    – Romeo and Juliet [William Shakespeare]
    – Treasure Island [Robert Louis Stevenson]
    – The Elements of Style [William Strunk Jr.

    Harvard Classics

     (1) Franklin, Woolman, Penn

     (2) Plato, Epictetus,

     Marcus, Aurelius Meditations

     (3) Bacon, Milton’s Prose, Thomas Browne

    (4) Complete Poems in English: Milton

    (5) Essays and English Traits: Emerson (

    6) Poems and Songs: Burns (7)

    Confessions of St. Augustine. Imitation of Christ

    (8) Nine Greek Dramas (9) Letters and Treatises of Cicero and Pliny

    (10) Wealth of Nations: Adam Smith

    (11) Origin of Species: Darwin

    (12) Plutarch’s Lives (13)

     Aeneid Virgil (14)

    Don Quixote Part 1: Cervantes

    (15)Pilgrim’s Progress. Donne

    Herbert. Bunyan, Walton

    (16) The Thousand and One Nights

    (17) Folk-Lore and Fable. Aesop, Grimm, Andersen

    (18) Modern English Drama

    (19) Faust, Egmont Etc. Doctor Faustus, Goethe, Marlowe

    (20) The Divine Comedy: Dante

    (21) I Promessi Sposi, Manzoni

    (22) The Odyssey: Homer

    (23) Two Years Before the Mast. Dana

    (24) On the Sublime French Revolution Etc. Burke

    (25) Autobiography Etc. Essays and Addresses: J.S. Mill, T. Carlyle

    (26) Continental Drama

    (27) English Essays: Sidney to Macaulay

    (28) Essays. English and American

    (29) Voyage of the Beagle: Darwin (

    30) Faraday, Helmholtz, Kelvin, Newcomb, Geikie

    (31) Autobiography: Benvenuto, Cellini

    (32) Literary and Philosophical Essays: Montaigne, Sainte Beuve, Renan, Lessing, Schiller, Kant, Mazzini

    (33) Voyages and Travels

    (34) Descartes, Voltaire, Rousseau, Hobbes

    (35) Chronicle and Romance: Froissart, Malory, Holinshed (36)

    Machiavelli, More, Luther

    (37) Locke, Berkeley, Hume

    (38) Harvey, Jenner, Lister, Pasteur

    (39) Famous Prefaces

    (40) English Poetry 1: Chaucer to Gray

    (41) English Poetry 2: Collins to Fitzgerald

    (42) English Poetry 3: Tennyson to Whitman

    (43) American Historical Documents

    (44) Sacred Writings 1

    (45) Sacred Writings 2

    (46) Elizabethan Drama 1

    (47) Elizabethan Drama 2

    (48) Thoughts and Minor Works: Pascal

    (49) Epic and Saga (

    Federalist Papers

    the End 

     

  • Cosmos’s List of Where to Submit

    Cosmos’s List of Where to Submit

    Cosmos Guide to Where to Submit

    For my writer friends who are just getting started submitting works to literary journals, here are my suggestions and advice based on my four years of submitting to literary magazines and being published in over 150 places so far.

    My advice for anyone starting on the submission game is to get the fundamentals down first.

    books read

    books read

    Blog Page and Author Email are Essential

    Before you submit anything, you need to set up a blog, make a preliminary spreadsheet for tracking, set up an author email., (including an email tracking system) a cover letter template, a folder to store your writing and an offsite backup – I use one drive and an external hard drive and back up every Sunday or before taking a trip.

    Blogging 101

    I use WordPress.   There is a free version and a professional version, which I opted for.  I pay 300 per year and it is sufficient, lots of help to get started, and when I had technical issues, they were quite helpful.  Others use BlogSpot or Google blog, both have a free version as well. WordPress has good templates = I use maxwell.  You will need a plugin for SEO (Search Engine Optimization) and for social utilities twitter.  My posts are immediately posted to twitter, LinkedIn, and tumbler.  Plugs in are only available for paid subscribers.

    Podcast

    Anchor is a great free program that takes your blog postings and turns it into podcasts and then publishes it on multiple sites.

    For further details see

    Podcast update

    Podcast Addict Now On-Line

    starting Podcasts

    Where to Find Cosmos’s Work on the Web updates

    Tracking System is a must

    You need to set up a tracking system. Duotrope can handle it all for you but I double-track it with my spreadsheet. See attached for suggested headers. I use Google docs. There are several others out there but that’s enough for now.  Please feel free to let me know if you find out other useful sites.

    Then put together whatever you want to submit, then look at the various market research sites I have included. and sign up for Duo trope – they will track your submission and send out a weekly market list. And finally, after submitting the update Duo trope and your spreadsheet.

    Regarding the spreadsheet, I give each submission a topic so I can track my work. I have found that Microsoft word and One drive search engines are not very good so it is important to be able to track your work by topic.

    The headers (columns) I use are

    Status (rejected, accepted, withdrawn, re-write, the second submission? Sim okay? Deadline due)

    Vendor

    Additional vendors

    Topic

    Title

    What submitted

    Format copied from web page submission guidelines

    Date of entry

    Date of submission

    Follow up due – default to three months

    Response date

    Response time

    Duotrope entry  date (update the date as needed, best to update duotrope as you submit)

    SIM (note if  simultaneous submission is okay or not, Yes/No )

    Prior publication (note if prior publication is okay or not and what constitutes “unpublished, Yes/No, default to No if unclear Note: most sites don’t accept re-prints but usually spell out what they consider prior publication, personal blogs are usually okay as are Facebook postings for example, but ALWAYS FOLLOW THEIR GUIDELINES

    Prior submission date

    Title result

    (Copy from duo trope)

    E-mail

    URL

    Address

    POS

    Type of submission

    (E-mail, online, submittable, duo trope, other)

    Paid

    Cost US$, CAD $, EURO, LB, Other)

    Source of info

    Location

    Geographical and other restrictions

    University affiliation

    Comments received

    Notes

    Additional comments received

    I use google docs, Excel has too many bugs in it, but any spreadsheet works fine, or access if you know how to use that. Duotrope will track things for you, but I prefer to double-track my submissions.  And I also post reminders on my daily to-do list as things come in.  It is also important to track your submissions and writings in your email and your folders.

    I try to save all items by category as I write them as I have found that Microsoft search feature to be not useful nor is One Drive any better.

    The bottom line is don’t submit until you have completed these preliminary steps.

    Author web page and email essential;

    If you don’t have an author web page and an author Facebook page no one will take you seriously. Same thing if you don’t have an author email.  Once you start submitting you will soon be overwhelmed with emails. All the emails allow you to create more than one account.  I use authorjakecosmosaller@gmail.com for my writing and jakecaller@gmail for everything else. The most common email is a simple author or writer followed by the rest of your email handle.  The good thing is that if you have more than one account you will get additional storage space.  I use one drive for my back-ups but have a G drive account where I store my spreadsheets, and writing com has generous storage as well as a professional looking email address.

    Social Media as well

    You also need a Twitter account, a LinkedIn account, and an Instagram account, but not a Pinterest,  Tumbler, TikTok, or YouTube account,  but if you have them, include them.

    Duotrope A must

    Duotrope is a great resource.  I subscribed for 50 dollars a year.
    You get the weekly market lists and they also keep track of your submissions,
    The grinder is good as well and tracks as well.  Most literary journals use submitable to track submissions which is free to use.

    The most recent Duotrope email list follows

     Duotrope Newsletter
    You have received this email because you subscribed to our email newsletter. We will never sell or share our subscriber list. You can unsubscribe at any time.
    If you need to contact us for any reason, please use our contact form. This newsletter is not to be shared, posted, or published without our express permission.
    Hi, Jake!

    Here’s your weekly newsletter…

    There’s more on the site: This newsletter is only a small part of what Duotrope has to offer. Log on to duotrope.com to take advantage of all our great features!

    To get the most out of what Duotrope offers, remember to report and track your submissions.
    You currently have 419 pending submissions. Now’s a good time to take a minute to see if any of those reports need to be updated.

    New Listings

    [Legend: F=Fiction P=Poetry N=Nonfiction]

    Paying publication listings added:
    The International Amy MacRae Award for Memoir fee-based (N) TEMP CLOSED
    The Maul Magazine (F) TEMP CLOSED
    Museum Piece Anthology [Metaphorosis Publishing] (F)
    New Rivers Press Chapbook Contest [New Rivers Press] fee-based (NPF)
    Noema Magazine (NF)
    Palette Chapbook Prize [Palette Poetry] fee-based (P)
    Sublingua Prize for Poetry [Inverted Syntax] fee-based (P)
    Superlative Flash Fiction Competition [Superlative: The Short Story Literary Journal] fee-based (F)
    Superlative Mini Saga Competition [Superlative: The Short Story Literary Journal] (F)
    Superlative Short Story Competition [Superlative: The Short Story Literary Journal] fee-based (F)
    Superlative: The Short Story Literary Journal (NF)
    Writing Battle fee-based (F) TEMP CLOSED

    Non-paying publication listings added:
    Daytona Sex (NPF)
    Imposter: A Poetry Journal (P) TEMP CLOSED
    Pocket Fiction (PF)

    Literary agent listings added:
    Hannah Schofield [LBA] (NF)

    Market News

    Paying publications that have recently opened to submissions:
    Black Sunflowers Poetry Press (P – fee-based)
    Digging Through the Fat: A Journal for Cultural Omnivores (F – fee-based)
    Eye to the Telescope (P)
    Eyelands Book Awards (FNP – fee-based)
    Intrepidus Ink (FN)
    Liquid Imagination Ezine (FP)
    Poetry Birmingham Literary Journal (P)
    Prize Americana for Poetry (P – fee-based)
    Riddled with Arrows Ars Poetica Prize (P – fee-based)
    Riddled With Arrows Literary Journal (FNP)
    Socrates on the Beach (FN)
    Solarpunk Magazine (FNP)
    Solarpunk Magazine Monthly Micro-Fiction Contest (F)
    Tolsun Books (FNP – fee-based)
    Wizards in Space Literary Magazine (FNP)

    Non-paying publications that have recently opened to submissions:
    Broken Glass (FN)
    Coin-Operated Press Zines (FNP)
    Hayden’s Ferry Review (HFR) (FNP – fee-based)
    Ice Lolly Review (FNP)
    Mason Street: The Literary Magazine of Newark Public Library (FNP)
    Pigeon Review (F)
    Revue {R}évolution (FNP)
    Sad Girl Review (NP)
    Untenured Magazine (FNP)

    Literary agents who have recently opened to submissions:
    Broo Doherty (FN)
    Marcy Posner (FN)
    Anne Tibbets (F)
    Katherine Wessbecher (FN)

    Publications that have temporarily closed to submissions:
    42 Miles Press Poetry Award (P – fee-based)
    50-Word Stories (F)
    53-Word Story Contest (F)
    Akron Poetry Prize (P – fee-based)
    Archive of the Odd (FN)
    Art + Type Magazine (FNP)
    Bell Press Poetry Day Planner (P)
    Beyond Queer Words: A Queer Anthology (FP – fee-based)
    The Bitter Oleander Press Library of Poetry Award (P – fee-based)
    Black Poppy Review (FP)
    The BSFS Amateur Writing Contest (F)
    Bull City Press (FNP)
    The Bureau Dispatch (F)
    Button Poetry Short Form Contest (P)
    Channel Magazine (FNP)
    Chicago Review (FP – fee-based)
    Christopher Hewitt Literary Awards (FNP)
    The Closed Eye Open (NP – fee-based)
    Creatopia Magazine (FNP)
    The Dewdrop (NP – fee-based)
    Divot Chapbook Contest (P – fee-based)
    The Festival Review (FNP – fee-based)
    Final Girl Bulletin Board (F)
    Flash Fiction Magazine Contest (F – fee-based)
    Flash Fiction Online (F)
    The Four Faced Liar Literary Magazine (FNP)
    Fourteen Hills (FNP – fee-based)
    Gap Riot Press (P)
    Grain Magazine (FPN)
    Halcyon Days (FNP)
    The Howard Frank Mosher Prize for Short Fiction (F – fee-based)
    The Hummingbird Flash Fiction Prize (F – fee-based)
    Hunger Mountain Creative Nonfiction Prize (N – fee-based)
    The International Amy MacRae Award for Memoir (N – fee-based)
    Inverted Syntax (FNP – fee-based)
    Kelsay Books Young Poets’ Prize (P – fee-based)
    Landing Zone Flash Fiction Contest (F – fee-based)
    Leicester Writes Short Story Prize (F – fee-based)
    The MacGuffin Poet Hunt Contest (P – fee-based)
    Marguerite McGlinn Prize for Fiction (F – fee-based)
    May Day Chapbook Series (FNP – fee-based)
    Medusa Tales (F)
    Midnight Echo (FNP)
    Moon City Poetry Award (P – fee-based)
    New American Fiction Prize (F – fee-based)
    Nightingale & Sparrow Literary Magazine (P)
    Nixes Mate Review (FNP)
    Northern Appalachia Review (FNP)
    Once Upon A Crocodile (FP)
    Outcast Press Poetry (P)
    Plainsongs (P)
    Planisphere Q (FP)
    Poetry Magazine (P)
    Poets Meet Politics International Open Poetry Competition (P – fee-based)
    Pomona Valley Review (FNP)
    Posit: a journal of literature and art (FP)
    Propagule Magazine (F)
    Rattlesnake: Greenville Art Magazine (FNP)
    Right Hand Pointing (FP)
    The Road Not Taken: A Journal of Formal Poetry (P)
    The Ruth Stone Poetry Prize (P – fee-based)
    Salamander Ink Mag Blog (FNP)
    Sapiens Plurum Short Fiction Contest (F)
    The Sappho Prize (P – fee-based)
    Shift: A Publication of MTSU Write (FNP)
    Slag Glass City (N)
    The Slapering Hol Press Chapbook Competition (P – fee-based)
    Smoky Blue Literary and Arts Magazine (FNP)
    Spooky House Press (F)
    Stories Through The Ages Contests (F – fee-based)
    Strands International Flash Fiction Competition (F – fee-based)
    Swan Scythe Press Chapbook Contest (P – fee-based)
    Thuya Poetry Review (P)
    Transit Books (FN)
    Turtle Island Quarterly (NP)
    Tusculum Review Poetry Chapbook Prize (P – fee-based)
    Unbroken: Prose Poems (P)
    The Unmooring Journal (NP – fee-based)
    Variety Pack (FNP)
    Visual Verse: An Anthology of Art and Words (FNP)
    White Enso Journal (FNP)
    Wilda Morris’s Poetry Challenge (P)
    The Writer Contests (F – fee-based)
    Writer’s Digest Annual Writing Competition (FNP – fee-based)

    Literary agents who have temporarily closed to submissions:
    Rachel Altemose (FN)
    Cynthia Cannell (FN)
    Michael Curry (F)
    Carolyn Forde (FN)
    Joanna MacKenzie (F)
    Carrie Pestritto (FN)
    Sera Rivers (F)
    Alice Speilburg (N)
    Kelly Van Sant (F)
    Carol Woien (FN)

    Publisher Listings with major status changes:
    Note that we always attempt to contact the editor before declaring a listing “believed defunct.” (Learn more about this process.)
    A3 Press has permanently closed to submissions. (PF)
    Bell Press Rituals Anthology has permanently closed to submissions. (NP)
    Black Poppy Review is on indefinite hiatus to submissions. (FP)
    The framework of the Human Body Anthology has been permanently closed to submissions. (NPF)
    Once Upon A Crocodile is on indefinite hiatus to submissions. (FP)
    The Operating System (OS) Press has been permanently closed to submissions. (NPF)
    The Operating System [Web] has permanently closed to submissions. (N)
    Palaver Journal is on indefinite hiatus to submissions. (PNF)
    Pink Litter has permanently closed to submissions. (FP)
    Sporklet is believed to be defunct. (N)
    Standing Up: A Nonfiction Charity Anthology for Ukraine has permanently closed to submissions. (NP)

    Agent Listings with major status changes:
    Note that we always attempt to contact the agent before changing the listing’s status. (Learn more about this process.)
    Sophia Seidner has permanently closed to submissions. (NF)

    New Editor Interviews Posted:
    Nightmare Magazine (NPF)
    Washington Writers’ Publishing House Fiction Prize (F)
    Juke Joint Magazine (P)
    The Gutsy Great Novelist Page One Prize (F)
    RockPaperPoem (P)
    Arteidolia Press (NPF)

    Upcoming Themed Deadlines

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    (6/24/2022) NEW! Coin-Operated Press Zines: Pride is a protest! (NPF)
    (6/26/2022) Retreat West Themed Flash Fiction Competition: Margins (F – fee-based)
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    (6/30/2022) Fairy Tale Review: The Rainbow Issue: queer fairy tales written by queer writers (NPF)
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    (6/30/2022) Coffin Bell: The Zodiac (NPF)
    (6/30/2022) inScribe: Journal of Creative Writing: Time (NPF)
    (6/30/2022) The Spoon Knife Anthology Series: Transitions (NPF)
    (6/30/2022) Cast of Wonders: Young Authors (19 or younger) (F)
    (7/1/2022) The Twin Bill: All-Star Game (NPF)
    (7/1/2022) Through Lines Magazine: Belonging (NPF)
    (7/1/2022) Eerie River Publishing Folk Horror Series: Folk Horror (F)
    (7/1/2022) Updated! Kaleidoscoped Magazine: Ghosts & Gossip (NPF)
    (7/1/2022) Still Point Arts Quarterly: Immersed in Books (NPF)
    (7/1/2022) Up the Staircase Quarterly: Odes (NP)
    (7/1/2022) English Journal: Our Américas (N)
    (7/1/2022) Quagmire Fiction Contest: Quagmire (F)
    (7/1/2022) Big Bend Literary Magazine: Rain Dance (NPF)
    (7/1/2022) Substantially Unlimited: Stigma (NPF)
    (7/1/2022) Still of Winter: An Unsettling Reads Anthology: Still of Winter (PF)
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    (7/1/2022) It Came from the Trailer Park Anthology Series: Trailer Park (F)
    (7/1/2022) The ALAN Review: Using YAL as a Disruptor (N)
    (7/3/2022) Moss Piglet Zine: Funny Pages (NPF)
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    (7/3/2022) Havok: Pride/Humility (F)
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    (7/4/2022) Pulp Modern: Horror and Weird Fiction only (F)
    (7/4/2022) ACU Prize for Poetry: Hope (P – fee-based)
    (7/4/2022) HauntedMTL Anthology Series: Horror with a feminine twist (F)
    (7/4/2022) Solarpunk Magazine: Solarpunk at Work subs only (NPF)
    (7/5/2022) Focus on the Family: Mother’s Day (N)
    (7/6/2022) Imitation Fruit Literary Journal: Connection (NPF)
    (7/6/2022) Moss Piglet Zine: Mishaps and Misadventures (NPF)
    (7/9/2022) Southern Cultures: Black Geographies (N)
    (7/10/2022) Whiptail: Journal of the Single-line Poem: Personal Transitions (P)
    (7/10/2022) swim meet lit mag: Submerge (NPF)
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    (7/15/2022) Youth Speaks: Human Rights in Verse Anthology: Human Rights and Social Justice (NPF)
    (7/15/2022) Snapdragon: A Journal of Art & Healing: Innovation (NP)
    (7/15/2022) Never Cheat a Witch Anthology: Never Cheat a Witch (F)
    (7/15/2022) CHEAP POP: Nostalgia (NF)
    (7/15/2022) Writing Magazine Competitions: Shelley Poetry Competition (PF – fee-based)
    (7/15/2022) Blink-Ink: Storm (F)
    (7/15/2022) Updated! Kosmos Journal Quarterly: The Families We Make (NP)
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    (7/15/2022) Sasee Magazine: There is no “I” in “Team (N)
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    ( (7/20/2022) NEW! Shima Journal: Coastal waterways, cultural heritage and environmental planning (NN)
    (7/20/2022) Burrow e-journal: What does mental health (good or otherwise) look like through the prism of place? (P)
    (7/24/2022) Green Ink Poetry: Furrows (P): Speculative Fiction/(F)
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    (7/31/2022) Allegro Poetry Magazine: Freedom (P)
    (7/31/2022) NEW! Superlative: The Short Story Literary Journal: Futures (N)
    (7/31/2022) NEW! Superlative Short Story Competition: Futures (F – fee-based)
    (7/31/2022) NEW! Superlative Flash Fiction Competition: Futures (F – fee-based)
    (7/31/2022) NEW! Superlative Mini Saga Competition: Futures (F)
    (7/31/2022) NEW! Superlative: The Short Story Literary Journal: Futures (F)
    (7/31/2022) ShufPoetry: Graphic Poetry (P)
    (7/31/2022) Last Leaves Magazine: Growth (P)
    (7/31/2022) FIYAH: Magazine of Black Speculative Fiction: Hauntings and Horrors (NPF)
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    (7/31/2022) Jellyfish Review: Little Sayings (NF)
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    (7/31/2022) Our Pandemic Anthology: Pandemic (N)
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    (7/31/2022) Lucky Jefferson: Sonder (NPF)
    (7/31/2022) Datableed: Sonnets (P)
    (7/31/2022) Bloodless: An Anthology of Blood-Free Horror: Stories or poems where no blood is mentioned, nor any associated gore, grue & guts (F)
    (7/31/2022) Trembling With Fear: Summer Holiday Special (F)
    (7/31/2022) The Walter Swan Poetry Prize: The Audience (P – fee-based)
    (7/31/2022) NewMyths.com: The Growers (NPF)
    (7/31/2022) Fragmented Voices Big Book Anthology: The Ones Who Make the World Better (P)
    (7/31/2022) Bound in Flesh: An Anthology of Trans Body Horror: Trans Body Horror (F)
    (7/31/2022) The Ilanot Review: Want (NPF)
    (7/31/2022) The MockingOwl Roost: Yugen (NPF)
    (8/1/2022) The Avenue: A Mid-Atlantic Literary Journal: Anticipation (NPF)
    (8/1/2022) The Place Where Everyone’s Name is Fear Anthology: Charity anthology to support women’s reproductive health (NPF)
    (8/1/2022) Halfway Down the Stairs: Cities (NPF)
    (8/1/2022) Last Girls Club: Dark Shadows: The Gay 90s (NPF)
    (8/1/2022) Saddlebag Dispatches: Dusty Richards (NP)
    (8/1/2022) Embers of Corsari Anthology: Embers of Corsari (F)
    (8/1/2022) little somethings press: Ephemera (NPF)
    (8/1/2022) The First Line: First line: Lily unlocked the back door of the thrift store using a key that didn’t belong to her (PF)
    (8/1/2022) Grimoire: Goth Narcissus (NPF)
    (8/1/2022) Central Texas Writers Society Anthology: Light and Darkness (NPF)
    (8/1/2022) Sydney Hammond Memorial Short Story Writing Competition: Water Under the Bridge (F – fee-based)
    (8/2/2022) Focus on the Family: Gifts for Dad (N)
    (8/5/2022) Updated! Brute: Raunch, Scares, and Rough Trade Anthology: Gay sexuality, desire, masculinity, and the aesthetics of “rough trade” (F)

    Open Submissions on Duosuma

    There are 63 projects with 104 open calls for submissions on Duosuma, Duotrope’s submission manager.

