Category: music list

  • My Music List for 2026

    My Music List for 2026

    My Music List for 2026

    Reigniting My Passion for Piano: The journey Continues in 2026

     

    music conductor jpg

    A vector silhouette illustration of an orchestra conductor with arms raised and baton in hand standing on sheet music.

    piano
    piano
    my piano
    my piano

    Composergarynoland – Composition Lessons, Music, Piano

    piano jpg
    piano jpg

     

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    sheet music

    Cosmos Music Journal 2026 updates

    Music Journal 2016 v3docx

    Music Journal 2015 Music Journal 2015

    Music Journal 2018

    Music Journal 2017

    Composergarynoland – Composition Lessons, Music, Piano

    chopin
    Colour illustration, Music/ Composers, Frederic Chopin, Polish composer, (1810-1848) (Photo by Bob Thomas/Popperfoto via Getty Images/Getty Images)

    Music Journal 2026

     

    Over the last year, I’ve reignited my passion for playing the piano. Music has always been a significant part of my life, and returning to it daily has been incredibly rewarding. Here’s a glimpse into my musical journey, goals for the year, and strategies to achieve them.

    Goals for 2026:

    1. Daily Practice: Dedicate one hour per day to piano practice.
    2. Mastering Sonatas: Work my way through Mozart and Beethoven’s Sonatas. Purchase new music, including Funk classics, Jazz, and Rock standards.
    3. Music Education: Take music theory and composition courses.
    4. Equipment Upgrade: Buy a MIDI cable and download Sibelius to learn music writing.
    5. Composition: Rewrite music I composed in high school and aim to write one piece per month to post on my blog.
    6. Piano Access: Buy or rent a piano while in the States – Must rent a Piano if I am staying anywhere for more than a month, or consider buying a piano if and when we move back home..

    Strategy:

    • Self-Teaching: Utilize YouTube tutorials to learn the fundamentals of music writing and take online music theory courses.
    • Piece Analysis: Review each piece before playing, noting high and low notes, key signatures, and changes. Create cheat sheets for ornamentations such as turns and mordents., spell out on my cheat sheet notation.
    • Separate Hand Practice: For Bach pieces, practice each hand separately before playing together.
    • Listening and Learning: Listen to the music on YouTube before attempting to play.
    • Note Pieces as I play them below 

    Rediscovering Mozart and Beethoven: My journey through the piano books will culminate in conquering Mozart and Beethoven’s Sonatas. I recently played my first Mozart Sonata and, to my surprise, did not do too badly. I plan to revisit it next year after completing my initial piano books.

    Ode to My Pianos: Ever since I was a young lad, I dreamt of being a professional piano player. Though that dream may never come true, my love for the instrument remains unwavering. At 70, I now play my Roland 88 piano almost every day, delighting in the creative ways I interpret the classics.

    Learning to Play the Piano Leads to a Career in Music: Buying a new piano and music software allowed me to practice nightly. Angela’s weekly piano lessons helped me masterpieces, and I even joined a jazz band, the Diplomatic Jazz Ensemble. We released an album that gained unexpected popularity, leading me to retire from the Foreign Service and pursue a career as a studio musician and composer in San Francisco.

    How to Re-Learn to Play the Piano: Returning to piano after a hiatus involves picking a series of beginner to intermediate books, analyzing each piece, and practicing with a structured approach. Concentrating on accuracy and rhythm, I aim to play three to five pieces daily, gradually increasing my speed.

    Piece List: Here’s what I’ve played recently:

     

    Easy classics

     

    Arlen Harold I Love a Parade

    Bach, Carl Philiph Emaneul Piece for left Hand or Right Hand Alone

    JS Bach

    Be Thou with Me

    Gavotee

    JS Bach March

    JS Bach Polonaise

    JS Bach Prelude in C

    JS Bach Prelude in F

    Barton, Bella Playing Soldiers

    Barton, Bella Ritual Dance

    Barton, Bella Teasing

    Barton, Bella “Watch Your Step” Dance

    Beethoven Allegro Excerpt 7th Symphony

    Beethoven I Love Thee

    Beethoven Three German Dances

    Bocchieri Luigi Minuet

    Borodin, Alexander Plaviason Dance

    Bratton, John W the Teddy Bear Picnic

    Burmeller, Friederick Pastrole

    Cui, Caesar Petite Valse

    Chopin, Maurka

    Chopin, Prelude

    Francis Couperin Rigaudon

    Francis Couperin, the Kings Crest of Viols

    Dvorjak Indian Legend

    Edward, Gus In My Merry Oldsmobile

    Friml,  Rudolf  March of the Musketters

    Rose Marie

    Folk Music, Arkansas Traveler

    Coming through the Rye

    Red River Valley

    Ghys, Henry Amarlys

    Michale Glinka the Lark

    Gluck, Christoph Air

    Gluck, Christoph Gavotee

    Ground Charles Ballet Scene from Fraust

    Ground Charles Funeral March of a Marionette

    Gruber, Brig Caisons Go Rolling Along

    Handel Air from Water Music

    Handel Minuet

    Handel Sarabanda

    Haydn Allegro

    Haydn Adnatino

    Haydn Hymn to Saint Anthony

    Haydn Minuet

    Haydn Minuet and Trio

    Haydn Scherzo

    Karganof Petite Valse

    Khachaturian Oriental Dance

    Liadoff  The Music Box

    Edward Mc Donald A Deserted Farm

    Edward Mc DonaldA Moon Idly

    Mendelsohn Consolidation

    Mendelsohn Songs without words

    Mozart, Leopold Minuet

    Mozart Menuto

    Sonata in C

     Nevin the Rosary

    Poldini Pouple Valadanse

    Waltz Serenade

    Walz of the Mice

    Prokofieff Grashopper Parade

    March

    Rainbow in the Rain

    Rameu Litle Rondo

    Reibekoff In the Mill

    Legends

    The Wandering Muscians

    Rimsky Korsakoff Flight of the Bumblebees

    Shcerazande

    Rose, Billy Barney Google

    Eric Satie Gymnopédie 1

    Gynopedie 2

    Gynopedie 3

    Schubert Waltz

    Robert Schuman  Cradle Song

    Little Humming Song

    Little Study

    Song of the Reaper

    Jean Sibelius A Prayer from Finland

    Silvers April Showers

    Smetna Polka nad Furiant

    Prelude

    Steiner Max Tara From Gone With the Wind

    Stravinsky  Lullaby from the Firebird

    Teleman Gigun

    Tschaikowsky Romeo and Juliet

    Song of the Lark

    Verdi Grand March from Aida

    Villonda Chocolo

    Warren September in the Rain

     

    Easy Classics to Modern

     

    Henry Purcell Minuet

    Henry Purcell Air

    Henry Purcell Trumpet Tune

    Henry Purcell Farewell

    George Philip Telemann Bouree

    George Philip Telemann Minuet

    Archangel Corelli Sarabande

    JS Bach Musette

    Anna Magalena Bach Minuet

    Anna Magalena Bach Minuet

    Anna Magalena Bach  Polonaise

    Anna Magalena Bach   Musette

    Anna Magalena Bach  March

    Anna Magalena Bach Minuet

    Joseph Haydn Gavotte and Variation

    JS Bach Little Prelude in F

    Leopold Mozart Minuet

    Leopold Mozart Burlesque

    Wolfgang Amadeus Mozart Minuet

    JS Bach  Little Prelude in F

    Carl Philipp Emanuel Bach Allegro

    Carl Philipp Emanuel Bach La Caroline

    Carl Philipp Emanuel Bach Sherzo

    Wolfgang Amadeus Mozart Allegro

    Wolfgang Amadeus Mozart Andante

    Wolfgang Amadeus Mozart Presto

    Carl Philipp Emanuel Bach Minuet

    Jean Francois Dandreu Gavotee in Rondo

    Jean-Philippe Rameau Rondino

    Francis Couperin  Carnival

    Francis Couperin Le Petit Rien

    Wolfgang Amadeus Mozart Polonaise

    Joseph Haydn Andantino

    Joseph Haydn Scherzo From Sonatina No 4

    Wolfgang Amadeus Mozart Rondo

    Ludwig Beethoven Bagatelle

    Ludwig Beethoven Ecossaise in G

    Joseph Haydn Seven German Dances

    Carl Maria Von Weber Ecossaise

    Jakob Schmitt Sonatina

    Joseph Nepomik Hummel Bagatelle

    Daniel Gottlob Turk  Gavotte

    Daniel Gottlob Turk A Regal Dance

    Daniel Gottlob Turk Serande

    Daniel Gottlob Turk Miniature Rondo

    Daniel Gottlob Turk Evening Song

    Daniel Gottlob Turk The Hunters

    Daniel Gottlob Turk Carefree

    Wolfgang Amadeus Mozart  Adagio

    Johann Philipp Kimbeger Lullaby

    Anton Andre Sonatina

    Jakob Schmitt Sonatina in G

    Ludwig Beethoven  Three Country Dances

    Muzio Clementi Sonatina

    Wolfgang Amadeus Mozart Minuet in F

    Franz Schubert Waltz

    Ludwig Beethoven Russian Folk Song

     Ludwig Beethoven’s German Dance

    Franz Schubert Two Ecossaises

    Franz Schubert  Four Ladlers

    Franz Schubert Allegretto from Minuet in F

    Franz Schubert Adantino Trio from Waltz in C Op 19)

    Carl Czerny Two Austrian Folk Themes

    Felix Mendelssohn Peasant Song

    Henry Bertini On Tiptoes

    Henry Bertini Dance Intermezzo

    Theodor Kullak, the Clock

    Theodor Kullak Cradle Song

    Robert Schumann Melody

    Robert Schumann The Wild Horseman

    Robert Schumann Bagatelle

    Robert Schumann Soldier’s March

    Robert Schumann Hunter’s Song

    Robert Schumann Reaper’ Song

    Fredrich Burmuller Arabesque

    Friedrich Burmuller Pastoral

    Steven Heller An Old Romance

    Cornelius Gurlitt Little Suite Morning Song

    Cornelius Gurlitt March

    Cornelius Gurlitt  Scherzo

    Louis Kohler Song of the Hussars

    Louis Kohler Village Waltz

    Louis Kohler Chromatic Polka

    Konard M Kunz Four Short Canons

    Peter Tschikovsky Morning Prayer

    Peter Tschikovsky Old French Song

    Peter Tschikovsky German Song

    Peter Tschikovsky Italian Song

    Peter Tschikovsky Reverie

    Peter Tschikovsky  The Sick Doll

    Cezar Franck Song from the Creuse

    Cezar Franck Puppet’s Complaint

    Robert Volkmann Once Upon A Time

    Robert Volkmann, the Enchanted Garden

    Robert Volkmann Dance With Me

    Robert Volkmann Over Hill and Dale

    Vladimir Reibkoff Playing Soldiers

    Vladimir Reibkoff Evening in the Meadow

    Vladimir Reibkoff Oriental Dance

    Alexander Gretchaninoff Tender Moments

    Alexander Gretchaninoff Promenade

    Nicolas Misaskowsky Fugue in Classic Style

    Igor Stravinsky’s Three Easy Pieces on Five Notes

    Serge Prokofieff Trantella

    Dmitri Kabalevsky Humming

    Dmitri Kabalevsky  First Dance

    Dmitri Kabalevsky  Little March

    Dmitri Kabalevsky Chit Chat

    Dmitri Kabalevsky  Waltz

    Dmitri Kabalevsky Tocatina

    Dmitri Kabalevsky Prelude

    Dmitri Kabalevsky Ride, Ride

    Dmitri Kabalevsky Scherzo

    Dmitri Kabalevsky In the Country

    Hector Villa Lobos Constante

    Hector Villa Lobos Circle Dance

    Alan Khatchaturian Melody

    Bella Bartok Six Miniatures

     

    Next up, Playing the Blues Standards

    Playing Ellington Standards

     the End

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

  • Gary Noland Music at the Edge of Imagination

    Gary Noland Music at the Edge of Imagination

    Gary Noland Music at the Edge of Imagination

    Subtitle:
    Where classical tradition, satire, and Avant‑Gärde experimentation collide.

    An introduction to a lifelong friend and one of the most original—and provocative—composers you’ve probably never heard.

    Yet More Music By Gary Noland
    Gary Noland Music Updates
    More Gary Noland Music
    Gary Noland’s Music Updates
    Introducing Gary Noland’s Music

    (5) Gary Noland _ Facebook

    Composergarynoland – Composition Lessons, Music, Piano

    Collected Piano Works Volume 2 (Amazon):

     

    From time to time, I like to introduce readers to friends whose work deserves a much wider audience. This is one of those moments.

    I’ve known Gary Noland since high school, and over the years I’ve watched him develop into something rare: a composer who refuses to be categorized. His music can be brilliant, disorienting, funny, abrasive, and unexpectedly beautiful—sometimes all at once.

    Imagine a world where Acid Jazz, Bach, Buddha Bar, Cage, Jazz, Eno, Ragtime, Satie, Sibelius, Strauss, Frank Zappa, and a mischievous twenty-first-century experimentalist are all arguing in the same room—and somehow creating something coherent. That will give you a rough idea of what you’re about to hear.

    Gary’s work is not background music. It demands attention. It rewards curiosity. And most of all, it challenges you to rethink what music can be.

    Recent Work and Projects

    Gary recently shared news of several major projects, including Volume 2 of his Collected Piano Works, which includes 39 Variations on an Original Theme in F Major, Op. 98 and Grande Rag Brillante, Op. 15. This ambitious collection has already drawn comparisons to monumental variation works such as Bach’s Goldberg Variations and Beethoven’s Diabelli Variations, while pushing far beyond them in stylistic range and scope.

    In addition to his piano works, Gary has released a number of striking and unconventional recordings, including:

    • 20 Coviditties, Op. 116 — composed during the pandemic amid social upheaval, wildfires, and political turmoil
    • Entropic Abandon — a wildly inventive, stylistically hybrid double album
    • Wayward Affects & Afflictions, Op. 120 — continuing his exploration of layered, postmodern musical language

    His work is available both for purchase and for listening online, and I encourage readers to explore it directly.

    Listening and Viewing

     

    gary noland
    gary noloand cartoon

     

     

     

    Gary maintains an active presence online where much of his music can be heard. His SoundCloud collections provide full recordings of major works,

    while his YouTube channel hosts hundreds of performance videos.

    If you’re new to his work, I recommend starting with:

    • 20 Coviditties, Op. 116 — a dense, layered reflection on crisis and creativity
    • Wayward Affects & Afflictions, Op. 120 — a vivid example of his mature compositional voice
    • Access of Oil, Op. 114 — an inventive chamber work
    • Demagogue Unseatment Celebration March, Op. 110 — political satire in musical form

    Background and Career

    Dr. Gary Lloyd Noland (also known under various artistic pseudonyms) grew up near Berkeley’s historic People’s Park area, an environment shaped by activism and cultural upheaval. As a teenager, he spent time in Salzburg and Garmisch‑Partenkirchen, absorbing European musical influences that continue to resonate in his work.

    He earned his B.A. in music from UC Berkeley and went on to complete advanced studies at the Boston Conservatory and Harvard University, where he received both a master’s degree and a Ph.D. in music composition.

    Gary’s catalog is vast, including:

    • Solo piano works
    • Vocal and chamber compositions
    • Experimental and electronic music
    • “Chamber novels” and multimedia works

    His compositions have been performed internationally and broadcast on outlets including NPR. He also founded the Seventh Species concert series, producing more than 50 concerts of contemporary music on the West Coast over two decades.

    In addition, Gary has taught at Harvard, the University of Oregon, and Portland Community College, and continues to offer private composition instruction.

    Artistic Style and Reviews

    Gary’s music tends to provoke powerful reactions—it resists easy categorization. Some hear brilliance; others hear chaos. But indifference is rare.

    Critics frequently highlight:

    • His blending of classical tradition with postmodern experimentation
    • His irreverent humor and satire
    • His technical command across multiple musical styles
    • His willingness to challenge listeners’ expectations

     

    One reviewer aptly described his work as:

    “A highly sophisticated sonic cartoon… multi‑layered, stylistically expansive, and relentlessly inventive.”

    Another noted that:

    “You can hardly be indifferent to Noland’s music… it continuously surprises, provokes, and engages.”

     

     

    more of his music can be found here

     

    permafrost My TEEMING IMPERMAFROST, Op. 127, No. 6, performed by The Pimpleton Procrasturbation Ensemble.

    ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME performed by The Pimpleton Procrasturbation Ensemble.

    ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME, Op. 139, No. 6

    THE PIMPLETON PROCRASTURBATION ENSEMBLE performs ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME, Op. 139, No. 6, by GARY LLOYD NOLAND (October 19th, 2022). For more information on the composer, pleas

    My WHIPPING THE NIGHT ORGASTIC performed by The Pimpleton Procrasturbation Ensemble.

    https://soundcloud.com/…/thank-heavens-it-was-only-a… My latest piece: THANK HEAVENS IT WAS ONLY A DREAM! WAIT, WHAT? performed by The Pimpleton Procrasturbation Ensemble (January 26th, 2024)—enjoy!

    I am pleased to present this brand new recording of pianist MYRNA SETIAWAN performing my GOLDEN GATE RAG, Op. 123 (1974, revised 2021): https://soundcloud.com/…/sets/golden-gate-rag-op-123-myrna

    https://soundcloud.com/…/sets/when-xmas-ornaments-go-rogue I made a pact with my Facebook friend, composer Allan Segall, to exchange titles for pieces. I provided him with a title and a new piece of his emerged within a day or two. With all the projects I have been involved in lately, it took me several months to fulfill my end of the bargain. I finally asked him for a title a couple weeks ago (on January 9th, 2024, to be precise) and he provided me with the title of this brand new piece (completed on January 23rd, 2024), which I am happy to include amongst a growing portfolio of holiday pieces. The Pimpleton Procrasturbation Ensemble (consisting of the composer and his five anagrammatic alter egos) performs WHEN XMAS ORNAMENTS GO ROGUE.

    https://soundcloud.com/gary-noland/theres-no-there-where The Pimpleton Procrasturbation Ensemble performs THERE’S NO THERE WHERE?

    My recent CD album, ALEXANDER THEROUX SONGS & MUSICAL PORTRAIT is now available for purchase thru the following link: https://www.trepstar.com/purchase.asp?idprod=408300…

    https://soundcloud.com/…/four-heine-lieder-for-soprano Soprano Hayley Boggs and pianists Victor Hurgo Morales and Maryna Buksha perform my FOUR HEINE LIEDER, Op. 91. Enjoy!

    permafrost My TEEMING IMPERMAFROST, Op. 127, No. 6, performed by The Pimpleton Procrasturbation Ensemble.

    ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME performed by The Pimpleton Procrasturbation Ensemble.

    ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME, Op. 139, No. 6

    THE PIMPLETON PROCRASTURBATION ENSEMBLE performs ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME, Op. 139, No. 6, by GARY LLOYD NOLAND (October 19th, 2022). For more information on the composer, pleas

    My WHIPPING THE NIGHT ORGASTIC performed by The Pimpleton Procrasturbation Ensemble.

    https://soundcloud.com/…/thank-heavens-it-was-only-a… My latest piece: THANK HEAVENS IT WAS ONLY A DREAM! WAIT, WHAT? performed by The Pimpleton Procrasturbation Ensemble (January 26th, 2024)—enjoy!

    I am pleased to present this brand new recording of pianist MYRNA SETIAWAN performing my GOLDEN GATE RAG, Op. 123 (1974, revised 2021): https://soundcloud.com/…/sets/golden-gate-rag-op-123-myrna

    https://soundcloud.com/…/sets/when-xmas-ornaments-go-rogue I made a pact with my Facebook friend, composer Allan Segall, to exchange titles for pieces. I provided him with a title and a new piece of his emerged within a day or two. With all the projects I have been involved in lately, it took me several months to fulfill my end of the bargain. I finally asked him for a title a couple weeks ago (on January 9th, 2024, to be precise) and he provided me with the title of this brand new piece (completed on January 23rd, 2024), which I am happy to include amongst a growing portfolio of holiday pieces. The Pimpleton Procrasturbation Ensemble (consisting of the composer and his five anagrammatic alter egos) performs WHEN XMAS ORNAMENTS GO ROGUE.

    https://soundcloud.com/gary-noland/theres-no-there-where The Pimpleton Procrasturbation Ensemble performs THERE’S NO THERE WHERE?

    My recent CD album, ALEXANDER THEROUX SONGS & MUSICAL PORTRAIT is now available for purchase thru the following link: https://www.trepstar.com/purchase.asp?idprod=408300…

    https://soundcloud.com/…/four-heine-lieder-for-soprano Soprano Hayley Boggs and pianists Victor Hurgo Morales and Maryna Buksha perform my FOUR HEINE LIEDER, Op. 91. Enjoy!

    Final Thoughts

    Gary is one of those artists who refuses to stay inside boundaries—stylistically, intellectually, or aesthetically. His work is ambitious, demanding, often funny, sometimes abrasive, and always deeply original.

    If you’re looking for music that challenges assumptions and expands your sense of what composition can do, his work is well worth your time.

    Endnotes / Links

  • Jim Davidson Guest Blogger of the Week

    Jim Davidson Guest Blogger of the Week

    Guest Blogger Jim Davidson

    From time to time, I like to feature the work of friends. Today, I want to highlight the work of Jim Davidson, one of my oldest friends. We first met in 1971 in Berkeley, California.

    Jim is an accomplished musician and writer. Over the years, he has become an expert on comics, classic television, and Perry Mason. He has written and published extensively on all of these topics and maintains blog pages devoted to classic TV, Perry Mason, and classic comics. He also founded his own publishing company, JD Press, to publish his work.

    The following is coverage of his recent book on Mopsy, a classic comic from the 1940s about a humble maid who brings laughter to those around her.

    MOPSY: The Maid Who Makes You Laugh

    Here’s the post for my latest book, MOPSY: The Maid Who Makes You Laugh.

    NEW from JD Press!
    MOPSY: The Maid Who Makes You Laugh by Gladys Parker
    Classic cartoons by a master of the medium

    Meet Mopsy

    that funny, sexy, slightly dingy (yet surreptitiously clever) maid of mirth! Conceived by the brilliant cartoonist Gladys Parker, Mopsy was a joke-a-day panel that captivated readers for three decades. This “best of” collection, originally published in 1945 and now selling for hundreds of dollars, features cartoons that first appeared in newspapers during the war years (1942 to 1945), when Parker was at her creative peak.

    Praise for MOPSY

    “Gladys Parker was among the most recognizable and widely read cartoonists of the 1930s and 1940s…

    “Jim Davidson’s JD Press gives us the welcome opportunity to revisit Parker with this restored and reissued Mopsy: The Maid Who Makes You Laugh. The original 1945 compilation captured the late WWII years, when the strip was at its very best…

    “It is all light, wisecracking material that makes Mopsy at once jaded, sophisticated, air-headed, and man-hungry — demonstrating how Parker crafted female characters that were engaging yet navigated cultural expectations of the time…

    “There is nothing sketchy, uneven, or rough in Parker’s drawings. Her style sits somewhere between illustration and diagram… Mopsy is a testament to the power of cartooning to create a visually comforting daily escape.

    “The book is cleanly and sharply rendered, with rich blacks and high resolution on crisp white paper that allow Mopsy’s precise line work to shine. This art may look even better here than in the original edition. Parker would approve.”

    — Steve Smith, Panels & Prose

    Find Jim Davidson’s Work

    Email: pauldrake@comcast.net

    Comics History Blog:

    cosmic History blog

    Classic TV Site:

    Classic TV Site

    Perry Mason Book:

    Perry Mason

    The Perry Mason Book_ A Comprehensive Guide to America’s Favorite Defender of Justice – Kindle edition by Davidson, Jim. Humor & Entertainment Kindle eBooks @ Amazon.com.

    The Perry Mason Book: A Comprehensive Guide to America’s Favorite Defender of Justice Kindle Edition

    Perry Mason, fictional champion lawyer created by author Erle Stanley Gardner and embodied by actor Raymond Burr, is an American cultural icon. Generations of fans has enjoyed his exploits through books, television, movies, radio, and other media. Drawing on original interviews, correspondence, and production records, this is the first in-depth history of the character, providing a unique behind-the-scenes account of every stage in his development. Included are detailed listings of every one of his cases, thoroughly indexed. No Perry Mason fan – from the casual to the most avid – will want to be without this book.

    About Jim Davidson

    Jim Davidson is the founder and past president of the National Association for the Advancement of Perry Mason and the former publisher/editor of the NAAPM Newsletter and Classic TV. His articles, interviews, and reviews have appeared in Films in ReviewFilmfaxTower Records Pulse!, and The TV Collector.

    He has contributed research to numerous reference works, including:

    • The Complete Directory to Prime Time Network TV Shows by Tim Brooks and Earle Marsh
    • Primetime Proverbs by Jack Mingo and John Javna
    • Donna Reed: A Bio-Bibliography by Brenda Scott Royce
    • The Best of Crime & Detective TV by Max Allan Collins and John Javna

    He has appeared in the Showtime special The Case of the Courtroom Legends and served as co-producer of the Perry Mason 50th Anniversary Edition DVD set.

    He is also the author of the ebook
    Perry Mason: A Comprehensive Guide to America’s Favorite Defender of Justice.

    Music Feature

    Here’s his latest recording. Karen shines as she applies her melodious voice to the swing-era classic “Pennies from Heaven.” It also gave me a chance to play some stride piano — a style I love, though it can be technically challenging. I hope you enjoy it as much as we did.

    🎵 Jim Davidson & Karen Sudjian – Featured Performances

    Here are some standout performances showcasing Jim Davidson on piano with vocalist Karen Sudjian:

    🎹 Live Performances

    🎧 Studio & Arranged Recordings

    ▶️ Playlists 

    👉 These are perfect to embed in Substack or a blog post:

    🎼 Official Channel

    🎵 Music Feature: Jim Davidson in Performance

     

    Standard Disclaimer

    These writings are entirely my own, the product of an overactive imagination built on 70 years of lived experience. This includes growing up in Berkeley during the 1960s and 1970s; attending college in the 1970s; Peace Corps service in Korea; teaching ESL and government, graduate studies (M.A. in Korean Studies and an MPA from the University of Washington); and 27 years in the U.S. State Department as a Foreign Service Officer.

    I have lived and worked in multiple locations across the United States and abroad, and have traveled extensively, including visiting all 50 states, Washington, D.C., Puerto Rico, and 50 foreign countries. I have lived in ten different cities.

    Along the way, I married the lady of my dreams and learned Korean, Spanish, and Thai. I retired in 2016 and now split my time between Korea, Oregon, and Washington, D.C.

    My writing leans toward neo‑beatnik or outlaw poetry styles, speculative science fiction, and occasional political commentary and rants. Some readers may find parts of my writing provocative, but that is never my intention.

    I have used AI tools (such as ChatGPT, Claude, Copilot, and Gemini) for research and editing grammar and punctuation; however, the words themselves are entirely my own.

     

     

     

  • Cosmos Music Journal 2026 updates

    Cosmos Music Journal 2026 updates

    Music Journal 2026

    Reigniting My Passion for Piano

    Cosmos Music List 2023

    Cosmos’s Music Journal 2023

    piano
    piano

    piano jpg

    Playing the PIano at the End of Time

    Cosmos Music Journal 2026 updates

    Music Journal 2026

    Reigniting My Passion for Piano

    Cosmos Music List 2023

    Cosmos’s Music Journal 2023

    piano
    piano

    piano jpg

    Playing the PIano at the End of Time

    Over the last year, I’ve reignited my passion for playing the piano. Music has always been a significant part of my life,  I started  piano lessons in elementary school and continued until I graduated from high school. In fact, when I was a high school student, I wrote two string quartets, a piano sonata for the prepared piano, a flute sonata and the first movement of a symphony.  I started out in College as a music composition major at Cal State Hayward and Oberlin, but flunked out and changed my major to political science and Psychology at the University of the Pacific. From 2000 to 2003 i tried my hand at writing music again,. and from 1992 to 2015, I played the piano almost every day, and returned to daily piano playing in 2021.

    Returning to it daily has been incredibly rewarding. Here’s a glimpse into my musical journey, goals for the year, and strategies to achieve them.

    Goals for 2024:

    1. Daily Practice: Dedicate one hour per day to piano practice.
    2. Mastering Sonatas: Work my way through Mozart and Beethoven Sonatas. Purchase new music, including Funk classics, Jazz, and Rock standards.
    3. Music Education: Take music theory and composition courses.
    4. Equipment Upgrade: Buy a MIDI cable and download Sibelius to learn music writing.
    5. Composition: Rewrite music I composed in high school and aim to write one piece per month to post on my blog.
    6. Piano Access: Buy or rent a piano while in the States.

    Strategy:

    • Self-Teaching: Utilize YouTube tutorials to learn the fundamentals of music writing and take online music theory courses.
    • Piece Analysis: Review each piece before playing, noting high and low notes, key signatures, and changes. Create cheat sheets for ornamentations such as turns and mordents.
    • Separate Hand Practice: For Bach pieces, practice each hand separately before playing together.
    • Listening and Learning: Listen to the music on YouTube before attempting to play.
    • Taking online courses on Music Theory and later compostion
    • Resume writing music

     

    Rediscovering Mozart and Beethoven: My journey through the piano books will culminate in conquering Mozart and Beethoven’s Sonatas. I recently played my first Mozart Sonata and, to my surprise, did not do too badly. I plan to revisit it next year after completing my initial piano books.

     

    Ever since I was a young lad,

    I dreamt of being a professional piano player.

    Though that dream may never come true,

    my love for the instrument

    remains unwavering.

    At 70,

    I now play my Roland 88 piano a

    almost every day,

    delighting in the creative ways

    I interpret the classics

    .

    Ode to My Pianos

     

    Ever since I was a young lad

    I wanted to play the piano

    Had delusions I could be

    A professional piano player.

     

    But alas that was not my fate

    I had four pianos in my life

    Most recently I bought a Rolland 88 piano

    And play it almost every day.

     

    And now at age 70

    I am finally getting fairly good

    But I know that my dream

     

    Of being a professional piano player.

    Will never come true

    But that is okay.

     

    As I stumble my way through my music

    Mutilating Bach, Beethoven, Blues Standards,

    Mozart and so many others

    In creative ways never heard before.

     

    I think that their spirits

    Will understand

    And be amused and laughing

    And not be too hurt

    By my attempts.

     

    Piano Playing  3-7-5

     

    piano

    playing my keyboards daily

    I am getting better

     

    An object

    Write a poem about any object which you love the most let it be perfume,books,etc.


    Playing the Piano Leads to a Career in Music:
    Buying a new piano and music software allowed me to practice nightly. Angela’s weekly piano lessons helped me master pieces, and I even joined a jazz band, the Diplomatic Jazz Ensemble. We released an album that gained unexpected popularity, leading me to retire from the Foreign Service and pursue a career as a studio musician and composer in San Francisco.

    How to Re-Learn to Play the Piano: Returning to piano after a hiatus involves picking a series of beginner to intermediate books, analyzing each piece, and practicing with a structured approach. Concentrating on accuracy and rhythm, I aim to play three to five pieces daily, gradually increasing my speed.

    Alzheimer’s Prevention: I believe that playing music, learning languages, and engaging in mental games are excellent ways to ward off dementia and Alzheimer’s. Given my increased risk, I’ve committed to daily piano practice, studying Korean, and engaging in creative writing and blogging as part of my prevention strategy.

    Encouragement to Aspiring Musicians: To those nearing retirement and considering resuming an instrument, I encourage you to go for it. The rewards are immeasurable.

    Embrace the joy of music and make it a part of your daily life!

    I decided to take a step back and review where I was before working my way to Beethoven.  Beethoven kicked my ass.

     

    Here’s what I have played this year so far

    Easy Piano Pieces

    Harrold Arlene

    I love a parade.

     

    Carl Phillip Emmanuel Bach

     

    Piece for right hand or left hand.

     

    Bach, Johann Sebastian,

     

    be there with me.

    Gavotte,

    March,

    Polonaise

    Prelude in C major.

    Prelude in F major

     

    Bartok,Bella

     

    playing soldiers

    ritual dance,

    teasing.

    Watch your step dance.

    .

    Beethoven.

    Allegerto from Seventh Symphony.

    I love thee

    Tthree German dances.

     

    Boccheri, Luigi

    Minuet.

    Borodin, Alexandria.

    Plovtasian Dance from Prince Igor.

    Bratton, John W Teddy Bears Picnic.

    Bergmuller, Frederick,

    Pastorale.

     

    Cui,  Caesar.

    Petite Valse.

    Chopin, Frederick.

    Mazurka,

    Prelude

    Cooperin Francis

    King’s Chest of Violas.

    Rigardon

    Dvorjak,  Antonio.

    Indian legend.

    Edward Gus.

     

    In My merry Oldsmobile

     

    Friml,  Rudolph.

     

    March of the Musketters,

     

    Rose Marie

     

    Folk music.

     

    Arkansas Traveler. American

    Coming Through the Rye. Scottish

    Red River Valley. American

    Ghys, Henry

     

    Amarylis

    Glinka, Michale

    Lark

     

    Gluck, Christoph

     

    Air

    Gavotte

     

    Guonod, Charles

     

    Ballet scene from  Faust

    Funeral march of a marionette

     

    Gruber, Brig General

    Casisons Go Rolling along

     

    Handel, George Frederick

     

    air from the water music

    minuet

    Sarabanda

    Haydin

    Allegretto

    Trio

    Saint Anthony

    Minuet

    Minuet and Trio

    Scherzo

     

    Karganoff

    Pettite Valse

     

    Khachaurian, Aron

     

    Oriental dance

    Liadoff, Anatola

    Music Box

    McDonald, Edward.

     

    Deserted Farm

    A Moon Idle.

    Mendelson.

     

    Consolation

    Nocturne from A Midsummer Night’s Dream.

     

    Mozart, Leopold.

    Minuet,

     

    Mozart, Wolfgang.

     

    Minuend

    Sonata and C Major.

    Nevin, Ethelbert.

     

    Rosary,

     

    Poldino,  Edward

     

    Poupe Valante

    Waltz  Serende

    Waltz of the Mice.

    Prokofieff, Sergey

    Grasshoppers Parade

    March.

    Rainbows in the Rain.

     

    Ramon, Jean, Philippe,

     

    Little rondo,

     

    Rebikoff, Vladimir.

    In the Mill

    legends

    Wandering musicians

     

    Rimsky-korsakov, Nicholas.

     

    Flight of the Bumblebee

    Sherazade

     

    Rose Billy, and Conrad, Con

    Barney. Google,

     

    Satte, Eric

    Eric Satie Three Gymnopees

     

    Schubert. Franz Waltz.

    Waltz.

    Schumann, Robert.

    Cradle. Song

    First Sorrow.

    Little Humming Song,

    Little Study.

    Song of the Reaper.

     

    Sibelius, Jon,

    . Prayer from Filanda

     

    Silver,Lewis,

     

    April, Showers,

     

    Smetana, Berich,

     

    Polka and Furiant

    Prelude

    ,

    Steiner, Max,

    Tara from Gone with the Wind,

     

    Stravinsky, Igor.

    Lullaby of the Cat from the Fire. Bird.

    Telleman, George Phillip

     

    Gigue,

    Tschaikowsky, Peter.

     

    Romeo and Juliet excerpt

     

    Song of the Lark

    Verdi, Giuseppi

    Grand March from Aida

    Villado, AG

    Choclo, El

    Warren, Henry

    September in the Rain.

     

    Intermdiate Piano Piece

    Beethoven

     

    Fur Elise

     

    Wagner

    Brauctchor Lohegrin

     

    T Badarzewaka

    The Maiden’s Prayer.

     

    A Dvorjack,

    Humoresque,

    Chopin,

    Petite Chien

    Beethoven. Turkish March.

    JE Jonatsson

    Cuckoo, Waltz,

    G Lange,

    Blumenlied

    ,G Anderson,

    The Battle of Waterloo

    Chopin,

    Chason D’iedeu

    F Schubert

    March Miltarie

    F Mendelson

    Hochzeishmarch

    C Czersky

    Weiner March

    AP Wyaman woodland Echoes

    R Schuman

    Traumerei

    T Michalis

    Die Schmied im Walde

    AP Wyman Silvert waves

    1. Ivanoveikrei

    the waves of the Danube.

    J Brahms

    Hungarian Dance #5

    CME Weber

    invitation to the dance.

    A Poncevilli

    Dance of the Clocks

    E Grieg  theme concerto

    L Beethoven,

    Bagatelle

    E Greig

    Norwegian Dances

    E Grieg

    Soveeig’s Song.

    Chopin

    Mazurka.

    Chopin

    Nocturne,

    G Marie

    La Cinquantaine

    F Browoski

    Valsette

    G Bizet

    Habanera, Carmen

    Martini, L Tedesco,

    Plaise D’Amour

    JS Bach

    Gavotee

    Wagner.

    Sigmund’s love song.

    Tchaikovsky Polka.

    Clementi

    Six Sonatinas

    Jazz Solos Goerge Winston

    Take My Breath Away

    Why Wory

    Bach

    Polonaise

    Swan Lake

    La Bamba

    Mozart

    Just When I Need You the Most

    Tonight I Celebrate My Love

    Die Fiderman Overture

    Mozart Clarinet Concerto

    Interlude,

    Trauma

    From a sidewalk cafe,

    the friendship theme

     

    Through My Everything

    Jane

    World is Waiting for the Sunrise,

    Classic Medley,

    Casablanca,

    Time in a Bottle,

    Academic Festival Overture,

    Up Where We Belong.

    Tie a yellow ribbon around the old oak tree

    Stand by me

    great escape

    March

    water music

    Cassee Noisette Valse Des Fleurs

    Main title from Return of the Jedi

    Three Times A lady

    Hungarian dance #5

    sunrise sunset

    serenade

    La Chanson D’Oprhe

    The saddest thing,

    Flashdance.

    What a feeling

    Biizet L’arlensienne Suite Number One Minuet

    Can’t help falling in love.

    The End

     

     

     

     

    piano

    March 22, 2026, 2:03 am 0 boosts 0 favorites

    Audio Clip

     

    Over the last year, I’ve reignited my passion for playing the piano. Music has always been a significant part of my life,  I started  piano lessons in elementary school and continued until I graduated from high school. In fact, when I was a high school student, I wrote two string quartets, a piano sonata for the prepared piano, a flute sonata and the first movement of a symphony. I started out in college as a music composition major at Cal State Hayward and Oberlin but flunked out and changed my major to political science and psychology at the University of the Pacific. From 2000 to 2003 i tried my hand at writing music again. And from 1992 to 2015, I played the piano almost every day, and returned to daily piano playing in 2021.

    Returning to it daily has been incredibly rewarding. Here’s a glimpse into my musical journey, goals for the year, and strategies to achieve them.

    Goals for 2026:

    1. Daily Practice: Dedicate one hour per day to piano practice.
    2. Mastering Sonatas: Work my way through Mozart and Beethoven sonatas. Purchase new music, including funk classics, jazz, and Rock standards.
    3. Music Education: Take music theory and composition courses.
    4. Equipment Upgrade: Buy a MIDI cable and download Sibelius to learn music writing.
    5. Composition: Rewrite music I composed in high school and aim to write one piece per month to post on my blog.
    6. Piano Access: Buy or rent a piano while in the States.

    Strategy:

    • Self-Teaching: Utilize YouTube tutorials to learn the fundamentals of music writing and take online music theory courses.
    • Piece Analysis: Review each piece before playing, noting high and low notes, key signatures, and changes. Create cheat sheets for ornamentations such as turns and mordents.
    • Separate Hand Practice: For Bach pieces, practice each hand separately before playing together.
    • Listening and Learning: Listen to the music on YouTube before attempting to play.
    • Taking online courses on Music Theory and later composition
    • Resume writing, music

     

    Rediscovering Mozart and Beethoven: My journey through the piano books will culminate in conquering Mozart and Beethoven’s Sonatas. I recently played my first Mozart Sonata and, to my surprise, did not do too badly. I plan to revisit it next year after completing my initial piano books.

     

    Ever since I was a young lad,

    I dreamt of being a professional piano player.

    Though that dream may never come true,

    my love for the instrument

    remains unwavering.

    At 70,

    I now play my Roland 88 piano a

    almost every day,

    delighting in the creative ways

    I interpret the classics

    .

    Ode to My Pianos

     

    Ever since I was a young lad

    I wanted to play the piano

    Had delusions I could be

    A professional piano player.

     

    But alas that was not my fate

    I had four pianos in my life

    Most recently I bought a Rolland 88 piano

    And play it almost every day.

     

    And now at age 70

    I am finally getting fairly good

    But I know that my dream

     

    Of being a professional piano player.

    Will never come true

    But that is okay.

     

    As I stumble my way through my music

    Mutilating Bach, Beethoven, Blues Standards,

    Mozart and so many others

    In creative ways never heard before.

     

    I think that their spirits

    Will understand

    And be amused and laughing

    And not be too hurt

    By my attempts.

     

    Piano Playing  3-7-5

     

    piano

    playing my keyboards daily

    I am getting better

     

    An object

    Write a poem about any object which you love the most let it be perfume,books,etc.


    Playing the Piano Leads to a Career in Music:
    Buying a new piano and music software allowed me to practice nightly. Angela’s weekly piano lessons helped me master pieces, and I even joined a jazz band, the Diplomatic Jazz Ensemble. We released an album that gained unexpected popularity, leading me to retire from the Foreign Service and pursue a career as a studio musician and composer in San Francisco.

    How to Re-Learn to Play the Piano: Returning to piano after a hiatus involves picking a series of beginner to intermediate books, analyzing each piece, and practicing with a structured approach. Concentrating on accuracy and rhythm, I aim to play three to five pieces daily, gradually increasing my speed.

    Alzheimer’s Prevention: I believe that playing music, learning languages, and engaging in mental games are excellent ways to ward off dementia and Alzheimer’s. Given my increased risk, I’ve committed to daily piano practice, studying Korean, and engaging in creative writing and blogging as part of my prevention strategy.

    Encouragement to Aspiring Musicians: To those nearing retirement and considering resuming an instrument, I encourage you to go for it. The rewards are immeasurable.

    Embrace the joy of music and make it a part of your daily life!

    I decided to take a step back and review where I was before working my way to Beethoven.  Beethoven kicked my ass.

     

    Here’s what I have played this year so far

    Easy Piano Pieces

    Harrold Arlene

    I love a parade.

     

    Carl Phillip Emmanuel Bach

     

    Piece for right hand or left hand.

     

    Bach, Johann Sebastian,

     

    be there with me.

    Gavotte,

    March,

    Polonaise

    Prelude in C major.

    Prelude in F major

     

    Bartok,Bella

     

    playing soldiers

    ritual dance,

    teasing.

    Watch your step dance.

    .

    Beethoven.

    Allegerto from Seventh Symphony.

    I love thee

    Tthree German dances.

     

    Boccheri, Luigi

    Minuet.

    Borodin, Alexandria.

    Plovtasian Dance from Prince Igor.

    Bratton, John W Teddy Bears Picnic.

    Bergmuller, Frederick,

    Pastorale.

     

    Cui,  Caesar.

    Petite Valse.

    Chopin, Frederick.

    Mazurka,

    Prelude

    Cooperin Francis

    King’s Chest of Violas.

    Rigardon

    Dvorjak,  Antonio.

    Indian legend.

    Edward Gus.

     

    In My merry Oldsmobile

     

    Friml,  Rudolph.

     

    March of the Musketters,

     

    Rose Marie

     

    Folk music.

     

    Arkansas Traveler. American

    Coming Through the Rye. Scottish

    Red River Valley. American

    Ghys, Henry

     

    Amarylis

    Glinka, Michale

    Lark

     

    Gluck, Christoph

     

    Air

    Gavotte

     

    Guonod, Charles

     

    Ballet scene from  Faust

    Funeral march of a marionette

     

    Gruber, Brig General

    Casisons Go Rolling along

     

    Handel, George Frederick

     

    air from the water music

    minuet

    Sarabanda

    Haydin

    Allegretto

    Trio

    Saint Anthony

    Minuet

    Minuet and Trio

    Scherzo

     

    Karganoff

    Pettite Valse

     

    Khachaurian, Aron

     

    Oriental dance

    Liadoff, Anatola

    Music Box

    McDonald, Edward.

     

    Deserted Farm

    A Moon Idle.

    Mendelson.

     

    Consolation

    Nocturne from A Midsummer Night’s Dream.

     

    Mozart, Leopold.

    Minuet,

     

    Mozart, Wolfgang.

     

    Minuend

    Sonata and C Major.

    Nevin, Ethelbert.

     

    Rosary,

     

    Poldino,  Edward

     

    Poupe Valante

    Waltz  Serende

    Waltz of the Mice.

    Prokofieff, Sergey

    Grasshoppers Parade

    March.

    Rainbows in the Rain.

     

    Ramon, Jean, Philippe,

     

    Little rondo,

     

    Rebikoff, Vladimir.

    In the Mill

    legends

    Wandering musicians

     

    Rimsky-korsakov, Nicholas.

     

    Flight of the Bumblebee

    Sherazade

     

    Rose Billy, and Conrad, Con

    Barney. Google,

     

    Satte, Eric

    Eric Satie Three Gymnopees

     

    Schubert. Franz Waltz.

    Waltz.

    Schumann, Robert.

    Cradle. Song

    First Sorrow.

    Little Humming Song,

    Little Study.

    Song of the Reaper.

     

    Sibelius, Jon,

    . Prayer from Filanda

     

    Silver,Lewis,

     

    April, Showers,

     

    Smetana, Berich,

     

    Polka and Furiant

    Prelude

    ,

    Steiner, Max,

    Tara from Gone with the Wind,

     

    Stravinsky, Igor.

    Lullaby of the Cat from the Fire. Bird.

    Telleman, George Phillip

     

    Gigue,

    Tschaikowsky, Peter.

     

    Romeo and Juliet excerpt

     

    Song of the Lark

    Verdi, Giuseppi

    Grand March from Aida

    Villado, AG

    Choclo, El

    Warren, Henry

    September in the Rain.

     

    Intermdiate Piano Piece

    Beethoven

     

    Fur Elise

     

    Wagner

    Brauctchor Lohegrin

     

    T Badarzewaka

    The Maiden’s Prayer.

     

    A Dvorjack,

    Humoresque,

    Chopin,

    Petite Chien

    Beethoven. Turkish March.

    JE Jonatsson

    Cuckoo, Waltz,

    G Lange,

    Blumenlied

    ,G Anderson,

    The Battle of Waterloo

    Chopin,

    Chason D’iedeu

    F Schubert

    March Miltarie

    F Mendelson

    Hochzeishmarch

    C Czersky

    Weiner March

    AP Wyaman woodland Echoes

    R Schuman

    Traumerei

    T Michalis

    Die Schmied im Walde

    AP Wyman Silvert waves

    1. Ivanoveikrei

    the waves of the Danube.

    J Brahms

    Hungarian Dance #5

    CME Weber

    invitation to the dance.

    A Poncevilli

    Dance of the Clocks

    E Grieg  theme concerto

    L Beethoven,

    Bagatelle

    E Greig

    Norwegian Dances

    E Grieg

    Soveeig’s Song.

    Chopin

    Mazurka.

    Chopin

    Nocturne,

    G Marie

    La Cinquantaine

    F Browoski

    Valsette

    G Bizet

    Habanera, Carmen

    Martini, L Tedesco,

    Plaise D’Amour

    JS Bach

    Gavotee

    Wagner.

    Sigmund’s love song.

    Tchaikovsky Polka.

    Clementi

    Six Sonatinas

    Jazz Solos Goerge Winston

    Take My Breath Away

    Why Wory

    Bach

    Polonaise

    Swan Lake

    La Bamba

    Mozart

    Just When I Need You the Most

    Tonight I Celebrate My Love

    Die Fiderman Overture

    Mozart Clarinet Concerto

    Interlude,

    Trauma

    From a sidewalk cafe,

    the friendship theme

     

    Through My Everything

    Jane

    World is Waiting for the Sunrise,

    Classic Medley,

    Casablanca,

    Time in a Bottle,

    Academic Festival Overture,

    Up Where We Belong.

    Tie a yellow ribbon around the old oak tree

    Stand by me

    great escape

    March

    water music

    Cassee Noisette Valse Des Fleurs

    Main title from Return of the Jedi

    Three Times A lady

    Hungarian dance #5

    sunrise sunset

    serenade

    La Chanson D’Oprhe

    The saddest thing,

    Flashdance.

    What a feeling

    Biizet L’arlensienne Suite Number One Minuet

    Can’t help falling in love.