    Sponsored Contests

    Duotrope is currently sponsoring the following contests:
    Tom Howard/Margaret Reid Poetry Contest
    Stories That Need To Be Told: The Contest
    The Orison Chapbook Prize

    Recent Acceptances

    Congratulations to the following people, who have reported acceptances since the last newsletter:

    Open Submissions on Duosuma

    There are 63 projects with 104 open calls for submissions on Duosuma, Duotrope’s submission manager.

    The Alchemy Spoon
    The Alchemy Spoon Issue 7

    Apple in the Dark
    Fall 2022

    Best Spiritual Literature Awards (Orison Books)
    Best Spiritual Literature Award – Fiction (Charges fees.) / Best Spiritual Literature Award – Nonfiction (Charges fees.) / Best Spiritual Literature Award – Poetry (Charges fees.)

    Bright Flash Literary Review
    Flash and Short Fiction, Memoir, Rolling Submissions, No Theme

    Bristol Noir
    Flash Fiction (Charges fees.) / Poetry (Charges fees.)

    CafeLit
    Ongoing submissions

    Children’s Books for ages 7-10 (CafeLit)
    Children#s 7-10

    Children’s Picture Books for writer / illustrator teams (CafeLit)
    Children’s Picture Books

    Children’s Picture Books for writers (CafeLit)
    Children’s Picture Books – writers

    The Decadent Review
    Aesthetics and Abstraction / Criticism and Reviews / Meta on Meta

    Degenerate Art
    Poetry / Prose – Fiction / Prose – Non-Fiction

    Diet Milk Magazine
    FALL/WINTER

    The Dirty Spoon Radio Hour & Journal
    Season 5 – Full Manuscripts / Season 5 – Pitches

    Dismantle Magazine
    Fall Issue

    Dream of Shadows
    Website and Anthology

    Dream Pop Journal (Dream Pop Press)
    Poetry / Reviews / Speculative Diary / Visual Art (Non-Poetry) / Visual Poetry & Erasure

    The Echo
    Intersections

    Ember Chasm Review
    Fiction & Nonfiction – Print and Online Issues (Charges fees.) / Poetry – Print and Online Issues (Charges fees.) / Visual Art (Charges fees.)

    Embryo Concepts Zine and Collective
    Issue #6: Splendor

    Emergent Reader Books for Children (CafeLit)
    Emergent reader texs and texts upt to 20,000 words for children

    Featured Poets (osamasetorbest.com)
    Poetry Submission

    Feisty Women – Fiction (CafeLit)
    Feisty Women Fiction

    Feisty Women Non- Fiction (CafeLit)
    Feisty Women Non-Ficition

    Flash Fiction Collections (CafeLit)
    Flash Fiction Collections Open Call

    FlowerSong Press
    Manuscript Submissions Now Open

    Free Radicals Quarterly (Free Radicals Magazine (Quarterly))
    Rolling Submissions for Free Radicals Quarterly

    Grand Little Things
    Poetry

    HauntedMTL – Anthology
    Women’s Charity Anthology

    The Headlight Review
    Book Reviews

    Hidden Villains Anthology Series (Inkd Publishing)
    Hidden Villains: Arise

    Horror Reviewers Needed! (HauntedMTL)
    Horror Reviewers Needed!

    KAIROS Literary Magazine
    2022 Chapbook Contest (Charges fees.) / 2022 KAIROS Editors’ Prizes in Fiction and Poetry (Charges fees.) / CREATIVE NON-FICTION (Charges fees.) / FLASH FICTION (<1000 words) (Charges fees.) / OPINION/EDITORIAL & CRITICAL ESSAYS (Charges fees.) / POETRY (Charges fees.) / SHORT FICTION (>1000 words) (Charges fees.)

    Limit Experience Journal (Limit Experience Media)
    Sexual Transitions (Charges fees.) / Travel & Sexuality (Charges fees.)

    Litbop: Art and Literature in the Groove
    Issue 2 Art/Photography/Cartoons / Issue 2 Poetry / Issue 2 Short Story

    MacroMicroCosm (Vraeyda Literary)
    Hockey Stick Galaxy Volume 8 Issue III / The Siege Perilous: A Philosopher’s Throne / Virgo Volume 8 Issue II

    Maximus Magazine (Maximus Books)
    Issue 2

    The Metaworker Literary Magazine
    General Call for The Metaworker / Micro Call for The Metaworker

    The New York Quarterly
    General Poetry Submission (Charges fees.)

    The Orison Chapbook Prize (Orison Books)
    Chapbook (Charges fees.)

    Our Pandemic (The Writer’s Workout)
    CNF: experiences and tributes

    Pen & Publish
    Editorial internship / Marketing internship

    Please Welcome to the Stage…: A Drag Literary Anthology (House of Lobsters Literary)
    Please Welcome to the Stage…

    The Plentitudes
    The Plentitudes – Call for Poems: Fall 2022 (Charges fees.) / The Plentitudes – Call for Short Stories & Essays (Charges fees.)

    Radix Magazine
    Radix Magazine Summer 2022 (Charges fees.)

    Red Ogre Review
    August 2022 – Poetry & Art / Short Genre Fiction Contest (Charges fees.)

    The Red Telephone YA books (CafeLit)
    YA Novels / YA Novels 45,000 to 105,000 words

    River River Books
    2022 Manuscript Open Reading Period

    A Sad Girls Club Lit
    Sad Girls Club $500 Summer Poetry Contest (Charges fees.)

    A Sad Girls Club Literary Blog
    $300 Short Story, Fiction, & Non-Fiction Contest (Charges fees.)

    San Antonio Review
    Art

    Single author short story collections (CafeLit)
    Single author collections

    Slant Books
    Manuscript Submission (Charges fees.)

    Still of Winter: An Unsettling Reads Anthology (Unsettling Reads, LLC)
    Still of Winter: An Unsettling Reads Anthology

    Still Point Arts Quarterly (Shanti Arts LLC)
    1. Immersed in Books—Writing Submission / 2. Immersed in Books—Art Submission / 3. Cities—Writing Submission / 4. Cities—Art Submission / 5. Minimalist Wisdom—Writing Submission / 6. Minimalist Wisdom—Art Submission / 7. Fires and Floods—Writing Submission / 8. Fires and Floods—Art Submission

    Sunspot Lit Rigel Contest: $250 for Fiction, NF, Poetry, Art, Graphic Novel (Sunspot Literary Journal)
    Rigel 2022 (Charges fees.)

    Tales (The Writer’s Workout)
    Theme: The Deep

    Twelve Winters Journal (Twelve Winters Press)
    Twelve Winters Journal (Charges fees.)

    Volney Road Review
    Issue 5 (Charges fees.)

    Vraeyda Literary
    Poetry Collection / Sci-Fi/Magic Realism/Fantasy Novels

    Willows Wept Review
    Poetry / Prose / Visual Art

    Word Poppy Press
    Issue Four / Word Poppy Blog

    The Writers Circle Anthology Series (Prime Press)
    Campfire Stories / Theme: Purgatory

     

    Author publisher latest list of markets

     

    25 Magazines Accepting Creative Nonfiction

    Creative nonfiction can encompass many kinds of writing including memoir, personal and literary essays, and narrative writing. It deals with a vast array of topics – memory, culture, travel, literature, food, race, illness, the environment, and much more, and can incorporate a range of forms and styles.

    The magazines/outlets in this list all accept creative nonfiction. Almost all of them also publish other genres, like fiction and poetry.

    Most, but not all, are open for submissions now.

    Blue Earth Review

    This literary journal is published by Minnesota State University, Mankato. They accept nonfiction of up to 3,000 words, fiction, and poetry. “We are interested in creative nonfiction (memoir and personal essay) with contemporary themes. No literary criticism. …. We love nonfiction that works on more than just a narrative level. Surprise us with metaphor and layers of meaning.” Details here.

    Mangoprism

    They accept both pitches and submissions – for personal essays, cultural criticism, long-form interviews with interesting people, short fiction; album, book, movie and product reviews; original reporting; radical political screeds; and unexpected recipes. Only, “your piece must be at least as enjoyable as eating a morsel of mango, the most succulent of fruits.” Pay is at least $0.10 for work of 1,000-3,000 words. Details here.

    Channel Magazine

    They publish writing from an environmental perspective – “work that engages with the natural world. We have a particular interest in work which encourages reflection on human interaction with plant and animal life, landscape and the self.” Essays (up to 6,000 words) and essay pitches are accepted year-round – including creative nonfiction, reportage, commentary, and criticism. They also publish translations. There are submission periods for fiction and poetry, which are closed now. Pay is €50 per page for prose, up to €150.  Details here.

    (Also see The Willowherb Review, which publishes nature writing, very broadly interpreted, by writers of color; pay is £250 for prose; deadline 30 June 2022. There’s also the UEA/Willowherb Speculative Nature Writing Call for Essay Proposals, a mentorship/publishing opportunity, in collaboration with the University of East Anglia, for three new/emerging writers of colour on nature writing; deadline 15 July 2022.)

    Reckoning

    They want creative writing, including translations, and art about environmental justice. “the nonfiction is more creative than journalistic … the heart of what we want is your searingly personal, visceral, idiosyncratic understanding of the world and the people in it as it has been, as it is, as it will be, as it could be, as a consequence of humanity’s relationship with the earth.” See the editors’ preferences for Issue 7. Send 3-5 poems, and up to 20,000 words of prose. Pay is $0.08/word for prose and $30/page for poetry. The annual deadline is usually Earth Day (22 September 2022). Details here.

    New York Times: Modern Love and Tiny Love Stories

    These are nonfiction columns. For both, they especially welcome work from historically underrepresented writers, and from those outside the US.

    — Modern Love: They want “honest personal essays about contemporary relationships.
    We seek true stories on finding love, losing love and trying to keep love alive. We welcome essays that explore subjects such as adoption, polyamory, technology, race and friendship — anything that could reasonably fit under the heading “Modern Love.” Ideally, essays should spring from some central dilemma you have faced. It is helpful, but not essential, for the situation to reflect what is happening in the world now.” Also, “Love may be universal, but individual experiences can differ immensely and be informed by factors including race, socio-economic status, gender, disability status, nationality, sexuality, age, religion and culture.” Send essays of 1,500-1,700 words. Modern Love has two submission periods, March through June, and September through December. Writers are paid. Details here.

    — Tiny Love Stories: These are also personal essays similar in theme to Modern Love, but much shorter. “What kind of love story can you share in two tweets, an Instagram caption or a Facebook post? Tell us a love story from your own life — happy or sad, capturing a moment or a lifetime — in no more than 100 words. Include a picture taken by you that complements your narrative, whether a selfie, screenshot or snapshot. We seek to publish the funniest and heart-wrenching entries we receive. We call them Tiny Love Stories. They are about as long as this paragraph. They must be true and unpublished.” Details here.

    The Account

    They publish creative nonfiction of up to 6,000 words, as well as fiction and poetry. All work has to be accompanied by an account. “An account of a specific work traces its arc—through texts and world—while giving voice to the artist’s approach. … We are most interested in how you are tracking the thought, influences, and choices that make up your aesthetic as it pertains to a specific work.” At the time of writing, they were reading for their Fall 2022 issue. Details here and here.

    So Textual

    Their website says, “So Textual is a community and online platform for bookish individuals who seek a smart conversation about literature, creative practice, and a considered lifestyle. We celebrate books alongside the contemporary reader.” Among the topics they’re always looking for, are personal essays about a single book or author that changed your life. Also see a recent Twitter thread on the kind of pitches they want – “We’re always looking for evergreen essays, lists related to reading culture, city guides, and bookstore pilgrimages. We love overlooked writers, art making, meaning-making, in media res, epistolary, riposte, plot twists, besotted characters, offline considerations, literary props, mythmaking, associate thinking, fragments, synthesis as mastery, the classics, films for the literary”. Rates start at $200 for essays and $75 for lists. Details here (Twitter thread) and here (pitching guidelines).

    Brick

    This Canadian magazine only accepts literary nonfiction submissions, though they also publish some fiction and poetry. “Love has led Brick to publish essays of every description: on reading, the writing life, literature, art, ideas, travel, science, photography, the perfect ending, dance, sport, music, city-building, food, bathrooms, history . . . and we are always looking for new terrain. We are interested in the singular obsessions that compel you to write. We welcome humour, we welcome depth, we welcome the unclassifiable, and we welcome playfulness with the non-fiction form.” Their essays are usually 1,000-5,000 words. Their annual reading periods are September 1 to October 31, and from March 1 to April 30. Pay is CAD55-660. Details here.

    …ongoing…

    They publish writing and music based on prompts; each month, they will publish a prompt (or two); for music, writers have to respond with a prose piece of 50-1,000 words in any genre, and for written prompts, musicians have to respond with a piece of music. They have two musical prompts now, and invite writers to respond to these. The deadline for this month’s prompts is 26 June 2022, and pay is CAD30. Details here and here.

    Empty House Press

    Their website says, “We are looking for writing that addresses the way narrative and presence adhere to place and the way they vanish. We encourage broad interpretations of what the idea or image of an empty house might evoke. This includes but is not limited to writing about home, landscape, place, memory, and of course, the atmosphere of previously inhabited spaces.” Apart from nonfiction (up to 2,000 words), they also publish fiction, poetry, and photo series. Details here.

    The Iowa Review

    This well-regarded literary magazine, associated with the University of Iowa and published for 50-plus years, publishes nonfiction, fiction, poetry, and translations. There’s a fee for online submissions for non-subscribers, but postal submissions are free. For prose, length guidelines are up to 25 pages, and pay is $0.08/word. Their annual reading period is 1 September-1 November. Details here.

    Good River Review

    This journal is associated with Spalding University in Louisville, Kentucky. They publish two issues a year and feature book reviews, craft essays, and other literary news on their website. The magazine “is a home for writing that launches quickly, speaks to the universal through the particular, and is layered with meaning. We also love work that doesn’t fit neatly into genre categories. Our editors are attracted to writing that blurs boundaries, and so contributors will find their work published as prose, lyrics, or drama. In addition, we want to publish the most compelling writing for children and young adults that we can find.” Prose writers should submit one story, one longer-form essay, memoir, or immersive journalism (up to 5,000 words), or two shorter pieces. Details here.

    Riddle Fence
    This is a Canadian magazine of arts and culture. They publish contemporary writing, four times a year. They accept creative nonfiction (up to 3,000 words), features and reviews, poetry, fiction, and contemporary art. “For nonfiction, we’re looking for essays on the arts or on particular artists, or on aspects of culture and art as an idea or as a specific practice. We are also seeking creative non-fiction with a strong narrative drive.” Details here.

    Scrawl Place

    Their website says, “Scrawl Place is part visitor’s guide, part travelogue, part literary journal. It’s meant for readers who prefer Bashō to Lonely Planet.” Also, “I’m looking for submissions about “places in the places” where you live or where you’ve visited.
    My only fixed criteria is that your submission be about or connected to or associated with a specific, physical place that someone could visit. … The place you write about could be a Wonder of the World, a random street corner that means something to you, or anything in between.” They accept creative nonfiction, fiction, poetry, and hybrid works of up to 900 words. Writers can send up to 3 pieces. Pay is $35. Details here.

    Empty Mirror

    They publish nonfiction – essays, reviews, articles, features, interviews, personal essays, of up to 20,000 words (see guidelines). They also publish poetry and visual art. They publish work every Friday. Details here.

    The Sun Magazine

    They publish personal essays, fiction, poetry, and photography. “Personal stories that touch on political and cultural issues are welcome.” Pay is $300-2,000 for prose, for print. There’s also a themed Readers Write section, which publishes only nonfiction – “Feel free to submit your writing under “Name Withheld” if it allows you to be more honest.” They have a few upcoming themes for this section, including Anniversaries, due 1 July; and The Phone, due 1 August 2022. Payment for Readers Write is magazine subscription. Details here and here.

    Molecule – A Tiny Lit Mag

    They publish prose – fiction and creative nonfiction, poetry, plays, interviews, reviews, and visual art twice annually. All work should be 50 words or fewer (including titles and interview questions). They also want visual art of tiny things like tea bags and toothpicks, or tiny paintings. Details here.

    Toxic Workplaces Anthology

    They plan to publish anthologies by women writers, starting 2023. The theme of the first creative nonfiction anthology is Toxic Workplaces. Send submissions of 1,000-5,000 words. Pay is $0.02/word for original essays; there is no cash payment for reprints. The deadline is 1 December 2022. Details here.

    Dream Pop Journal

    They publish work every Tuesday. They welcome submissions in experimental, non-narrative forms. Apart from poetry, reviews, visual art, and visual poetry & erasure, they publish a Speculative Diary, of up to 2,500 words – “Speculative diary is a subgenre of creative non-fiction that incorporates science fiction, fantasy, and horror elements into diary writing. Diary is anything from “Dear Diary” style writing to journaling, to sketches, vignettes, fragments, scintillae, or notes. What makes diary diary for this call is work that is concerned with chronology and kairology. For this specific call, speculative can include any sort of SF/F/Horror mythos, tropes, or archetypes. Speculative will also encompass the paranormal, supernatural, mythic, dystopian, alternate histories, retrofutures, Afrofuturism, dreampunk, Ethno/Southern Gothic, and hi-tech mystery/thriller. The point is to bring genre fiction ideas and aesthetics into one’s processing of the real world and memories.” Details here.

    hey want creative, thematic, and entertaining literary humor. They accept many formats, including essays and lists. Pay is $10-35 for submissions up to 1,000 words. Details here.

    Pithead Chapel

    They want personal, memoir, lyric, flash (short-shorts), hybrid, and experimental essays, of up to 4,000 words. They also accept fiction and prose poetry. Details here.

    Autofocus

    Autofocus is a literary publisher of artful autobiographical writing. They have a literary journal, a podcast, and now, a press. For the journal, they want “personal essay, memoir, confessional poetry, curated journal/diary, curated letters/e-mail, hybrid explorations of the self, and any writing that makes art from your life.” Prose can be a single piece up to 2,000 words, or two shorter flash pieces. Details here.

    (The Submittable page also has details of their craft anthology, ‘How to Write a Novel.’ “I’m looking for essays about brainstorming and drafting and experimenting and workshopping and revising and all the other different stages and elements of writing a novel… even though they probably won’t use those words.” Pay for the craft anthology essays is $50, and the deadline is 30 June 2022.)

    Creative Nonfiction: True stories by (or about) nurses; and more

    Creative Nonfiction regularly issues themed submission calls, and normally, these have a submission fee for non-subscribers. However, for their call on true stories by (or about) nurses, they’re not charging a fee, nor for pitches on creative nonfiction as a genre. See all the magazine’s calls here. For the nurses call, “We’re looking especially for pandemic-era stories, which examine the complex and essential role nurses of all kinds have played in providing care and guidance for patients and families, as well as the ways in which the pandemic has affected both individuals and the healthcare system.

    We are looking for writers who can write dramatically and vividly about their work. Essays can be from 1,000 to 4,000 words and should be previously unpublished and written in a narrative form, with scenes, description, vivid characters, and a distinctive voice. … All submissions will be considered for the book and might also be considered for other CNF projects.” The deadline for this call is 27 June 2022. Details here.

    (They’re also always open for pitches on writing about creative nonfiction. “We’re looking for writing about writing—smart and insightful ideas related to the art, craft, history, or philosophy of creative nonfiction.” They’re open to these kinds of stories, see guidelines for examples: then & now stories or timelines; explorations of specific subgenres, considering the work of more than one writer; arguments or research or ideas about why/how true stories matter; craft pieces, particularly related to structure, voice, or finding inspiration; pieces that explore connections between creative nonfiction and other fields/forms; in-depth interviews with prominent voices in the field; or, generally, work that engages deeply in some way with creative nonfiction as a form or practice. For upcoming issues, they are specially interested in pitches on voice in creative nonfiction, and flash nonfiction. These pieces are generally 1,000-3,000 words. Details here.)

    Night Shift Radio: The Storyteller Series

    Night Shift Radio podcast has The Storyteller Series and they choose two stories to publish each month. One story will be chosen for the Full Cast Audiobook treatment; that author will receive $50 for audio rights and non-exclusive print rights. A second piece will be chosen for their mid-month print only piece. The author of that piece will be offered $25. They publish fiction, nonfiction, memoir – anything that reads with tension and excitement. They have short, week-long submission windows during certain months: for 2022, they’ll read submissions during 21st to 28th of August, and of November. Please send submissions only during the reading period. Length guidelines are 7,000-10,000 words. Details here (episodes) and here (guidelines).

    Pleiades

    They are open for regular submissions until 30 June of nonfiction, reviews, fiction, and poetry. “…we are particularly interested in creative nonfiction that gazes out at the world rather than into the self. This is to say nothing against memoir, only that our publishing aesthetic leans towards the exterior in order to balance what we often see as a focus on memoir and interiority in many literary journals. Essays that perform a weave of the personal with an outward gaze are very welcome. We do not only consider externally-focused creative nonfiction, but this is our taste preference. Limit creative nonfiction submissions to 6,000 words.”

    And during 1-31 July 2022, they will open submissions for a special folio, ‘Silences of War: Erasure within Conflict’. They want nonfiction, poetry, fiction, and hybrid work “that engages with the untold or silenced side of “war” in all its variations—from global to national to domestic conflict. What and who is erased by violence?  What sounds do these silences make, and how can they be honored and represented?  How can destruction take the form of creation and utterance?  Send us your writing about historical and recent conflicts, forms of resistance and persistence, and the silences upheld by oppressive systems, structures, and individuals. We especially welcome creative work from historically marginalized perspectives.” Details here.

    (There’s also Consequence Forum, which accepts work, including narrative nonfiction, on the consequences of war and geopolitical violence. Pay is $20-200, and the submission period is 15 July-15 October 2022.)

    5 Paying Literary Magazines to Submit to in June 2022
    These magazines accept fiction, nonfiction, and poetry. They’re a mix of literary and genre markets, and not all of them are open through the month.
    Extra Teeth
    This is a Scottish magazine with an international outlook; they publish fiction and nonfiction. “We look for short stories that stick with you, lingering in the memory long after reading, and essays that explore specific interests or issues from a new perspective. We offer a space for writers to be strange, bold and experimental, and to express their unique style however they see fit.” They also commission one guest illustrator per issue, whom they pay £500.
    Deadline: 14 June 2022
    Length: 800-4,000 words
    Pay: £100
    Details here.
    (And Mud Season Review is open for fiction, nonfiction, and poetry. Pay is $50, and the deadline is 30 June 2022, or until filled, for fee-free submissions.)
    The Puritan
    This Canadian literary magazine publishes fiction, nonfiction, interviews, reviews, and poetry. They accept a limited number of fee-free submissions every month.
    Deadline: 25 June 2022 for Summer issue; reads year-round
    Length: Up to 10,000 words for fiction, up to 4 poems; various for nonfiction (see guidelines)
    Pay: CAD200 per essay; CAD150 for fiction; CAD100 per interview or review; CAD25 per poem (or page, capped at CAD80)
    Details here.
    Mythic
    This is a quarterly speculative fiction magazine seeking diverse sci-fi and fantasy fiction. They also accept reprints. They read during March, June, September, and December.
    Deadline: 30 June 2022
    Length: 2,000-5,000 words
    Pay: $0.01/word
    Details here.
    (And Fusion Fragment will open a very short submission window in June. They want “Science fiction or SF-tinged literary fiction stories and novelettes ranging anywhere from 2,000 to 15,000 words. Although any science fiction subgenre is fair game, our tastes lean towards slipstream, cyberpunk, post-apocalypse, and anything with a little taste of the bizarre.” Pay is CAD3.5c/word, up to CAD300. Reading period is 10th to 12th June 2022. Details here.)
    The Willowherb Review
    This UK-based magazine only publishes nature writing by writers of color anywhere in the world (often termed BAME or BIPOC). They want nonfiction especially, but they consider fiction and poetry as well — on nature, place, and environment. “If you’re unsure if your piece fits the bill, let’s just say we believe nature writing can tackle all sorts of issues: from stories of farming to long treks, tales of migration, racism, community, and beauty. You might be writing about remote places, cities, lost landscapes, or old homes. We’re looking forward to seeing what matters most to emerging nature writers. Above all, your submission should have a great sense of place and attention to the natural world.” They do not want literary criticism.
    Deadline: 30 June 2022
    Length: Up to 3,000 words for prose, up to 3 poems
    Pay: £100 for poetry and £250 for prose
    Details here.
    Palette Poetry
    They publish poems from writers at all stages of their careers, and especially encourage emerging poets to submit. Send up to 5 poems. (They’re also running a fee-based contest for women poets.)
    Deadline: Ongoing
    Length: Up to 5 poems
    Pay: $50/poem, up to $150
    Details here. (scroll down)

    Grub Street: Now Accepting Manuscript Queries

     

    An award winning niche publisher. No agent required.

    Keep Reading…

    More…

    The Dread Machine: Now Seeking Submissions

     

    Now seeking short stories. They pay all their authors.

    Keep Reading…

    The Writing Project That Took a Quarter of a Century to Complete

     

    Just after giving up — this author got an email that changed her life. Here’s what happened.

    Keep Reading…

    Announcing The 2022 Poetry Marathon! Write 24 poems in 24 hours with hundreds of writers from around the world. Learn more here.

     

    Cathy’s Comp also provides a great list of markets

     

    Here they are:

    Comps and calls for June 2022

    Cathy x

     

    Erica Dreifus also publishes a good market summary on the Practicing Writer website.

     

    https://email.mg-d1.substack.com/c/eJxVkd1uhCAQhZ9G7tbwo4gXXDRp9jUIwujSVTD8tPHti26btAkhcDJz5jsZozMsIR5yDymj81L52EF6-Eor5AwRlQRROSt7MRI8CmQlGycsDEcuqTkCbNqtMscCaC_T6ozOLvizQ1A-oocUhAlM6Gws4xaLgVAi8DhgMnM7DZ19jdXFOvAGJHxCPIIHZMK2gc-nE1rlI-c9Neytofd6UplS1ubZ1qL61ft-W51_1udp1rD7f5SGvZ8wDeXXrEvomahkI69iyZtKoUQDVb_yICcpphT3jBCGMe5b1g7CEGxh5pPgtiOm6fC23Cxp_8KgKHXJjxA_9BNMSFtIel0h1uLlNL5qKpw60xXv8qHA62mFGjK_tnABqAU8xLodq3SWhPcdxhQT3g0C_WSQvwlQBbChdnkJ0T21jeDmkr4BLhKf1Q

    The Practicing Writer 2.0: June 2022

    55+ carefully curated calls and competitions for poets, fictionists, & writers of cnf. No fees. Paying opportunities only. Nothing that’s limited to residents of a single city/state/province.

    Erika Dreifus

    May 31

    Welcome, new readers, and welcome back to the regulars!

    For updates and additional opportunities between newsletters, please check the “Practicing Writing” blog and follow Erika Dreifus on Twitter (@ErikaDreifus) and/or Facebook.

    If you are accessing this newsletter via email, you may find a “Message Clipped” warning as you continue reading. That’s due to the length of this info-packed missive. Please be sure to click as appropriate to view the complete text.

    Please share this newsletter with your networks! If you’d like to share individual listings with others, PLEASE CREDIT THE PRACTICING WRITER (ideally with a link—a working one, I somehow find it necessary to add) back to this newsletter.

    Thanks for respecting your editor’s volunteer efforts.

    IN THIS ISSUE:

    Editor’s Note

    Success Stories

    Featured Resource

    Current Contests, Competitions, and Other Opportunities (NO ENTRY OR APPLICATION FEES; PAYING OPPORTUNITIES ONLY; NOTHING THAT’S LIMITED TO WRITERS IN A SINGLE CITY/STATE/PROVINCE)

    Submission Alerts (NO SUBMISSION/READING FEES; PAYING CALLS ONLY; NOTHING THAT’S LIMITED TO WRITERS IN A SINGLE CITY/STATE/PROVINCE)

    Blog Notes

    Newsletter Matters

    1. EDITOR’S NOTE

    Welcome, practicing writers:

    I wish that May had been a better month.

    I wish that we lived in a better, less-wounded world.

    I wish that I had healing words to offer here. I don’t.

    But we are writers. And we work with words.

    And if and when you have words to share that relate to recent events, perhaps some of the information in this newsletter will help you share and amplify them.

    With hopes for better times,
    ERIKA

    2. SUCCESS STORIES

    From Marsheila (Marcy) Rockwell:

    #Writers, you should check out @erikadreifus’s The Practicing Writer. I’ve sold at least 3 pieces to markets that probably wouldn’t have been on my radar if not for her newsletter. [ED note: Click through for links!]

    From Anca Szilágyi:

    Thanks to your posting The Fiddlehead’s calls for submissions in your newsletter, last year I sent them my essay “Boiled Boot,” about my grandmother’s childhood starvation during the Shoah and intergenerational trauma, and it is now in their spring issue. Since it’s in print only, I put a bit about the essay on my blog too. I so appreciate all that you do for the literary community!

    From Allison Floyd:

    I just had a (paid!) blog post accepted for “The Growlery,” Run Amok Books’ new blog about writers and writing. I became aware of this opportunity via the May edition of The Practicing Writer. It probably wouldn’t have ended up on my radar without your fantastic newsletter. Thank you!

    Please share news from your writing practice that may be connected with this newsletter or our other resources. I love to celebrate such successes in this space!

    3. FEATURED RESOURCE

    In preparation for a couple of recent presentations, I’ve updated a list titled “Where to Read (And Publish) Writing on Jewish Themes”: bit.ly/JewishWriting

    As noted in the introductory text, this resource is not limited to no-fee/paying publications, so bear that fact in mind.

    4. CURRENT CONTESTS, COMPETITIONS, AND OTHER OPPORTUNITIES

    RUTH LILLY AND DOROTHY SARGENT ROSENBERG FELLOWSHIPS
    Deadline June 2 (11:59 pm Chicago time). Awards $25,800 each “to five young poets through a national competition sponsored by the Poetry Foundation. Established in 1989 by the Indianapolis philanthropist Ruth Lilly and increased in 2013 with a gift from the Dorothy Sargent Rosenberg Memorial Fund, the fellowships are intended to encourage the further study and writing of poetry.” Note that applicants “must reside in the U.S. or be U.S. citizens” and “must be at least 21 years of age and no older than 31 years of age as of April 30, 2022.”

    LETRAS BORICUAS FELLOWSHIP
    Deadline: June 13 (4 pm Eastern). Sponsored by The Mellon Foundation and The Flamboyan Foundation’s Arts Fund, this program provides 40 writers (20 selected in 2021 and 20 to be selected in 2022) with $25,000 each. “Recipients will also participate in a gathering of all forty Fellows to be hosted in Puerto Rico, tentatively scheduled for April 2023. While fellowship award funds are unrestricted, the hope is to help writers in Puerto Rico and across the diaspora, pursue their writing, amplify their work to a broader audience, and create work that celebrates Puerto Rican life and culture. It is also the aim that each Fellowship cohort will include writers of different genres [poetry, fiction, creative nonfiction, and children’s literature] and writers who live in Puerto Rico, as well as Puerto Ricans who may live in the United States. Applications will be accepted in Spanish and/or English.”

    ANONYMOUS WAS A WOMAN ENVIRONMENTAL ART GRANTS
    Deadline: June 14 (5 pm Eastern). “This program provides up to $20,000 for projects led by women-identifying artists in the United States and U.S. Territories,” supporting “environmental art projects that inspire thought, action, and ethical engagement. Projects should not only point at problems but aim to engage an environmental issue at some scale.” Note that “selected projects must benefit the public in some way, and are required to have a public engagement component by June 30, 2023.”

    BARD FICTION PRIZE
    Deadline: June 15 (received). For “a promising emerging writer who is an American citizen aged 39 years or younger at the time of application. In addition to a $30,000 cash award, the winner receives an appointment as a writer in residence at Bard College for one semester, without the expectation that he or she teach traditional courses. The recipient gives at least one public lecture and meets informally with students.” Application must include “three copies of the published book they feel best represents their work.”

    JANE BRINKLEY SUMMER FELLOWSHIP
    Deadline: June 15. “The Poetry Society of New York is seeking a generous, creative, thoughtful, open-minded, and hardworking young artist for our 2022 Jane Brinkley Fellowship. This fellowship is named after and was founded in memory of our former intern who we tragically lost at the beginning of this year….With this fellowship, we want to grant the opportunity for a college student like Jane to move to New York City for the summer and help produce the New York City Poetry Festival from September 10th-11th….This fellowship will last from July 1st to September 15th. The awardee will receive $5000 for these three months, as well as support from the Poetry Society of New York re: finding housing and acclimating to the New York area.”

    CHRISTOPHER HEWITT AWARD
    Deadline: June 15. Honoring A&U Magazine’s first literary editor, “the award showcases outstanding responses to the AIDS pandemic and the realities of individuals living with or affected by HIV/AIDS in the genres of fiction, poetry, drama, and creative nonfiction.” Awards $75 (per category) and publication. Judges: Philip F. Clark (poetry), Raymond Luczak (fiction), Jay Vithalani (creative nonfiction), Bruce Ward (drama).

    #HIPPOCAMP22 CONFERENCE SCHOLARSHIPS
    Deadline: June 15. “Hippocampus Magazine is pleased to announce that it’s offering an increased number of scholarships to HippoCamp: A Conference for Creative Nonfiction Writers this year, including three donor-supported (two of which are new this year). HippoCamp 2022 is an in-person conference, scheduled for Aug. 12-14 in Lancaster, PA. All conference scholarships cover full registration and entrance into a pre-conference workshop; the Friends and WOC scholarships also include a $200 travel stipend.” Funding opportunities include scholarships open to all writers; scholarships open to all unpublished writers of color; a scholarship open to all neurodiverse writers; and a scholarship open to all writers of flash creative nonfiction.

    NORTON WRITER’S PRIZE
    Deadline: June 15. “Recognizes outstanding original nonfiction by undergraduates. The contest is open to students aged 17 and above who are enrolled in an accredited 2- or 4-year college or university during the 2021–2022 academic year. Three cash prizes of $1,000 apiece will be awarded in 2022 for coursework submitted during the academic year,” one in each category (first-year student in a 2- or 4-year college or university; student in a 2-year college/university; student in a 4-year college/university). Instructor nomination required.

    EUGENE C. PULLIAM FELLOWSHIP FOR EDITORIAL WRITING
    Deadline: June 20. “Awards $75,000 to an outstanding editorial writer or columnist to help broaden his or her journalistic horizons and knowledge of the world. The annual award can be used to cover the cost of study, research and/or travel in any field. The fellowship results in editorials and other writings, including books.”

    MOLLY KEANE CREATIVE WRITING AWARD

    Deadline: June 22 (noon, Irish time). Competition “for people resident on the island of Ireland” for an unpublished short story. Prize: “€250 cash plus a course of the winner’s choice in the Molly Keane Writers Retreat, Ardmore in 2023 to the value of €250.” NB: “Entries shouldn’t be currently submitted elsewhere for consideration.”

    DAVE GREBER FREELANCE WRITER AWARDS
    Deadline: June 24. Two awards for social justice writing: “The book award is set at $5,000 and the magazine award is set at $2,000. Since the awards can be given before publication and book and magazine publishing timelines can differ, so do the requirements for each award.” Limited to writers who are “a continuing resident of Canada and at the date of application lived in Canada for the last twelve months” and “working a minimum of seventy percent of their work time as a self-employed freelance writer.”

    GREAT LAKES COLLEGE ASSOCIATION NEW WRITERS AWARD
    Deadline: June 25. “For the 53rd year, this group of thirteen independent Midwestern colleges will confer recognition on a volume of writing in each of three literary genres: poetry, fiction, and creative non-fiction. Publishers submit works on behalf of their authors; a defining criterion for this award is that a work must be an author’s first–published volume in the genre.” The winning writers “receive invitations to visit several GLCA member colleges, where they will read from their works and engage with students and faculty members in a variety of contexts.” Authors “receive an honorarium of $500 from each of the colleges they visit. In addition, writers are reimbursed for all travel, lodging, and food costs they might incur in visits to GLCA member colleges.” Limited to writers resident in the U.S. and Canada; publishers may submit only one entry per category. This year’s competition will consider works “that bear a publishing imprint of 2021 or 2022.”

    BLUE MOUNTAIN ARTS POETRY CONTEST
    Deadline: June 30. The biannual contest awards cash prizes ($350/$200/$100). “In addition, the winning poems will be displayed on our website.” Tips: “Poems can be rhyming or non-rhyming, although we find that non-rhyming poetry reads better. We suggest that you write about real emotions and feelings and that you have some special person or occasion in mind as you write.”

    ZACHARY DOSS FRIENDS IN LETTERS MEMORIAL FELLOWSHIP
    Deadline: June 30. Posted by Ryan Bollenbach/Heavy Feather Review: “In thinking about my relationship with my late friend and fellow writer Zach Doss, I often feel nostalgic about my lunches with him (and our subsequent conversations on the walk home); we would talk about writing, publishing, submissions (when we worked together at Black Warrior Review), campy TV series we were watching at the time, gossip about our MFA, or life in general. It was a significant aspect of our friendship. Though we rarely critiqued each other’s work in class, these meals and conversations were important to our relationship as friends and writers. It is with this kind of friendship in mind that I (along with the generous donation of an anonymous donor) am offering a small sum of $50 to four pairs of friend-artists who submit portfolios of work (with a short introduction) intended to be used for the winners to get a meal together, see a movie, get a few drinks together at a conference, etc. The key is being together. In this way, the offering is low stakes—with no expectation of production—yet I also hope to encourage writers to look beyond ideas of individual work and success that most competitions encourage and toward a deliberate investment in their relationship with their creative partner.”

    DRUE HEINZ LITERATURE PRIZE
    Deadline: June 30. “Eligible submissions include an unpublished manuscript of short stories; two or more novellas (a novella may comprise a maximum of 130 double-spaced typed pages); or a combination of one or more novellas and short stories. Novellas are only accepted as part of a larger collection. Manuscripts may be at least 150 and no more than 300 pages.” Open to those writing in English “who have published a book-length collection of fiction or at least three short stories or novellas in magazines or journals of national distribution. Digital-only publication and self-publication do not count toward this requirement.” Confers $15,000, publication by the University of Pittsburgh Press, and promotional support.

    BROOKLYN CARIBBEAN LITERARY FESTIVAL (BCLF) SHORT FICTION STORY CONTEST
    Deadline: July 1. The 2022 contest “will award US$1750 in cash for each of the two prizes [the BCLF Elizabeth Nunez Caribbean-American Writer’s Prize and the BCLF Elizabeth Nunez Award for Writers in the Caribbean] for the best piece of unpublished short fiction.” Judges: Katia D. Ulysse and Ifeona Fulani for the Caribbean-American Writer’s Prize and Ayesha Gibson-Gill and Tanya Savage-Batson for the Award for Writers in the Caribbean.

    RICHARD MARGOLIS AWARD
    Deadline: “Applications are accepted year-round but must be received by July 1 for consideration for the current-year award.” For “a promising new journalist or essayist whose nonfiction work combines warmth, humor, and wisdom and sheds light on issues of social justice. The award honors the life of Richard J. Margolis (1929-1991), a renowned journalist, essayist, and poet who gave eloquent voice to the rural poor, migrant farmworkers, Native Americans, aging adults, and others whose voices are seldom heard. He also wrote several books for children.” The award combines a one-month residency at Blue Mountain Center and a $10,000 prize.