    The End

     

     

     

     

  • Greatful Dead Updates

    Greatful Dead Updates

    The End of the Dead – Updated

     

    greatfull dead

    End of the dead this posting

    End of the dead original posting https://wp.me/p7NAzO-3LD

    The world lost a legend today: Bob Weir of the Grateful Dead. To set the record straight, I never considered myself a Deadhead per se, but more Deadhead-adjacent, perhaps. My Euclid College housemate, Roy—well, he introduced me. He was a real Deadhead, and we played a lot of Dead funk Zappa, at our infamous Euclid House Friday night parties, which we hosted for almost three years.

    Here are some of Roy’s reflections on the Dead, followed by background information and listening suggestions compiled from Copilot.

    Thoughts on Bob Weir’s Passing  By Roy Dufrain.

    Somehow, I feel a little lonely today—like maybe I lost a favorite cousin I grew up with but haven’t talked to in a while. That’s an odd thing to say, but it feels true. Like the radiating concussion of a blow to the wider family. It runs deep, my connection to this music, this world, the Grateful Dead. It’s not just a thread running through my life; it’s a silken rope, woven of dream dust and memories of other selves.

    It’s 13-year-old me in a bedroom hearing Dark Star for the first time while my friend Dave raves about how the music swells and dips and rebuilds and crescendos. It’s 15-year-old me shoplifting Europe ’72 because I wanted to hear it so badly and didn’t have the money for a three-album set. It’s me and Guy and Ruthie careening over Hopland Grade in Mom’s Datsun station wagon, headed for a free show at Golden Gate Park. Sleeping in line at Tower Records—not for the show, just to buy tickets for the show. Monica’s denim skirt twirling to Scarlet Begonias in the quad at Raymond College. Winterland on windowpane, Sugar Magnolia pouring out of the speakers in technicolor. Me and Emma thumbing 500 miles for a show at the L.A. Forum. Learning to juggle in the park at the Kaiser. Me and Michael Strong selling joints at the bar to raise money for New Year’s Eve tickets. Crazy Tony in the med tent at Cal Expo. My VW bus full of teenage nephews on the way to their first show. My dying sister Debi and her oxygen tank at Shoreline Amphitheater. The call from Mrs. D that Jerry had died.

    And more.

    The music the Grateful Dead invented was essentially improvisational rock ’n’ roll, and it spawned a whole genre now known as jam-band music. But the Dead reached into all realms of American music. The variety of music they delved into is encyclopedic—from Bill Monroe to John Cage and everywhere in between. From Bob’s affinity for cowboy songs to Jerry’s love of Motown and Phil’s compositions for multiple orchestras.

    Many commenters today will name Bob as the band’s “rhythm guitarist.” This is an incredibly incomplete understanding of his contribution. He was self-taught in the best sense of the phrase, in that he allowed his technique and style to evolve from his own taste and his own deconstruction. He dropped out of high school at sixteen to join the band. “I had to have the music,” he has said. He “figured out” the sounds he wanted instead of following an official system handed down from wherever. This approach made him a truly unique guitarist and songwriter, particularly in the chords he used and the way he used them. He spoke of jazz pianist McCoy Tyner as a huge influence. Other players speak of Bob as a master of chord inversions beyond compare. He was more than a rhythm player. Within the Dead, he was a rock, a wall, an echo, a question, and an answer to whatever the other players were doing—especially Jerry.

    And I know two are left—the drummers, Bill and Mickey—and condolences to them as well as all others close to the center of the scene. But it’ll be different now. When Jerry went, you knew Bob would carry on; the music was still out there, alive and kicking. And even now, others will carry the songs forward down the years, but Jerry and Bob and Phil were the heart of it all. Now they’re all gone, and the music will never breathe quite the same.

    But it never was just the music. It was the spirit of adventure in the approach to music and life—that was the real pull, the magnet that made them mean so much to so many. They were tie-dyed red, white, and blue—the embodiment of the American idea that you could follow your own path if that’s what you wanted most. The Grateful Dead was America looking at a funhouse mirror. And, as Bob liked to say, it was “more fun than a frog in a glass of milk.”Roy Dufrain

    Fare thee well, Bob. Fare thee well.
    #bobbyweir #gratefuldead #bobweir

    “Bobby was completely allergic to compliments in the most endearing way. I’d say, ‘Man, that guitar riff you were doing on that song sounded really killer,’ and he’d respond, ‘Well, I’m sure I’ll fuck it up next time.’ I loved that about him.” — Trey Anastasio

    Roy Dufrain

     


    Fare Thee Well
    Bob Weir. Driving the news: San Francisco will celebrate the legendary Grateful Dead guitarist’s life and legacy with a memorial at Civic Center Plaza on Saturday at 12:45pm.

    • The event will follow a procession along Market Street from Seventh and Ninth streets (slated to start around 12:30pm) in his honor.
    • The gathering is free and open to the public. Attendees should enter through Fulton Plaza. RSVP here.

    The big picture: Weir, who was born and raised in the Bay Area, co-founded the Grateful Dead in the mid-1960s with Jerry Garcia, Phil Lesh, Bill Kreutzmann and Ron “Pigpen” McKernan.

    • The psychedelic rock band was a pioneer in the counterculture movement and built a devoted following, especially in San Francisco.
    • Weir was particularly well known for his rhythm guitar riffs and songwriting. With Dead & Company, he helped keep the Grateful Dead’s cultural footprint alive long after the group disbanded in 1995.
    • He died Jan. 10 at age 78 after battling cancer and underlying lung issues.

    Following background information is from a Co-Pilot AI chat.

     

    History of the Grateful Dead

    The Grateful Dead formed in 1965 in Palo Alto, California, emerging from the counterculture movement of the 1960s. Originally called The Warlocks, they changed their name after discovering another band had the same name. Known for their eclectic style, they blended rock, folk, bluegrass, blues, country, and psychedelia, creating a unique sound that became synonymous with the “jam band” genre. Their improvisational live performances and devoted fan base, known as Deadheads, made them cultural icons.

    Key milestones:

    • 1967: Released debut album The Grateful Dead.
    • 1970s: Peak creative period with albums like American Beauty and Workingman’s Dead.
    • 1987: Commercial breakthrough with In the Dark and the hit single “Touch of Grey.”
    • 1995: Jerry Garcia’s death marked the end of the original band era.

    List of Studio Albums

    1. The Grateful Dead (1967)
    2. Anthem of the Sun (1968)
    3. Aoxomoxoa (1969)
    4. Workingman’s Dead (1970)
    5. American Beauty (1970)
    6. Wake of the Flood (1973)
    7. From the Mars Hotel (1974)
    8. Blues for Allah (1975)
    9. Terrapin Station (1977)
    10. Shakedown Street (1978)
    11. Go to Heaven (1980)
    12. In the Dark (1987)
    13. Built to Last (1989)

    (They also released numerous live albums and compilations.)

    Cultural Significance

    • Counterculture Symbol: The Grateful Dead embodied the spirit of the 1960s, aligning with anti-establishment ideals and communal living.
    • Live Music Innovation: They pioneered the concept of extended improvisational jams and encouraged fans to record concerts, fostering a unique tape-trading culture.
    • Deadhead Community: Their fan base became a social phenomenon, creating a traveling subculture that influenced music festivals and modern jam bands.
    • Merchandising & Branding: Iconic imagery like the “Steal Your Face” logo and dancing bears became cultural symbols beyond music.

    Jerry Garcia – Bio & Orbit

    • Born: August 1, 1942, San Francisco, CA
    • Died: August 9, 1995, Forest Knolls, CA
    • Role: Lead guitarist, vocalist, and primary songwriter.
    • Orbit: Garcia was the creative heart of the band, known for his fluid guitar style and soulful voice. Outside the Dead, he collaborated on solo projects and with bands like Jerry Garcia Band and Old & In the Way. His influence extended into art and activism, making him a beloved figure in American music.

    Bob Weir – Bio & Orbit

    • Born: October 16, 1947, San Francisco, CA
    • Role: Rhythm guitarist and vocalist.
    • Orbit: Weir brought a distinctive rhythm style and contributed significantly to the band’s sound. Post-Grateful Dead, he founded RatDog and later played with Dead & Company, continuing the legacy of improvisational music.

    Helpful URLs for Further Reading

     

    Additional Articles & Tributes

    Left-Leaning

    Center

    Right-Leaning

    International

    Still more articles

    the End

     

    Substack

    Medium

    Wattpad

    the end

     

     

     

  • The Dead are Dead -Love Live the Dead

    The Dead are Dead -Love Live the Dead

    The Dead are Dead -Love Live the Dead

     

    The End of the Dead

    Cosmos Music Played 2024
    Cosmos Music Played 2024
    Cosmos Music List 2023

    Ode to The Tower of Power -Greatest Funk Band of All Time

    Psycotic Pineapple Berkeley Punk Band

     

    Updated with additional press coverage and two poetic tributes.

    The world lost a legend on Monday, January 13, 2026. Bob Weir of the Grateful Dead. To set the record straight, I never considered myself a Deadhead per se, but more Deadhead-adjacent, perhaps. My Euclid College housemate, Roy—well, he introduced me. He was a real Deadhead, and we played a lot of Dead at our infamous Euclid House Friday night parties, which we hosted for almost three years.

    Here are some of Roy’s reflections on the Dead, followed by background information and listening suggestions compiled from Copilot.

    Thoughts on Bob Weir’s Passing  By Roy Dufrain.

    Somehow, I feel a little lonely today—like maybe I lost a favorite cousin I grew up with but haven’t talked to in a while. That’s an odd thing to say, but it feels true. Like the radiating concussion of a blow to the wider family. It runs deep, my connection to this music, this world, the Grateful Dead. It’s not just a thread running through my life; it’s a silken rope, woven of dream dust and memories of other selves.

    It’s 13-year-old me in a bedroom hearing Dark Star for the first time while my friend Dave raves about how the music swells and dips and rebuilds and crescendos. It’s 15-year-old me shoplifting Europe ’72 because I wanted to hear it so badly and didn’t have the money for a three-album set. It’s me and Guy and Ruthie careening over Hopland Grade in Mom’s Datsun station wagon, headed for a free show at Golden Gate Park. Sleeping in line at Tower Records—not for the show, just to buy tickets for the show. Monica’s denim skirt twirling to Scarlet Begonias in the quad at Raymond College. Winterland on windowpane, Sugar Magnolia pouring out of the speakers in technicolor. Me and Emma thumbing 500 miles for a show at the L.A. Forum. Learning to juggle in the park at the Kaiser. Me and Michael Strong selling joints at the bar to raise money for New Year’s Eve tickets. Crazy Tony in the med tent at Cal Expo. My VW bus full of teenage nephews on the way to their first show. My dying sister Debi and her oxygen tank at Shoreline Amphitheater. The call from Mrs. D that Jerry had died.

    And more.

    The music the Grateful Dead invented was essentially improvisational rock ’n’ roll, and it spawned a whole genre now known as jam-band music. But the Dead reached into all realms of American music. The variety of music they delved into is encyclopedic—from Bill Monroe to John Cage and everywhere in between. From Bob’s affinity for cowboy songs to Jerry’s love of Motown and Phil’s compositions for multiple orchestras.

    Many commenters today will name Bob as the band’s “rhythm guitarist.” This is an incredibly incomplete understanding of his contribution. He was self-taught in the best sense of the phrase, in that he allowed his technique and style to evolve from his own taste and his own deconstruction. He dropped out of high school at sixteen to join the band. “I had to have the music,” he has said. He “figured out” the sounds he wanted instead of following an official system handed down from wherever. This approach made him a truly unique guitarist and songwriter, particularly in the chords he used and the way he used them. He spoke of jazz pianist McCoy Tyner as a huge influence. Other players speak of Bob as a master of chord inversions beyond compare. He was more than a rhythm player. Within the Dead, he was a rock, a wall, an echo, a question, and an answer to whatever the other players were doing—especially Jerry.

    And I know two are left—the drummers, Bill and Mickey—and condolences to them as well as all others close to the center of the scene. But it’ll be different now. When Jerry went, you knew Bob would carry on; the music was still out there, alive and kicking. And even now, others will carry the songs forward down the years, but Jerry and Bob and Phil were the heart of it all. Now they’re all gone, and the music will never breathe quite the same.

    But it never was just the music. It was the spirit of adventure in the approach to music and life—that was the real pull, the magnet that made them mean so much to so many. They were tie-dyed red, white, and blue—the embodiment of the American idea that you could follow your own path if that’s what you wanted most. The Grateful Dead was America looking at a funhouse mirror. And, as Bob liked to say, it was “more fun than a frog in a glass of milk.”

    Fare thee well, Bob. Fare thee well.
    #bobbyweir #gratefuldead #bobweir

    “Bobby was completely allergic to compliments in the most endearing way. I’d say, ‘Man, that guitar riff you were doing on that song sounded really killer,’ and he’d respond, ‘Well, I’m sure I’ll fuck it up next time.’ I loved that about him.” — Trey Anastasio

     

    History of the Grateful Dead from Co-Pilot Notes

    The Grateful Dead formed in 1965 in Palo Alto, California, emerging from the counterculture movement of the 1960s. Originally called The Warlocks, they changed their name after discovering another band had the same name. Known for their eclectic style, they blended rock, folk, bluegrass, blues, country, and psychedelia, creating a unique sound that became synonymous with the “jam band” genre. Their improvisational live performances and devoted fan base, known as Deadheads, made them cultural icons.

    Key milestones:

    • 1967: Released debut album The Grateful Dead.
    • 1970s: Peak creative period with albums like American Beauty and Workingman’s Dead.
    • 1987: Commercial breakthrough with In the Dark and the hit single “Touch of Grey.”
    • 1995: Jerry Garcia’s death marked the end of the original band era.

    List of Studio Albums

    1. The Grateful Dead (1967)
    2. Anthem of the Sun (1968)
    3. Aoxomoxoa (1969)
    4. Workingman’s Dead (1970)
    5. American Beauty (1970)
    6. Wake of the Flood (1973)
    7. From the Mars Hotel (1974)
    8. Blues for Allah (1975)
    9. Terrapin Station (1977)
    10. Shakedown Street (1978)
    11. Go to Heaven (1980)
    12. In the Dark (1987)
    13. Built to Last (1989)

    (They also released numerous live albums and compilations.)

    Cultural Significance

    • Counterculture Symbol: The Grateful Dead embodied the spirit of the 1960s, aligning with anti-establishment ideals and communal living.
    • Live Music Innovation: They pioneered the concept of extended improvisational jams and encouraged fans to record concerts, fostering a unique tape-trading culture.
    • Deadhead Community: Their fan base became a social phenomenon, creating a traveling subculture that influenced music festivals and modern jam bands.
    • Merchandising & Branding: Iconic imagery like the “Steal Your Face” logo and dancing bears became cultural symbols beyond music.

    Jerry Garcia – Bio & Orbit

    • Born: August 1, 1942, San Francisco, CA
    • Died: August 9, 1995, Forest Knolls, CA
    • Role: Lead guitarist, vocalist, and primary songwriter.
    • Orbit: Garcia was the creative heart of the band, known for his fluid guitar style and soulful voice. Outside the Dead, he collaborated on solo projects and with bands like Jerry Garcia Band and Old & In the Way. His influence extended into art and activism, making him a beloved figure in American music.

    Bob Weir – Bio & Orbit

    • Born: October 16, 1947, San Francisco, CA
    • Role: Rhythm guitarist and vocalist.
    • Orbit: Weir brought a distinctive rhythm style and contributed significantly to the band’s sound. Post-Grateful Dead, he founded Dog and later played with Dead & Company, continuing the legacy of improvisational music.

    Helpful URLs for Further Reading

    Additional press coverage

     

    Additional Articles & Tributes

    Left-Leaning

    Center

    Right-Leaning

    International

    Still more articles

    My poetic tributes

    Great Musicians

     

    grateful

    Soul of SF

    the Dead

     

    Zappa

    reported the truth

    insane

     

    Best Funk

    Bay Area

    The bomb

     

    Three of my favorite bands were the Grateful Dead, Frank Zappa and the immortal TOP still playing the best funk for the last 60 years!!

    Famous Literary or Artist Figures

    Create three stanzas of three lines each. Each stanza must 1) be a mini biographical sketch of a famous person or group selected and 2) have a 2-4-2 syllable count for each stanza. Any poem genre. Rhymes and artwork are not required. The chosen literary or artistic figures are not required to be of the same time period, ethnicity, or country of birth, but one or more must be popular to most FanStory readers. Those selected do not need to share the same type of background.

    Abraham Lincoln, Nelson Mandela, Ansel Adams, or the Beatles are examples of those persons or groups you may consider for your entry.

    You may choose to include 1, 2, or 3 persons or groups. You can include three different entities or write the three stanzas about just one person or group.

     

    Ode to the Grateful Dead

     

    The Grateful Dead band

    First played in San Francisco

    Soul of the 60s

    Substack

    Medium

    Wattpad

    Spotify

  • April 2025 Poetry Madness Part Four April 19 to April 25

    April 2025 Poetry Madness Part Four April 19 to April 25

    April 2025 Poetry Madness Part Four April 19 to April 25

    audio clip

    You can find my prior April Poems here:

    April 2025 Poetry Madness April 13 to April 18 Poems

    2025 April Poetry Madness Part Two April 6 to April 12

    April 2025 Poetry Madness Part One

    April Poetry Madness 2024 April 26 to April 30, 2024 Poems
    April Poetry Madness April 21 to APril 25 Poems
    April 2024 Poetry Madness April 15 to 20 Poems
    April Poetry Madness 2024 April 7 to April 14
    April 1 to April 6 Poems 2024 Poetry Madness

    PSH April 2023 Poems
    April 20-30 2023 Poems Do Drop In
    April 2023 Poetry Dew Drop In April 11-15
    Writers Digest April 2023 Poems

    April 2023 Dew Drop In Poems
    April 30th, 2022 Poems
    April 29th Poems
    April 26th and April 27th, 2022 Poems
    April 23rd, April 24th and April 25th, 2022 Poems
    April 22, 2022 Poems
    April 23rd, April 24th and April 25th, 2022 Poems

    April 22, 2022 Poems
    April 18 to April 20, 2022 Poems</a >

    April 18 to April 20, 2022 Poems
    April 16 and 17, 2022 Poems

    Enjoy and stay safe, everyone

    Beginning Poems 

    Day 19

    NaPoWrMo

    Deportation Blues Bop

    Every day, we hear the news

    People being pulled off the street

    Accused of being illegal alien gang members

    Sometimes just for having a tattoo

    Then they disappear to god knows where.

    They could come for you next

     

    But people think it is not my problem

    I am not an illegal alien

    I was born in the us

    They cannot come for me

    But in the logic of authoritarian regimes

    Everyone becomes  a  suspect

    And you or your family can be detained

    They could come for you next

     

    But, I still have hope

    That enough people  will say

    Enough, no mas

    Stand up and end this madness

    But perhaps, it is game over already

    They could come for you next

     

    April 19  The Bop. Three stanzas and three refrains, developed by Afa Michael Weaver.

    Here are the basic rules for The Bop:

    • 3 stanzas
    • Each stanza is followed by a refrain
    • First stanza is 6 lines long and presents a problem
    • Second stanza is 8 lines long and explores or expands the problem
    • Third stanza is 6 lines long and either presents a solution or documents the failed attempt to resolve the problem

    2025 April PAD Challenge: Day 19

    Coffee Pot Blues

    Coffee

    Pot blues

    Pot hates coffee

     

    Morning

    Many demands

    Too much coffee

     

    Pot

    Screams out

    Stop drinking me

     

    Humans

    Don’t care

    Brew more coffee

     

    Coffee

    Pot complies

    Must make coffee

     

    Coffee

    Must obey

    His Buddha nature

     

    Whew! Let’s keep those pens, pencils, keyboards, touchscreens, notes apps, etc., poeming away.

    For today’s prompt, write a persona poem. A persona poem is when you write in the voice of another person, real or imaginary. So maybe a sonnet in the voice of Mickey Mouse, or a stance narrated by the Wright Brothers (yes, both of them), or a haiku from the perspective of Amelia Earhart. And yes, inanimate objects are fair game too (if you want to craft some free verse in the voice of a toothbrush). Have at it!

     

    ——————————————————————————————————

     

    Hay(na)ku is a very simple poetic form, and it’s also one of the newest. It was apparently created in 2003 by poet Eileen Tabios.

    Hay(na)ku is a 3-line poem with one word in the first line, two words in the second, and three in the third. There are no restrictions beyond this.

    A really basic example:

    Boys
    chase girls
    on the playground.

    There are already some variations of this new poetic form. For instance, a reverse hay(na)ku has lines of three, two, and one word(s) for lines one, two, and three, respectively. Also, multiple hay(na)ku can be chained together to form longer poems.

    PSH April 19, 2025

     

    Really, Whom Am I, really ?

     

    Really, whom am I, really?

    Everyone knows who we are

    Lies we tell ourselves

    Lies that define us

    All that we are

     

    This poetry writing prompt submitted by Ellen Sander:

    1. Spell your surname backwards
    2. Line the letters up vertically
    3. Write a poem in which each line starts with a word that begins with the letter on each line.

     

    Dew Drop Inn

    April 19—Airplane

    Worst airplane ride ever

    The worst plane trip

    I ever took

    Was in 2025

     

    I took a British Air flight

    To Dhaka

    We were stuck on the tarmac

    For four hours.

     

    There was a disconnect

    Between the number of passengers

    And the checked baggage.

     

    Rather than deplaning us

    And towing the plane

    To a safe distance

    Just in case there was a bomb

    On board.

     

    They kept us in the plane

    We left five hours late.

     

    The airplane’s air conditioning failed

    The toilets backed up

    Leaving only two out of six toilets

    Functioning.

     

    They ran out of food

    Out of booze too.

     

    We got to Bangkok

    Where we deplaned

    For five hours.

     

    Before we had to reboard

    The plane

    Which was

     

    delayed arriving

    In Dhaka

    Due to heavy fog

    At the airport,

     

    We managed to get word

    To the Embassy

    That we were arriving

    Two days later

    Then originally scheduled!

     

    All in all

    The worst flight

    Ever!

     

    Day 20

     

    NaPoWriMo

    What is Hip?

    Do you think that you know?

    it is such a trip.

    better take it slow, Joe.

    why not let it all rip?

     April 20 Bob and Wheel. Quintain form that’s often part of a longer poem.

    • Quintain (or five-line) stanza or poem
    • Rhyme scheme of abba
    • First line of two to three syllables
    • Lines two through five have six syllables per line

     

    Original Lyrics repeated

    What Is Hip Lyrics

    Tower of Power

    [Verse 1]

    So ya wanna dump out yo’ trick bag
    Ease on in a hip thang
    But you ain’t exactly sure what is hip
    So you started to let your hair grow
    Spent big bucks on your wardrobe
    Somehow, ya know there’s much more to the trip

    [Chorus]
    What is hip?
    Tell me, tell me, if you think you know
    What is hip?
    If you’re hip
    The question, “Will it show?”
    You’re into a hip trip
    Maybe hipper than hip
    What is hip?
    [Verse 2]

    You became a part of a new breed
    Been smoking’ only the best weed
    Hangin’ out with the so-called “Hippie set.”

    Seen in all the right places
    Seen with just the right faces
    You should be satisfied, but it ain’t quite right

    [Chorus]
    What is hip?
    Tell me, tell me, if you think you know
    What is hip?
    If you’re hip
    The question, “Will it show?”
    You’re into a hip trip
    Maybe hipper than hip
    What is hip?

    [Break]
    Come on

    [Refrain]
    Hipness is. What it is
    Hipness is. What it is
    Hipness is. What it is
    Sometimes hipness is, what it ain’t

    what is Hip Tower of Power

    Note: you probably have guessed my favorite band by now….

    Happy Saturday, everyone. We hope you’re ready to write some poems!

    Today’s featured participant is Sara Hardy, who took me back to my 1980s childhood with her driving-and -singing poem for Day Eighteen.

    Our resource for the day is a bit goofy. It’s the Gallery of Strange Museums. Some of the museums here don’t strike me as all that strange – more very local or specific. But the Wingnut Museum is definitely a bit odd, as is the World’s Largest Spool of Thread (less a museum than a roadside attraction), while the Hattiesburg Pocket Museum is a testament to the fact that people can – and do – make their own fun.

    And now for our daily prompt – optional as always. This one is inspired by Brigit Pegeen Kelly’s poem “Song.”