    MARLBOROUGH LIT FEST LOVE BOOKS COMPETITION
    Deadline: July 1. “We want you to tell us why you love your favorite book, poem, or play. Your response can be in the form of a piece of text of up to 750 words, or through a video of no more than four minutes. Entrants should explain what they love about their chosen read, highlighting key areas of interest, and why they think others should try it. We are looking for creative, passionate, and engaging responses which celebrate your love of reading.” Prizes (£300 for a winner and £100 for a runner-up) will be awarded in each of three age-group categories: “13-16 years, 17-19 years, 20+ years.” Open to entrants outside the UK, “but you need a UK bank account to receive your prize money if you win.” (Hat tip: Sian Meades-Williams’s Freelance Writing Jobs newsletter.)

    KINGSLEY AND KATE TUFTS POETRY AWARDS
    Deadline: July 1. Based at Claremont Graduate University and given for poetry volumes published in the preceding year, these prizes confer $100,000 (Kingsley Tufts Poetry Award) and $10,000 (Kate Tufts Discovery Award). The current cycle will recognize works published between July 1, 2021, and June 30, 2022; the Kingsley Tufts award is for a mid-career poet while the Kate Tufts Discovery Award is for “a first book”; the Kingsley Tufts award also requires the winner to spend, within six months of the award presentation, “one week in residence at Claremont Graduate University for lectures, workshops, and poetry readings in Claremont and Greater Los Angeles.” NB: Self-published books are eligible. Note also: “Work must be original poetry written originally in English by a poet who is a citizen or legal resident alien of the United States.”

    POETRY COALITION FELLOWSHIPS
    Deadline: July 3. “The Poetry Coalition, a network of 25+ poetry organizations coordinated by the Academy of American Poets, is pleased to announce the 2022–2023 Poetry Coalition Fellowships, which are paid fellowship positions for five individuals who will each assist a different Poetry Coalition organization for twenty hours per week throughout forty weeks. The fellows will also receive professional development opportunities. The five organizations hosting Poetry Coalition Fellows this year are Letras Latinas, Mass Poetry, Urban Word, Woodland Pattern, and Youth Speaks….The positions will begin on September 5, 2022, and end on June 30, 2023. Interested individuals that are 21 or older are encouraged to apply, including those who are enrolled in or have recently graduated from an MFA program in creative writing.”

    REMINDER: Some opportunities listed in last month’s newsletter remain open.

    5. SUBMISSION ALERTS

    From quarterly zine STANCHION: “Three separate submission windows for Issue 8 will open in early June.” No theme. Pays: “$10, one complimentary copy of that issue of Stanchion, and a discount code to order extra copies.” Windows: June 1-3 for poetry; June 5-7 for “non-poetry”: June 9-11 for visual art.

    Opening June 1 (and remain open for the rest of the month): BATH MAGG, “a magazine of new poetry,” for its summer issue. No simultaneous submissions. Payment: £20.

    CUTLEAF will be opening to fiction submissions on June 1. We’re limiting the call to 100 submissions for this reading period, so if you have a piece you’d like to submit, get it ready!” From the guidelines: “Cutleaf is interested in fiction of all shapes and sizes, although we are generally interested in work less than 6,000 words. Longer work must be exceptionally compelling, and we may publish longer works in installments. Short excerpts from longer works are more likely to be accepted when they stand alone as a discrete work. We will read one long piece or up to three short pieces at a time per author. We are also interested in flash fiction with a limit of 1,000 words. Cutleaf will pay from $100 to $400 for published fiction.”

    THE MCNEESE REVIEW will open June 1 (and will remain so until August 31) “for submissions of poetry, fiction, and nonfiction for our 2023 print issue.” Payment: “All print contributors receive one contributor copy. We are pleased to also offer a $50 honorarium to print contributors within the U.S. Contributors outside of the U.S. will receive two additional author copies instead of the honorarium.”

    Vermont-based international journal MUD SEASON REVIEW will be open during June, though “we may close the reading period early by genre if volume demands.” They’re seeking “deeply human work that will teach us something about life, but also about the craft of writing or visual art, and works that are original in its approach and that in some way moves us.” Payment: “$50 for work that appears in our issues. For artists whose images are paired with writing, and for poets whose work appears in The Take: Mud Season Review, we offer payment of $15.” (Hat tip here goes to the markets newsletter from WOW! Women on Writing.)

    TACO BELL QUARTERLY has announced: “TBQ6 will be open June 1st to September 5th for a winter issue. Will pay $100.”

    Also opening June 1, Ontario-based THE /TEMZ/ REVIEW. They pay $20 (presumably CAD) for poetry and prose.

    I’ve been alerted that in honor of Juneteenth, THE MAINE REVIEW will run a fee-free submissions window from June 13 to June 19. (Another no-fee window, honoring Pride Month, will run from June 27 to July 3.) They publish “contemporary fiction, nonfiction, and poetry, including works in translation and hybrid forms.” Pay rates: “Fiction and Nonfiction writers receive a $25 honorarium per published flash (1,000 words or fewer) and a $50 honorarium for work 1,001 words or more. Poets receive a $25 honorarium per published poem.”

    Until June 15, BELL PRESS welcomes submissions for several projects, including two anthologies (one on “Rituals” and the other on “Framework of the Human Body”), paying royalties and “an advance of $15 Canadian before publication.” They’re also receiving submissions for a 2023 Poetry Day Planner, for which payment is “a flat amount of $15 Canadian.”

    CHANNEL, an Ireland-based litmag “born out of the climate crisis, publishing poetry and prose with an environmentalist perspective,” will close for submissions of fiction and poetry on June 15. (According to their guidelines, “essay submissions, which will be considered for online publication as well as for our next print issue, are open year-round.”) Payment: “€50 per poem and €50 per page of prose up to a total maximum fee of €150. Contributors will also receive a copy of whichever issue their work appears within.”

    Another one closing on June 15: GRAIN, “an internationally acclaimed literary journal that publishes engaging, surprising, eclectic, and challenging writing and art by Canadian and international writers and artists.” Send poetry, fiction, or literary nonfiction (query for other genres). Pays: “All contributors, regardless of genre, are paid $50 per page to a maximum of $250, plus two copies of the issue in which their work appears” (the payment is presumably in Canadian dollars). NB: They do have a Submittable cap.

    Also closing June 15: KALEIDOSCOPED, “a new literary magazine formed by MFA students at UC San Diego,” which is currently seeking submissions on the theme of “Ghosts and Gossip.” Pays: $20. (Hat tip: @Duotrope.)

    FOYER, a UK-based “independent magazine celebrating and exploring untold stories from people of mixed, third culture and second-generation cultural heritage,” welcomes pitches and submissions for its first issue, on the theme of “Connect,” until June 17. Pays: £75.

    THE PURITAN seeks submissions “all year round, from anywhere in the world,” but work received by June 25 will be considered for the summer issue. NB: “Please note that we can only issue payments using PayPal or a cheque in the mail. We also pay in CAD.” Pay rates range from $25-$200. “Please note that we can only issue payments using PayPal, Canadian bank e-transfer, or a cheque in the mail. We also pay in CAD. We can pay using Western Union [except to Nigeria] if no other option is available.”

    Until June 27, CREATIVE NONFICTION/IN FACT BOOKS seeks “essays by and about nurses for an expanded anniversary edition of I Wasn’t Strong Like This When I Started Out: True Stories of Becoming a Nurse. “We’re looking especially for pandemic-era stories, which examine the complex and essential role nurses of all kinds have played in providing care and guidance for patients and families, as well as the ways in which the pandemic has affected both individuals and the healthcare system.” Payment is unspecified, but “this is a paying market. All submissions will be considered for the book and might also be considered for other CNF projects.”

    Attention, Canadians! CLOUD LAKE LITERARY seeks submissions. “We currently publish fiction, creative nonfiction, poetry, and children’s literature (ages up to and including YA).” Receives submissions year-round, but work received by June 30 will be considered for the fall issue. Payment: $50 CAD per page to a maximum of CAD 150.

    The Rainbow Issue of FAIRY TALE REVIEW “will be dedicated to queer fairy tales written by queer writers” and will remain open for submissions until June 30. “While The Rainbow Issue will be dedicated to queer fairy-tale poetry and prose written by writers who self-identify as members of the LGBTQIA+ community, we are especially interested in submissions by writers working at the intersection of queerness, including women and nonbinary writers, BIPOC, writers with disabilities, and writers from other marginalized and underrepresented groups in mainstream publishing.” Pays: “Contributors will receive two (2) issues of The Rainbow Issue and a $50 honorarium upon publication.”

    FREEZE FRAME FICTION also remains open for submissions until June 30. Submissions should be “1000 words or less, any genre, no content restrictions. We want your science fiction, fantasy, horror, mystery, drama, literary works, satire, bizarre fiction, or anything else you can come up with or mix. The more original, the better. The weirder, the better.” Pays: “$10 per accepted piece.”

    June 30 is the deadline for pamphlet submissions at NEON BOOKS: “Neon Books publishes a selection of paper broadsides and pamphlets, which are sent out for free with print orders….We’re looking for short works, such as individual poems, small sets of very short poems, or short pieces of fiction. Hybrid works, comics, and illustrated pieces are also very welcome….We enjoy pieces that can be presented interestingly or unusually. If you can think of an interesting way of presenting your work, please do include a note describing this in your cover letter. There’s no need to format your work ready for printing.” Will consider reprints. Payment: “a one-off fee of £25 on acceptance.”

    June 30 is also the deadline for submissions for NEW GOTHIC REVIEW, which seeks “previously unpublished short stories that reimagine Gothic fiction for the 21st century.” Pays: “a flat $65 for stories (paid within 30 days of acceptance).”

    THREAD COUNT, too, remains open until June 30. This publication “accepts original and previously unpublished works of prose, poetry, fiction, nonfiction, and hybrid text, but we prefer writing that resists such classifications. Primarily we focus on hybrid works between prose poetry and flash fiction.” Pays: $25. (Thanks to FlashFictionFlash for introducing me to this one.)

    THE WILLOWHERB REVIEW, which “aims to provide a digital platform to celebrate and bolster nature writing by emerging and established writers of color,” is open for submissions until June 30 (“23.59[BST]”). “We’re looking for previously unpublished prose—non-fiction especially, but we will consider fiction and poetry—on nature, place, and environment.” Pays: “£250 for prose, £100 for poetry.”

    Closing to poetry submissions July 1: Canada-based MINOLTA REVIEW, which welcomes work “from all those who identify as women and non-binary writers.” Pays: $25 per published poem presumably in Canadian dollars). Note also that they’re open to book review pitches and, beginning with their September issue, will pay $20 per published 250-500 word review. (Thanks to WOW! Women on Writing’s Markets Newsletter for the reminder about this one.)

    SUBSTANTIALLY UNLIMITED, which “welcomes submissions from anyone who considers themselves disabled, or substantially limited, socially, emotionally, cognitively, or mentally,” remains open for submissions on the theme of “stigma” until July 1. Pays: “$15 per published piece via Venmo or Paypal.” (Hat tip: @Duotrope.)

    Australia-based podcast PILLOW TALKING “is always looking for first-person, narrative/creative nonfiction stories of real-life bedroom conversations. This podcast wouldn’t exist without people choosing to share their intimate conversations. Whether they are thought-provoking, funny, heart-breaking, or silly this takes trust, vulnerability, and some guts, and I consider receiving each story a huge privilege and responsibility. You can submit from wherever in the world you happen to be.” Upcoming themes include “Blue” (with a June 4 deadline); “Suddenly Strangers” (June 18); and “Sanctuary” (July 2). Payment: “$25AUD, paid via PayPal or Stripe, within 1 week of the episode going to air.”

    From the new journal BROKEN GLASS: “Do you write poetry? Tell stories? Conduct interesting interviews? If so, send us your work. We are starting a new digital magazine and want to hear from you! We focus on moments that embody the change that help readers experience perspective-altering inspiration, with an emphasis on the show over tell. Art, video, fiction, non-fiction, interviews, investigative reporting, fashion, design, book reviews, and more – if it fits our focus, we’d love to see your work. Submissions are free, and we offer honoraria of $50-200 for each piece selected to be published.” No deadline explicitly stated, but “submissions will be reviewed starting July 1.”

    It may seem that lots of journals close for subs during the northern hemisphere’s summer, and yes—many do! But some remain open year-round. CRAFT is one. Pays: “$100 for original flash and $200 for original short fiction and creative nonfiction.” They also publish “essays on writing craft, critical literary analyses, book annotations/reviews, and interviews….All work in this section is concerned with fiction or creative nonfiction. Please do not send critical work about poetry, film, or any other genres….We pay $50 for craft and critical essays, and we pay $50 for most standard interviews and $100 for hybrid interviews (a critical essay paired with a Q&A).”

    Similarly, FRACTURED LIT “is open year-round and is available to all writers. We currently feature two separate submission categories, based on the length of the work submitted: Micro Fiction, for work under 400 words; and Flash Fiction, for work 401-1,000 words.” Pays: “$50 for original micro fiction and $75 for original flash fiction.”

    Reminder from THE MASTER’s REVIEW: “Our New Voices category is open year-round to any new or emerging author who has not published a work of fiction or narrative nonfiction of novel-length with a wide distribution. Authors with short story collections are free to submit, as are writers with books published by indie presses.” Pays: “We pay New Voices authors $200 for short fiction and narrative non-fiction, and $100 for flash-length narratives (up to 1,000 words).”

    Likewise, at FRONTIER POETRY “submissions for our New Voices, poetry category is open year-round to any new and emerging poet who has not published more than one full-length collection of poetry. New Voices are published online only and will feature several poems from new authors each month.” Payment: “$50 per poem, up to $150.”

    THE SUN welcomes submissions of personal essays, fiction, and poetry. “Personal stories that touch on political and cultural issues are welcome.” Pay rates: $300-$2,000 for essays and fiction; $100-$250 for poetry.

    Another one that’s open year-round: THE WEST REVIEW, “a literary journal founded on the West Coast that seeks to promote and publish quality literature ​from our local, national, and international communities​, which pays $10/poem and prose piece (via Paypal). NB: “We are primarily a poetry journal & only very rarely publish fiction. Before submitting, please read the prose included in prior issues to see if your work would be a good match.”

    ORCA, which “publishes short stories and flash fiction, and a limited amount of nonfiction,” offers space for 100 free submissions each month. “If the fee-free submission forms do not appear, it means the 100 free submissions have been used for that month, and the free portals will reopen at the start of the next month.” They publish three issues each year: “two literary issues and one literary-speculative.” Payment: “$50 for published short stories and $25 for flash fiction.” (Thanks to Nancy Ludmerer for alerting me to the fee-free submissions policy.)

    From CREATIVE NONFICTION: “We’re looking for writing about writing—smart and insightful ideas related to the art, craft, history, or philosophy of creative nonfiction.” Check the guidelines for details on what they’re looking for (and what they’re not looking for), and note that they seem especially interested right now in pitches addressing “voice in creative nonfiction” and flash nonfiction. “This is a paying market,” but pay rates aren’t specified; no deadline is specified, either.

    Reminder: SHORT STORY, which aims to “revive the art of the short story, support artists, and produce something wonderful,” selects one story for publication each month and considers reprints. Pays: “base pay of $100 for the chosen story + 50% of subscription revenue to be sent by Paypal, Zelle, or check.”

    And another reminder: Make it a habit to check the CHICKEN SOUP FOR THE SOUL website, where titles in development are posted. “If this is your first time, please visit our Story Guidelines page.” Pays: $200 plus 10 free copies.

    REMEMBER: Some venues listed in last month’s newsletter remain open for submissions.

    6. BLOG NOTES

    The newsletter is published just once each month, but there’s always something new on the Practicing Writing blog:

    (Monday) Markets and Jobs for Writers (including opportunities that don’t make it into the monthly newsletter)

    Midweek Notes from a Practicing Writer

    (Friday) Finds for Writers

    Sunday Sentence

    Please visit, comment, and subscribe!

    Interested in matters of specifically Jewish literary and cultural interest? Please also visit the My Machberet blog (“each beret” is the Hebrew word for “notebook”).

    7. NEWSLETTER MATTERS

    Information contained in The Practicing Writer is researched carefully but readers should always verify the information. The Practicing Writer and its editor refuse any liability for the use of the information contained within. Thank you for following/reading.

    We value our subscribers, and we protect their privacy. We keep our subscriber list confidential.

    About the editor: Erika Dreifus is a writer, teacher, and literary consultant whose books include Birthright: Poems and Quiet Americans: Stories. A Fellow in the Sami Rohr Jewish Literary Institute and an adjunct associate professor at Baruch College/CUNY, she lives in New York. Please visit ErikaDreifus.com to learn more about her work and follow her on Facebook and/or Twitter, where she tweets “on matters bookish and/or Jewish.”

    If you liked this post from The Practicing Writer 2.0: A Newsletter from Erika Dreifus, why not share it?

    Funds for Writers  has a  good market listing  as does winning writers which also publishes a list of places to avoid submitting.

    Final plug  -Pensively  101 sends out daily prompts which are quite good.

    https://pensitivity101.wordpress.com/

    Three Things Challenge #M10

    Hello and welcome to my daily Three Things Challenge!
    Having passed the milestone of 1000 3TCs, we start again from #1 but numbers will now begin with a prefix of M, which is the Roman numeral for 1000.
    I also thought I’d introduce a theme each week, though the words can be used in a variety of contexts, so use your imagination, read the prompt and see where your creativity takes you. Your post doesn’t have to be connected to the theme though and you can use all three words, two or just one. There are no restrictions regarding length, style, or genre, but please remember to keep it family friendly.
    Tag your responses with 3TC, #threethingschallenge or TTC and you can also add my logo if you wish.
    Invite us along by creating a pingback to this post, then leave your link in the comments so that other people can read your writings and I’ll see it to respond to you directly. Maybe you’d like to check out some by other bloggers while you’re there.

    Although I schedule the challenge to go out around 6.00 am UK time, pingbacks have to be approved manually so don’t worry if they don’t show immediately. This could be because I’m late accessing my blog or due to time differences, but I will get there, I promise!
    Thank you all for your continued support and as always I look forward to reading your contributions.

    I’ve chosen the theme of motorways, roads and traffic this week.
    Your three words today are:
    BEND
    LIGHTS
    BYPASS

    That’s it for the free advice.  Hit me up if you have any concerns or wish to add to the list of useful sites.

     

  • writers HQ Plea

    writers HQ Plea

    writers HQ Plea

    Writers HQ is based in England and is a good writer resource site.  They offer lots of free courses and advice.  I like their snarky attitude.  They are asking for donations as a grant they had counted on dried up.  It is a worthy organization to support.
    a small plea for your kindly assistance…
    Hey hey Jake

    This email is a small change from the scheduled entertainment.

    Your normal Writers’ HQ newsletter will arrive at 11.30 am, just in time for you to have a cup of tea and a biscuit and read it at your leisure (it’s a good ‘un, about taking off your trousers and finishing things).

    Before we send that, we need to ask you something pretty important.

    So.

    Right.

    Ugh, this sucks.

    Right.

    As you know the pandemic has proper knackered arts orgs and artists all over the shop and that, unfortunately, includes us. For the last 18 months, we’ve been unable to run our live events safely, honestly? It’s left a huge hole in our beeswax. Add to the nightmare with the cowboy web developers and things at WHQ HQ are a little on the precarious side.

    Recently the Arts Council decided we weren’t allowed to apply for the Culture Recovery Fund because we asked for both too much and too little (we don’t understand either)*. We have maxed out all available credit and aren’t eligible for any of the other covid support packages and eeesh it has left us in a very bum-clenched situation.

    Since the beginning of the pandemic, we have run hundreds of free online workshops and courses for writers stuck in covid hell and worked our little butts off to make sure no one missed out on the community they needed during the weird-ass timeline we forked into in early 2020.

    Last year, we awarded over 20 bursaries to systemically excluded writers, ran 312 webinars and workshops, and saw our writers wrack up over 200 publications and 50 long listings, shortlisting, and competition wins. One longlist had TEN Writers’ HQers on it, and one anthology featured SEVEN of you writerly maniacs.

    But it’s not just about the publications. It’s about DOING THE WORK and hoo boy have you guys worked your arses off. We’ve seen you wrack up those words, complete first drafts, fifth drafts, synopses, queries, collections, scripts, poems, a billion pieces of flash fiction, non-fiction, articles, journals, MA applications, podcasts, spoken word performances, self-published manuscripts, NaNoWriMo drafts and, most important of all, you’ve posted an endless stream of support and feedback on our forum, celebrating wins and rejections alike.

    We love Writers’ HQ and we know it’s an important place for so many of you and we are determined that we won’t be scuppered at the final twist of the pandemic shitfight.

     

    Tl;dr Writers’ HQ is really in the shits right now and if you have the resources to help us continue supporting writers across the world, we would very much appreciate it.

    We’re not a megacorp that can suck up the losses of the last 18 months. Writers’ HQ is a labor of love run by Sarah and Jo and Natalie (and Poppy and the rest of the amazing workshop team) from our living rooms and dining tables because we believe the writing of stories should be accessible to everyone regardless of ability, class, neurodiversity or wealth, not just the rarified types normally allowed by the publishing gatekeepers.

    So. If you can, there are three ways you can help us right now:

    1
    BECOME A MONTHLY WRITERS’ HQ MEMBER
    Not only does your monthly sub give you access to like the best writing community and courses and workshops in the ENTIRE WORLD EVER PLUS ONE but it is the best way to support us right now, and it helps us to continue offering plenty o’ free stuff for those who need the free stuff.
    Get your membership here >>
    2
    DONATE TO THE WHQ BURSARY
    Our bursary pot helps us to give systemically excluded writers access to all our writing resources.
    Top up the pot! >>3
    SPREAD THE WORD
    Don’t keep us to yourselves! We’re too good to be a secret! Tell everyone you know about Writers’ HQ and let them see for themselves what awesome-sauceome writerly goodies we have to offer. If you have a website, please consider putting a link on it pointing to us, or just spam your friends demanding they check us out.
    www.writershq.co.uk

    https://writershq.co.uk/a-smol-plea-for-your-kindly-assistance/

    Ok, we’re done. No gif this month but show us you’ve made it this far by posting this beautiful I LOVE WRITERS’ HQ image over on Twitter, Instagram, Facebook, Pinterest, LinkedIn, and any other network you happen to be on. THANK YOU WE ALSO LOVE YOU MWA MWA.
    ok we’redonestaysafeloveyoubyeeeeeee*We love the Arts Council and think they do amazing work. We’re just understandably pissed off about this particular thing.
    Due to volume, please do not reply to this email
    Get answers to questions at https://writershq.zendesk.com/hc/en-us
    Contact help@writershq.co.uk, or visit our forums at writershq.co.uk/talk
    Kthx love you

    Writers’ HQ, Oast Business Centre, North Frith Farm, Ashes Lane, Tonbridge, Kent, TN11 9QU, United Kingdom

     

  • Where to Find Cosmos’s Work

    Where to Find Cosmos’s Work

    Where to Find Cosmos’s Work

    Cosmos poetry and fiction now on poetry soup

    Cosmos Books Read 2021 Update
    Poetry Soup Poems 2016-2019
    The Great Poetry E-Book Free-For-All

    Starting in 2016 when I retired, I began posting my work on various sites and began getting my poetry, fiction, and essays published all over, including of course on my flagstaff blog post, The World According To Cosmos. Here is where you can find my work. I generally try to update my postings once a week. The blog entry is copied to LinkedIn, Twitter, and Tumblr automatically, the rest I have to manually add so it may take a while before everything is in synch. Also, since last summer, I have been podcasting weekly, using the Anchor podcast platform.  I am now also writing on Medium and Wattpad. Starting next year, I hope to add regular vblogging on YouTube, advice on what software to use for that would be greatly appreciated. Please follow me on all these sites

    All Poetry  https://allpoetry.com/Jake_Aller

    Ariel chart ariel chart

    Blog Lovin  https://www.bloglovin.com/@jakecosmosaller3

    Comma Full  https://commaful.com/play/jakecaller/

    Cosmos funnel https://cosmofunnel.com/user/67910/followed/content

    Creativity webzine creativity webzine

    Fan Story https://fanstory.com/mypage.jsp

    Good Reads for reviews https://www.goodreads.com/user/show/9329357-jake

    Instagram https://www.instagram.com/authorjakecosmosaller/

    LinkedIn https://www.linkedin.com/in/jakealler/Medium

    Medium https://medium.com/@authorjakecosmosaller/about

    Pinterest – https://www.pinterest.com/authorjakecosmosaller/_saved/

    Poetry circle https://poetrycircle.com/forum/members/jakecosmos.6777/

    Poetry nook  https://www.poetrynook.com/user/jake-aller

    Poetry magnum opus https://www.poetrymagnumopus.com/?_fromLogin=1

    Poetry Soup poetry soup

    Swenk https://sweek.com/profile/1222095/74088

    Tumblr https://www.tumblr.com/blog/jakecosmosaller

    Twitter https://twitter.com/aller_jake

    Two Drops of Ink two drops of ink

    Wattpad https://www.wattpad.com/user/jakecaller

    Writing com r https://jcosmos.Writing.Com/

    PodCasts

    Anchor; https://anchor.fm/jake-cosmos-aller

    Breaker https://www.breaker.audio/the-world-according-to-cosmos

    Radio Public  https://radiopublic.com/the-world-according-to-cosmos-6va7D1

    https://open.spotify.com/show/6IdqYlys0fX4igW1EJD9D3otify

    You Tube -Not active will start in New Years

    Publication Listing

    A partial listing, work in progress.

    Imaging The End Of The World Ariel Chart: International Literary Journal
    No More Coffee Blues Ariel Chart: International Literary Journal
    What Am I DNA Results Ariel Chart: International Literary Journal
    End Times Ariel Chart: International Literary Journal
    Imagining End Of The World Ariel Chart
    Just Another Night In The City Of Angels Ariel Chart

    The Revolution Is Coming Beatnik Cowboy, The
    I’d Rather Not Mess With Sam Between Hangovers

    A Million Ways To Say I Love You Blessed With Love Poems
    I Still Want You Blessed With Love Poems
    Ode To Valentine Day Blessed With Love Poems
    Love Explained To A Space Alien Blessed With Love Poems

    Slime Patrol To The Rescue Blue Nib Literary Magazine, The
    The Fog Blue Nib Literary Magazine, The

    Dream Girl Cherry-House Press Dreams Anthology

    Dream Girl Chicken Soup For The Soul Series

    Chains That Bind Me City Limits Publication
    Dream Girl City Limits Publication

    Various Creative Talents Unleashed

    How I Married the Girl Of My Dreams Creativity Webzine
    Meeting God in The Lake Creativity Webzine
    Cosmic Cat from Berkeley Creativity Webzine
    Meeting God in Bombay Creativity Webzine
    Cosmic Dog from Goa Creativity Webzine
    Buddha Cat Creativity Webzine
    The Story of How We Met Creativity Webzine
    Fate Intertwined Creativity Webzine
    Wild Things Happen Creativity Webzine
    God Drinks Coffee Creativity Webzine
    Requiem for an Era Creativity Webzine
    Howling at the Moon Creativity Webzine

    Creativity Webzine
    The Truth Shall Set You Free Creativity Webzine

    My Name Is Nobody Down In The Dirt
    Strangeness In The Air Down In The Dirt
    Snarling Cup Of Coffee Down In The Dirt
    Charles Bukowski Road Not Taken Down In The Dirt
    Fallen Dreams Litter The Ground Down In The Dirt
    Hitchhiking Tales Down In The Dirt
    Howling at the Moon Down In The Dirt
    3-5-7 Love Poem Down In The Dirt
    If You Have Been Around Down In The Dirt
    Foreigner Walking The Seoul Wall Down In The Dirt
    Old Man Visiting His Wife’s Grave Down In The Dirt

    Awaiting The Judgement Every Writer Horror Contest
    Mad Bag Piper Of Berkeley Every Writer Horror Contest
    Coffee Poem
    Bad Craziness *

    Kimchi Blues Eskimo Pie
    Kimchi Blues Friends of Korea website

    A New Year’S Visit To The Oregon Coast Excavation
    Casino Thoughts Excavation

    Winter Haiflu Failed Haiku

    Indian Casino Thoughts Fiends Of Korea

    Lone Foreigner Walking The Wall Of Seoul Former People, a Journal of Bangs and Whimpers
    A New Year’s Visit To The Oregon Coast Former People: A Journal Of Bangs And Whimpers
    Indian Casino Thoughts Former People: A Journal Of Bangs And Whimpers
    Casino Thoughts Former People: A Journal Of Bangs And Whimpers
    Former People: A Journal Of Bangs And Whimpers
    Four Coffee Poems Former People: A Journal Of Bangs And Whimpers
    Four Coffee Poems Former People: A Journal Of Bangs And Whimpers
    Four Coffee Poems Former People: A Journal Of Bangs And Whimpers
    Four Coffee Poems
    Fiction Dream
    Fiction Dream
    Corona Virus Haiku Fiction Dream
    Fiction Dream
    Just Enough For Coffee

    One Moment, One Day Fourxfour Poetry Journal

    Met My Fate In Bar Room Face From Addict To Advocate

    Various Haiku Journal

    Hill Rag Hello Bonzai

    One Night In Bombay Hello Poetry

    Cosmic Cat Ode To Coffee
    Cosmic Dogs
    Meeting God In A Lake Horror Sleaze Trash
    Meeting God In Bombay
    Signs Of The Apocalypse Hypertexts, The
    Hypertexts, The
    Getting Lucky Hypertexts, The
    Waiting For The Day Hypertexts, The
    Rising Storm Hypertexts, The
    All Tired And Burned Out 2020 Go Away
    Toilet Gate Fitting Metaphor For Trump Era Ink Pantry (Website)
    A Dream Journey Ink Pantry (Website)
    Insanity Lives Ink Pantry (Website)
    Interview Ink Pantry (Website)
    Morning Bright, Evening Delight Ink Pantry (Website)
    Reality Hits Ink Pantry (Website)
    Cheating Death 22 Times Ink Pantry (Website)
    Cheating Death 22 Times Ink Pantry Acadamy of Hearts and Minds ‘

    Cthulhu’s Revenge Ink Pantry (Website)
    Escape From Hell Ink Pantry (Website)
    Ghoul Haunted Woodlands Of Weir Ink Pantry (Website)
    The Bench Ink Pantry (Website)
    2019 The Year That Was Ink Pantry (Website)
    Dreams Ink Pantry (Website)
    Fate Ink Pantry (Website)
    The Oyster Speaks Up Ink Pantry (Website)
    The Terrifying Teens Ink Pantry (Website)
    Ink Pantry (Website)
    Just An Unhinged Lunatic Ink Pantry (Website)
    Ink Pantry (Website)
    Total Successor Or Total Failure Ink Pantry (Website)
    2021 Haiku
    General Corona Appears In A Vision Inner Circle Writers’ Group Anthology Series
    Cancel Culture Run Amuck
    Journal Of Expressive Writing
    Journal Of Expressive Writing
    Ghosts Of Old Saigon Journal Of Expressive Writing
    Ghosts Of The Chu Chi Tunnels Journal Of Expressive Writing
    Seeing Ghosts
    The Cosmic Cat From Berkeley
    The Cosmic Dog From Goa Kelp Journal
    Cosmic Cat Kelp Journal
    Kelp Journal
    Agnostic Dyslectic Wonders If There Is A Dog Kelp Journal
    Cosmos’s Cosmic Calendar Kelp Journal
    It’s A Dog’s Life For Me Kelp Journal
    The Cosmic Dog From Goa
    2021 Dawns 21 Haiku Literary Yard
    Dear Republicans, What Is Wrong With You? Literary Yard
    The Revolution Next Time Literary Yard
    Zombie Ideas Do Not Die Literary Yard
    There Is A Great Sense Of Unrest Literary Yard
    Lone Foreigner Hiking The Seoul City Walls Literary Yard
    Literary Yard
    Literary Yard
    Dream Love Questions Sekoku Local Gem
    15 Day Challenge Local gem
    Halloween poetry collection Local Gem
    Dear Microsoft Why I Left You Lotus Eater
    Local Gems Poetry Press
    A Million Ways To Say I Love You Blessed with Love
    Ode To Love On Valentine’s Day Blessed with Love

    One Night in Bangkok Man in the Street

    Market Rules Us All Minnie’s Diary: A Southern Literary Review

    The Virus King Cried Muse

    Fake Jake Nthanda Review
    Fake Smiles Nthanda Review

    White Lady
    The Opiate
    God’s Confession Scarlet Leaf

    Opiate
    Bad Craziness
    Otherwise Engaged
    Cats
    In Seach Of America Outlaw Poetry
    It Is A Gun Situation, Mr. President Outlaw Poetry
    Prayer Works Outlaw Poetry
    I Don’t Get It Outlaw Poetry
    Dear Governor Abbot Outlaw Poetry
    When Will This Madness End – Short Version Outlaw Poetry
    Lost And Found Outlaw Poetry
    My Mother’s History Outlaw Poetry
    Conversation With Teddy Roosevelt Outlaw Poetry
    Watching Cats Hunt Outlaw Poetry

    End Of America Outlaw Poetry

    Watching The News As 110,000 Americans Die Plethora Blogazine
    Wearing A Mask Is Not A Political Statement Plethora Blogazine
    Wearing Masks Saves Life Plethora Blogazine
    Who Are You Going To Believe, Me Or Your Lying Eye Plethora Blogazine

    Back Of The Bus The Poet on the Road
    Bus Ride The Poet on the Road Poet The Poet on the Road
    Cross Country Trip Part One The Poet on the Road
    Hitchhiking Tales The Poet on the Road
    Buddha Cat Poet, The
    Meeting God In A Lake Poet, The
    Best Friend For 60 Years Poet, The
    My Memory Bank Poet, The
    Best Friend In The Universe Poet, The

    Cats Poetryezine
    Buddha Cat Poetryezine
    Sitting On The Dock Of The Bay Poetryezine
    Walking By A Winter’s Frozen Lake Poetryezine
    Playing The Piano At The End Of Time Poetryezine

    Mad Mask Fear Poetryezine
    News Is Grim Poetryezine

    Poetry And Covid
    Various Poetry And Covid

    Snarling Cup Of Coffee Chapbook Poetry Nook Weekly Contest

    Merry Christmas From ATT Poetry 24
    Mr. President, It Is A Gun Situation Poetry 24
    Poetry 24
    The Best Is Yet To Come Found Poem Poetry 24

    Evergreen Trees Pure Haiku

    Falling Rain Qutub Minar Review
    Qutub Minar Review
    Gathering Storm Clouds Random Poetree
    Nebulous Night Of Darkness Random Poetree
    Dejavu All Over Again Random Poetree
    Failure Is Not An Option Random Poetree
    General Failure Reading Disk Drive Raven Cage Zine
    On Failure Raven Cage Zine
    Raven Cage Zine
    270,000 Corona Ghosts Crash The President’s Party Raven Cage Zine
    Corona Ghosts Crash The Party Raven Cage Zine
    Partying While People Die Raven Cage Zine

    Fake Calls Rejected Manuscripts
    Hell Is Here To Stay Rejected Manuscripts
    Rejected Manuscripts
    Fake Mosquitos
    Lost River Sandha Review
    Old Cars Are King Of The Road Again River Sandha Review

    Reflections Rosette Maleficarum
    Dragon Flies In My Mind Rosette Maleficarum
    One Crazy Day Rosette Maleficarum
    2019 The Year That Was Rosette Maleficarum

    Dreams Scarlet Leaf Review
    Fate Scarlet Leaf Review
    The Oyster Speaks Up Scarlet Leaf Review
    The Terrifying Teens Scarlet Leaf Review
    Scarlet Leaf Review
    Green Trees Don’t Make It Scarlet Leaf Review
    Slowly Unperceived Reality Scarlet Leaf Review
    Slowly Unperceived Reality Scarlet Leaf Review

    Brain Fever Scryptic defunct
    Evil Within Scryptic defunct
    Mocking Laughter Scryptic defunct
    Black Vultures Scryptic defunct

    Dream Lover Scryptic
    Dream Tanaga Scryptic
    Rafting To Hell Scryptic
    Satanic Torture Scryptic

    Worlds Within Worlds Sick Lit Magazine

    Green Trees Don’t Make It Sick Lit Magazine
    Siren Song Of Doom Sick Lit Magazine

    Various Sixfold
    Corona Poems Soft Cartel
    Dora The Galactic Explorer Soft Cartel
    Every Day I Turn On The News
    Chaos Spillwords Press
    Mocking Faces Spillwords Press

    Just Enough For Coffee Spillwords Press
    Waiting For The Grim Reaper’S Decision Spillwords Press

    The Virus King Cried Subterranean Blue Poetry

    Cosmic Cat From Berkeley Swenk
    Cats Swenk
    The Buddha Cat Of Edsall Road Swenk
    Demon Cat Swenk
    Cat Fight In Incheon Swenk

    Love Haiku The Universe Journal
    Night Terrors The Universe Journal

    Jack Daniels Failed Intervention Unlikely Story

    The Trial Of The Poet Tiger Shark
    Life In-Between Tiger Shark
    Love Haiku Tigershark
    I Like My Coffee Tigershark
    Love Haku 1 Tigershark
    Lost And Found Tigershark

    The Virus King Cried Tigershark

    1984 Is Here To Stay Tuck
    The Dogs Of War Are Howling Tuck

    Just Enough For Coffee Tuck
    Donald Trump And The Vulgarians Rise To Power Tuck

    Lost And found Two Drops Of Ink
    Strong Wine Two Drops Of Ink
    Voices Of My Doom Two Drops Of Ink
    Dora The Galactic Explorer Two Drops Of Ink
    Last Year Of American Greatness Two Drops Of Ink
    Mocking Faces Two Drops Of Ink
    Morning Light Two Drops Of Ink
    Wild Man Sits In Gilded Cage Two Drops Of Ink
    Climate Change Two Drops Of Ink
    The Lion King Speaks Up Two Drops Of Ink
    Wild Things Run Amuk Two Drops Of Ink
    Wild Things Run Amuk Two Drops Of Ink
    Yesterday Morning Two Drops Of Ink

    Howling At The Moon Two Drops Of Ink
    No More Coffee Blues Two Drops Of Ink
    Ode To Coffee Two Drops Of Ink
    Slease 2 Two Drops Of Ink

    Snarling Cup Of Coffee Ugly Writers, The
    When Will This Darkness End Ugly Writers, The
    Ugly Writers, The
    Buddha Cat Universe Journal, The
    Cats Universe Journal, The
    Cats Fighting In Incheon Universe Journal, The
    Cosmic Cats Universe Journal, The Universe Journal, The
    Demon Cat Universe Journal, The

    Best Friend In The Universe Whispers Defunct
    Life’s Journey Whispers Defunct
    Life In Between Whispers Defunct

    News Is Grim Writer’s Egg Magazine
    Wearing A Mask Is Not A Political Statement Writer’s Egg Magazine
    Corona Ghosts Crash The Party Writer’s Egg Magazine
    Politicians Lying As People Lay Dying Writer’s Egg Magazine
    Thanksgiving Thoughts Writer’s Egg Magazine
    Writer’s Egg Magazine
    American Dream Writer’s Egg Magazine
    Miscellaneous Publication Sites Writer’s Egg Magazine
    Writer’s Egg Magazine
    3 Am Nightmares
    Your One Phone Call
    Coffee Desires Miscellaneous Publication Sites

    God Does Not Talk To Idiots Triferta Poem A Thon
    Huricanes From Hell Triferta Poem A Thon
    It Can’t Happen Here Triferta Poem A Thon
    Kim Vs. Trump Twitter War -In Memorial Of Kim Il Sung’s The Great Leader’s Birthday Triferta Poem A Thon
    Masters Of The Universe Triferta Poem A Thon
    Microsoft How I Hate You Triferta Poem A Thon
    More Coffee Blues Triferta Poem A Thon
    No More Coffee Blues Triferta Poem A Thon
    Triferta Poem A Thon
    Rambling Man Triferta Poem A Thon
    Rambling Man -Where Do I Belong? Triferta Poem A Thon
    Rapid City Nowhere Triferta Poem A Thon
    Suburban Laundromat Blues Triferta Poem A Thon
    The Storm Is Coming Triferta Poem A Thon

    Facing Life’s Challenges Together Triferta Poem A Thon
    Fires Buring Bright Triferta Poem A Thon
    God Drinks Coffee Triferta Poem A Thon
    Imagining End Of The World Triferta Poem A Thon
    Incheon 2016 Triferta Poem A Thon Triferta Poem A Thon
    Looking Out My Window Triferta Poem A Thon
    Lost And Found Triferta Poem A Thon
    My Soul Wants To Fly Triferta Poem A Thon
    Rapid City Nowhere Triferta Poem A Thon
    The Revolution Is Coming Triferta Poem A Thon
    Wagontire, Oregon Triferta Poem A Thon
    Walking Through The Woods Of Time Triferta Poem A Thon
    Zombie Apocalypse Triferta Poem A Thon
    Heading To Memphis Triferta Poem A Thon
    One Mystic Shrouded Night Triferta Poem A Thon
    Idiots In High Places Triferta Poem A Thon
    Cosmos’s Cosmic Calendar Triferta Poem A Thon
    . Landlord Blues Triferta Poem A Thon
    . Berkeley California Triferta Poem A Thon
    . Chains That Bind Us Triferta Poem A Thon
    . Changes Triferta Poem A Thon
    . Coffee Revolution Triferta Poem A Thon
    . COSTCO Triferta Poem A Thon
    . Dental Torture Blues Triferta Poem A Thon
    . Emperor Donald The Ist Triferta Poem A Thon
    . Everything Will Be All Right Triferta Poem A Thon
    . Ghosts From World War 11 Triferta Poem A Thon
    . Life Is Wonderful Triferta Poem A Thon
    . Lithia Springs Triferta Poem A Thon
    . Love Jones Triferta Poem A Thon
    . My Daily Hot Coffee Fix Triferta Poem A Thon
    . No More Coffee Blues Triferta Poem A Thon
    . Pane E Circus 2017 Redux Triferta Poem A Thon
    . Sandwich Choices Triferta Poem A Thon
    . Secret Agency Man Triferta Poem A Thon
    . The Decline Of America Triferta Poem A Thon
    . The Dogs Of War Are Howling Triferta Poem A Thon
    . Voices Of My Doom Triferta Poem A Thon
    . Walls Triferta Poem A Thon
    . Watching Cats Hunt Triferta Poem A Thon
    . Where Do You And I Begin? Triferta Poem A Thon
    . Why I Am Not A Christian Easter Thoughts Triferta Poem A Thon
    . August Moods Triferta Poem A Thon