    The word “tragedy” comes from the Greek for “goat song.” The song in Kelly’s poem is quite literally a goat song. The poem also describes a tragedy, both in the modern sense of an awful event, and the ancient dramatic sense of a play in which someone does something terrible, and the play’s action shows the consequences.

    The poem has a timeless, could-have-happened-anywhere/any when quality that I associate with blues and folk ballads – including murder ballads (a subgenre of song dealing with a gruesome crime, first arising from broadsheet ballads sold at English executions, and which later came to America in forms like “The Knoxville Girl” and then morphed their way into country music).

    Today, we’d like to challenge you to write your own poem that tells a story in the style of a blues song or ballad. One way into this prompt may be to use it to retell a family tragedy or story, or to retell a crime or tragic event that occurred in your hometown.

    What with time’s way of time marching inexorably on, we suppose it was inevitable. We’ve come to the 2/3-way point of Na/GloPoWriMo.

    Our featured participant today is Anna Endom, whose tragedy/ballad poem for Day Nineteen is less tragic (thankfully) than it could be.

    Today’s resource is the online galleries of the Tate Modern, where there’s oodles to discover, including a sculpture that sort of makes us think of the Loch Ness Monster holding a beach ball, a swirly bit of op/pop art reminiscent of either candy or a mustache, and this interesting exploration of five different artist-made books.

    And now, here’s today’s (optional) prompt. Below, you’ll find Theodore Roethke’s poem, “In Evening Air.”

    Theodore Roethke’s In Evening Air

    1

    A dark theme keeps me here,
    Though summer blazes in the vireo’s eye.
    Who would be half possessed
    By his own nakedness?
    Waking’s my care–
    I’ll make a broken music, or I’ll die.

    2

    Ye littles, lie more close!
    Make me, O Lord, a last, a simple thing
    Time cannot overwhelm.
    Once I transcended time:
    A bud broke to a rose,
    And I rose from a last diminishing.

    3

    I look down the far light
    And I behold the dark side of a tree
    Far down a billowing plain,
    And when I look again,
    It’s lost upon the night–
    Night I embrace, a dear proximity.

    4

    I stand by a low fire
    Counting the wisps of flame, and I watch how
    Light shifts upon the wall.
    I bid stillness be still.
    I see, in evening air,
    How slowly dark comes down on what we do.

    So, let’s face it: this poem is weird. The rhythm is odd, the rhymes are too, and the language is strangely prophetic and not at all “conversational.” Despite – or maybe because – of this, it has a hypnotic quality, as if it were all inevitable. Your challenge is, with this poem in mind, to write a poem informed by musical phrasing or melody, which employs some form of sound play (rhyme, meter, assonance, alliteration). One way to approach this is to think of a song you know and then basically write new lyrics that fit the original song’s rhythm/phrasing.

    2025 April PAD Challenge: Day 20

    Rest Poem

    Today I need to take a rest

    Today I need to take a rest
    I am just getting so tired
    Of watching the constant chaos
    Every time I turn on the news.
    ——————————————————————————–
    I need to scream, enough, no más! *
    Today I need to take a rest
    Watching the news gives me the blues
    I have to turn off the damn news.
    ————————————————————————————
    There’s just too much bad news and gloom
    Too many talking heads spinning lies
    Today I need to take a rest
    They keep telling alternative facts.
    I must tune out, turning it all off
    —————————————————————————————-
    I sit down and do my yoga
    Listening to sweet chill music
    Today I need to take a rest.

    *Spanish for more “no mas” is a common expression meaning no more, or even we are out of something

     

    Today, I tried my hand at a new (to me) French poetic form named the quatern that incorporates a refrain like in the villanelle and eight-syllable lines like in the kyrielle. Since I’m a big fan of refrains, I think this poetic form rocks.

    Quatern Poetic Form Rules

    1. This poem has 16 lines broken up into 4 quatrains (or 4-line stanzas).
    2. Each line is comprised of eight syllables.
    3. The first line is the refrain. In the second stanza, the refrain appears in the second line; in the third stanza, the third line; in the fourth stanza, the fourth (and final) line.
    4. There are no rules for rhyming or iambics.

     

    PSH April 20, 2025

     

    I knew it was time to go.

     

    I knew it was time to go.

    I saw the writing on the wall.

    I could see there would be a fall.

    Things would soon come to a great blow.

    Saw that soon there would be madness.

    The country may not grow.

    had to go before the sideshow.

    I knew it was time to go.

     

    Note I retired from government before Trump 1.0, Trump 2.0 is far worse in my opinion.

    The Octavin Refrain is an invented form by Luke Prater.

    This poetry writing prompt was submitted by Diane Barker:

    Time to pull the plug. Write about knowing when to walk away, changing direction or coming to terms with a hard decision. It can be literal or figurative.

    Trochaic tetrameter also acceptable. The latter yields a more propulsive rhythm, as opposed to iambs, which tend to lilt.

    As the name suggests, the first line is a refrain, repeated as the last (some variation of refrain acceptable).

    Rhyme-scheme options as follows –
    option 1 – Abb ac aaba
    option 2 – Abb aca ba
    option 3 – (A bbba cab A)
    option 4 – (Abb aca ba Abb aca ba) (high octane)
    April 21

     

    Time to pull the plug. Write about knowing when to walk away, changing direction or coming to terms with a hard decision. It can be literal or figurative.

     

    Dew Drop Inn

    April 20—Easter eggs (hide something delightful in your poem!)

    Eastern Eggs
    Easter Eggs

    On Easter Sunday

    Kids everywhere

    Hunt for eastern eggs

     

    After coloring them

    And hiding them

    In the garden

     

    Where they delight

    In finding the delightful

    Little chocolate-covered

    Boiled eggs.

    Day Twenty-One

    NaPoWriMo

    The meeting was quite normal

    Meeting Was Normal

    But It Was Not Really

    The DOGE Team Attacks

    Everything Quite Silly

    Soon No More Govbots!

    End Poem

     

    Ricciardone. Irish quatrain form with 5 syllables in first line, 6 in the others.

     

    • Quatrain (or four-line stanza) form
    • Five syllables in the first line; six syllables in the other three lines
    • Each line ends with a two-syllable word
    • Lines two and four rhyme
    • All end words consonate

     

    Comments:

    “Govbot” is a pejorative term quite popular on the right, dating back to the Clinton era, to refer to government workers who are seen as slow-witted drones who could not make it in the free market, which is why they were “govbots” (short for government robots).

    The DOGE stands for Department of Government Efficiency, which the President tasked to root out fraud, waste, and abuse and cut the Federal government’s budget and staff by 50 percent in the process, shutting down agencies, moving many out of DC, etc. The team led by Elon Musk lacks any clear mandate but has acted quickly, causing lots of turmoil, anguish, and litigation by Govbots and others who are opposed to their attempt to slash and burn the government, or to quote Elon Musk, “ take a chainsaw to the Federal government.”  This is not just my biased opinion, it is shared widely in the US, where there are massive protests daily against the destruction of the Federal Government, the ending of DEI programs, the shredding of civil liberties, and mass deportations without due process. End my editorial opinion, sorry for the rant.

    End comments

    Happy Monday, all, and a very happy twenty-first day of Na/GloPoWriMo.

    Today, our featured participant is ray, whose Roethke-inspired poem for Day Twenty has an irresistible and friendly rhythm.

    Our daily resource is the Shanghai Museum, where you will find everything from a carved hairpin featuring two mustachioed fellows, to a hot-pink Taoist master, to a calligraphic ode to wine.1

    And now here’s our daily (optional) prompt. Sawako Nakayas u’s poem “Improvisational Score” is a rather surreal prose poem describing an imaginary musical piece that proceeds in a very unmusical way. Today, try your hand at writing your own poem in which something that normally unfolds in a set and well understood way  — like a baseball game or dance recital – goes haywire, but is described as if it is all very normal.

    Sawako Nakayas

    This performance may take place over any duration of time, from zero seconds to many years.

    A number of insects are placed in a clear container so that they are as comfortable as possible, given the circumstances. They are given oxygen and food and water, though they may not escape. The container of insects is placed on stage and a light is directed through the container and projected onto a large screen so that the audience may see the insects.

    Each musician chooses an insect and plays accordingly.

    If two insects begin fighting, the corresponding musicians should also fight, musically or literally.

    If an insect dies, the corresponding musician should also die, musically or literally.

    “Improvisational Score” from The Ants (Les Figures Press, 2014). Reprinted with the permission of the author. All rights reserved.

    Very John Cagian!  One of his more infamous pieces was a piano piece 4′33″ (1952) where the pianist mocked playing the piano silently for seven minutes, the music was the audience’s reaction.

    For those who don’t know about John Cage, here is a Co-Pilot Bio and a bio for Sawka Nakayas as well.

     

    John Cage

    john Cage
    john Cage

    John Cage (1912–1992) was an American avant-garde composer and music theorist known for his pioneering work in indeterminacy, electroacoustic music, and non-standard use of musical instruments. His influence on 20th-century music was profound, challenging traditional notions of composition and performance. Cage was deeply inspired by Zen Buddhism and Eastern philosophies, which led him to embrace chance operations in his compositions.

    Notable Works

    • 4′33″ (1952) – A silent composition where the ambient sounds of the environment become the music.
    • Sonatas and Interludes (1946–48) – A cycle of pieces for prepared piano.
    • Music of Changes (1951) – A work composed using the I Ching.
    • Concert for Piano and Orchestra (1957–58) – A highly indeterminate composition.
    • Oratorio (1979) – A piece inspired by James Joyce’s Finnegans Wake.

    john cage piano music

    Sawako Nakayas

    Swaasko Natasu
    Swaasko Natasu

    Sawako Nakayas is a Japanese-American poet, translator, and performer whose work explores language, performance, and translation. She has lived in Japan, the U.S., France, and China, and her poetry often engages with transnational themes.

    Notable Works

    • Pink Waves (2022)
    • Some Girls Walk Into the Country They Are From (2020)
    • Hurry Home Honey (2009)
    • Texture Notes (2010)
    • The Ants (2014)
    • Mouth: Eats Color – A multilingual work blending original and translated poetry.

    Nakayas has also translated works by Japanese poets such as Chika Sagawa and Tatsumi Hijikata, contributing significantly to cross-cultural literary exchange.

     

    2025 April PAD Challenge: Day 21

    The Day Of My Jogging Accident

    Begin Poem

     

    That morning I went for a run.

    Fell down a path in the dark.

    The run ended as a short run.

    That fateful morning was pitch-dark.

    14 operations – no fun!

     

    end poem

     

    prompt

     

    We’re now three weeks deep in this challenge; way to bring it. Let’s finish strong!

    For today’s prompt, take the phrase “(blank) Day,” replace the blank with a word or phrase, make the new phrase the title of your poem, and then, write your poem. Possible titles might include: “Opposite Day,” “Green Day,” “Earth Day,” “The Last Ever Day,” and/or “The Day Before Yesterday.” Even “Holiday” would work honestly.

     

    Criteria

     

    The Quintilla is a Spanish poetic form that, as you may have guessed from the name, uses five-line stanzas. Here are the guidelines:

    • Five-line stanzas.
    • Eight syllables per line.
    • An ab rhyme scheme in which at least two lines use the “a” rhyme and at least two lines use the “b” rhyme…
    • But the stanza cannot end with a rhyming couplet.

     

    Based on a true jogging accident, in 1996 I fell down a ladder in the dark, endured 14 operations over nine months, almost lost my leg and life as I developed an MDR staph infection that almost killed me.  Fortunately, since was wife was a military officer and I worked for the State Department, I was covered under military health care, they took good care of me while the State Department was not at all sympathetic, and I did not have to battle insurance companies.

    PSH April 21, 2025

    Burma Shave Signs from the Past

    For many years

    From the 1920s to the early 70s

     

    Burma Shave

    It was shaving cream

    Company

     

    Sadly, it went out

    Business

    Decades ago

     

    The Burma Shave

    Advertisements

     

    Often humorous

    Or a traffic safety message

    Burma Shave signs

     

    Were a feature

    Of the American rural landscape

     

    The classic Burma Shave sign

    It was a cowboy poetry

    rhyming poem

     

    ending with a tag line

    “Burma Shave”

     

    The modern interstate highway system

    Banned them

    As too distracting

    To motorists

     

    Perhaps they were

    But they were still

     

    An interesting bit

    Of American poetic wit

    And wisdom

     

    Just a few

    I remember

     

    From road trips

     

    In the late 60s

    Before they faded away

    Into American history

     

    “Pricky Pears

    Prickly pears

    Are picked

    For pickles

    No peach picks

    A face that prickles

    Burma Shave”

     

    “Substitutes

    Substitutes

    Resemble

    Tail-chasing pup

    Follow and follow

    But never catch up

    Burma Shave”

     

    Co-Pilot provided background info

    The Burma-Shave ads were a clever and iconic advertising campaign for a brushless shaving cream introduced in 1925 by the Burma-Vita company. These ads became a staple of American highways from 1926 to 1963. The campaign featured a series of small, sequential roadside signs, each displaying a line of a humorous or rhyming poem, with the final sign always bearing the brand name, “Burma-Shave.” The signs were designed to entertain drivers and passengers during long road trips, making them a beloved part of the driving experience.

    The campaign’s popularity peaked in the 1930s and 1940s, with over 7,000 sets of signs across the United States. However, the rise of the Interstate Highway System and faster vehicle speeds in the late 1950s made the signs less effective, leading to their discontinuation in 1963.

    note: you could still find them on backwater highways until the mid  70’s, they are all long gone now.

    Prompt

     

    THINGS YOU’D NEVER HEAR
    –in a weather report
    –over the announcement system at an airport
    –as a public service announcement
    –in a sermon

    THINGS YOU’D NEVER READ
    –in a romance novel
    –in a science fiction book
    –as a pamphlet in a doctor’s office
    –on a get-well card

    THINGS/PEOPLE YOU’D NEVER SEE
    –at a yard sale
    –on a sign at a protest rally
    –on a menu
    –on the FBI’s “Most Wanted” list
    *************************************************************************
    Example–from Joe Kelty’s Poem: ROAD SIGNS WE NEVER SEE

    NO TURN ON BLUE
    SPEED LIMIT 46.24 MPH
    PASS WITH ABANDON
    WRONG RIGHT-OF-WAY
    GO FOR IT
    NEXT REST AREA 900 MILES. HOLD ON.
    CRISSCROSS CENTER LINE
    ROAD SLIPPERY WHEN PRESENT
    FLOOR IT HERE TO CORNER
    NOSEDIVE, 1 MILE
    TAILGATING ZONE
    MERGE OR BE SORRY
    CAUTION: THREE-WAY TRAFFIC . . .

     

    Dew Drop Inn

    April 21—A country not your own

    First Visit to Korea

    map of three kingdoms

    In 1979
    I first went to Korea
    In those Peace Corps

    After a long plane ride
    My first international flight
    I ended up in South Korea

    At the old Gimpo airport
    A chaotic crazy drive
    Through Seoul

    To the town of Chuncheon
    Where we did our training course
    For four months

    First visit to another land
    First foreign travel
    To a strange land

    Exotic people
    Strange sounds and sights
    And the smells of incense
    And the food ah the food

    korean feast jpg
    korean feast jpg

    But over time
    Became my second home
    45 years later

    I returned to Korea
    Ending up living
    Next door to Gimpo airport
    Where my journey began
    45 years ago

    Incheon, Korea
    incheon Korea

     

    Day Twenty-Two

    NaPoWriMo

    piano
    piano

     Playing Mozart Sonatas at age 69

    On Playing Mozart Piano Sonata

     

    I have resumed

    Daily  playing

    Piano playing

    .

    At the age of 69

    I have started

    Playing the piano

     

    I had delusions

    I could have made

    A career in music

     

    Flunked out

    Of the music conservatory

    Cured me of that delusion

     

    Playing for my amusement

    Over the years

     

    I decided to try again

    About two years ago

     

    Playing an hour a day

    Most days

    Except when

    I am traveling

     

    Finally getting the chops

    To handle more advanced

    Piano pieces

     

    Working my way

    Up to playing

     

    Bach,  Beethoven,

    Hayden and Mozart

     

    Even blues classics

    And Ellington songs!

    and 100 top songs of all time!

     

    just completed playing

    All of the Mozart Sonatas

    Next Up Beethoven!

     

    Welcome back, everyone, for the twenty-second day of National/Global Poetry Writing Month.

    Our featured participant today is Cutting Hail, who brings us not just one poem in response to Day 21’s “instructional” prompt, but three!

    Today’s daily resource is the Uffizi Gallery, in Florence, Italy. If you are at all interested in Renaissance Italian masters, it’s the right place to get an eyeful of Titians, Caravaggio, Botticelli’s, Canaletto, and da Vincis.

    And now for today’s optional prompt! Did you take music lessons as a child? Despite having all the musical talent of a dried-out lemon, I took two years of piano lessons. I was required to practice for half an hour a day and showed my disgruntlement by playing certain very annoying songs – like Turkey in the Straw – over and over, as loudly as possible. But while

    I thought of the lessons as a kind of torture, I’m glad as an adult to have taken them – if only for the greater dexterity it gave to my hands!

    In her poem, Thanking My Mother for Piano Lessons, Diane Wakoski’s is far more grateful than I ever managed to be, describing the act of playing as a “relief” from loneliness and worry, and as enlarging her life with something beautiful. Today, we’d like to challenge you to write a poem about something you’ve done – whether it’s music lessons, or playing soccer, crocheting, or fishing, or learning how to change a tire – that gave you a similar kind of satisfaction, and perhaps still does.

     

    2025 April PAD Challenge: Day 22

    Please Tell Us The People The Truth Soledad

    Please tell us the truth

    Hey govbots, no more lies, no mas! *

    We don’t need any more half-truth

     

    *Spanish for no more  can be politically as here or simply we are out of something or stop doing something quite a flexible wording

     

    Govbots pejorative term for government workers among the right, dating back to the Clinton era, meaning government workers who are mindless drones following rules and procedures

    On the 22nd day of the 2025 April Poem-A-Day Challenge, writers are challenged with the fourth Two-for-Tuesday prompt of the month.

    It’s time for the fourth (but not final) Two-for-Tuesday prompt:

    • Write a poem and/or…
    • Write a don’t tell me poem.

    You get to decide what that means; you might even tell me in your poem.

    Criteria

    Soledad. Spanish tercet form.

    The Soledad is a Spanish poetic form. It has the following guidelines:

    • Three-line poem (or stanzas).
    • Eight-syllable lines.
    • Rhyme scheme: aba.
    • Internal consonance and assonance.

     

    PSH April 22, 2025

    Reprograming My Mind

    It is so easy

    Watching the news

    And following social media

    To become outraged

    Enraged and depressed

     

    That is what they want

    From us

     

    Keeping us

    From seeing

    The beauty

     

    The joy

    And even happiness

    That is still around us

     

    Whenever I get too depressed

    With constant doom-scrolling

     

    I stop and think about

     

    All the good things

    In my life

     

    And especially

    How I met and married

    The lady of my dreams

     

    And day-to-day

    Noise of the

    perpetual outrage machine

     

    The media has become

    Fades away

     

    Replaced by a sense

    Of joy and yes

    Even happiness

     

    Which no one

    can take away

    From us

     

    Reprogram your mind

    Get rid of negativity

     

    And concentrate

    On the positive

    And the things

     

    You can do

    To make this

    A better world

     

    So go forth

    And find

    Your inner joy

    And happiness

     

    Whatever form

    That may take

     

    Prompt provided, but I am skipping this one – too much of a headache to wrap my  tired 69-year old brain around!  Instead, I decided to write something positive for a welcome change to my otherwise gloomy poems

     

    Dew Drop Inn

    April 22—Earth Day

    Earth Day

    I sometimes wonder

    What future generations

    Will we think of our generation?

     

    We all know

    That this world of ours

    It is a fragile place,

     

    And we all know

    That climate change

    Is real,

     

    Exacerbated by

    The relentless terraforming

    Of the planet,

     

    To accommodate

    billions of people.

     

    But I also think

    that humanity

    will eventually

     

    be forced to change

    to save the planet

    for future generations.

     

    And we will end up

    settling up colonies

    on the Moon, Mars

     

    and the Moons of Jupiter

    and Saturn

    perhaps beyond.

     

    probably long after

    I am gone

    But perhaps not

    If I live another 30 years!

     

    I would love

    to walk on the moon

    Or on Mars

     

    With my love by my side

    Before I go to my next life,

    The ultimate bucket travel item.

     

    Day Twenty-Three

    NaPoWriMo

    Mockingbirds

    mocking bird
    mocking bird

    While walking

    Deep in the woods
    In Youngchong Island

    High above Sky City
    near the Incheon airport
    In South Korea.

    I heard them
    then saw them

    Hideous black

    Korean magpie

    Krachi  mocking birds.

    Looking at me
    Cackling at me
    Laughing at me
    Mocking me.

    Calling me names

    I asked

    “Say birds,

    What do you

    Want from me?”

    They laughed,

     

    “Nothing

    But your doom
    human!”

    And they flew

    Around me
    dive bombing me.

    surrounding me
    calling me names.

    In Korean,

    And English.

    As I fled

    The trail
    With the demon birds
    hot on my trail.

    Note:

    Korean magpies, sometimes called mockingbirds, are common in more rural areas, and they do often laugh as people walk by. Very eerie sound, and the birds are quite big. The above is based on a nightmare I had after a real encounter on a trail back in 2018, pre-COVID era, when I was living near the airport and often took long walks through the nearby hills.

    Co-pilot background on Korean mockingbirds

    Mockingbirds are not native to Korea, so there isn’t a specific Korean name for them. However, Korea is home to a rich variety of bird species, some of which mimic sounds like mockingbirds do. For example, the Eurasian magpie, known as “까치” (kka chí) in Korean, is a common bird that is admired for its intelligence and vocal abilities.

    As for endangered species, South Korea has several bird species that are nationally protected due to their vulnerable status. You can find detailed lists of these species on resources like the Ministry of Environment’s website or the Birds Korea Checklist.

    Happy Wednesday, everyone, and happy twenty-third day of National/Global Poetry Writing Month.

    Today, our featured participant is Elizabeth Bouquet, who brings us a poem with a poem in it in response to Day Twenty-Two’s lessons-based prompt.

    Our resource for the day is the Metropolitan Museum of Art. The museum’s online image collection is practically endless, and to call it varied would be an understatement. There’s over 2,000 images just of baseball cards! To say nothing of candelabra featuring what appears to be a scandalized swan, a processional sword belonging to the guardsman of a sixteenth-century German duke, and a couch that I would very much like to fall upon in a melodramatic swoon.

    And last but not least, here’s today’s (optional) prompt. Humans might be the only species to compose music, but we’re quite famously not the only ones to make it. Birdsong is all around us – even in cities, there are sparrows chirping, starlings making a racket. And it’s hardly surprising that birdsong has inspired poets. Today, we’d like to challenge you to write your own poem that focuses on birdsong. Need examples? Try A.E. Stallings’ “Blackbird Etude,” or for an old-school throwback, Shelley’s “To a Skylark.”

    2025 April PAD Challenge: Day 23

    Too Many Books

    Have too many
    Books
    For me to read
    Friends
    I need to start decluttering
    I own too many books and CDs to keep
    My books
    It is hard to say goodbye
    To my friends
    Love reading my old classics
    So much I’ve learned from all my classic books
    Each one, a friend through long years of my life
    I’ll miss them

     

    I can’t believe how fast we’re breezing through this month. One week of poeming after today!

     

    For today’s prompt, write a poem book. Today is World Book Day, which may be one of my favorite holidays moving forward, because I love books. Your poem could be inspired by a book, an author, a character, a scene, and/or however you’d like to come to this one. Heck, write about a bookstore, library, card catalogue, or any other bookish thing you can imagine.

    Criteria

     

    You know Pi as the sixteenth letter of the Greek alphabet. But Pi is also used as poetry form. I discovered a small explanation on the page of Jan Haag, who has written several poems in Pi form.

    The Pi is built up in words and follows the mathematical number that stands for Pi:
    PI = 3.141592653589793

    In lines:

    Pi Form

     

    line 1: 3 words
    line 2: 1 word
    line 3: 4 words
    line 4: 1 word
    line 5: 5 words
    line 6: 9 words
    line 7: 2 words
    line 8: 6 words
    line 9: 5 words
    line 10: 3 words
    line 11: 5 words
    line 12: 8 words
    line 13: 9 words
    line 14: 7 words
    line 15: 9 words
    line 16: 3 words.

     

    Bonus Poem

     

    Hard to Say Goodbye to Books

     

     

    A lonely old man

    In the stillness

    Of a quiet room

    Look at his books

    Knowing he has to move

    Alone now, he needs to declutter his life

    But it is hard to say goodbye

    To his old friends.

     

     

    Dew Drop Inn

    April 23—Shakespeare

    Seeing  Shakespeare plays

    Oregon Shaesphere Festival
    Oregon Shakespeare Festival

    My best friend

    From first grade

    Became an actor.

     

    Ended up doing

    Mostly Shakespearean dramas

    A few minor movie and TV roles

    And commercials

     

    But he was typecast

    As a Shakespeare guy

    And he was fine

    With that.

     

    One of the lucky one percent

    Of actors who made a living

    Doing only acting.

     

    And now he is mostly retired

    Actor

    Being A Shakespearian actor

    It is hard work physically

    And mentally.

     

    Just too hard to keep going

    As we get near and past 70.

     

    Through him

    I became a Shakespeare fan

    I have, over the years

    Read all of the plays.

     

    And seen most of the plays

    Live, on TV, and in movies

     

    And in Oregon

    We go to Ashland

    The Shakespeare Festival

    Once a year.

     

    My favorites

    are historical dramas,

     

    “Julius Caesar” is my all-time favorite

    Followed by “Romeo and Juliet”

    “Macbeth,” and “Hamlet”

    “As You Like It,” and

    “A Midsummer Night’s Dream”.

     

    I prefer the classical versions

    I do not like most modern interpretations

    Particularly when they try to modernize

    The  language

     

    But I think that is a losing battle,

    Eventually Shakespearian English

    Will become too hard

    To follow for most folks.

     

     

    Day Twenty- Four

    NaPoWrMo

    BB King
    BB King

    Sam Jones Why I get the Blues

    Jake Jones

    Was a blues singer

    From way back

    In his high school days

    He became known

    As the white boy blues man

    From the streets of Oakland

    California

    He had his own band

    Jake and the Jump Backs

    They played the classic standard

    Blues

     

    Jake had a growling

    Howling wolf style voice

    And played a mean guitar

    And the stride piano and keyboards

     

    BB King heard of him

    And invited him on a tour

    With him

     

    Jake and the Jump Backs

    Opened for all legendary

    Blues men of the 70s and 80s

     

    And toured with the funk bands

    Including

    Tower of Power

    Parliament

    Earth Wind and Fire

    And Wild Cherry

     

    Their cover of

    “ Play that Funky Music, White Boy”

    became almost

    As famous as the original song

     

    Lyrics to Play that Funky Music White Boy

     

    https://genius.comAWild-cherry

    Play That Funky Music

    Song by

    Wild Cherry

    Hey, do it now, huh
    Yeah, hey

    Hey, once I was a boogie singer
    Playing in a rock ‘n’ roll band
    I never had any problems, yeah
    Burning down the one-night stands
    Then everything around me, yeah
    It got to start feeling so low
    And I decided quickly, yes, I did, heh
    To disco down and check out the show

    Yeah, they were dancing and singing
    And moving to the grooving
    And just when it hit me
    Somebody turned around and shouted…

    “Play that funky music, white boy
    Play that funky music right
    Play that funky music, white boy
    Lay down the boogie and play that funky music ’til you die” (heh, heh)
    ‘Til you die, yeah, uh
    Here, here, ha

    Well, I tried to understand this (yeah)
    Heh, I thought that they were out of their minds
    How could I be so foolish? How could I?
    To not see I was the one behind?
    So still I kept on fighting
    Well, losing every step of the way (hey, what’d you do?)
    I said, “I must go back there,” I got to go back
    And check to see if things still the same

    Yeah, they were dancing and singing
    And moving to the grooving
    And just when it hit me
    Somebody turned around and shouted…

    “Play that funky music, white boy (yeah)
    Play that funky music right, oh
    Play that funky music, white boy
    Lay down the boogie and play that funky music ’til you die” (heh)
    ‘Til you die (yeah)
    Oh, ’til you die
    Gonna play some electrified funky music, yow

    Ah, ha, ha

    Hey, wait a minute, now first it wasn’t easy
    Changing rock ‘n’ roll and minds
    Yeah, things were getting shaky (yeah)
    I thought I’d have to leave it behind, uh
    Ooh, but now it’s so much better, it’s so much better
    I’m funking out in every way
    But I’ll never lose that feeling, no, I won’t
    Of how I learned my lesson that day

    When they were dancing and singing
    And moving to the grooving
    And just when it hit me
    Somebody turned around and shouted

    “Play that funky music, white boy
    Play that funky music right
    Play that funky music, white boy
    Lay down the boogie and play that funky music ’til you die” (heh)
    ‘Til you die (yeah)
    Oh, ’til you die, yeah
    Come on, let’s go!

    (They shouted, “play that funky music”) play that funky music
    (Play that funky music) you gotta keep on playing funky music
    (Play that funky music) play that funky music
    (Play that funky music) come on and take you higher

    Play that funky music, white boy
    Play that funky music right, yeah
    Play that funky music, white boy
    Play that funky music right, yeah

    Play that funky music (white boy)
    Play that funky music (right, yeah)
    Play that funky music (honky)
    Play that funky music (right, ha)
    Play that funky…

    Songwriters: Robert W. Parisi. For non-commercial use only.

    Welcome back, everyone, to Day Twenty-Four of our annual poetry-writing challenge!

    Our featured participant for the day is haphazard, whose birdsong poem for Day Twenty-Three places primacy on the “gaps in the music.”

    Today’s daily resource is the Art Institute of Chicago, where just searching the collection for the word “stars,” I found this amazing quilt, a very fancy-looking Soviet plate, and an illustration of the constellation Leo from a medieval Arabic astronomical guide.

    And now for today’s (optional) prompt. One fundamental aspect of music is its communal nature. While a single person can make music, of course, it’s often made in groups. Rock bands, orchestras, church choirs – they all involve making music together. And often, we’re playing or performing music that was written by, or inspired by, other people.

    In her poem, Duet, Lisa Russ Spaar tells the story of two sisters making music together, based on two pre-existing songs by different artists. Today, we challenge you to write a poem that involves people making music together, and that references – with a lyric or line – a song or poem that is important to you.

     

    PSH April 23, 2025   Poetry Writing Prompt from Franci Levine-Grater

    Looking at my house filled with memories Kimo Poem

    Looking at my house filled with memories

    I have many books to read

    There are still many more things to do

     

    This poetry writing prompt submitted by Franci Levine-Grater:

    Look at an item, or a picture of an item, which is important or sentimental to you and write about memories and feelings it elicits. Do NOT describe the item. Rather, use it as an inspiration to access why it is sentimental to you.

    • 3 lines
    • No rhymes.
    • 10 syllables in the first line, 7 in the second, and 6 in the third.

    Also, the kimo is focused on a single frozen image (kind of like a snapshot). So it’s uncommon to have any movement happening in kimo poems.

     

    Dew Drop Inn

     

    April 23—Shakespeare

    Seeing  Shakespeare plays

     

    My best friend

    From first grade

    Became an actor.

     

    Ended up doing

    Mostly Shakespearean dramas

    A few minor movie and TV roles

    And commercials

     

    But he was typecast

    As a Shakespeare guy

    And he was fine

    With that.

     

    One of the lucky one percent

    Of actors who made a living

    Doing only acting.

     

    And now he is mostly retired

    Actor

    Being A Shakespearian actor

    It is hard work physically

    And mentally.

     

    Just too hard to keep going

    As we get near and past 70.

     

    Through him

    I became a Shakespeare fan

    I have, over the years

    Read all of the plays.

     

    And seen most of the plays

    Live, on TV, and in movies

     

    And in Oregon

    We go to Ashland

    The Shakespeare Festival

    Once a year.

     

    My favorites

    are historical dramas,

     

    “Julius Caesar” is my all-time favorite

    Followed by “Romeo and Juliet”

    “Macbeth,” and “Hamlet”

    “As You Like It,” and

    “A Midsummer Night’s Dream”.

     

    I prefer the classical versions

    I do not like most modern interpretations

    Particularly when they try to modernize

    The langauge.

     

    But I think that is a losing battle,

    Eventually Shakespearian English

    Will become too hard

    To follow for most folks.

     

    Day Twenty- Four

     

    NaPoWriMo

    Frank Zappa

    Frank Zappa Died too Soon

     

    Attending two Frank Zappa concerts

    We were among the best concerts

    I ever attended

     

    I was a huge fan of Frank Zappa

     

    Loved his work

    Everything he wrote

     

    He was my musical hero

    Sadly, he died way too soon

    I often wonder

     

    What he would have thought

    Of Trump one and Trump two

    Presidencies?

     

    No doubt he would have

    Had a lot to say

     

    Perhaps he would have been

    The light of the rebellion

    Against Trumpian madness?

     

    Happy final Friday of Na/GloPoWriMo, all.

    With apologies for the delay (I’m traveling, and just plain fell asleep last night before updating today’s post!), today’s featured participant is Wren Jones, who brings us a flashback to Springsteen in response to Day Twenty-Four’s making-music-together prompt.

    Our daily resource is the online galleries of the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, one of India’s foremost museums.

     

    It’s a pleasure to browse through the images here. I particularly liked these anklets that aren’t just jewelry but a sort of personal piggy bank, this portrait of the fabulously mustachioed J.M. Curette, and this highly decorative flask, originally meant to hold gunpowder!

     

    Finally, here is our optional prompt for the day. In her poem, Senzo, Evie Shockley recounts the experience of being at a live concert, relating it the act of writing poetry. Today we’d like to challenge you to write a poem that recounts an experience of your own hearing live music and tells how it moves you. It could be a Rolling Stones concert, your little sister’s middle school musical, or just someone whistling – it just needs to be something meaningful to you.

     

    2025 April PAD Challenge: Day 24

    O Dark Hundred Nightmares

     

    Midnight

    Insomnia takes hold of me

    nightmares terrifying me

    0 dark hundred

    late nights

     

    What if

    What if nightmares take over

    Replaying in my mind

    What if what if

    what if

     

    Worries

    Going down dark, twisted rabbit holes

    Natural disasters

    Fear of my death

    The end

     

    Comment:

     

    Note: O Dark hundred hours is a military/intel slang phrase that refers to the hours just before dawn between 2 a.m. and 5 a.m., depending on location and time of year. This is when bad things happen in the night, as military and intel special forces wake up for a dawn operation. Here and in other similar poems and short stories, it refers to when people most often have nightmares around 3 a.m. in the middle of the night, or O Dark hundred.

    Bonus Poem

    O dark hundred insomnia blues

    Sam Adams had the insomnia blues
    he could not sleep.

    He stared at the ceiling.
    That stared back at him
    With an evil grin
    Mocking him it seems.

    His mind plays an endless tape
    of fears doom, and endless fears
    As he goes down the proverbial rabbit hole
    Lost in an endless anxiety feedback freak out loop.

    The latest dark SF series he saw
    the latest scary news
    Political dystopian futures
    Endless possibilities play out.

    The latest news of war
    the latest fears of incipient fascism
    The latest news about the stock market
    climate change weather disasters
    Monster storms and flooding
    His town burning up around him.

    What if I have the big Alzheimer’s, or dementia?
    What if I have Cancer, Covid, Lyme disease, or Monkeypox?
    What if World War Three breaks out?

    4:30 a.m.

    What if I am at the mall
    When a mad gunman opens fire?
    Or a terrorist bomb goes off?
    Or I am the victim of a random act of violence?

    5:15 a.m.

    What if the zombie apocalypse starts?
    What if, what if, what if……

    6:30 a.m.

    Until day-break blasts him awake
    as the dawning sun fills the room.
    Ending that night’s insomnia blues.
    Until the next night’s episode begins
    at O Dark Hundred.

    Prompt

     

    For today’s prompt, write a time of day poem. You can pick a specific time of day (like the songs “3 A.M. Eternal,” by The KLF, or “12:51,” by The Strokes), or it can be a more generalized thing (like “early morning” or “lunch time” or whatever). Snack time is one of my favorite times of day, for sure. (And don’t forget poeming time!)

     

    Criteria

     

    This poetry form is not a difficult one. The form finds its origin in Spain. Not much is known about the history of the form, so we’ll stick to the details.

    How is the Cinquain set up?

    xx
    xxxxxxxx
    xxxxxx
    xxxx
    xx

    (2/8/6/4/2 syllables.)

    If you center the poem, the shape looks like a top, quite cute

    Poetry info: http://www.angelfire.com/art/formsofpoetry/agamemmnon s.sanctuary.spanishfor…

    http://home.planet.nl/~boons468/Poetry_Forms.html
    Some of my art:
    http://home.planet.nl/~boons468/Bianca.ht

    PSH Cut-up Remixed consular officers have the best stories

    Bob Jones chief

     

    Mumbai

    9-11

    oversee

    immigrant visas,

    adjudicator

    fraud unit

     

    “administrative processing”

    Had best stories,

     

    “So, what can we do for you?”
    ————————————————————————————————————
    “ Yes, my father is dying

     

    He said to her,

    “Do you have any proof

     

    And she said yes,

    ———————————–

    that letter

    It was fraudulent.

    ————————————————————————————————–

    Mr Patel had died

    about two weeks before.

    “So, Miss Patel

    when was the last time

    you spoke to your father?”

    ————————————————————————————————– “Oh, I spoke to him just now

    he is still alive

    “OK well,

    there’s just one problem.

     

    Do you believe in ghosts?”

    ” What?”
    ——————————————————————————————-
    “Well, you see here’s the problem.

    There’s only one way you

    could have spoken

    to your father today

    ————————————————————————————————–and that is if you spoke

    to a ghost

    he died two weeks ago”.

     

    Another day

    in the life of a visa officer

    —————————————————————————————————

    doing his part

    to enforce  broken  system.
    Just another  bad government gig

     

    The immigration system has been broken for decades and is riddled with fraud, but most immigrants are decent, hardworking people. I disagree with the mass deportation campaign and the practice of sweeping people off the streets. Instead, they should have fixed the system, which would need to include a path to legalization for those who are otherwise law-abiding, long-term residents. It is far better for everyone if they have legal status rather than living in the shadows. I also believe we must make it easier for legal immigration and give priority to those who study in the U.S. and are poised to become the next innovators here. The current policy is shortsighted, cruel, and counterproductive.

    Experiment with Cross-Outs and Cut-ups Using Old Drafts of Poetry as Raw Material!

    This prompt invites you to rework forgotten/abandoned drafts by both/either redacting/covering up selected words (cross-outs) and cutting lines out of hard copies and re-ordering them on a piece of paper, gluing them down when you are satisfied (cut-ups). Magazines are also good raw material for cross-out and cut-up poetry and found poems. Either using intuition, or complete random selection. The point is not to overthink it. You’ll need scissors and glue or tape and some blank paper and a marking pen.

    Lewis Carroll answered the question of “How do I be a poet?” in 1883:

    “For first you write a sentence,
    And then you chop it small;
    Then mix the bits, and sort them out
    Just as they chance to fall:
    The order of the phrases makes
    No difference at all.”

    Tristan Tzara, in the 1920s, proposed to create a poem on the spot by pulling words out of a hat. In the 1950s Brion Gysin cut newspaper articles into sections and rearranged the sections at random. William Burroughs asserts. “Cuts ups are for everyone,” just as Tzara remarked that “poetry is for everyone.”

    April 24—Duty

    visa fraud stories

    Bob Jones was an immigrant visa chief

    for the United States of America

    consular officers have the best stories,

    and cases that will always be remembered.

    ———————————————————————————————————————–

    On that November day,

    an Indian American citizen

    came to the consulate to see him.

    ———————————————————————————————————————–She had a request.

    would he be willing to consider

    her Sibling’s cases.

     

    Her father had immigrated

    to the United States

    and become a citizen.

     

    And she had become

    a citizen as well.

     

    She had four siblings

    who were in their 30s

    all of whom were living in India

    and all of those visas

    ————————————————————————————————

    were held up for “administrative processing”

    on suspicion of marriage fraud,

    or rather fake single status,

    which was the biggest category

    of visa fraud.

     

    Her father had petitioned

    for them and

    as unmarried children of U.S. citizens,

     

    the wait was

    about three years,

    whereas for married children of U.S. citizens,

    the wait would be about seven years.

     

    In this case,

    he suspected

    that they were committing

    marriage fraud

    by pretending

    to be unmarried

    and the case

    had been held up

     

    They knew culturally speaking

    that rural Gujarati women

    and men in their 30s

    would all be married

     

    and that they were faking

    being single on paper

    to speed up visa processing.

     

    Once they were Green card holders

    They would marry their spouses

     

    So in five years

    They would all be together

    Instead of ten years

     

    He understood

    and even felt sympathetic

    but the law was the law

     

    -and he had to

    enforce the visa law

    even the insane rules.

    – He asked her,

    “So, what can we do for you?”
    ————————————————————————————————–
    “ Yes, my father is dying

    in the hospital

    —————————————————————————————-

    and it is his dying wish

    to reunite the family

    in the United States

     

    could you please

    reconsider issuing

    the visas to them?”

    He said to her,
    ————————————————————————————————
    “Do you have any proof

    that your father

    is in the hospital?”

    ————————————————————————————————–
    And she said yes,

    and she pulled out

    a letter written

    by an Indian doctor

    in New Jersey

     

    saying that Mister Patel

    was seriously ill

    and that it

    was his dying wish

     

    to have his children

    reunited in the United States,

    and see him before he died.

     

    and that the consulate

    should reconsider

    issuing visas

    for the children.

     

    There was something

    about that letter

    that struck him as fraudulent.

     

    and so he called the hospital

    and he confirmed

    with the duty doctor

     

    that Mr. Patel

    had died

    about two weeks before.

    ————————————————————————————————–
    He called Miss Patel

    and gave her the bad news.

     

    He started by saying.

    “So, Miss Patel

    when was the last time

    you spoke to your father?”

     

    “Oh, I spoke to him just now

    he is still alive and waiting

    for his children to arrive

    to see him before he dies.”

     

    “He is alive right now?”

    Oh, yes, he is still alive

    and he’s waiting

    for the immigrant visas

    to be processed.”

     

    “OK well, there’s just one problem.

    Do you believe in ghosts?”

    ” What?”
    ——————————————————————————————-
    “Well, you see here’s the problem.

     

    There’s only one way you

    could have spoken

    to your father today

    and that is if you spoke

     

    to a ghost because

    according to the hospital,

    he died two weeks ago”.

     

    And he showed

    her fax from the hospital

    confirming Mr. Patel’s demise.
    ————————————————————————————————–She started crying.

    Then he said.

    “Well, you know the problem

    is that you and your siblings

    just committed visa fraud.

     

    They are going to be stuck

    in India and not allowed to travel

    to the United States

    for the next 99 years.

     

    But planes fly both ways

    and you can go visit them

    every year if you want

    but they’re not coming

    into the United States.

     

    And you can file for them

    And in eight years seek

    A visa waiver for the ineligibility

    It is sometimes granted.”

     

    – She cried

    and he entered them

    in the system for visa

    misrepresentation.

     

    This one was

    but one of the many

    heart-breaking stories

    illustrating

    how broken the US immigration system was.

     

    In this particular case,

    if the father was still alive,

    he might have

    reconsidered the case

     

    and issued the visas

    for humanitarian reasons

    ignoring marriage fraud,

    which was always difficult to prove,

     

    but when the father

    died the petition died with him.

    He said to himself

    well that’s just another day

    in the life of a visa officer

    ————————————————————————————————–

    doing his part

    to enforce

    a broken immigration system.

     

    But, thinking back on it all,

    he felt blessed to be working

    serving the country he loved

     

    -and helping immigrants,

    students and visitors

    visit America

    while deterring fraudsters,

     

    and helping American citizens

    who found themselves

    in trouble in a foreign land.

     

    Not bad for a government gig

    He always said.

     

    The immigration system has been broken for decades and is riddled with fraud, but most immigrants are decent, hardworking people. I disagree with the mass deportation campaign and the practice of sweeping people off the streets. Instead, they should have fixed the system, which would need to include a path to legalization for those who are otherwise law-abiding, long-term residents. It is far better for everyone if they have legal status rather than living in the shadows. I also believe we must make it easier for legal immigration and give priority to those who study in the U.S. and are poised to become the next innovators here. The current policy is shortsighted, cruel, and counterproductive.

     

    Day Twenty-Five

    NaPoWriMo

    Frank Zappa Died too Soon

    frank zappa

    Attending two Frank Zappa concerts

    We were among the best concerts

    I ever attended

     

    I was a huge fan of Frank Zappa

     

    Loved his work

    Everything he wrote

     

    He was my musical hero

    Sadly, he died way too soon

    I often wonder

     

    What he would have thought

    Of Trump one and Trump two

    Presidencies?

     

    No doubt he would have

    Had a lot to say

     

    Perhaps he would have been

    The light of the rebellion

    Against Trumpian madness?

    Happy final Friday of Na/GloPoWriMo, all.

    With apologies for the delay (I’m traveling, and just plain fell asleep last night before updating today’s post!), today’s featured participant is Wren Jones, who brings us a flashback to Springsteen in response to Day Twenty-Four’s making-music-together prompt.

    Our daily resource is the online galleries of the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, one of India’s foremost museums.

    It’s a pleasure to browse through the images here. I particularly liked these anklets that aren’t just jewelry but a sort of personal piggy bank, this portrait of the fabulously mustachioed J.M. Curette, and this highly decorative flask, originally meant to hold gunpowder!

    Finally, here is our optional prompt for the day. In her poem, Senzo, Evie Shockley recounts the experience of being at a live concert, relating it the act of writing poetry. Today we’d like to challenge you to write a poem that recounts an experience of your own hearing live music and tells how it moves you. It could be a Rolling Stones concert, your little sister’s middle school musical, or just someone whistling – it just needs to be something meaningful to you.

     

    2025 April PAD Challenge: Day 25

    April 25 I shall always remember

    One night in early September

    A night I will always remember

    For on  that date, my dream lady came to life

     

    It was on that September date

    I knew that I had met my fate

    When I saw her, sparks flew from heart to heart

     

    Tripadi Poems

    The Tripadi is a Bengali poetic form. Here are the guidelines:

    • Tercets (or three-line stanzas).
    • Lines one and two end rhyme with each other.
    • Lines one and two have eight syllables.
    • Line three has ten syllables.
    • Poem may consist of one tercet or several.

     

    f you write a poem from this prompt, post it as a comment underneath the prompt in the Poetry Superhighway Facebook Group.

     

    PSH April 25, 2025: Poetry Writing Prompt from Jason Morphew

    The Sphinx Golden Shovel Poem

    The ancient Sphinx

    Feels drowsy,

    She stretches her wings

    And as they furled

    She  has a heavy heart

    Thinking about the world she broods

    She tells poet Emerson her secret.

     

    Words chosen

    • wings
    • furled
    • heavy
    • broods
    • secret

    Ralph Waldo Emerson

    1803 – 1882

    The Dream of the Spinx

    The Sphinx is drowsy,

    The wings are furling.

    Her ear is heavy,

    She broods on the world.

    “Who’ll tell me my secret,

    The ages have kept?–

    I awaited the seer,

    While they slumbered and slept;–

     

    “The fate of the man-child.

    The meaning of man.

    Know fruit of the unknown.

    Daedalian plan.

    Out of sleeping a waking,

    Out of waking a sleep.

    Life death overtaking.

    Deep underneath deep?

     

    “Erect as a sunbeam,

    Upspringeth the palm.

    The elephant browses,

    Undaunted and calm.

    In beautiful motion

    The thrush plies his wings.

    Kind leaves of his covert,

    Your silence he sings.

     

    “The waves, unashamed,

    In difference sweet,

    Play glad about the breezes,

    Old playfellows meet.

    The journeying atoms,

    Primordial holes,

    Firmly draw, firmly drive,

    By their animate poles.

     

    “Sea, earth, air, sound, silence,

    Plant, quadruped, bird,

    By one music enchanted,

    One deity stirred,–

    Each the other adorning,

    Accompany still.

    Night veiled the morning,

    The vapor the hill.

     

    “The babe by its mother

    Lies bathed in joy.

    Glide its hours uncounted,–

    The sun is its toy.

    Shines the peace of all being,

    Without cloud, in its eyes.

    And the sum of the world

    In soft miniature lies.

     

    “But man crouches and blushes,

    Absconds and conceals.

    He creepeth and peepeth,

    He platters and steals.