    . Capitol Hill In The Spring Triferta Poem A Thon
    . Spring Love Thoughts Triferta Poem A Thon
    . Spring Time In Oregon Triferta Poem A Thon
    . The Falling Rain Triferta Poem A Thon
    “Dental Blues” Triferta Poem A Thon
    “Meeting God In The Lake” Triferta Poem A Thon
    “The Cosmic Cat In Berkeley” Triferta Poem A Thon
    “The God Dog In Goa” Triferta Poem A Thon

    Lost And Found Triferta Poem A Thon
    1984 Lives On Triferta Poem A Thon

    Decline Of America Scarlet Leaf Review
    Dogs Of War Howling Scarlet Leaf Review
    My Mother’s History Scarlet Leaf Review

    Donald Trump And The Vulgarians Rise To Power Tuck
    Imagining The End Of The World Tuck
    No More Coffee Blues * Hill Rag

     

    A Million Ways To Say I Love You Blessed Love Poems
    American Dream  Your One Phone Call
    Best Friend In The Universe Whisphers
    Black Vultures Scryptic

    Additional Publication Vendue Need to be Confirmed

    Conversation With Teddy Roosevelt
    Strong Wine
    Watching Cats Hunt
    Dragon Flies In My Mind
    The Shape Of History
    Voices Of My Doom
    Cats
    Rapid City Nowhere
    Reflections
    . Yesterday Morning
    Suburban Laundromat Blues

    Blue Blues

    Brain Fever
    Capital Hill In The Spring
    Cats Hunting
    Chains That Bind

    Charles Bukowski Road Not Chosen

    Coffee My Secret Lover
    Coffee Revolution
    Coffee The Drink Of Revolutionaries

    Confucian Thought For The Modern Era
    Decline Of America
    Dogs Of War Howling
    Donald Trump Our Compassionate Dear Leader
    Dream Girl
    Enemy Of The People
    Fallen Dreams Litter The Ground
    God Drinks Coffee

    How I Married Girl Of My Dreams
    Howling At The Moon
    I Like My Coffee

    Jesus Must Die Again

    Lost And Found
    Donald Trump And The Vulgarians Rise To Power
    Strong Wine
    The Shape Of History
    Yesterday Morning
    Corona Ghosts Stalk The President
    Corona Virus Stalks Me
    General Corona Leads His Troops
    A New Year’S Visit To The Oregon Coast
    Love Conquers Hate

    Bus Fantasy

    Snarling Cup of Coffee Chapbook Poetry Superhighway

     

    April 2021 chapbook Poetry Superhighway

    Writers Digest April 2021 contest

    April 2020 contest

    All poetry
    Duane’s poetry
    Fan story
    Poetry Circle
    Hello Poetry
    Poetry Nook
    Poetry Mangum Opus
    Sweek
    Writing com

    The End

     

     

  • Cosmos Reading List 2021 Final Update

    Cosmos Reading List 2021 Final Update

    Cosmos Books Read 2021Final Update

    books read
    books read

     

     

     

     

     

    1001 Books to Read Before You Die List
    Cosmos Books Read 2020 RevisedBooks Read 2020
    Books read 2019

    Books read 2019
    Cosmos’s Reading List 2021

    Goals:  100 Books

    Read Classics

    One Thriller Per Month

    One history/politics book per month

    Read A Lot More Poetry

    Read At Least One Book A Year in Spanish

    Read At Least One Book A Year in Korean

     

    I will year try to finish reading classic books.  I have a collection from Kindle of 50 books to read before you die, in three volumes – 15O books in total see list below.  I have read many of them already which I have noted.  As I read them, I will add them to the chronological listing below.

    The List

    Elliot Novels

    Adam Bede (1859) read,

    The Lifted Veil   read

    The Mill on The Floss (1860), read

    Silas Mariner (1861), read

    Frederick Forsyth Icon

    From Camp Humphreys August 2021

    Claudia Gray Defy the Stars

    Daniel Silva The Defector

    Daniel Silva The Messenger

    Stuart Woods Choppy Water

    Stuart Woods Palindrome

    Steven Parnell All Out Wall

    Stuart Woods Bombshell

    Jeffrey Archer False Impression 9-11 Art Heist Thriller

    From Fairfax library

    October 19

    Stuart Woods Shake-up

    Stuart Woods Jack Pot

    Eric Flint/Walter H Hunt 1636 The Atlantic Encounter

    Preston and Child  the Scorpion’s Tail

    Jim Davidson Perry Mason Book

    Relic

    Stuart Woods  Books 

    1. Palindrome 2020 Read
    2. Blue Water, Green Skipper – 1977
    3. A Romantic’s Guide to The Country Inns of Britain and Ireland – 1979
    4. Chiefs – 1981  read
    5. Run Before the Wind – 1983 read
    6. Deep Lie – 1986
    7. Under The Lake – 1987
    8. White Cargo – 1988 read
    9. Grass Roots – 1989
    10. New York Dead – 1991 read
    11. Santa Fe Rules – 1992 read
    12. L.A. Times – 1993 read
    13. Dead Eyes – 1994 read
    14. Heat – 1994 read
    15. Imperfect Strangers – 1995
    16. Choke – 1995
    17. Dirt – 1996 read
    18. Dead In the Water – 1997
    19. Swimming To Catalina – 1998
    20. Orchid Beach – 1998 read
    21. Worst Fears Realized – 1999 read
    22. The Run – 2000
    23. L.A. Dead – 2000 read
    24. Cold Paradise – 2001 read
    25. Orchid Blues – 2001 read
    26. The Short Forever – 2002
    27. Blood Orchid – 2002 read
    28. Dirty Work – 2003
    29. Capital Crimes – 2003 read
    30. Reckless Abandon -2004 read
    31. The Prince of Beverly Hills – 2004 read
    32. Two Dollar Bill – 2005 read
    33. Iron Orchid – 2005 read
    34. Dark Harbor – 2006 read
    35. Short Straw – 2006 read
    36. Fresh Disasters – 2007 read
    37. Shoot Him If He Runs – 2007 read
    38. Beverly Hills Dead – 2008 read
    39. Santa Fe Dead – 2008 read
    40. Hot Mahogany – 2008 read
    41. Mounting Fears – 2009 read
    42. Loitering With Intent – 2009 read
    43. Hothouse Orchid – 2009 read
    44. Kisser – 2010
    45. Lucid Intervals – 2010 read
    46. Santa Fe Edge – 2010 read
    47. Strategic Moves – 2011
    48. Bel-Air Dead – 2011 read
    49. Son Of Stone – 2011 read
    50. D.C. Dead – 2011 read
    51. Unnatural Acts – 2012 read
    52. Severe Clear – 2012 read
    53. Collateral Damage – 2013 read
    54. Unintended Consequences – 2013 read
    55. Doing Hard Time – 2013
    56. Standup Guy – 2014 read
    57. Carnal Curiosity – 2014 read
    58. Cut And thrust – 2014 read
    59. Paris Match – 2014 read
    60. Insatiable Appetites – 2015 read
    61. Hot Pursuit – 2015 read
    62. Naked Greed – 2015 read
    63. Foreign Affairs – 2015 read
    64. Scandalous Behavior – 2016 read
    65. Family Jewels – 2016 read
    66. Dishonorable Intentions – 2016 read
    67. Smooth Operator – 2016 read
    68. Sex, Lies & Serious Money – 2016
    69. Below The Belt – 2017
    70. Fast And Loose – 2017
    71. Indecent Exposure – 2017 read
    72. Barely Legal – 2017 read
    73. Quick & Dirty – 2017
    74. Unbound – 2018
    75. Shoot First – 2018 read
    76. Turbulence – 2018 read
    77. The Money Shot – 2018 read
    78. Desperate Measures – 2018 read
    79. A Delicate Touch – 2018 read
    80. Wild Card – 2019 read
    81. Skin Game – 2019 read
    82. Shake up 2021  read
    83. Jackpot 2021    read

    Ransom Riggs   Peregrine’s Home for Peculiar Children (2011), read

    Ransom Riggs    Hollow City (2014), read

    Ransom Riggs Library of Souls (2015). Read

    Ransom Riggs A Map of Days to read

    Ransom Riggs   the conference of The Birds – to read

    Ransom Riggs    the Desolations of Devils Acre read

    From Camp Humphreys September 2021

    Dan Brown Digital Fortress

    Michael Cordy the Messiah Code

    10-13-2021

    Brad Thor Backlash

    Philip Rucker, Carol Leoning A Very Stable Genius

    Nick Thacker Relic -Kindle

    AC Fuller the Crime Beat  NYC

    AC Fuller the Crime Beat Washington DC

    AC Fuller the Crime Beat MIami

     

    Poems Read

     

    Best American Poetry 2018

    Allison Adair Miscarriage

    Kaveh Akbar Against Dying

    Julia Alvarez American Dream

    David Barber Sherpa Song

    AR Amnov Finishing Up

    Andrew Bertaina A Translator’s Note

    Frank Bidart Mourning What We Thought We Were

    Bruce Bond Anthem

    George Bradley Those Were the Days

    Joyce Clement Birds Punctuate the Days

    Brennan Constantine The Opposite Games

    Marianne Cobbett Prayer Concerning the New More Accurate Translation of Certain Prayers

    Robert Cording Toast to My Dead Parents

    Cynthia Cruz Artaud

    Dick Davis A Personal Sonnet

    Warren Decker Today’s Special

    Susan De Sola the Wives of The Poets

    Dante De Stefano Reading Dostoyevsky At 17

    Nausheen Eusuf Pied Beauty

    Jonathan Galasso Oriental Epithalamion

    Jessica Goodfellow Test

    Sonia Greenfield Ghost Ship

    Joy Harjo an American Sunrise

    Terrance Hayes American Sonnet from My Past and Future Assassins

    Ernest Hilbert Mars Ultor

    Nemo Hill The View from The Bar

    Tony Hoagland Into the Mystery

    Anna Maria Hong Yonder a Rental

    Paul Hoover, I Am the Size of What I see

    Maria Howe Walking Home

    Mandy Kahn Ives

    Ilya Kaminski, We Lived Happily During the War

    Stephan Kampa The Quiet Boy

    Denika Kelly Love Poem Chimera

    Mary Jo Salter We Will Always Have Parents

    Jason Schneiderman Voxel

    Nicole Sealy Violence

    Michael Schumacher Advent

    Carmen Gimenez Smith Dispatch from Midlife

    Tracy K Smith an Old Story

    Gary Snyder Why California Will Never Be Like Tuscany

    An E Stallings Pencil

    Anne Stevenson How Poems Arrive

    Adriene Su Substitutions

    Natasha Trethewey Shooting Wild

    Agniezeku Tworek Grief Runs Untamed

    Waldrep Dear Office in Which I Must Account for Tears

    Wang Ping Lao Jia

    James Matthew Wilson on A Palm

    Ryan Wilson Face It

    Best American Poetry 2017

    Christian Wiman Assembly

    Dan Allerbotti Weapons Exchange Report

    David Barber on A Shaker Admonition

    Dan Beachy-Quick Apophatic

    Bruce Bond Homage to a Painter of Small Things

    John Brennan Intrigue in The Trees

    John Ashbery Commotion of Birds

    Jericho Brown Bullet Points

    Nicole Brown The Dead

    Cyrus Cassells Elegy with A Gold Cradle

    Isaac Cates Fidelity and The Dead Singer

    Allison Cobb, I Forgive You

    Leonard Cohen Steer Your Way

    Michael Collier a Wild Tom Turkey

    Billy Collins Presence

    Carl Dennis Two Lives

    Katia Claudia Emerson Spontaneous Emission

    David Feinstein Kaddish

    Carolyn Fouche The Boatman

    Viva Francis Given to Those proclivities By God

    Amy Gerstler Dead Butterfly

    Reginald Gibbons Canasta

    Margaret Given Passage

    Aracelis Girmay From the Black Maria

    Jeffrey Harrison Higher Education

    Terrace Hayes Ars Poetica with Bacon

    RJ Herbert Mounting the Dove Box

    Tony Hoagland Cause of Death Fox News

    John Hogan Hamlet Texts Guildenstern About Paying Upon the Pipe

    David Brendan Hopes Certain Things

    Major Jackson Trends a Well Light Summer Cocktail

    John James History

    Rodney Jones Homecoming

    Fatty Judah Progress Notes

    Meg Kearney Crackle

    John Kothi The Age of Anxiety

    Yusef Komunyakaa from the last bohemian of Avenue A

    Danusha Lammers The Watch

    Jordan Laux Lapse

    Phillip Le Van Rain in Winter

    Amit Majumdar Kill List

    Jamal May Things That Break

    Judson Mitchem White

    John Murillo Upon reading that Eric Dolphy transcribed Even The calls of certain species of birds

    Joyce Carol Oates to Marlon Brando in Hell

    Sharon Olds Ode to The Glands

    Matthew Bozeman Letter Beginning with Two Lines by Czeslaw Milosz

    Gregory Orr Three Dark Proverb Sonnets

    Carl Phillips Rockabye

    Rowan Picado Phillips Halo

    Robin Robert Pinksy Names

    Stanley Plumly Poliomyelitis

    Paisley Rekdal Assemblage of ruined Plane Parts Vietnam Military Museum

    Michael Ryan The Mercy Home

    David St John Emanations

    Cheryl Santos, I Went for A Walk in Winter

    Taiji Silverman Where to Put It

    Charles Simic Seeing Things

    Danny Smith Last Summer of Innocence

    Maggie Smith Good Bones

    RT Smith Maricon

    RE Stallings Shattered

    Pamela Sutton Afraid to Pray

    Chase Twitchell Sad Song

    James Valvis Something

    Emily Van Kley Dear Skull

    Wendy Videlock Deconstruction

    Lucy Waigner Scheherazade

    Crystal Williams Double Helix

    Christian Wiman Prelude

    Monica Yoan Green acre

    C Dale Young Precatico Simplex

    Dean Young Infinitives

    Kevin Young Money Road

    Matthew Zapruder Poem for Vows

     

    Best American Poetry 2019

     

    Dilruba Ahmed Phase One

    Rosa Alclad You and The Raw Bullets

    Margaret Atwood Updates on Werewolves

    Catherine Barnett Center Park

    Joshua Bennett America Will Be

    Fleda Brown Afternoons on The Lake

    Sumitra Chakraborty Essay on Joy

    Victoria Chung Six Orbits

    Glen Chan, I Invite My Parents to A Dinner Party

    Leonard Cohen, I Drank a Lot

    Laura Cronk Like a Cat

    Kate Daniels Metaphor Less

    Carol Dennis Armed Neighbor

    Tori Derricotte Apology to The Reader

    Thomas Devaney Brilliant Corners

    Natalie Diaz Skin- Light

    Jean Dominique Duryer Declined in The Adoration of Jack in The Pulpits

    Martin Espada, I Now Pronounce You Dead

    Nausheen Eusurf The Analytic Hour

    Vivere Francis Cazonian Blue Than Bluer

    Gabriela García Guantanamera

    Amy Gerstler Update

    Camila Guthrie Virgil

    Yona Harvey Dark and Lonely After Takeoff A Future

    Robert Hass Dancing

    Terrance Hayes American Silent My Past and Future Assassin

    Juan Felipe Herrera Roll Under the Waves

    Edward Hirsch Stranger by Night

    Jane Hershfield Ledger

    James Hock Sunflowers

    Bob Homan All Praise Cecil Taylor

    Garrett Hongo The Brothers Cassia

    Ishion Hutchison Sympathy of a Clear Day

    Major Jackson in Memory of Derek Alton Walcott

    Ilya Kaminski from testament

    Ruth Ellen Kocher We May No Longer Considered the End

    Deborah Landau Soft Targets

    Quraysh Ali Lansana Higher Calling

    Li-Young Lee the Undressing

    David Lehman, It Could Happen to You

    Ada Limon Cannibal Women

    Rebecca Lynn Berry a Brief History of The Future Apocalypse

    Nubile Lovelace the S in I Love You Porgy

    Clarence Major Hair

    () Gail Mazur At a Lands End

    () Shane Mcrae The President Visits the Storm

    () Jeffrey Mcdonald Fired from A Parallel World

    () Campbell Mcgrath Gray Miles Davis Birth of The Cool at The Founding in Brasilia

    Ange Milinko Sleepwalking in Venice

    Kamela Aisha Moon

    The Last of England

    Paul Moulton Aubade

    John Murio on Confessionalism

    Naomi Shihab Nye My Own State Department

    Sharon Olds Rasputin Aria

    Michael Palmer Nord-Sur

    Morgan Parker The Black Saint, And the Sinner Lady, The Dead, and The Truth

    William Perdomo Head Crack Head Crack

    Carl Philip Star Map with Action Figures

    Ishmael Reed Just Rolling Along

    Paisley Rekdal Four Marys

    Sonia Sanchez Belly, Buttons and Straight Spines

    Nicole Santalucia #Me Too

    Philip Schultz Encore

    Jane Shore Who Knows One

    The Greatest Personal Privation

    Ae Stallings Harms Way

    Arthur Sze The White Orchard

    Natasha Trethewey Through Her a Duty

    Ocean Voong Partly True Phone Reflecting in A Mirror

    David Wojahn Still Life Stevens Wallet and Key West Hotel Dresser

    Kevin Young High

    Other Poems

    In The following poems, poets use different types of imagery to express Their concepts.

    Visual imagery …
    Blazing in Gold and Quenching in Purple
    by Emily Dickinson
    (source: http://www.yourdailypoem.com/listpoem.jsp?poem_id=1996)

    Auditory imagery …
    The Sound of The Sea
    by Henry Wadsworth Longfellow

    Olfactory imagery …
    Smells
    by Kathryn Worth

    Gustatory imagery …
    This is Just to Say
    by William Carlos Williams

    Tactile imagery …
    The Kiss
    by Sara Teasdale

    Edgar Allen Poe Tell-Tale Heart from DYI MFA

    Five Poems from DYI MFA

    Five Senses

    Walt Whitman When I Heard the Learned Astronomer Sight DYI MFA

    Wilfred Owen Anthem for Doomed Youth Sound DYI MFA

    Barry Cornwall A Petition to Time Touch DYI MFA

    Emily Dickinson, I Like to See It Lap the Miles Taste DYI MFA

    Walter Prichard Eaton the Lilac Smell DYI MFA

    Space

    T.E. Hume the Embankment

    E.E. Cummings in Just

    The Mouse’s Tale, By Lewis Carroll

    Three poems from writing com 3/30/2021

    John Gillespie Magee, Jr. High Flight
    (Source: Https://Nationalpoetryday.Co.Uk/Poem/High-Flight/)
    Jeffrey Harrison, Nest
    (Source: Https://Www.Poetryfoundation.Org/Poems/55885/Nest-56d237e2d619c)
    Ted Kooser, Abandoned Farmhouse
    (Source: Https://Www.Poetryfoundation.Org/Poems/52935/Abandoned-Farmhouse)

    Famous poems

    Glass by Robert Francis  Writing com
    Blue Winter by Robert Francis  Writing com
    encounter  writing com

    Where I Belong – Contest winner Feb 24, 2021,  writing com

    Edna St. Vincent Millay -Pastoral  writing com
    Lorraine Marguerite Gasrel Black -Pastoral Rhapsody writing com
    Daniel Miltz -Pastoral Day  writing com
    Henry Kirke White -A Pastoral Songwriting com

    Carl Sandberg Passers-By
    Poetry Corner, writing com Poetry corner

    Randall Jarrell The Olive Garden  Writing com poetry
    Randall Jarrell The Breath of Night Writing com poetry
    Randal Jarrell The Orient Express Writing com poetry

    Peter Gizzi -This World Is Not Conclusion

    Jean Valentine – La Chalupa, The Boat

    Carl Phillips  Aubade: Some Peaches, After Storm

    Poetry for Dummies

    Abdul Ala armada Rafi I poem Friend, this world is like an unburied corpse

    Ali Ahmad Saeed poem

    Alton David translation of a man and a woman white

    Andre Breton Man and Woman Absolutely White

    Mary Bernard, translation of Sofia he is more than a hero

    Ingeborg Bachman poem

    Anne Bradstreet letter to her husband 1650 first Published woman poet in The US

    Willis Barnstone translation of Mother’s song if snow

    Charles Bernstein writing exercises

    William Blake Sick Rose

    Elizabeth Browning Sonnets from The Portuguese #43 how Do I love Thee

    Elizabeth Bishop one art Britain

    Andre Carter Stephen D translation lady is shichimi if someone would come

    William Barnstone she is at island me turn off

    Maxine Chernoff writing exercises

    Chilam Balam poem

    Chiyo various lines

    William Corbett Vermont Apollinaire

    Robert Creely The business

    EE Cummings In Jest

    Bel Dao Listen, I Don’t Believe Chinese poet mid-20th century

    David Wagner lines and since a call since Elam since summer

    Thomas Campion When to her lute Corinna sings

    Jon Donne Holly Sonnet 14

    Lucile Clifton, I don’t know how to do

    Emily Dickinson lines and poems 214

    Emily Dickinson poem 262

    Emily Dickinson poem 640

    Emily Dickinson poem 986

    Emily Dickinson poem 1732

    Enhenduanna The Exaltation of Inanna, antiphonal Hymns Praise of Inanna

    Egyptian Poem, untitled

    Fanny Howe About Face

    Imr El Quais The Great Ode

    Elaine Feinstein excerpt from translation Marina TSvetayeva poems of The end Lawrence Ferlinghetti excerpt from constantly risking absurdity Coney Island of The mind

    Donald Finkel excerpt from a translation of Bel Dao

    Roberts Elizabeth silent poems

    Frances Kathleen vanishing point third black quartet from Wayne

    Robert Frost Nothing Gold can stay

    Robert Clark translation departure by Pierre Reverdy

    Jorie Graham In what matter is The body united with The soul

    Barbara Guest Lines from red lilies

    HD Dread

    HD Sea Rose

    HD Oread

    Allen Hibbert translation of Adonis desire moving through The Maps of The material

    Ronald Hoffman excerpt from deceptively like a solid

    Kelly Holt writing exercises

    Bible, Ecclesiastes for everything There is a season

    Homer Odyssey

    Homer Iliad

    Edward Arlington Robinson Richard Corey

    Fanny Howe About Face

    George Herbert Death

    Linda jarkesy The bed

    John K

    Randall Jarred The death of The Bell turret gunner

    John Keats The Eve of St Agnes

    Lao Tzu Rule a Large Nation

    DH Lawrence Bavarian Gentians

    LiPo Moonlight Pools

    Liu Tsung-yuan From One thousand mountains

    Audre Lorde lines from coal

    Hugh MacDiarmid Another epitaph on The army of mercenaries

    Jackson Mac Lou excerpt from antic quartans

    Omar Khayyam Rubaiyat excerpt

    Alexander Pope Essay on Criticism

    Bernadette Mayer writing exercises

    WS Merwin excerpts from leviathan

    Pablo Neruda leaning into afterworlds

    Pablo Neruda and walking around

    John Milton excerpts from Allegro

    John Milton excerpts from paradise lost

    Mariana Moore experts from the monkeys

    Laura Moriarty The mouth

    Bridge Mullins writing exercises

    Ellen Myles honey bear

    Lorraine Niedecker now in one year

    Charles North excerpt from shooting for line

    George Oppen excerpt from psalm

    Dorothy Parker resume

    Bob Pearlman speaker vibrates through the entire house after from AK

    Ezra Pound in a station in The Metro

    David Ray translation lines from Chiyo

    Kenneth Rexroth translation of Midnight songs

    Pierre Reverdy Departure

    Christopher Sawyer Le is More Than an Hericenone translation Flight of The Itza

    Dominion Searls translation of a kind of loss

    Shelly Love Philosophy 19th Century

    Sappho He is more than a Hero

    Jack Spicer lines for imaginary elegies part 1-111

    John Tipane translation Abu Hamza al online from this world

    Dante in the middle of the road

    Anonymous Egyptian poem only one matchless sister

    manioc If snow falls on the left field

    Issa Morning

    Beowulf soon saw

    Homer Then wide ruling Agamemnon

    Homer infinite terror

    Homer wars spears

    In El Qis here was the place I watched her

    Arthur Rimbaud Bateau Ivre if I desire

    Arthur Rimbaud memory

    Arthur Rimbaud longing for young arms

    Rig Veda There were no such things

    Sappho The moon has set

    Charles Thomasson lines from Mr. Birdy

    David Trinidad monster mash

    TS Elliot Excerpt from The Wasteland

    Mariana Tsvetanyana Poem of The End

    Alfred Tennyson Now Sleep the Crimson Petal

    Anne Waldman excerpt for Iovis 19

    William Carlos Williams except for The descent

    Walt Whitman excerpts from Leaves of Grass

    William Butler Yeats the second coming

    William Wordsworth The Solitary Reaper

    Louis Zukofsky in Arizona from 729 songs

    Richard Lovelace 17th Century British Poet, “To Lucasta, Going to War”

    Geoffrey Chaucer 1400 Call complaint to His Purs (Purse)

    Parody Poems from NaPoWrMo April 27 Prompt

    Lewis Carroll Crocodile

    Isaac Watts How Doth the Little

    Lewis Carroll This the Voice of The Lobster

    Isaac Watts The Sluggard
    Lewis Carroll Twinkle, Twinkle Little Bat

    Other poems from Writing com and Elsewhere

    Abandoned Farmhouse
    by Ted Kooser
    Wooden Boats 
    Judy Serum Brown
    Denise Levertov Celebration

    Edgar Allan Poe A Dream Within a Dream

    Poetic blooming

    Heal The World with Marigolds  poetic blossoming entry

    Midnight encounters a poetic blossoming entry

     

    David S The All-Mighty Thresher

    Sally Ann Roberts example #1:it All Started with A Packet of Seeds

    Marie Summers

    Example #2:celestial Dreams

    Example #3

    Dance In the Rain come,

    Dendrobium

    Example #4:

    Osprey o, Sleek and Beauteous hunter.

    Marie Summers example #5:

     

    Iambi Poetry

     

    Robert Frost Dust of Snow

    Emily Dickinson The Only News I Know

    William Wordsworth, I Wandered Lonely as a Cloud

    Robert Frost the Road not Taken

    William Shakespeare Romeo and Juliet

    William Shakespeare Macbeth

    From writing com poetry newsletter October 12, 2021

     Emily Dickinson, I Felt a Funeral, in my Brain
    A. E. Housman Her Strong Enchantments Failing
    Hughes Mearns Antigonish

    Judi Van Gorder

    Journey
    Temple Judi Van Gorder

    Judi Van Gorder 06 BMV 540

    David Harsham Fae Folk Travel

    Weldon Kees A Musician’s Wife
    Weldon Kees Late Evening Song
    Weldon Kees Year’s End

     

    50 Books to Read Before You Die – three volumes 150 books total. I have read the following

     

    Dante Alighieri The Divine Comedy

    Jane Austen Emma

    Jane Austen Persuasion

    //////////Charlotte Brontë Jane Eyre

    Emily Brontë Wuthering Heights

    Miguel de Cervantes Don Quixote

    Joseph Conrad Heart of Darkness

    Daniel Defoe Moll Flanders

    Charles Dickens Bleak House

    Charles Dickens Great Expectations

    Charles Dickens The Pickwick Papers –

    Charles Dickens A Christmas Carol

    Fyodor Dostoyevsky The Brothers Karamazov

    Fyodor Dostoyevsky Crime and Punishment

    Fyodor Dostoyevsky The Idiot

    Fyodor Dostoyevsky The Gambler –

    Fyodor Dostoyevsky Notes from The Underground –

    Marcus Aurelius Meditations –

    1. Frank Baum the Wonderful Wizard of Oz –

    Dale Carnegie The Art of Public Speaking –

    Daniel Defoe Robinson Crusoe

    Arthur Conan Doyle the Adventures of Sherlock Holmes

    Arthur Conan Doyle the Sign of Four

    Arthur Conan Doyle the Hound of The Baskervilles

    Arthur Conan Doyle the Lost World –

    Alexandre Dumas The Three Musketeers

    -F. Scott Fitzgerald This Side of Paradise

    Henry Rider Haggard King Solomon’s Mines

    Victor Hugo the Hunchback of Notre-Dame

    D.H. Lawrence Lady Chatterley’s Lover

    Jack London The Son of The Wolf

    HP Lovecraft The Dun ich Horror

    HP Lovecraft At the Mountains of Madness

    Plato The Republic –

    Mary Shelley The Last Man –

     

     

    To Read

     

    The Complete List, Volume One

     

    Dante Alighieri The Divine Comedy  Read

    Jane Austen Emma Read

    Jane Austen Persuasion Read

    Honoré de Balzac Father Gorgio

    Anne Brontë the Tenant of Wildfell Hall

    Charlotte Brontë Jane Eyre  Read

    Emily Brontë Wuthering Heights Read

    Samuel Butler the Way of All Flesh

    Miguel de Cervantes Don Quiote Red

    Joseph Conrad Heart of Darkness Read

    Joseph Conrad Nostromo

    Daniel Defoe Moll Flanders Read

    Charles Dickens Bleak House Read

    Charles Dickens Great Expectation Read s

    Fyodor Dostoyevsky The Brothers Karamazov Read

    Fyodor Dostoyevsky Crime and Punishment Read

    Fyodor Dostoyevsky The Idiot Read

    Arthur Conan Doyle the Adventures of Sherlock Holmes Read

    Alexandre Dumas The Count of Monte Cristo  Read

    George Eliot Middlemarch Read

    George Eliot Daniel Deronda Read

    Gustave Flaubert Madame Bovary

    Charlotte Perkins Gilman the Yellow Wallpaper Read

    Nikolai Gogol Dead Souls

    The Brothers Grimm Fairy Tales Read

    Homer The Odyssey Read

    Homer The Iliad Read

    Victor Hugo Les Misérables Read

    Washington Irving The Legend of Sleepy Hollow  Read

    Henry James The Portrait of a Lady

    James Joyce A Portrait of The Artist as a Young Man Read

    D.H Lawrence Sons and Lovers Read

    Gaston Leroux The Phantom of The Opera

    Jack London The Call of The Wild  Read

    Herman Melville The Great God Pan Moby Dick-Read

    Marcel Proust Swann’s Way

    Mary Shelley Frankenstein Read

    Stendhal The Red and The Black

    Robert Louis Stevenson Dr. Jekyll and Mr. Hyde Read

    Bram Stoker Dracula Read

    Sun Tzu The Art of War Read

    Jonathan Swift Gulliver’s Travels Read

    William Makepeace Thackeray Vanity Fair Read

    Leo Tolstoy War and Peace Read

    Leo Tolstoy Anna Karenina Read

    Leo Tolstoy The Death of Ivan Ilych

    Mark Twain the Adventures of Huckleberry Finn  Read

    Oscar Wilde The Picture of Dorian Gray  Read

    Grant Allen What’s Bred in The Bone –

    Lucius Apuleius The Golden Ass –

    Marcus Aurelius Meditations – Read

    Jane Austen Lady Susan

    Jane Austen Northanger Abbey –

    1. Frank Baum the Wonderful Wizard of Oz – Read

    Dale Carnegie The Art of Public Speaking – Read

    Margaret Cavendish The Blazing World –

    The Innocence of Father Brown – G.K Chesterton

    G.K Chesterton Heretics –

    G.K Chesterton -The Dennington Affair

    G.K Chesterton the Wisdom of Father Brown –

    John Cleland Fanny Hill –

    Wilkie Collins The Moonstone –

    Joseph Conrad Lord Jim –

    Daniel Defoe Robinson Crusoe Read

    The Pickwick Papers – Charles Dickens Read

    A Christmas Carol – Charles Dickens Read

    Fyodor Dostoyevsky The Gambler –

    Fyodor Dostoyevsky Notes from The Underground – Read

    Arthur Conan Doyle the Sign of Four Read

    Arthur Conan Doyle the Hound of The Baskerville Read

     

    Arthur Conan Doyle the Lost World  read

    Alexandre Dumas The Three Musketeers read

    Alexandre Dumas The Man in The Iron Mask read

    1. Scott Fitzgerald This Side of Paradise read

    Elizabeth Gaskell Curious, if True, Strange Tales

    Henry Rider Haggard King Solomon’s Mines  read

    Victor Hugo the Hunchback of Notre-Dame

    Rudyard Kipling The Jungle Book

    Rudyard Kipling Captains Courageous

    Rudyard Kipling -Kim –

    D.H. Lawrence Lady Chatterley’s Lover read

    Jack London The Son of The Wolf

    Hendrik Anton Lorentz the Einstein Theory of Relativity

    HP Lovecraft The Dun ich Horror read

    HP Lovecraft At the Mountains of Madness read

    Niccolò Machiavelli the Prince –

    Lucy Maud Montgomery the Story Girl

    The Antichrist – Friedrich Wilhelm Nietzsche

    Plato The Republic – read

    Mary Shelley The Last Man – read

    Mark Twain Life on The Mississippi – read

    Vats Ayana the Kama Sutra read

    Jules Verne’s Around the World in Eighty Days  read

     

     

    Volume Three

     

    Louisa May Alcott Little Women

    Jane Austen Sense and Sensibility  Read

    1. M. Barrie Peter Pan read
    2. M. Bower Cabin Fever

    Frances Hodgson Burnett the Secret Garden

    Frances Hodgson Burnett a Little Princess

    Lewis Carroll Alice in Wonderland  read

    Lucy Maud Montgomery Anne of Green Gables

    Jules Verne A Journey into The Center of The Earth  Read

    Jules Verne The Mysterious Island  Read

    Jules Verne 20,000 Leagues Under the Sea Read

    1. G. Wells the War of The Worlds read
    2. G. Wells the Time Machine (H.G Wells) read

    Oscar Wilde The Centerville Ghost

    Virginia Woolf The Voyage Out

    William Chamber the King in Yellow

    William Chesterton The Man Who Knew Too Much Read

    Wilkie Collins The Woman in White

    HG Wells the Star

    Dorothy Leigh Sayers Whose Body?

    Margaret Deland The Iron Woman

    Charles Dickens A Tale of Two Cities read

    Fyodor Dostoevsky The Double

    Arthur Conon Doyle Memoirs of Sherlock Holmes

    F Scott Fitzgerald the Curious Case of Benjamin Button

    EM Foster a Room with a View  read

    Sigmund Freud Dream Psychology  Read

    Thomas Hardy Tess of the d’Urbervilles Read

    Hermann Hesse Siddhartha  read

    James Joyce Dubliners read

    Edgar Allen Poe the Fall of The House of Usher  read

    Andrew Land the Arabian Nights

    Jack London The Sea Wolf read

    HP Lovecraft The Call of Cthulu read

    Lucy Maud Montgomery Anne of Green Gables

    William Nietzsche Beyond Good and Evil read

    Edgar Allen Poe the Murders in The Rue Morgue read

    Edgar Allen Poe the Black Cat read

    Edgar Allen Poe the Raven read

    Michael Proust Swan’s Way

    Robert Louis Stevenson Treasure Island read

    William Strunk The Elements of Style  read

    Mark Twain the Adventures of Tom Sawyer read

    Mark Twain the Prince and The Pauper read

    Remaining Elliot Novels

     

    Romola (1862–63), read

    Felix Holt, The Radical (1866),

    Middlemarch (1871–72) read

    and Daniel Deronda (1876).

     

     

    Famous Poems to Read and Study

     

    Index

     

    Five Senses

     

    Walt Whitman When I Heard the Learned Astronomer Sight DYI MFA

    Wilfred Owen Anthem for Doomed Youth Sound DYI MFA

    Barry Cornwall A Petition to Time Touch DYI MFA

    Emily Dickinson, I Like to See It Lap the Miles Taste DYI MFA

    Walter Prichard Eaton the Lilac Smell DYI MFA

     

    Space

     

    T.E. Hume the Embankment

    E.E. Cummings in Just

    The Mouse’s Tale, By Lewis Carroll

     

    Explanation

    John Gillespie Magee, Jr. HIGH FLIGHT
    Jeffrey Harrison Nest
    Ted Kooser Abandoned Farmhouse

    Randall Jarrell The Olive Garden
    Randall Jarrell the Breath of Night
    Randal Jarrell The Orient Express

    Peter Gizzi -This World Is Not Conclusion

    Jean Valentine – La Chalupa, The Boat

    Carl Phillips  Aubade: Some Peaches, After Storm

    Parody Poems from NaPoWrMo April 27 Prompt

    Lewis Carroll Crocodile

    Isaac Watts How Doth the Little

    Lewis Carroll This the Voice of The Lobster

    Isaac Watts The Sluggard
    Lewis Carroll Twinkle, Twinkle Little Bat

    Abandoned Farmhouse
       by Ted Kooser
    Wooden Boats 
    Judy Serum Brown
    Denise Levertov Celebration

    Edgar Allan Poe A Dream Within a Dream

    Writing com Stormy Lady 5/20

    Dorothea Mackellar The Open Sea
    Dorothea Mac Keller in a Southern Garden

    Dorothea Mackellar The Open Sea

    Leonard Nimoy after endless night

     

    I’d Heal the World with Marigolds  poetic blossoming entry

    Midnight encounters a poetic blossoming entry

    Langston Hughes 

     

    Our land 

    Dreams

    The Weary Blues

    Life is Fine

     

    4/10/2021 from DYI MFA

    Space Be Still, My Soul, Be Still
    by A. E. Housman

    A. E. Housman
    The Immortal Part

    A. E. Housman
    White in The Moon The Long Road Lies

    Another Home  (E)
    a pantoum on The pleasures of fiction
    #2250974 by Tiera (148)

     

    David S The All-Mighty Thresher
    Sally Ann Roberts example #1:it All Started with A Packet Of Seeds

    Marie Summers

    Example #2:celestial Dreams

    Example #3

    Dance In The Rain come,

    Dendrobium

    Example #4:

    Osprey o, Sleek And Beauteous hunter.

    Marie Summers example #5:

     

    Marie Elena Good, 2021 Her Wittiness Stings Poetic Blossoms

    Walter Wozniak He Prince of Passions

    David Schreiber  Footprints in time Writing Com

    David Schreiber The Soldiers  Writing Com

     

     

    Together Forever  (E)
    A haunting memory in The Samisen form.

    Judi Van Gorder  Cold Forever

    Endecha Poetic Magnum Opus

    Cross Country, by Robert Lee Brewer  Endecha.   Writer’s Digest

    Linda  Varsel Smith “Syllables in Velvet” Endecha

    www.Rainbow.Communications.com

    1. William Seaman Higgledy-piggledy Double Dactyl

    Paul Pascal Patty-Cake Double Dactyl

    Anthony Hecht Higgledy-piggledy Double Dactyl

    John Hollander Jaggedly-Piggledy Double Dactyl

    Alfred Lord Tennyson the Charge of The Light Brigade (By Alfred Lord Tennyson)

     Henry Wadsworth Longfellow  Evangeline

    Robert Browning the Lost Leader (By Robert Browning)

    Walt Whitman (Out of The Cradle Endlessly Rocking

    Ian Lancashire  Higgledy Piggledy

    Sidney Lanier
    The Song Of The Chattahoochee
    Sidney Lanier Ireland
    Sidney Lanier A Sunrise Song
    Where Grandpa Died

    Dodoitsu

    Pat Anthony Aftermath

    Nurit Israeli Untitled

    Amy Breakfast in Bed

    Yassy Somehow

    Brad Osborne Your Eyes

    Linda Visman Stormwatch
    Susan Sonnen Starlit Dreams

    Poetic Bloomings Weather Poem

      Poetic Bloomings Weather Poem the Blues

    Walter J Wojtanik – 2021 THE PRINCE OF PASSIONS

    Dave (Schneider at Writing.Com)  Measure Our Mortality

    David Schneider at writing com Footprints in Time

    David Schneider Soldiers

    David Schneider Together Again

    Judi Van Gorder Cold Forever – Encheda

    Robert Lee Brewer Cross Country, Enschede.