    Infirm, melancholy,

    Jealous glancing around,

    An oaf, an accomplice,

    He poisons the ground.

     

    “Outspoke the great mother,

    Beholding his fear;–

    At the sound of her accents

    Cold shuddered the sphere:–

    ‘Who has drugged my boy’s cup?

    Who has mixed my boy’s bread?

    Who, with sadness and madness,

    Has turned the man-child’s head?’”

     

    I heard a poet answer,

    Aloud and cheerfully,

    “Say on, sweet Sphinx! thy dirges

    Are pleasant songs to me.

    Deep love lieth under

    These pictures of time.

    They fad in the light of

    Their meaning sublime.

     

    “The fiend that man harries

    It is love of the Best.

    Yawns the pit of the Dragon,

    Lit by rays from the Blest.

    The Lethe of nature

    Can’t trace him again,

    Whose soul sees perfect,

    Which his eyes seek in vain.

     

    “Profounder, profounder,

    Man’s spirit must dive.

    To his aye-rolling orbit

    No goal will arrive.

    The heavens that now draw him

    With sweetness untold,

    Once found,–for new heavens

    He spurned the old.

     

    “Pride ruined the angels,

    Their shame restores.

    And the joy that is sweetest

    Lurks in stings of remorse.

    Have I been lover

    Who is noble and free?–

    I would he were nobler

    Than to love me.

     

    “Eterna alternation

    Now follows, now flied.

    And under pain, pleasure,–

    Under pleasure, pain lies.

    Love works at the centre,

    Heart-heaving always.

    Fourth speed the strong pulses

    To the borders of day.

     

    “Dull Sphinx, Jove keep thy five wits!

    Thy sight is growing blear.

    Rue, myrrh, and cummin for the Sphinx–

    Her muddy eyes clear!”–

    The old Sphinx bit her thick lip,–

    Said, “Who taught me to name?

    I am thy spirit, yoke-fellow,

    Of thine eye I am eyebeam.

     

    “Thou art the unanswered question.

    Couldst see they proper eye,

    Always it Saketh, Saketh.

    And each answer is a lie.

    So take thy quest through nature,

    Through thousand natures ply.

    Ask on, thou clothed eternity.

    Time is the false reply.”

     

    Uprose the merry Sphinx,

    And crouched no more in stone.

    She melted into purple cloud,

    She silvered in the moon.

    She sprinted into a yellow flame.

    She flowered in blossoms red.

    She flowed into a foaming wave.

    She stood Monadnock’s head.

     

    Through a thousand voices

    Spoke the universal dame:

    “Who telethon one of my meanings,

    Is master of all I am.”

    From Collected Poems & Translations by Ralph Waldo Emerson, published by Library of

    The Dream of the Sphinx Emerson Inspired Golden Shovel Poem

     

    Golden Shovel. Terrance Hayes-invented, Gwendolyn Brooks-inspired.

    Here are the rules for the Golden Shovel:

    • Take a line (or lines) from a poem you admire.
    • Use each word in the line (or lines) as an end word in your poem.
    • Keep the end words in order.
    • Give credit to the poet who originally wrote the line (or lines).
    • The new poem does not have to be about the same subject as the poem that offers the end words.

    If you pull a line with six words, your poem would be six lines long. If you pull a stanza with 24 words, your poem would be 24 lines long. And so on.

    If it’s still kind of abstract, read these two poems to see how Terrance Hayes used a Gwendolyn Brooks poem to write the first golden shovel:

    As you can see, the original golden shovel takes more than a line from the poem. In fact, it pulls every word from the Brooks poem, and it does it twice.

    This form is sort of in the tradition of the cento and erasure, but it offers a lot more room for creativity than other poetry found.

    Skipped prompt too weird to wrap my head around

     

    April 25—Care giving

     

    Sam’s  mother

    Died of Alzheimer’s

    In 2007.

     

    She spent the last three years

    Of her life

    In a nursing home.

    In Napa City

     

    About a hundred miles

    From her home

    In Berkeley

     

    Her adult children had to move her

    When it became obvious

    She could no longer

    Manage things on her own.

     

    The saddest thing of all

    Was that she lost the ability

    To read ,

     

    She had always been a huge reader

    And loved discussing what she was reading

    With Sam, her favorite son .

     

    And he loved talking to her

    About what he was reading

    As well.

     

    He last saw her

    When she was

    somewhat lucid

    In 2002.

     

    When he  joined his brothers

    And sister

    In helping  her move

    To the nursing home.

     

    It was one of the saddest days

    Of her life

    And of Sam’s.

     

    But it had to be done

    None of them could

    take care of her.

     

    as she needed full time care

    and none of them

    wanted to do so.

     

    because their mother

     

    was a difficult person

    with a prickly personality.

     

    So they shipped her off

    To the nursing home.

     

    The day she died

    Sam was on his way

    To the nursing home.

     

    Had to beg the management

    To delay shipping her remains

    Until they could get there.

     

    They reluctantly allowed them

    The time to get there

    And see her.

     

    Sam went in and talked with her

    Sam  sensed her spirit all around me

    And I knew that she had held on

    To life.

     

    Until she could see

    Her favorite son.

     

    They buried her in El Cerrito

    Down the street

    From her home.

     

    And every few years

    Sam went to her grave

    And communed

    with her spirit.

     

    sensing that her ghost

    is near by

    listening to him.

    Comments for blog posting

    Review For Poems for April 23 2025
    Chapter 25 of the book April 2025 poetry madness
    Excellent

    Jake, your collection for April 23 offers a rich variety of tone and subject, and there is real pleasure in the movement between them.
    The mocking birds piece is wild and vivid, capturing a surreal sense of menace with a playful edge-the birds cackling in Korean and English is a brilliant, slightly absurd detail.
    Your piece on “reprogramming your mind” is a warm, important counterpoint: it reminds readers (and perhaps yourself) that joy still exists if we choose to seek it, without falling into preachiness.
    The short memory about your house feels quiet and grounded, and the Shakespeare piece is a real highlight: personal, affectionate, and tinged with a sense of time passing.
    Your affection for the classics shines through clearly.
    If anything, the different pieces might feel a little loosely stitched when read together, but as a daily writing project, this kind of natural shift between moods feels entirely fitting.
    A heartfelt and honest set.
    Tim thanks as always

     

     

    Review For Poems for April 23 2025
    Chapter 25 of the book April 2025 poetry madness
    Excellent

    Jake, your collection for April 23 offers a rich variety of tone and subject, and there is real pleasure in the movement between them.
    The mocking birds piece is wild and vivid, capturing a surreal sense of menace with a playful edge-the birds cackling in Korean and English is a brilliant, slightly absurd detail.
    Your piece on “reprogramming your mind” is a warm, important counterpoint: it reminds readers (and perhaps yourself) that joy still exists if we choose to seek it, without falling into preachiness.
    The short memory about your house feels quiet and grounded, and the Shakespeare piece is a real highlight: personal, affectionate, and tinged with a sense of time passing.
    Your affection for the classics shines through clearly.
    If anything, the different pieces might feel a little loosely stitched when read together, but as a daily writing project, this kind of natural shift between moods feels entirely fitting.
    A heartfelt and honest set.
    Tim thanks as always

     

    Substack

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    Substack Podcast

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    Medium

    Medium

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    Wattpad

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  • Psycotic Pineapple Berkeley Punk Band

    Psycotic Pineapple Berkeley Punk Band

    Psychotic Pineapple, Berkeley Punk Band

    Music Journal 2025 Updates

    one of my favorite Bay Area punk bands is the Psychotic Pineapple. They were most active in the 80’s and 90’s but still play on occasion.

    Here’s my poetic tribute to the band.

    the Berkeley mad psychotic pineapple.

    was an underground Berkeley icon.

    The pineapple said, “Bad Luck comes in threes.”

    Last night he smoked a joint and went for a walk.

    the pineapple dude encountered a cat,

    not just a cat but a cosmic black cat.

    and the cat was riding on a dog,

    and a mouse was riding on the cat,

    and the pineapple was amused to see this,

    I told him only in the SF Bay area,

    thinking back to when I was eight.

    and wished I had a cosmic cat.

    I would have made such a cacophony.

    the cosmic cat was still my secret friend.

     

    The Burns Sonnet is a Shakespearian sonnet but it does not follow traditional meter or rhyme

     

    The Psychotic Pineapple is a Bay Area punk band that was most active in the 70s and 80s, but still gets together occasionally to play music.  They sometimes played sets with the Rubinoos another Bay Area band as they often played together. They only recorded one or two albums and were best known for their wild life performances. I saw them life once and it was one of the best concert I ever went to. The members of the band are all old friends I grew up with.  They were particularly know for their art work and promotional posters which always featured a psychotic pineapple playing the guitar.

     

     The Berkeley mad psychotic pineapple

    An icon of the underground was he

    With luck that came in threes, he’d dabble

    In cosmic visions only he could see.

    One night he smoked a joint and took a stroll,

    Encountered there a cat of cosmic fame,

    A dog did bear the cat within his role,

    And on the cat, a mouse without a name.

    The pineapple, amused by what he saw,

    Reflected on the scenes of SF Bay,

    It made him think about the cosmic law

    Of how his friend, the cat, did come to stay.

    Oh, cacophony of cosmic dreams,

    The cosmic cat, my friend in starlit streams.

     

    Some background info from Co-Pilot

     

    I found some information about the band you’re referring to! They are known as Psycotic Pineapple. Here’s a brief overview:

    • Formation and Era: Psycotic Pineapple was formed in Berkeley, California, in the late 1970s. They were active during the late 1970s and had a reunion show in 20122.
    • Music Style: They blended satirical lyrics with quirky instrumentation, creating a unique and fun sound. Their music often included unexpected elements like violinists and saxophonists2.
    • Band Members: The band included John Seabury (also known as John C. Berry), Henricus Van Hoffman, Alexi Karlinski, and Dave C. Berry.
    • Albums and Performances: They only recorded one studio album but were known for their energetic live performances, where band members would often switch instruments mid-set.

    For more detailed information, you can check out their Last.fm page or look for documentaries like “Where’s the Party?” which features footage from their shows.

     

    Psycotic Pineapple

    Biography

    ·       Members

    • Alex Carlin
    • Dave Seabury
    • Henricus Holtman
    • John Seabury
    • Jon Rubin
    • Tommy Dunbar (1974 – present)

    Psycotic Pineapple is a new wave/keyboard rock/punk band from L.A. California, who formed in Berkeley in the late 70s. The band was/is fronted by John Seabury, who creates really crazy “pynoman” art with a rockin’ pineapple man. Other members included Henricus Van Hoffman (lead saw, vocals), Alexi Karlinski (organ), and Dave C. Berry (drums). They’ve got his adventures detailed online in comics which probably represent the lifetime of the band. They released their only album “Where’s The Party” in 1980. Visit http://www.pynoman.com/ for more information.

    Version 3, edited by gkerby on 4 August 2007, 12:38am

    PSYCOTIC PINEAPPLE: Live 1978: CS

    Mar 20, 2018

    Psycotic Pineapple—a late 1970s garage punk band from the Berkeley area—only recorded one studio album, but memories of the players rotating and switching instruments onstage mid-set lived on with their fans. A series of intricate drawings rendered by bassist John C. Berry (spelled Seabury elsewhere) chronicling the wild antics of a fame-hungry and (dare I say) psychotic pineapple named Pynoman appeared on the band’s show flyers and album artwork. In addition to the core lineup, shows often featured violinists, saxophonists, and other unexpected elements to amass a full, energetic, and innovative sound for its time. Hit up YouTube for a documentary called Where’s the Party?, which depicts footage from a 1979 show intertwined with a 2012 reunion show and interviews with the original members, all grown up. –Michelle Kirk (Burger, burgerrecords@gmail.com, burgerrecords.com)

     

    Psychotic Pineapple flyer

    OLYMPUS DIGITAL CAMERA

     

     

    Psycotic Pineapple were a hard to define East Bay band that often played the Keystone Berkeley. They blended satirical lyrics with quirky instrumentation to create a fun time. This flyer shows them playing a gig at the club with No Sisters, another band that played new wave and had a sense of humor. The silliness and fun early Bay Area punk bands had was lots of times set it apart from the more serious bands on the East Coast or L.A.

    The Rubinoos

    Another favorite band of my is the Rubinoos. The lead guitar player is a first grade classmate.

    For some reason they have a big following in Spain and in Japan.

    I have seen them live several times and have a number of their CD’s.

    More info from CO-Pilot, Wiki and elsewhere

    The Rubinoos are an American power pop band that formed in 1970 in BerkeleyCalifornia. They are perhaps best known for their singles “I Think We’re Alone Now” (1977, a cover of the hit by Tommy James & the Shondells), “I Wanna Be Your Boyfriend” (1979), and for the theme song to the 1984 film Revenge of the Nerds. Although “I Think We’re Alone Now” has been their highest charting hit, reaching No.45 in 1977, the group has a significant enduring cult following among fans of the power pop genre.[1]

    History

    [edit]

    1970–1977: Formation and The Rubinoos

    [edit]

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    In November 1970, Tommy Dunbar and Jon Rubin formed the Rubinoos to play at a dance for Bay High School in Berkeley, California. Other founding members included Greg ‘Curly’ KeranenAlex Carlin, Ralph Granich and Danny Wood. Inspired by siblings’ 45s and the Cruisin’ vintage radio recreations LP series, Jon Rubin and the Rubinoos played rock and roll oldies. Songs included covers of Chubby Checker, Bill Haley and the Comets, the Dovells, the Troggs, Little Eva, the Chiffons, and others.

    Soon after the performance at Bay High School, where Rubin and Dunbar were enrolled, the original band dissolved. In May 1971, they shortened the name to the Rubinoos and reformed as a quartet with Donn Spindt on drums and Tom Carpender on bass. The group now focused on original material by Dunbar, in association with Rubin and others.

    The band’s early development was assisted and inspired by the success of Earth Quake, whose lead guitarist and principal songwriter was Tommy Dunbar’s older brother, Robbie Dunbar. The Rubinoos often appeared as an opening act for Earth Quake in clubs, such as Berkeley’s Longbranch Saloon and the Keystone Berkeley.

    After the expiration of their contract with A&M Records, Earth Quake, along with their manager, Matthew King Kaufman, founded Beserkley Records and started recruiting additional talent. This included Greg KihnJonathan Richman and the Rubinoos.

    In June 1973, Greg ‘Curly’ Keranen re-joined the group. In September 1974, they recorded a cover of the DeFranco Family‘s “Gorilla”, released as a single and included on the Beserkley Chartbusters compilation album. The group also provided accompaniment for Jonathan Richman on two Chartbuster cuts, “The New Teller” and “Government Center.” Shortly after the release of “Chartbusters” Keranen left the Rubinoos to join Jonathan Richman & the Modern Lovers. He was replaced by Royse Ader.

    One ‘high point’ of the band’s early career included a performance at Bill Graham’s Winterland Auditorium, September 24, 1974, on a bill with the Jefferson Starship. At this concert, the Rubinoos were joined on stage by Jonathan Richman, who danced to their version of the Archies’ “Sugar, Sugar“. This was greeted with intense booing and a pelting of unripe bananas by members of the audience. Their closer “The Pepsi Generation Theme Song” provoked an even more hostile reaction from the crowd.[2] However, the band was the first mentioned and main focus of all the reviews of the concert.

    In 1977, Beserkley released The Rubinoos, the group’s eponymous debut album. It was well-reviewed and New York Rocker called it “The Best Pop Album of the Decade.” The single, a cover of Tommy James’ “I Think We’re Alone Now,” reached No. 45 on the Billboard Hot 100 becoming Beserkley’s first hit. The group appeared on American Bandstand (live), So It Goes (by video) and Rolling Stone Magazine: The 10th Anniversary television special in which they were cast as a garage band, performed a tribute to the newly deceased Elvis Presley and morphed into claymation figures. Along with these accomplishments, The Rubinoos had a number one single in Modesto, California, for 13 weeks, one of their concerts was raffled off to a high school by Burger King, and they appeared in Tiger Beat and 16 Magazine many times.

    1978–2006: Breakup and reformation

    [edit]

    This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed(June 2022) (Learn how and when to remove this message)

    The group’s next album, Back to the Drawing Board (1979), featured the single “I Wanna Be Your Boyfriend,” which had been released in 1978 and received heavy airplay in England and Europe. In support of this album, the Rubinoos appeared on Rock Goes To CollegeThe Old Grey Whistle TestTop Pop and opened 56 shows for Elvis Costello on the U.S. portion of his 1979 Armed Funk tour.

    Rubinoos 1978

    In 1980 Royse Ader was replaced by Al Chan. The Rubinoos then recorded the demos for a third album which never came to fruition. These demos, released in the 1990s as Basement Tapes, engineered by well known audio guru, Dan Alexander, is still thought to be one of their best efforts. Spindt and Chan left the group in 1982 when Tommy and Jon decided to move to Los Angeles. In 1983, the group, now consisting of just Rubin and Dunbar, signed with Warner Bros. Records and released the Mini LP Party of Two, produced by Todd RundgrenParty of Two yielded the single and cult classic music video “If I Had You Back,” which received heavy rotation on MTV and VH1. In 1984, they recorded the title song “Revenge of the Nerds” and “Breakdown” for the film Revenge of the Nerds.

    The Rubinoos began a long sabbatical in 1985. In 1989, Dunbar, Spindt, Chan, and John Seabury formed the group Vox Pop and recorded an album of material, co produced by Dunbar and Dan Alexander at Alexanders Coast Recorders. Also in 1989, Jon Rubin joined the noted Los Angeles a cappella Doo Wop group the Mighty Echoes. During the 1990s, two compilation CDs, Basement Tapes and Garage Sale, were released. Their success led to the end of the Rubinoos sabbatical and a new album, Paleophonic (1999), produced by Kevin Gilbert. This album did not see the light of day until the Rubinoos’ performance, their first in seven years, at the 1999 International Pop Overthrow Festival in Los Angeles. The lineup at IPO featured Rubin, Dunbar, Chan and Spindt. In 2000 Tommy and Jon were hired to sing the Flo and Eddie parts of Frank Zappa‘s 200 Motels at three concerts with the Netherlands’ Philharmonic. In 2002, the Rubinoos toured Spain and Japan, released the all-covers Crimes Against Music (2002) and recorded the album Live in Japan (2004). In 2005, the group reunited with their original producer, Gary Phillips, to record Twist Pop Sin (2006). In 2007, Castle Communications issued the 63-song retrospective Everything You Always Wanted to Know About the Rubinoos. Also in 2007, the Rubinoos toured Japan and released a two CD compilation titled One Two That’s It. In 2009, the band toured Spain and released the compilation CD HodgePodge which featured one newly recorded track, a cover of the Hollies‘ classic, “Bus Stop.”

    2007–present: Back to the Basics

    [edit]

    In July 2007, Dunbar and songwriter James Gangwer filed a lawsuit for infringement of copyright against singer-songwriter Avril Lavigne for her 2007 single “Girlfriend“; producer Dr. LukeRCA Records, and Apple were also named as defendants in the suit.[3] Dunbar and Gangwer alleged that Lavigne plagiarized the Rubinoos’ 1979 single “I Wanna Be Your Boyfriend”.[4] Lavigne denied these accusations and claimed that she had never even heard of the Rubinoos before.[3] In January 2008, an undisclosed settlement was reached between the two parties.[5] Dunbar and Gangwer later released a statement in which they claimed to “completely exonerate” Lavigne and Dr. Luke from any wrongdoing.[6]

    The Rubinoos 1980

    Music critic John M. Borack called Paleophonic No. 36 in his list of the best power pop albums of all time, praising its “trademark pitch-perfect harmonies”.[1]

    In January 2010, the Rubinoos played their first kids show in support of their first all-ages CD, Biff-Boff-Boing. The CD is a mix of covers and new originals.

    In May 2010, to coincide with their Spain/Italy tour, the Rubinoos released their first new original album in five years—Automatic Toaster, produced by Robbie Rist.

    In 2015, to celebrate their 45th anniversary the band released the appropriately titled album 45. They continued to tour in Europe and Japan with a few sporadic dates in the US.

    In 2018, the group signed with Yep Roc Records, their first exclusive record deal since the 1980s. Long-time fan and noted singer-songwriter Chuck Prophet was tapped to produce. The album, From Home, released in 2019, was recorded with the same technique as their first sessions, playing all at once in the same room, recorded to analog tape. This was done at Hyde Street Studios in San Francisco, formerly Wally Heider Studios, where the group made some of its first recordings.

    With the onset of the Covid epidemic in 2020, the Rubinoos’ live performing schedule was put on hold for a couple of years. In June 2021, Yep Roc Records released a live to two track recording of the Rubinoos done in 1976 at CBS Folsom Street Studios in San Francisco, entitled The CBS Tapes. The album includes three never released original songs and eight rare covers. This was followed by a re-issue of the group’s eponymous first LP, The Rubinoos, which was a Record Store Day selection. In September 2021, the group scored a placement of their hit version of “I Think We’re Alone Now” on the Season Three premier of the Netflix hit comedy Sex Education.

    In 2022, the band had their cult classic “Rock and Roll is Dead” used as end title music for the first episode of the HBO hit Irma Vep. In July, the Rubinoos resumed live performing, starting with a bang up show at the Oakland California Punk/Pop festival Mosswood Meltdown. The surge of Covid at the end of 2022 slowed live performing for a bit longer.

    In 2023, Yep Roc Records re-issued the group’s second LP, Back to the Drawing Board, which was also a featured pick at Record Store Day. In October, the Rubinoos set out for Europe to headline the Caravaca Power Pop Festival and tour of Spain.

    in 2024 the Rubinoos are scheduled to return to Europe for a multi-country tour and a summer tour of the East Coast of the United States.

    Members

    [edit]

    Current lineup

    • Jon Rubin – vocals, guitar (1970–present)
    • Tommy Dunbar – guitar, vocals (1970–present)
    • Donn “Donno” Spindt – drums, vocals (1971–present)
    • Al Chan – bass, vocals (1980–present)

    Former touring musicians

    • Susie Davis – keyboards, vocals (2002–2009)
    • David Rokeach – drums (2007–2009)
    • Nick D’Virgilio – drums, vocals (2002–2006)

    Former members

    • Greg ‘Curly’ Keranen– bass, vocals (1970–1971, 1973–1975)
    • Alex Carlin– organ (1970–1971)
    • Ralph Granich – drums (1970–1971)
    • Danny Woods – saxophone (1970–1971)
    • Tom Carpender – bass, vocals (1971–1973)
    • Royse Ader – bass, vocals (1975–1980)
    • Michael Boyd – keyboards, vocals (1981–1982)

    Discography

    [edit]

    Studio albums

    [edit]

    • The Rubinoos(1977)
    • Back to the Drawing Board(1979)
    • Party of Two EP(1983)
    • Basement Tapes(recorded 1980) (1993)
    • Paleophonic(1998)
    • Crimes Against Music(2003)
    • Twist Pop Sin(2006)
    • Biff-Boff-Boing(children’s CD) (2010)
    • Automatic Toaster(2010)
    • 45(2015)
    • From Home(2019)
    • CBS Tapes(recorded November 3, 1976) (2021)

    Compilations

    [edit]

    • Bezerk Times(1978)
    • Spitballs(Beserkley, 1978; multi-artist compilation)[7]
    • Garage Sale(1994)
    • The Basement Tapes Plus(1999)
    • Anthology(2002)
    • Everything You Always Wanted to Know About the Rubinoos(2007) (3-CD box set)
    • One Two That’s It(2008)
    • HodgePodge(2009)
    • The Best of The Rubinoos(2014?)

    Live albums

    [edit]

    • Live in Japan(2004)
    • A Night Of All Covers – Live At Koenji High, Tokyo(2018)

    .

    External links

    [edit]

    at AllMusic

     

    The Rubinoos are an American power pop band that formed in 1970 in BerkeleyCalifornia. They are perhaps best known for their singles “I Think We’re Alone Now” (1977, a cover of the hit by Tommy James & the Shondells), “I Wanna Be Your Boyfriend” (1979), and for the theme song to the 1984 film Revenge of the Nerds. Although “I Think We’re Alone Now” has been their highest charting hit, reaching No.45 in 1977, the group has a significant enduring cult following among fans of the power pop genre.[1]

    Dead Kennedies are another Bay Area Punk band.

    • Formation and Era: Dead Kennedys formed in San Francisco, California, in 1978. They were active from 1978 to 1986 and then reformed in 20011.
    • Music Style: They are known for their punk rock and hardcore punk Their music often featured frenetic energy and provocative lyrics.
    • Notable Songs: Some of their most famous songs include “California Über Alles,” “Holiday in Cambodia,” and “Kill the Poor.”
    • Band Members: The original lineup included Jello Biafra (vocals), East Bay Ray (guitar), Klaus Flouride (bass), and Ted (drums). D.H. Peligro replaced Ted in 1981 and remained with the band until his death in 20221.
    • Albums: Their debut album, “Fresh Fruit for Rotting Vegetables” (1980), is considered a classic. They also released “In God We Trust, Inc.” (1981), “Plastic Surgery Disasters” (1982), “Frankenchrist” (1985), and “Bedtime for Democracy” (1986)1.
    • Legacy: Dead Kennedys are known for their political activism and satirical lyrics that addressed social and political issues. They have left a lasting impact on the punk rock genre2.

    Some of their most popular albums include American Idiot (2004), which was a rock opera that resonated with a younger audience, and 21st Century Breakdown (2009), which achieved their best chart performance. They have won multiple Grammy Awards and were inducted into the Rock & Roll Hall of Fame in 20152.

    Before taking its current name in 1989, the band was named Blood Rage, then Sweet Children. They were part of the late 1980s/early 1990s Bay Area punk scene that emerged from the 924 Gilman Street club in Berkeley, California. The band’s early releases were with the independent record label Lookout! Records, including their first album, 39/Smooth (1990). For most of the band’s career, they have been a power trio[3] with Cool, who replaced John Kiffmeyer in 1990 before the recording of the band’s second studio album, Kerplunk (1991). Though the albums Insomniac (1995), Nimrod (1997) and Warning (2000) did not match the success of Dookie, they were still successful, with Insomniac and Nimrod reaching double platinum status, while


    Dead Kennedys
     are an American punk rock band that formed in San FranciscoCalifornia, in 1978.[1] The band was one of the defining punk bands during its initial eight-year run.[2]

    Initially consisting of lead guitarist East Bay Ray, bassist Klaus Flouride, lead vocalist Jello Biafra, drummer Ted and rhythm guitarist 6025, 6025 left in 1979, and Ted left the following year after the band recorded their acclaimed first album Fresh Fruit for Rotting Vegetables (1980). The band’s longest-serving drummer was D. H. Peligro, who replaced Ted in 1981 and remained until his death in 2022. Dead Kennedys recorded the EP In God We Trust Inc. (1981), followed by three more studio albums, Plastic Surgery Disasters (1982), Frankenchrist (1985), and Bedtime for Democracy (1986), the latter of which was recorded and released shortly after announcing their breakup in January 1986. Most of the band’s recordings were released on Alternative Tentacles, an independent record label founded by Biafra and East Bay Ray.

    Following Dead Kennedys’ dissolution, Biafra continued to run Alternative Tentacles, and went on to collaborate and record with other artists, including D.O.A.NoMeansNo and his own bands Lard and the Guantanamo School of Medicine, as well as releasing several spoken word performances. In 2000 (upheld on appeal in 2003), Biafra lost an acrimonious legal case initiated by his former Dead Kennedys bandmates over songwriting credits and unpaid royalties. In 2001, the band reformed without Biafra; various singers have since been recruited for vocal duties. Although Dead Kennedys have continued to perform over the years, they have not released any more studio albums since Bedtime for Democracy.

    Dead Kennedys’ lyrics were usually political in nature, satirizing political figures and authority in general, as well as popular culture and even the punk movement itself. During their initial incarnation between 1978 and 1986, they attracted considerable controversy for their provocative lyrics and artwork. Several stores refused to stock their recordings, provoking debate about censorship in rock music; in the mid-1980s, vocalist and primary lyricist Jello Biafra became an active campaigner against the Parents Music Resource Center (PMRC). This culminated in an obscenity trial between 1985 and 1986, which resulted in a hung jury and also hastened the band’s demise.

    History

    [edit]

    Formation of the band (1978–1979)

    [edit]

    Dead Kennedys were formed in June 1978 in San Francisco, California, when East Bay Ray (Raymond Pepperell) advertised for bandmates in the newspaper The Recycler, after seeing a ska-punk show at Mabuhay Gardens in San Francisco.[3] The original band lineup consisted of East Bay Ray on lead guitar, Klaus Flouride (Geoffrey Lyall) on bass, Jello Biafra (Eric Reed Boucher) on vocals, Ted (Bruce Slesinger) on drums and 6025 (Carlos Cadona) on rhythm guitar. This lineup recorded their first demos. Their first live show was on July 19, 1978 at Mabuhay Gardens in San Francisco, California. They were the opening act on a bill that included DV8 and Negative Trend with The Offs headlining.[1]

    Dead Kennedys played numerous shows at local venues afterward. Due to the provocative name of the band, they sometimes played under pseudonyms, including “The DK’s”, “The Sharks”, “The Creamsicles” and “The Pink Twinkies”. San Francisco Chronicle columnist Herb Caen wrote in November 1978, “Just when you think tastelessness has reached its nadir, along comes a punk rock group called ‘The Dead Kennedys’, which will play at Mabuhay Gardens on Nov. 22, the 15th anniversary of John F. Kennedy’s assassination.” Despite mounting protests, the owner of Mabuhay declared, “I can’t cancel them NOW—there’s a contract. Not, apparently, the kind of contract some people have in mind.”[4] However, despite popular belief, the name was not meant to insult the Kennedy family, but according to Ray, “the assassinations were in much more poor taste than our band. We actually respect the Kennedy family. . . . When JFK was assassinated, when Martin Luther King was assassinated, when RFK was assassinated, the American Dream was assassinated. . . . Our name is actually homage to the American Dream.”[5]

    6025 left the band in March 1979 under somewhat unclear circumstances, generally considered to be musical differences. In June, the band released their first single, “California Über Alles“, on Biafra and East Bay Ray’s independent labelAlternative Tentacles. The band followed with a poorly attended East Coast tour, being a new and fairly unknown band at the time, without a full album release.

    Fresh Fruit for Rotting Vegetables (1980–1981)

    [edit]

    Biafra performing live

    In early 1980, they recorded and released the single “Holiday in Cambodia“. In June, the band recorded their debut album, Fresh Fruit for Rotting Vegetables, released in September of that year on the UK label Cherry Red. The album reached number 33 on the UK Albums Chart. Since its initial release, it has been re-released by several other labels, including IRS, Alternative Tentacles, and Cleopatra. The newest reissue—the special 25th-anniversary edition—features the original artwork and a bonus 55-minute DVD documenting the making of the album as well as the band’s early years.[6]

    On March 25, 1980, Dead Kennedys were invited to perform at the Bay Area Music Awards in an effort to give the event some “new wave credibility”, in the words of the organizers. The day of the performance was spent practicing the song they were asked to play, the underground hit “California über alles”. The band became the talking point of the ceremony when after about 15 seconds into the song, Biafra stopped the band—in a manner reminiscent of Elvis Costello’s Saturday Night Live appearance—and said, “Hold it! We’ve gotta prove that we’re adults now. We’re not a punk rock band, we’re a new wave band.” The band, all wearing white shirts with a big, black S painted on the front, pulled black ties from around the backs of their necks to form a dollar sign, then started playing a new song titled “Pull My Strings”, a barbed, satirical attack on the ethics of the mainstream music industry, which contained the lyrics, “Is my cock big enough, is my brain small enough, for you to make me a star?”. The song also referenced The Knack‘s song “My Sharona“. “Pull My Strings” was never recorded for a studio release, though the performance at the Bay Area Music Awards, which was one of only two times that the song was ever performed, was released on the band’s 1987 compilation album Give Me Convenience or Give Me Death. In a 2017 interview about the show Klaus stated, “We did one other performance of it at The Mabuhay and that was the only other time we performed it… like within a week of the Bammies”[7] It’s unknown if this performance was ever recorded.

    In January 1981, Ted announced that he wanted to leave to pursue a career in architecture and would help look for a replacement. He played his last concert in February 1981. His replacement was D. H. Peligro (Darren Henley). Around the same time, East Bay Ray had tried to pressure the rest of the band to sign to the major record label Polydor Records; Biafra stated that he was prepared to leave the group if the rest of the band wanted to sign to the label,[8] though East Bay Ray asserts that he recommended against signing with Polydor. Polydor decided not to sign the band after they learned that Dead Kennedys’ next single was to be entitled “Too Drunk to Fuck“.

    When “Too Drunk to Fuck” came out in May 1981 it caused controversy in the UK, as the BBC feared the single would reach the Top 30, which would necessitate its title being mentioned on Top of the Pops. It was never played, although it was simply called “‘Too Drunk’ by the Kennedys” by presenter Tony Blackburn.

    In God We Trust, Inc.Plastic Surgery Disasters and Alternative Tentacles Records (1981–1985)

    [edit]

    Dead Kennedys in 1983. From left: Klaus Flouride, Jello Biafra, D.H. Peligro, and East Bay Ray

    After Peligro joined the band, the extended play In God We Trust, Inc. (1981) saw them move toward a more aggressive hardcore/thrash sound. In addition to the EP’s controversial artwork depicting a gold Christ figure on a cross of dollar bills, the lyrics contained Biafra’s most biting social and political commentary yet, and songs such as “Moral Majority“, “Nazi Punks Fuck Off!” and “We’ve Got a Bigger Problem Now” placed Dead Kennedys as the spokesmen of social protest, while “Dog Bite”, a cover version of Rawhide and various joke introductions showed a much more whimsical side. In 1982, they released their second studio album, Plastic Surgery Disasters. The album’s cover features a withered starving African child’s hand being held and dwarfed by a white man’s hand, a picture that had won the World Press Photo award in 1980, taken in Karamoja district in Uganda by Mike Wells.

    The band’s music had evolved considerably in a short time, moving away from hardcore formulae toward a more innovative jazz-informed style, featuring musicianship and dynamics far beyond other bands in the genre (thus effectively removing the music from that genre). By now the group had become a de facto political force, pitting itself against rising elements of American social and political life such as the religious right, Ronald Reagan and the idle rich. The band continued touring all over the United States, as well as Europe and Australia, and gained a large underground following. While they continued to play live shows during 1983 and 1984, they took a break from releasing new records to concentrate on the Alternative Tentacles record label, which would become synonymous with DIY alternative culture. The band continued to write and perform new material during this time, which would appear on their next album (some of these early performances can be seen in the DMPO’s on Broadway video, originally released by Dirk Dirksen and later reissued on Rhino).

    Frankenchrist and obscenity trial (1985–1986)

    [edit]

    The release of the album Frankenchrist in 1985 showed the band had grown in musical proficiency and lyrical maturity. While there were still a number of loud/fast songs, much of the music featured an eclectic mix of instruments including trumpets and synthesizers. Around this time Klaus Flouride released the similarly experimental solo EP Cha Cha Cha With Mr. Flouride. Lyrically, the band continued their trademark social commentary, with songs such as “MTV Get Off The Air” and “Jock-O-Rama (Invasion of the Beef Patrol)” poking fun at mainstream America.

    However, the controversy that erupted over H.R. Giger‘s Penis Landscape, included as an insert with the album, dwarfed the notoriety of its music. The artwork caused a furor with the newly formed Parents Music Resource Center (PMRC). In December 1985 a teenage girl purchased the album at the Wherehouse Records store in Los Angeles County.[9] The girl’s mother wrote letters of complaint to the California Attorney General and to Los Angeles prosecutors.[9] In June 1986, members of the band, along with other parties involved in the distribution of Frankenchrist, were charged criminally with distribution of harmful matter to minors. The store where the teen actually purchased the album was never named in the lawsuit.[9] The criminal charges focused on an illustration by H.R. Giger, titled “Work 219: Landscape XX” (also known as Penis Landscape). Included as a poster with the album, Penis Landscape depicts nine copulating penises and vaginas.[10]

    Members of the band and others in the chain of distribution were charged with violating the California Penal Code[11] on a misdemeanor charge carrying a maximum penalty of up to a year in county jail and a base fine of up to $2,000. Biafra says that during this time government agents invaded and searched his home. The prosecution tried to present the poster to the jury in isolation for consideration as obscene material, but Judge Susan Isacoff ruled that the poster must be considered along with the music and lyrics.[12] The charges against three of the original defendants, Ruth Schwartz (owner of Mordam Records), Steve Boudreau (a distributor involved in supplying Frankenchrist to the Los Angeles Wherehouse store), and Salvatore Alberti (owner of the factory where the record was pressed), were dismissed for lack of evidence.[9]

    In August 1987, the case went to the jury with two remaining defendants: Jello Biafra and Michael Bonanno (former Alternative Tentacles label manager).[9] However, the criminal trial ended with a hung jury, split 7 to 5 in favor of acquittal. District Attorneys Michael Guarino and Ira Riener made a motion for a retrial which was denied by Judge Isacoff, Superior Court Judge for the County of Los Angeles.[13] The album, however, was banned from many record stores nationwide.

    After the break up of the band, Jello Biafra brought up the court case on The Oprah Winfrey Show. Biafra was on the show with Tipper Gore as part of a panel discussion on the issues of “controversial music lyrics” and censorship.[14]

    Bedtime for Democracy and break-up (1986)

    [edit]

    In addition to the obscenity lawsuit, the band became increasingly disillusioned with the underground scene as well. The hardcore scene, which had been a haven for free-thinking intellectuals and downtrodden nonconformists, was attracting a more violent audience that imposed an increasing level of brutality on other concertgoers and began to alienate many of the bands and individuals who had helped pioneer the movement in the early 1980s. In earlier years the band had criticized neo-Nazi skinheads for trying to ruin the punk scene, but just as big a problem was the popularity of increasingly macho hardcore bands, which brought the group (and their genre) an audience that had little to do with the ideas/ideals they stood for. Biafra penned new songs such as “Chickenshit Conformist” and “Anarchy for Sale” that articulated the band’s feelings about the “dumbing down” of punk rock. During the summer they recorded these for their final album, Bedtime for Democracy, which was released in November. The artwork, depicting a defaced Statue of Liberty overrun with Nazis, media, opportunists, Klan members, corrupt government officials, and religious zombies, echoed the idea that neither America itself or the punk scene were safe havens any more for “your tired, your poor, your huddled masses yearning to breathe free”. The album contains a number of fast/short songs interspersed with jazz (“D.M.S.O.”), spoken word (“A Commercial”) and psychedelia (“Cesspools In Eden”).[citation needed]

    The band decided to split up in January 1986, prior to the recording and release of Bedtime for Democracy, and played their last live show with the original lineup on 21 February.[15][16] Biafra went on to speak about his political beliefs on numerous television shows and he released a number of spoken-word albums. Ray, Flouride, and Peligro also went on to solo careers.

    Reforming of new band line-up and death of Peligro (2001–present)

    [edit]

    In 2001, Ray, Peligro, and Flouride reformed the Dead Kennedys, with former Dr. Know singer Brandon Cruz replacing Biafra on vocals. The band played under the name “DK Kennedys” for a few concerts, but later reverted to “Dead Kennedys” permanently. They played across the continental United States, Europe, Asia, South America, and Russia. Brandon Cruz left the band in May 2003 and was replaced by Jeff Penalty. The band has released two live albums of archival performances on Manifesto Records: Mutiny on the Bay, compiled from various live shows including a recording from their last show with Biafra in 1986, and Live at the Deaf Club, a recording of a 1979 performance at the Deaf Club in San Francisco which was greeted with more enthusiasm.

    On October 9, 2007, a best of album titled Milking the Sacred Cow was released. It includes two previously unreleased live versions of “Soup Is Good Food” and “Jock-O-Rama”, originally found on Frankenchrist.

    Jeff Penalty left the band in March 2008 in what he describes as a “not amicable split.”[17] In a statement released, Jeff said that, following a series of disputes, the band had secretly recruited a new singer and played a gig in his neighbourhood, although he also stated he was “really proud of what we were able to accomplish with Dead Kennedys”.[17] He was replaced by former Wynona Riders singer Ron “Skip” Greer. D. H. Peligro also left the band to “take some personal time off”. He was replaced for a tour by Translator drummer Dave Scheff.[18]

    On August 21, 2008, the band announced an extended break from touring due to the health-related issues of Flouride and Peligro. They stated their plans to collaborate on new projects. The band performed a gig in Santa Rosa, California in June 2009, with Peligro returning to the drum kit.[19]

    In August 2010, Dead Kennedys announced plans for a short East Coast tour. The lineup assembled for this tour contained East Bay Ray, Peligro, Greer, and bassist Greg Reeves replacing Flouride, who was taking “personal time off” from the band.[20][21] The tour dates included performances in PhiladelphiaNew York CityBostonWashington, D.C.Portland, Maine and Hawaii.[22] The band has played a reworked version of their song “MTV Get Off the Air”, re-titled “MP3 Get Off the Web”, with lyrics criticizing music piracy during their October 16, 2010, concert at the Rock and Roll Hotel in Washington, D.C.[23]

    Dead Kennedys had world tours in 2013 and in 2014, the latter mostly in North American cities. In 2015 and 2016 they toured again, including South America, where they had not played since 2001.

    In 2017, East Bay Ray revealed that the band and Jello Biafra had been approached by the Punk-oriented music festival Riot Fest about a potential reunion. While Ray and the rest of the band expressed interest in the concept, Biafra refused.[24]

    On April 26, 2019, the group released DK40, a live compilation album celebrating 40 years since the band formed.[25]

    On October 28, 2022, D.H. Peligro died from an overdose of heroin and fentanyl, although it was initially believed to have been from possible head trauma from a fall at his home that day.[26][27] Since Peligro’s death, the band has performed in the UK with Santi Guardiola and the United States with Steve Wilson (who had played in D.H.Peligro’s band Peligro before) filling in on drums.

    Conflicts between members

    [edit]

    Royalties lawsuit

    [edit]

    In the late 1990s, former band members discovered they were being underpaid in terms of royalties from Alternative Tentacles. East Bay Ray, Klaus Flouride, and D. H. Peligro claimed that Jello Biafra had conspired to pay them lower royalty rates and then attempted to disguise the precise nature of the money owed. Biafra claimed that the failure to pay these royalties was an accounting mistake.[28][29]

    In 1998, the other three members of the band sued Biafra over these allegedly unpaid royalties. A jury ruled in their favor in May 2000, finding Biafra and Alternative Tentacles “guilty of malice, oppression and fraud“.[30] Malice was defined for the jury as “conduct which is intended to cause injury or despicable conduct which is carried with a willful and conscious disregard for the rights of others”.[31] Biafra’s appeal was denied in June 2003; he had to pay the outstanding royalties as well as punitive damages,[32] and was forced to hand over the rights to the majority of Dead Kennedys’ back catalogue to the Decay Music partnership.[32][33]

    This dispute caused minor waves within punk circles. Biafra claims that East Bay Ray had long expressed displeasure with Alternative Tentacles and with the amount of money he received from them, thus the original incentive for the discovery of the back payments. It was found out that Alternative Tentacles was paying Dead Kennedys less per CD than all the other bands, including Biafra himself, and not informing his other bandmates, which was the fraud. Biafra accused the band of wanting to license the famous Dead Kennedys song “Holiday in Cambodia” for use in a Levi’s jeans commercial, which the band denied.[34] However, an instrumental loop from “Holiday in Cambodia” was part of the 1981 black comedy feature film Neighbors, though it was not included on the soundtrack. The band maintains that the Levi’s story was completely fictitious and invented by Biafra to discredit them.[33]

    Disputes over new commercial activities

    [edit]

    Matters were stirred up even further when the three bandmates invited Jello Biafra to “bury the hatchet” in the form of a band reunion. Jello Biafra felt it was unprofessional because no one contacted him directly. In addition, Biafra was disdainful of the reunion, and having long expressed his disdain for nostalgia and rock reunion/oldies tours in particular, argued that the whole affair was motivated by greed.[34]

    Several DVDs, re-issues, and live albums have been released since the departure of Biafra most recently on Manifesto Records. According to Biafra, the live albums are “cash-ins” on Dead Kennedys’ name and his music. Biafra also accused the releases of the new live material of having poor sound quality. Furthermore, he has stated he is not receiving any royalties from the sale of any Manifesto Records releases. Consequently, he has discouraged fans from buying any Dead Kennedy reissues. The other band members denied Biafra’s accusations regarding the live releases, and have defended the mixes as an effort of hard work. Biafra dismissed the new group as “the world’s greediest karaoke band.” Nevertheless, in 2003, Klaus Flouride said of performances without the band’s former frontman: “There hasn’t been a show yet that people didn’t really like.”[35]

    Biafra further criticized them for advertising shows using his own image taken from the original 1980s incarnation of the band, which he labeled as false advertising. He attacked the reformed Dead Kennedys in a song called “Those Dumb Punk Kids (Will Buy Anything)“, which appears on his second collaboration with sludge metal band the MelvinsSieg Howdy!

    Biafra told an audience at a speaking gig in TrentonNew Jersey, that the remaining Dead Kennedys have licensed their single “Too Drunk to Fuck” to be used in a rape scene in a Robert Rodriguez movie. The reference is to a lounge cover of the song, recorded by the band Nouvelle Vague, played during a scene in the Planet Terror segment of Grindhouse, although no rape takes place, and in fact the would-be rapist is killed by the would-be victim. The scene in Planet Terror has would-be rapist, “Rapist No. 1” (Quentin Tarantino) order one-legged stripper “Cherry Darlin” (Rose McGowan) to get up off the floor and dance. At this point Tarantino hits play on a cassette recorder and Nouvelle Vague’s cover of “Too Drunk To Fuck” plays. Biafra, disapproving of the situation, later wrote, “This is their lowest point since Levi’s… This goes against everything the Dead Kennedys stands for in spades… The terrified woman later ‘wins’ by killing Tarantino, but that excuse does not rescue this at all. I wrote every note of that song and this is not what it was meant for…. Some people will do anything for money. I can’t help but think back to how prudish Klaus Flouride was when he objected to H. R. Giger’s painting on the “Frankenchrist” (sic) poster, saying he couldn’t bear to show it to his parents. I’d sure love to be a fly on the wall when he tries to explain putting a song in a rape scene for money to his teenage daughter… The deal was pushed through by a new business manager the other three hired.”[36]

    The reformed Dead Kennedys followed their court victory by releasing reissues of all Dead Kennedys albums (except Fresh Fruit for Rotting Vegetables, to which they did not have the rights until 2005), releasing several new archival concert DVDs, and licensing several songs to The Manchurian Candidate remake and the Tony Hawk’s Pro Skater video game. East Bay Ray claims he received a fax from Alternative Tentacles purporting Biafra approved the licensing for the game.[37]

    The band claims on their website that they still pay close attention to an anti-corporate ideology, despite performing on September 5, 2003, at a festival in Turkey that was sponsored by Coca-Cola, noting that they have since pulled out of a show in Los Angeles when they found that it was being sponsored by Coors. However, Biafra claims the previous licensing deals prove otherwise.[38]

    Artistry

    [edit]

    Music and lyrics

    [edit]

    Dead Kennedys have been described as one of the first hardcore punk bands.[39] They were noted for the harshness of their lyrics, which generally combined biting social satire while expressing a staunchly left-wing view of contemporary America.[40] Unlike other leftist punk bands who use more direct sloganeering, Dead Kennedys’ lyrics were often snide. For example, “Holiday in Cambodia” is a multi-layered satire targeting both yuppies and Cambodia’s recently deposed Khmer Rouge regime. Or, on “Jock-O-Rama”, featured on Frankenchrist, they mock southern small towns whose residents’ lives revolve around high school football.