    Linda  Varsel Smith “Syllables in Velvet”

    Double Dactyls

    1. William Seaman Higgledy-piggledy
      Arthur W. Monks Higgledy-piggledy
      Paul Pascal

    Higgledy-piggledy
    stink in God’s nose.”                                      by Anthony Hecht

    Higgledy-piggledy
    scraped off The tracks.                                   by John Hollander

    “Higgledy-piggledy
    Andrea Doria
    GLUB”. . . (end of quote).                              by John Hollander

    The dactyl meter is a three-syllable foot with a stress pattern of DUM-da-da, as explained and demonstrated in The following link: https://literarydevices.net/dactyl/

    Example #1: The Charge of The Light Brigade (By Alfred Lord Tennyson)

    Example #2: Evangeline (By Henry Wadsworth Longfellow)

    Example #3: The Lost Leader (By Robert Browning)

    Example #4: (Out of The Cradle Endlessly Rocking (By Walt Whitman)

    Example #5: Higgledy Piggledy (By Ian Lancashire)

    Sidney Lanier The Song Of The Chattahoochee
    Sidney Lanier (Written for The Art Autograph during The Irish Famine, 1880.)
    Sidney Lanier A Sunrise Song
    Where Grandpa Died

    Robert Hayden ~” A Plague of Starlings”
    Robert Frost ~” The Road Not Taken” by Robert Frost{/pre}
    Jack Kerouac Daydreams for Ginsberg

    Mini-Monoverse and Double Mini-Monoverse
    How Many Times? Emily

    Emily Romano The KillMargaret R. Smith Example #3:Airborne

    Margaret R. Smith Example #4: The Escape

    Dan Tharp My Heart Residing in Thy ChestDendrobium  In Mourning BlackMarie Summers Mourning TwilightMarie Summers The Stars Will Shine

    David Schneider Writing com She sheds her Clothes and tons of stress,

     

     

     

    Etherege Poems writing com

     

    Dietrich Example #1: Andrea Dietrich Example #2: Andrea Dietrich Example #3: The LairMarie Summers  Example #4:  Red PoppyMarie Summers Example #5:Blurred Vision (Double Reversed Etherege)Marie Summers Ashen Despair (Double Reversed Etherege)

     

     

     

    Sir Henry Newbolt the Toy Band
    Sir Henry Newbolt Sir Henry Newbolt

    A Song of The Great Retreat the Nightjar
    Edmund Spencer~”Like As a Ship”

    Epulaepry Form

    Joseph Spence, Sr.Example #1:Eggs of Easter  Joseph Spence, Sr.Example #2:Scrumptious Scallops Joseph Spence, Sr.Example #3:Tasty Dessert Joseph Spence, Sr.Example #4:Barbequed Prime Steak

     

     

     

    Louisa May Alcott
    The Short Story A Christmas Dream, And How It Came True
    Louisa May Alcott
    The Rock and The Bubble
    Louisa May Alcott
    The Short Story Shadow-Children
    Marcus Manilius Sagittarius

    Rudyard Kipling’s Centaurs
    Mary Swenson The Centaur

     

    ODES

     

    • Genethliacum Ode, is a poem written in honor of the birth of a child. Usually, these lofty odes were reserved for the birth of nobility. However, technically any poem written in honor of the birth of a child would qualify as a Genethliacum.

    Morning Song by Sylvia Plath

    Love set you going like a fat gold watch.
    The midwife slapped your footsoles, and your bald cry
    Took its place among the elements.

    Our voices echo, magnifying your arrival. New statue.
    In a drafty museum, your nakedness
    Shadows our safety. We stand round blankly as walls.

    I’m no more your mother
    Than the cloud that distills a mirror to reflect its own slow
    Effacement at the wind’s hand.

    All night your moth-breath
    Flickers among the flat pink roses. I wake to listen:
    A far sea moves in my ear.

    One cry, and I stumble from bed, cow-heavy and floral
    In my Victorian nightgown.
    Your mouth opens clean as a cat’s. The window square

    Whitens and swallows its dull stars. And now you try
    Your handful of notes;
    The clear vowels rise like balloons.

    • Encomium or Coronation Ode is a Greek choral lyric celebrating a person’s achievements. This can be expanded to the length and formality of an ode as in honor of the coronation of a king, but most often is a simple poem as would be spoken at a banquet in an introduction in the category of occasional poetry. It specifically celebrates a man rather than a god. This genre of verse usually has 5 elements, prologue, birth and development, accomplishments, comparisons with which to praise, and an epilogue.Just a Man
    • Wedding Odes:
    • Palinode Ode is an apologetic ode, that retracts or recants something said in a previous poem by the same poet. It is usually written as a retraction of an invective statement or offensive remark made in satire.

    Geoffrey Chaucer wrote a palinode at the end of the Canterbury Tales, recanting and apologizing for any bawdy or offensive statements previously made. It is really unclear if this palinode was part of the original Tales or if it was tacked on later as either an advertisement of his works or as a death bed confessional.

    Wherfore I biseke yow mekely,
    for the mercy Of God, that ye preye
    for me that crist have Mercy on me
    and foryeve me my giltes; and Namely
    of my translacions and enditynges
    of Worldly vanitees, the whiche I revoke
    in My retracciouns:as is the book of Troilus;
    the book also of Fame; the book of
    The xxv. Ladies; the ;
    The book of seint valentynes day
    of the parlement of briddes; the tales of counterbury,
    Thilke that sownen into synne; the book
    of the Leoun; and many another book.
    This was found at Wikipedia.

    • Panegyric or Paean is an ode that celebrates something from its inception or the life of a person, not just the accomplishments. It is usually written about someone still alive and celebrates the who rather than the what of the person. “Paean” should not be confused with the metric foot “paeon”.

    Cassini Spacecraft by David Parsley
    Standing Tall by Jamie McKenzie In Honor of Martin Luther King Jr.

    • Triumphal Ode, is an ode to celebrate a victory.  Also called an Epinicia when specifically celebrating a sports victory. The Epinician Ode said to be created by Simonides of Ceos, Greek lyrical poet, 556BC to 468BC though the most prolific user of the theme was Pindar of Pindaric Ode fame. Originally written to honor a victor the Hellenic games and sung in a procession for the winner and connecting him with a great hero of the past. The frame at the discretion of the poet.
      Victory by S.J. Duncan-Clark

    The Chicago Evening Post, November 11, 1918
                    Great Poems about the World War

    OUT of the night it leaped the seas–
    —The four long years of night!
    “The foe is beaten to his knees,
    —And triumph crowns the fight!”
    It sweeps the world from shore to shore,
    —By wave and wind ’tis flung,
    It grows into a mighty roar
    —Of siren, bell and tongue.
    Where little peoples knelt in fear,
    —They stand in joy today;
    The hour of their redemption here,
    —Their feet on Freedom’s way.
    The kings and kaisers flee their doom,
    —Fall bloody crown and throne!
    Room for the people! Room! Make room!
    —They march to claim their own!
    Now God be praised we lived to see
    —His Sun of Justice rise,
    His Sun of Righteous Liberty,
    —To gladden all our skies!
    And God be praised for those who died,
    —Whate’er their clime or breed,
    Who, fighting bravely side by side,
    —A world from thraldom freed!
    And God be praised for those who, spite
    —Of woundings sore and deep,
    Survive to see the Cause of Right
    —O’er all its barriers sweep!

    God and the people–This our cry!
    —O, God, thy peace we sing!
    The peace that comes through victory,
    —And dwells where Thou art King.

    Mary Elizabeth Coleridge Death and the Lady
    Canon Dixon’s Last Poems in 1905.
    Mary Elizabeth Coleridge The Other Side of a Mirror
    Mary Elizabeth Coleridge After St. Augustine

    the end

     

  • Guilty Pleasures – the Novels of Stuart Woods

    Guilty Pleasures – the Novels of Stuart Woods

    Guilty Pleasures – the Novels of Stuart Woods 

    Stuart Woods com

    Wkipedia Stuart Words

    Cosmos Books Read 2021 Update

    One of my “guilty pleasures” is reading my favorite writer, Stuart Woods. Boy, can the dude pump them out!  In the last count, he has written over 80 books almost all of the best sellers and he has been pumping out one to two a year since he first got published in the late ’70s.

    He started out writing “Chiefs” which became a movie as well.  The main character is a police chief in a small town in Georgia.  The character reappears in many later novels, eventually becoming a two-term president, and in town, Delgado also appears as a place in many of his later novels.  Most of his novels are set in NYC, Maine, Key West, Los Angeles, and Santa Fe, New Mexico.

    Most of his books feature the exploits of Stone Barrington, an NYC high-society type who is a James Bond-like character.  He is a retired NYC cop, a lawyer, a real estate investor, a part-time CIA agent, and a player with many love interests.  He is also best friends with three presidents and the not-so-secret lover of the current President. He introduced me to Knob Creek bourbon which is now one of my favorite bourbons, and he is also partial to Martinis-made James Bond style.

    In this alternative universe, the President serves two terms, his wife serves two terms, and her secretary of State is elected President. Stone is friends with them all.

    Stone’s best friend is Dino Bachetti, his old NYC homicide partner who became NYC Police Commissioner and helps Stone out officially and unofficially over the years.  He has had a lot of love interests including Holly Barker who was a former secretary of state and president.

    Another recurring character is Ed Lee who is a friend of Stone who lives and works out of Santa Fe New Mexico.  Ed Lee is a 6’8 former college basketball player who becomes an attorney.

    My only criticism is that his books are very formalistic.  At some point, someone is going to be able to program a computer to write novels and his novels would be a great place to start because I am sure that a computer could generate believable Stone Barrington novels.  Having said that, his novels are still enjoyable.

    He has written a few non-Stone Barrington novels stand-alone novels. One I enjoyed recently was Palindrome which is a psychological thriller set on an island off the South Carolina coast. Written in the mid 90’s I believe.

    I often start a novel of his while waiting around in the PX for my wife to finish up, and throughout several visits, often finish the novel.

    The following is a list of his novels, I bolded the ones I have read. One of my bucket list reading goals is to finish reading all of his novels.

    The list

    Stuart Woods Books in Order (Bold indicates I have read it)

     Publication Order of Stone Barrington Books

    New York Dead (1991) Hardcover  Paperback  Kindle
    Dirt (1996) Hardcover  Paperback  Kindle
    Dead in the Water (1997) Hardcover  Paperback  Kindle
    Swimming to Catalina (1998) Hardcover  Paperback  Kindle
    Worst Fears Realized (1999) Hardcover  Paperback  Kindle
    L.A. Dead (2000) Hardcover  Paperback  Kindle
    Cold Paradise (2001) Hardcover  Paperback  Kindle
    The Short Forever (2002) Hardcover  Paperback  Kindle
    Dirty Work (2003) Hardcover  Paperback  Kindle
    Reckless Abandon (2004) Hardcover  Paperback  Kindle
    Two Dollar Bill (2004) Hardcover  Paperback  Kindle
    Dark Harbor (2006) Hardcover  Paperback  Kindle
    Fresh Disasters (2007) Hardcover  Paperback  Kindle
    Shoot Him If He Runs (2007) Hardcover  Paperback  Kindle
    Hot Mahogany (2008) Hardcover  Paperback  Kindle
    Loitering with Intent (2009) Hardcover  Paperback  Kindle
    Kisser (2009) Hardcover  Paperback  Kindle
    Lucid Intervals (2010) Hardcover  Paperback  Kindle
    Strategic Moves (2010) Hardcover  Paperback  Kindle
    Bel-Air Dead (2011) Hardcover  Paperback  Kindle
    Son of Stone (2011) Hardcover  Paperback  Kindle
    D.C. Dead (2011) Hardcover  Paperback  Kindle
    Unnatural Acts (2012) Hardcover  Paperback  Kindle
    Severe Clear (2012) Hardcover  Paperback  Kindle
    Collateral Damage (2012) Hardcover  Paperback  Kindle
    Unintended Consequences (2013) Hardcover  Paperback  Kindle
    Doing Hard Time (2013) Hardcover  Paperback  Kindle
    Standup Guy (2014) Hardcover  Paperback  Kindle
    Carnal Curiosity (2014) Hardcover  Paperback  Kindle
    Cut and thrust (2014) Hardcover  Paperback  Kindle
    Paris Match (2014) Hardcover  Paperback  Kindle
    Insatiable Appetites (2015) Hardcover  Paperback  Kindle
    Hot Pursuit (2015) Hardcover  Paperback  Kindle
    Naked Greed (2015) Hardcover  Paperback  Kindle
    Foreign Affairs (2015) Hardcover  Paperback  Kindle
    Scandalous Behavior (2016) Hardcover  Paperback  Kindle
    Family Jewels (2016) Hardcover  Paperback  Kindle
    Dishonorable Intentions (2016) Hardcover  Paperback  Kindle
    Sex, Lies & Serious Money (2016) Hardcover  Paperback  Kindle
    Below the Belt (2017) Hardcover  Paperback  Kindle
    Fast and Loose (2017) Hardcover  Paperback  Kindle
    Indecent Exposure (2017) Hardcover  Paperback  Kindle
    Quick & Dirty (2017) Hardcover  Paperback  Kindle
    Unbound (2018) Hardcover  Paperback  Kindle
    Shoot First (2018) Hardcover  Paperback  Kindle
    Turbulence (2018) Hardcover  Paperback  Kindle
    Desperate Measures (2018) Hardcover  Paperback  Kindle
    A Delicate Touch (2018) Hardcover  Paperback  Kindle
    Wild Card (2019) Hardcover  Paperback  Kindle
    Contraband (2019) Hardcover  Paperback  Kindle
    Stealth (2019) Hardcover  Paperback  Kindle
    Treason (2020) Hardcover  Paperback  Kindle
    Hit List (2020) Hardcover  Paperback  Kindle
    Choppy Water (2020) Hardcover  Paperback  Kindle
    Shakeup (2020) Hardcover  Paperback  Kindle
    Hush-Hush (2020) Hardcover  Paperback  Kindle
    Double Jeopardy (2021) Hardcover  Paperback  Kindle
    Class Act (2021) Hardcover  Paperback  Kindle
    Foul Play (2021) Hardcover  Paperback  Kindle
    Criminal Mischief (2021) Hardcover  Paperback  Kindle

    Publication Order of Holly Barker Books

    Orchid Beach (1998) Hardcover  Paperback  Kindle
    Orchid Blues (2001) Hardcover  Paperback  Kindle
    Blood Orchid (2002) Hardcover  Paperback  Kindle
    Reckless Abandon (2004) Hardcover  Paperback  Kindle
    Iron Orchid (2005) Hardcover  Paperback  Kindle
    Hothouse Orchid (2009) Hardcover  Paperback  Kindle

    Publication Order of Ed Eagle Books

    Santa Fe Rules (1992) Hardcover  Paperback  Kindle
    Short Straw (2006) Hardcover  Paperback  Kindle
    Santa Fe Dead (2008) Hardcover  Paperback  Kindle
    Santa Fe Edge (2010) Hardcover  Paperback  Kindle

    Publication Order of Herbie Fisher Books

    Barely Legal(With Parnell Hall) (2017) Hardcover  Paperback  Kindle

    Publication Order of Rick Barron Books

    The Prince of Beverly Hills (2004) Hardcover  Paperback  Kindle
    Beverly Hills Dead (2008) Hardcover  Paperback  Kindle

    Publication Order of Teddy Fay Books

    Smooth Operator(With Parnell Hall) (2016) Hardcover  Paperback  Kindle
    The Money Shot(With Parnell Hall) (2018) Hardcover  Paperback  Kindle
    Skin Game(With Parnell Hall) (2019) Hardcover  Paperback  Kindle
    Bombshell(With Parnell Hall) (2020) Hardcover  Paperback  Kindle
    Jackpot(With Bryon Quarterboys) (2021) Hardcover  Paperback  Kindle

    Publication Order of Will Lee Books

    Chiefs (1981) Hardcover  Paperback  Kindle
    Run Before the Wind (1983) Hardcover  Paperback  Kindle
    Deep Lie (1986) Hardcover  Paperback  Kindle
    Grass Roots (1989) Hardcover  Paperback  Kindle
    The Run (1995) Hardcover  Paperback  Kindle
    Capital Crimes (2003) Hardcover  Paperback  Kindle
    Mounting Fears (2008) Hardcover  Paperback  Kindle

    Publication Order of Standalone Novels

    Under the Lake (1986) Hardcover  Paperback  Kindle
    White Cargo (1988) Hardcover  Paperback  Kindle
    Palindrome (1990) Hardcover  Paperback  Kindle
    L.A. Times (1993) Hardcover  Paperback  Kindle
    Heat (1994) Hardcover  Paperback  Kindle
    Dead Eyes (1994) Hardcover  Paperback  Kindle
    Imperfect Strangers (1995) Hardcover  Paperback  Kindle
    Choke (1995) Hardcover  Paperback  Kindle

    Publication Order of Non-Fiction Books

    Blue Water, Green Skipper (1977) Hardcover  Paperback  Kindle
    A romantic’s guide to the country inns of Britain and Ireland (1979) Hardcover  Paperback  Kindle

    About Stuart Woods: (from web site)

    Stuarts Woods is an American novelist. He was born in Georgia in 1938 and graduated from the University of Georgia in 1959. He then enrolled in the National Guard before moving to New York to start a career in Advertising.
    He then moved to London and spent a further 3 years working in advertising before deciding that he wanted a change and he began writing his first novel. It is at this time that he decided to move to Ireland where he lived a solitary lifestyle, only leaving his home to make money writing adverts for local television.

    Sailing

    Woods moved to Ireland in the 70s and this was where he fell in love with sailing. He spent many years competing in sailing competitions and learning how to be a better sailor. He finally bought his boat when his grandfather died and left him some money, so he could afford it. It was then that he took sailing more seriously and spent most of 1974 learning more about sailing.

    Writing

    Woods began writing about his experiences in his yacht races and he was published in 1977, with the book Blue Water, Green Skipper. It seemed like he had found an ideal career based on the thing he loved most, sailing.
    Changing Plans
    His second book was supposed to be about another boat race that he was due to take part in, but the race was canceled due to inclement weather, so he decided to drive around the UK and write a book about his adventures in the county inns.
    Chiefs
    Woods then went on to write his first novel called Chiefs. He made the mistake of selling the book to publishers unfinished because he thought he would have gotten a lot more for it had he waited until the book was finished.
    Norton was the company to publish the hardback, but he felt like the company let him down because they didn’t do much to promote the book. He then contacted Bentham Books, who published the paperback and it was much more successful.

    Note: the main character resurfaces in the Stone Barrington novels as a politician and eventually two-term president.  his wife then serves as president after he retires. 

    Charlton Heston
    In 1983, the book was made into a tv series starring Charlton Heston and Danny Glover. It was aired by CBS over three nights and it ended up being nominated for three Emmy Awards.
    The popularity of the tv show meant that more people wanted to read the books and there was renewed interest in the paperback version of the books and Woods won the Edgar Award for the Best First Novel.

    Series Over Standalones

    Woods is one of those authors who are more focused on the series of novels over the standalone. His most popular series is the Stone Barrington Novels. He has just released his 27th novel in the series and he has written 3 more novels, which are set to be released in 2014.

    Who is Stone Barrington?

    Stone Barrington is a counsel for a law firm. After he finished college, he joined the police and served 14 years on the force. He left after disagreeing with his superiors and then got a job with the law firm. The novels tell the story of his exploits so far.
    In the Stone Barrington novels, Woods is often congratulated for getting the law procedures correct when he has no background in law himself. It is noticed a lot and one fan asked how he gets it all right. He indicates that he is a massive fan of law procedurals such as LA Law and Law & Order, so gets all of his knowledge from there. He has made a few friends who are Lawyers, so if he gets anything wrong, they tell him.

    Holly Barker

    Holly Barker is a character in another series of books that he writes. She is an ex-army officer and navy brat. She left the army because of a sex scandal and she has to learn how to live a civilian life. She begins her new life as the Chief of Police and she learns just how dangerous her new life is.

    Update: she eventually becomes Stone Barington’s main love interest, joines the CIA and becomes Secretary of State and later the second Female President. These are all chronicalled in the Stone Barington Novels, the Holly Barker novel focus on her earlier life as the chief of police. end updated note

    Even though Woods has written several series, which focus on the life of a single character, the characters from each of the novels do crossover into other series. For example, Stone Barrington appears in the second Holly Barker novel and he also appears in the second novel of the Rick Barron novels.

    Rick Barron

    The Rick Barron novels are only two books deep at the moment. Rick Barron was a police detective and he was demoted after a run-in with a higher officer. He gets the job as security for Centurion Pictures but finds himself in the middle of a double murder case in the period that is said to be the golden age of Hollywood cinema.
    The first Rick Barron novel, The Prince of Beverly Hills, was meant to be a standalone novel but Woods ended up writing a sequel after he was bombarded with emails from fans asking him to write another. He has no plans to write another at this moment in time.
    After Chiefs was made into a TV series, one of his other books was adapted for TV as well. Grass Roots was made into a TV series in 1993. Since then, no other books have been made for TV.
    Woods indicates that he would love it for his other books to be made into movies and if a director has read one of the books and wants to buy the rights, then he encourages the writer to get in touch with his agent.
    In his personal life, Woods loves to fly, having his planes and he still sails regularly on his private yacht. He had married before but it ended in divorce and little is known about this marriage. He has stated that he preferred to live the life of a bachelor, but in 2013 he fell in love and married Jeanmarie Cooper. They have three homes, which they travel between, with their dog Fred.

    End Stuart Wood com excerpt.

    Note: Teddy Fey

    Teddy Fay first appears as a domestic terrorist taking out corrupt political leaders.  He is a disgruntled ex CIA agent and the master of covert action.  He is eventually pardoned by President Lee and moves to LA where he works as a actor/producer for Stone Barington’s son who is a movie producer.  He continues to occasionally engage in assasinations as a free lancer taking out those who need to be killed.

    Note: Herbie Fisher

    Herbie Fisher appears as Stone’s newphew who is sort of like a smary, “Wally Cleaver” kind of young man. He eventually passes the bar on the 5th try, and becomes a lawyer, but a bit on the shady side of the street.

    The End