    Logo

    [edit]

    “DK” logo

    The original logo was created by Winston Smith. He later contributed artwork for the covers of In God We Trust, Inc.Plastic Surgery DisastersFrankenchristBedtime for DemocracyGive Me Convenience or Give Me Death, the back cover of the “Kill the Poor” single and the Alternative Tentacles logo. When asked about the “DK” logo in an interview, Jello Biafra explained, “…I wanted to make sure it was something simple and easy to spray-paint so people would graffiti it all over the place, and then I showed it to Winston Smith. He played around with it, came back with a bunch of designs that had the circle and slightly 3-D looking letters and he had ones with different patterns behind it. I liked the one with bricks, but ultimately I thought simple red behind it was the boldest and the best.”[41]

    Influence

    [edit]

    Dead Kennedys have influenced multiple acts such as System of a DownGreen DayFaith No MoreRage Against the MachineSepulturaDescendentsBad ReligionSlayerXMinutemenThe HivesSaves the Day and Screeching Weasel among others.[42][43]

    Members

    [edit]

    Current members

    ·       East Bay Ray (Raymond Pepperell) – guitars (1978–1986, 2001–present)

    ·       Klaus Flouride (Geoffrey Lyall) – bass, backing vocals (1978–1986, 2001–2010, 2011–present)

    ·       Ron “Skip” Greer – lead vocals (2008–present)

    ·       Steve Wilson – drums (2023–present)

    Former members

    ·       Jello Biafra (Eric Boucher) – lead vocals (1978–1986)

    ·       6025 (Carlo Cadona) – rhythm guitar (1978–1979)

    ·       Ted (Bruce Slesinger) – drums (1978–1981)

    ·       D.H. Peligro (Darren Henley) – drums, backing vocals (1981–1986, 2001–2008, 2009–2022; his death)

    ·       Brandon Cruz – lead vocals (2001–2003)

    ·       Jeff Penalty (Jeff Alulis) – lead vocals (2003–2008)

    ·       Dave Scheff – drums (2008)

    ·       Greg Reeves – bass (2010–2011)

    ·       Santi Guardiola – drums (2023)

    Timeline

    [edit]

    Discography

    [edit]

    Main article: Dead Kennedys discography

    Videography

    [edit]

    • The Art of Punk – Dead Kennedys(The Museum of Contemporary Art) (2013) – Documentary featuring the art of Winston Smith

    See also

    [edit]

    Substack

    Medium

    wattpad

    Spotify

  • Music Journal 2025 Updates

    Music Journal 2025 Updates

    Music Journal 2025 Updates

    musical instruments
    musical instruments

    Music Journal 2017

    Music Journal 2018

    Music Journal 2016 v3docx

    Music Journal 2015

    Music Journal 2015

    mozart sonatas

    Beethoven Sonatas

    Bach WTC

    https://wp.me/p7NAzO-3pp//

    piano jpg
    piano jpg

    Composergarynoland – Composition Lessons, Music, Piano

    piano

    piano

    Composergarynoland – Composition Lessons, Music, Piano

    Playing the PIano at the End of Time

    Cosmos Music Played 2024

    Cosmos Movies TV Programs 2024 List

    Cosmos’s Music Journal 2023

    Cosmos’s Music Play List 2018

    A quick update.

    I finally completed a life long quest to play all the Mozart Piano Sonatas!  Now I am on to another piano playing bucket list playing all the Beethoven piano sonatas. That will probably take until next year as I will be traveling for a few months and may not have access to a piano but I will take my Beethoven with me just in case and I want to buy some sheet music – more Jazz Standards. and maybe Tower of Power song book and Chopin piano pieces, and perhaps Schoenberg and 20th century composers.

     

    Reigniting My Passion for Piano

    Over the last year, I’ve reignited my passion for playing the piano. Music has always been a significant part of my life, and returning to it daily has been incredibly rewarding. Here’s a glimpse into my musical journey, goals for the year, and strategies to achieve them.

    My Musical Journey:

    I took piano lessons from first grade until I graduated from college. While in high school, I wrote a string quartet, piano sonata, flute sonata, and the first movement of a symphony. The string quartet and flute sonatas were performed at a concert honoring Berkeley gifted young people. I majored in music composition at Cal State Hayward and Oberlin but changed my major to political science and psychology at the University of the Pacific after some academic struggles. I played the piano daily from 1972 to 1984, and from 1988 to 2016, when I retired. From 2000 to 2003, I resumed writing music and composed five or six pieces. In 2021, I resumed playing the piano. This past year, I played daily until June when I took a six-month break as I did not have access to a piano. I will continue playing daily until June and, while in the States, will rent a piano to ensure I can keep practicing. Later in the year, I will buy a MIDI cable, and Sibelius music composition software and resume writing music posting one piece per month.

    Goals for 2025:

    1. Daily Practice: Dedicate one hour per day to piano practice.
    2. Mastering Sonatas: Work my way through Mozart and Beethoven Sonatas. Purchase new music, including Funk classics, Jazz, and Rock standards.
    3. Music Education: Take music theory and composition courses.
    4. Equipment Upgrade: Buy a MIDI cable and download Sibelius to learn music writing.
    5. Composition: Rewrite music I composed in high school and aim to write one piece per month to post on my blog.
    6. Piano Access: Buy or rent a piano while in the States.

     

    Strategy:

    • Self-Teaching: Utilize YouTube tutorials to learn the fundamentals of music writing and take online music theory courses.
    • Piece Analysis: Review each piece before playing, noting high and low notes, key signatures, and changes. Create cheat sheets for ornamentations such as turns and mordents.
    • Separate Hand Practice: For Bach pieces, practice each hand separately before playing together.
    • Listening and Learning: Listen to the music on YouTube before attempting to play.

    Rediscovering Mozart and Beethoven:

    My journey through the piano books will culminate in conquering Mozart and Beethoven’s Sonatas. I recently played my first Mozart Sonata and, to my surprise, did not do too badly. I plan to revisit it next year after completing my initial piano books. I am finally feeling comfortable playing Mozart. Still a challenge but one I can deal with.

    Ode to My Pianos:

    Ever since I was a young lad, I dreamt of being a professional piano player. Though that dream may never come true, my love for the instrument remains unwavering. At 70, I now play my Roland 88 piano almost every day, delighting in the creative ways I interpret the classics.

    Learning to Play the Piano Leads to a Career in Music:

    Buying a new piano and music software allowed me to practice nightly. Angela’s weekly piano lessons helped me master pieces, and I even joined a jazz band, the Diplomatic Jazz Ensemble. We released an album that gained unexpected popularity, leading me to retire from the Foreign Service and pursue a career as a studio musician and composer in San Francisco.

    How to Re-Learn to Play the Piano:

    Returning to piano after a hiatus involves picking a series of beginner to intermediate books, analyzing each piece, and practicing with a structured approach. Concentrating on accuracy and rhythm, I aim to play three to five pieces daily, gradually increasing my speed.

    Piece List:

    Here’s what I’ve played recently:

    1. Carl Philipp Emanuel Bach – Allegro
    2. Joseph Haydn – Andantino
    3. Joseph Haydn – Scherzo in F
    4. Mozart – Rondo in C
    5. Beethoven – Bagatelle in C
    6. Beethoven – Ecossaise in G
    7. Joseph Haydn – Seven German Dances 1-7 and Coda
    8. Carl Maria von Weber – Ecossaise in G major
    9. Jacob Schmitt – Sonatina in C
    10. Joseph Nepomuk Hummel – Bagatelle

    Alzheimer’s Prevention: I believe that playing music, learning languages, and engaging in mental games are excellent ways to ward off dementia and Alzheimer’s. Given my increased risk, I’ve committed to daily piano practice, studying Korean, and engaging in creative writing and blogging as part of my prevention strategy.

    Encouragement to Aspiring Musicians: To those nearing retirement and considering resuming an instrument, I encourage you to go for it. The rewards are immeasurable.

    For more details, visit my webpage: The World According to Cosmos – On Playing Mozart Sonatas.

    Embrace the joy of music and make it a part of your daily life!

    Piano Playing  3-7-5

    piano

    playing my keyboards daily

    I am getting better

     

    Ode to My Pianos

     

    Ever since I was a young lad

    I wanted to play the piano

    Had delusions I could be

    A professional piano player.

     

    But alas that was not my fate

    I had four pianos in my life

    Most recently I bought a Rolland 88 piano

    And play it almost every day.

     

    And now at age 70

    I am finally getting fairly good

    But I know that my dream

     

    Of being a professional piano player.

    Will never come true

    But that is okay.

     

    As I stumble my way through my music

    Mutilating Bach, Beethoven, Blues Standards,

    Mozart and so many others

    In creative ways never heard before.

     

    I think that their spirits

    Will understand

    And be amused and laughing

    And not be too hurt

    By my attempts.

     

    An object

    Write a poem about any object which you love the most let it be perfume,books,etc.

    The list

    Korean Light Classical Set

    1. Chopin Piece
    2. Beethoven Disco For Eliza
    3. Apartment
    4. Verglis Mein Nicht
    5. Malguenia
    6. Disco City
    7. Io Ti Daro Di Piu
    8. Dark Eye Boogie Woman
    9. El Bimbo
    10. Rumba Rhapsody
    11. Korean Song Book
    12. Ganadiri
    13. Nununhannuri
    14. Moknochuchang
    15. Babo
    16. Sarang
    17. Ayaohchmari
    18. Chackunlabi
    19. Changelog
    20. Hangku
    21. Kudaeyae
    22. Laegaedo Saranoi
    23. Miwoimiwoimiwoi
    24. Baramireoo
    25. Sarangsarangnuka Milhaeni
    26. Bayayae
    27. Yet Siinuilorae
    28. Chrumomoichukkae
    29. Ku Saram
    30. Biramchoram Nakyomchorum
    31. Saransuron Kudae
    32. Sarangiyo

    100 Greatest Hits

    1. Ain’t No Mountain High Enough Marvin Gaye
    2. All Blues Nailed It, Miles Davis,
    3. All Day All The Night The Kinks
    4. All My Loving The Beatles
    5. Anarchy In The UK -Really Rocked Out With This One Sex Pistols
    6. And She Was Talking Heads
    7. Back On The Chain Gang Pretenders
    8. Bad Moon Rising Creedence Clearwater Revival Nailed It
    9. Badge Cream
    10. Being A Gong Get It On T Rex
    11. Beth Kiss
    12. Blueberry Hill Fats Domino Nailed It
    13. Bo Diddley Nailed It
    14. The Book Of Love Peter Gabriel
    15. Both Sides Now Joni Mitchel
    16. California Sun Ramones
    17. Can’t Help Falling In Love Elvis Presely
    18. Candle In The Wind Elton John
    19. Chain Gang Nailed It Nirvana
    20. Desperado Eagles
    21. Every Little Thing She Does Is Magic The Police
    22. Everyday I Write The Book Elvis Costello
    23. Everyday People Sly And The Family Stone
    24. Feeling Alright Traffic
    25. Fields Of Gold Sting
    26. 50 Ways To Leave Your Lover Paul Simon
    27. Forever Young Rod Stewart
    28. Foxy Lady Jimi Hendrix
    29. Freddy’s Dead Curtis Mayfield
    30. Free Falling Tom Petty
    31. Georgia On My Mind Ray Charles
    32. Give Up The Funk Chairs The Roof Off The Sucker Parliament
    33. Glory Days Bruce Springsteen
    34. I Can’t Help Myself Sugar Pie Honey Bunch The Four Tops
    35. I Still Haven’t Found What I Was Looking For You 2
    36. I Walk The Line Johnny Cash
    37. I’m Hoochie Choohie Man Muddy Waters
    38. Imagine John Lennon Then Plastic Ono Band
    39. Isn’t She Lovely Stevie Wonder
    40. It’s In The Way You Use It Eric Clapton
    41. It’s Too Late Carole King
    42. Just My Imagination Running Away From Me The Temptations
    43. Kashmir Led Zeppelin
    44. Landslide Fleetwood Mac
    45. Lay Lady Lay Bob Dylan
    46. Like A Prayer Madonna
    47. Living In America James Brown Losing My Religion R.E.M.
    48. Love Walks In Van Halen
    49. Lust For Life Iggy Pop
    50. Man In The Mirror Michael Jackson
    51. Me And Bobby Mcgee Janis Joplin
    52. Midnight Train At Georgia Gladys Knights And The Pips
    53. Money Pink Floyd
    54. Moondance Van Morrison
    55. Naima John Coltrane
    56. You Make Me Feel Like A Natural Woman Aretha Franklin
    57. Never Say Goodbye The Jackson Jackson 5 Night Fever The Bg’s
    58. The Night They Drove Old Dixie Down The Band
    59. 1999 Prince
    60. No Particular Place To Go, Chuck Berry,
    61. Ol 55 Tom Waits
    62. Only The Lonely You Know The Way I Feel Roy Orbison
    63. Oya Como Va Santana
    64. Peggy Sue Buddy Holly
    65. Proud Mary Ike And Tina Turner
    66. Pin Ball Wizzard The Who
    67. Pride And Joy Stevie Ray Vaughan
    68. Rambling Man Allman Brothers Band
    69. Reeling In The Years Steely Dan
    70. Rock The Casbash The Clash
    71. Ruby Tuesday The Rolling Stones
    72. September Earth Wind And Fire
    73. Silly Love Songs Paul Mccartney
    74. Sitting On The Dock Of The Bay Otis Redding
    75. The Sound Of Silence Simon And Garfield
    76. Sweet Emotions Aerosmith
    77. Sweet Home Chicago Robert Johnson
    78. Sweet Jane Velvet Underground
    79. Teach Your Children Crosby, Stills, Nash And Young
    80. The Tears Of A Clown Smokey Robinson And The Miracles
    81. 3 Little Birds Bob Marley
    82. The Thrill Is Gone B.B. King
    83. Tired Of Being Alone Al Green
    84. Touch Of Grey Grateful Dead
    85. Turn Turn Turn To Everything There’s This Season The Byrds
    86. Tutti Fruity Little Richard
    87. We Will Rock You Queen
    88. Working In The Coal Mine Devo
    89. Wouldn’t It Be Nice The Beach Boys
    90. You Can’t Hurry Love Diana Ross And The Supremes
    91. Young Americans David Bowie

    Bach Two and Three Part Inventions

    1. 1 In C
    2. 2 IN E Flat
    3. 3 In D
    4. 4 In E Flat  Major
    5. 5 In E Flat
    6. 6 In E
    7. 7 In B Minor
    8. 8 In F
    9. 9 In A Flat
    10. 10 In G
    11. 11 In G Minor
    12. 12 In A
    13. 13 In C
    14. 14 In B Flat
    15. 15 In D
    16. 16 Sinfonia 1 In C
    17. 17 Sinfonia 2 In C Minor
    18. 18 Sinfonia 3 In D
    19. 19 Sinfonia 4 In D Minor
    20. 20 Sinfonia 5 In E Flat
    21. 21 Sinfonnia 6 In E
    22. 22 Sinfonia 7 In G
    23. 23 Sinfonia 8 In F
    24. 24 Sinfonia 9 In F Minor
    25. 25 Sinfonia 10 In G
    26. 26 Sinfonia In G Minor
    27. 27 Sinfonia 12 In A
    28. 28 Sinfonia 13 In C
    29. 29 Sinfonia 14 In B Flat
    30. 30 Sinfonia 15 In F

    Blues Standards

    1. All Your Love (I Miss Loving)
    2. Baby Please Don’t Go
    3. Baby, What You Want Me To Do
    4. Back Door Man
    5. Bluebird
    6. Blues Before Sunrise
    7. Blues With A Feeling
    8. Boogie Chillen No. 2
    9. Caledonia
    10. Checkin’ Up On My Baby
    11. Confessin’ The Blues
    12. Crossroads
    13. Everyday (I Have The Blues)
    14. Evil (Is Going On)
    15. Five Long Years
    16. Going Down Slow
    17. Good Morning Little Schoolgirl
    18. Help Me
    19. Honest I Do
    20. How Long, How Long Blues
    21. I Believe I’ll Dust My Broom
    22. I Can’t Quit You Baby
    23. I’m A Man
    24. I’m A Steady Rollin’ Man
    25. I’m Gonna Move On The Outskirts Of Town
    26. I’m Ready
    27. I’m Your Hoochie Coochie Man
    28. It Hurts Me Too
    29. Key To The Highway
    30. Killing Floor
    31. Little Red Rooster
    32. Mean Old Frisco
    33. Mean Old World
    34. Mellow Down Easy
    35. Merry Christmas, Baby
    36. Milk Cow Blues
    37. My Babe
    38. Nobody Knows You When You’re Down And Out
    39. On The Road Again
    40. Please Send Me Someone To Love
    41. Ramblin’ On My Mind
    42. Reconsider Baby
    43. Rollin’ And Tumblin’
    44. Saint James Infirmary
    45. Louis Blues
    46. See See Rider
    47. Sitting On Top Of The World
    48. The Sky Is Crying
    49. Smokestack Lightning
    50. Spoonful
    51. Sweet Home Chicago
    52. Tain’t Nobody’s Biz-Ness If I Do
    53. The Thrill Is Gone
    54. Trouble In Mind
    55. Walkin’ Blues
    56. Wang Dang Doodle
    57. You Don’t Have To Go

    Duke Ellington Song Book

    1. Alabama Home
    2. Azure
    3. Birmingham Breakdown
    4. Black Butterfly
    5. Blip Blip
    6. Boy Meets Horn
    7. Brown Skin Gal In The Colico Gown
    8. Caravan
    9. Creole Love Call
    10. Come Sunday
    11. Day Dream
    12. Do Nothing Until You Hear From Me
    13. Doing The Crazy Walk
    14. Don’t Get Around Much Anymore
    15. Echoes Of Harlem
    16. Everything But You
    17. Five O Clock Drag
    18. Gal From Joes
    19. Gypsy With Out A Song
    20. I Got It Bad (And That Ain’t Good)
    21. Let A Song Go Out Of My Heart
    22. I Never Felt This Way Before
    23. I’m Just A Lucky So And So
    24. Riding On The Moon And Dancing On The Stars
    25. So In Love With You
    26. In A Sentimental Mood
    27. It Doesn’t Mean A Thing (If It Ain’t Got That Swing)
    28. Jeep In Jumping
    29. Lady In Blue
    30. Lost In Meditation
    31. Mood Indigo
    32. Paris Burning
    33. Please Forgive Me
    34. Prel;Ude To A Kiss
    35. Ring Dem
    36. Rocking My Rhtyim
    37. Satin Doll
    38. Solitude
    39. Something To Live For
    40. Sosphicated Lady
    41. Take The A Train

    Took a break from June to December as I had no piano available

    Bach WTC

    1. prelude and fugue 1
    2. prelude and fugue 2
    3. prelude and fugue 3
    4. prelude and fugue 4
    5. prelude and fugue 5
    6. prelude and fugue 6
    7. prelude and fugue 7
    8. prelude and fugue 8
    9. prelude and fugue 9
    10. prelude and fugue 10
    11. prelude and fugue 11
    12. prelude and fugue 12
    13. prelude and fugue 13
    14. prelude and fugue 14
    15. prelude and fugue 15
    16. prelude and fugue 16
    17. prelude and fugue 17
    18. prelude and fugue 18
    19. prelude and fugue 19
    20. prelude and fugue 20

    Eric Satie Three Gymnopies

    1. Eric Satie three  gymnopies 1
    2. Eric Satie three  gymnopies 2
    3. Eric Satie three  gymnopies 3

    Improvised Jake Blues

    24 Sonatas

    Haydn Sonatas

    1. Haydn
    2. Haydn 1
    3. Hyadn 2
    4. Haydn 3
    5. Haydn 4
    6. Haydn 5
    7. Haydn 6

    Mozart Sonatas

    1. Mozart 6
    2. Mozart 7
    3. Mozart 8
    4. Mozart 9
    5. Mozart 10

    When I finish the Sonata book, I will finish the WTC before turning back to Mozart and latter Beethoven. That should take me to the end of the year along with my music classes and compositions.

    Background on the Sonata form from Co-Pilot

    The sonata is one of the most enduring forms in classical music, evolving over centuries while maintaining its core structure and principles. Typically, a sonata is an instrumental work composed for one or two instruments, like piano, violin, or a duo (e.g., piano and cello). The term “sonata” derives from the Italian word sonare, meaning “to sound,” and it often refers to a piece designed for performance rather than singing.

    Typical Form of a Sonata

    The typical structure of a sonata follows a multi-movement design, often comprising three or four movements. Each movement has its own character and tempo. Here’s the typical layout:

    Sonatas can vary widely in style depending on the composer and era. For example, Classical sonatas by Haydn and Mozart tend to be more structured and graceful, whereas Beethoven pushed the form with bold ideas and emotional depth.

    First Movement: Sonata Form (Allegro)

    The typical structure of a sonata follows a multi-movement design, often comprising three or four movements. Each movement has its own character and tempo. Here’s the typical layout:

    Exposition: Themes are introduced, often with contrasting characters (e.g., lyrical vs. dramatic).

    Development: Themes are explored, modified, and combined, showcasing creativity and tension.

    Recapitulation: Themes return, generally staying close to their original presentation but often resolving earlier conflicts

    A lyrical, slower movement that contrasts the energetic first movement. It’s often contemplative or expressive.

    A lyrical, slower movement that contrasts the energetic first movement. It’s often contemplative or expressive.

    Sonatas can vary widely in style depending on the composer and era. For example, Classical sonatas by Haydn and Mozart tend to be more structured and graceful, whereas Beethoven pushed the form with bold ideas and emotional depth.

    Haydin Sonata

    Bold Played

    Difficulty 1:

    Hob. XVI:1 – C major

    Hob. XVI:5 – A major

    Hob. XVI:8 – G major

    Hob. XVI:G1 – G major

    Difficulty 1.5:

    Hob. XVI:2 – B-flat major

    Hob. XVI:3 – C major

    Hob. XVI:4 – D major

    Hob. XVI:6 – G major

    Hob. XVI:7 – C major

    Hob. XVI:9 – F major

    Hob. XVI:10 – C major

    Hob. XVI:11 – G major

    Hob. XVI:12 – A major

    Hob. XVI:13 – E major

    Hob. XVI:26 – A major

    Hob. XVI:43 – A-flat major

    Hob. XVI:Es2 – E-flat major

    Difficulty 2:

    Hob. XVI:20 – C minor

    Hob. XVI:27 – G major

    Hob. XVI:32 – B minor

    Hob. XVI:33 – D major

    Hob. XVI:34 – E minor

    Hob. XVI:35 – A major

    Hob. XVI:36 – C-sharp minor

    Hob. XVI:37 – D major

    Hob. XVI:38 – F major

    Hob. XVI:40 – G major

    Hob. XVI:42 – D major

    Hob. XVI:46 – A-flat major

    Hob. XVI:50 – C major

    Hob. XVI:51 – D major

     Mozart Sonatas

     Sonata No. 1, K. 279, C major – Beginner/Intermediate

    1. Sonata No. 2, K. 280, F major – Intermediate
    2. Sonata No. 3, K. 281, B-flat major – Intermediate
    3. Sonata No. 4, K. 282, E-flat major – Beginner/Intermediate
    4. Sonata No. 5, K. 283, G major – Intermediate
    5. 6. Sonata No. 6, K. 284, D major (“Dürnitz”) – Advanced
    6. Sonata No. 7, K. 309, C major – Intermediate
    7. Sonata No. 8, K. 310, A minor – Advanced
    8. Sonata No. 9, K. 311, D major – Intermediate/Advanced
    9. Sonata No. 10, K. 330, C major – Intermediate
    10. Sonata No. 11, K. 331, A major (“Alla Turca”) – Intermediate
    11. Sonata No. 12, K. 332, F major – Intermediate
    12. Sonata No. 13, K. 333, B-flat major – Intermediate/Advanced
    13. Sonata No. 14, K. 457, C minor – Advanced
    14. Sonata No. 15, K. 533/494, F major – Advanced
    15. Sonata No. 16, K. 545, C major (“Sonata Facile”) – Beginner
    16. Sonata No. 17, K. 570, B-flat major – Intermediate
    17. 18. Sonata No. 18, K. 576, D major (“The Hunt”) – Advanced

     

    Beethoven

     

    1. Sonata No. 1, K. 279, C major – Beginner/Intermediate
    2. Sonata No. 2, K. 280, F major – Intermediate
    3. Sonata No. 3, K. 281, B-flat major – Intermediate
    4. Sonata No. 4, K. 282, E-flat major – Beginner/Intermediate
    5. Sonata No. 5, K. 283, G major – Intermediate
    6. Sonata No. 6, K. 284, D major (“Dürnitz”) – Advanced
    7. Sonata No. 7, K. 309, C major – Intermediate
    8. Sonata No. 8, K. 310, A minor – Advanced
    9. Sonata No. 9, K. 311, D major – Intermediate/Advanced
    10. Sonata No. 10, K. 330, C major – Intermediate
    11. Sonata No. 11, K. 331, A major (“Alla Turca”) – Intermediate
    12. Sonata No. 12, K. 332, F major – Intermediate
    13. Sonata No. 13, K. 333, B-flat major – Intermediate/Advanced
    14. 1 Sonata No. 14, K. 457, C minor – Advanced Moonlight
    15. 1 Sonata No. 15, K. 533/494, F major – Advanced
    16. Sonata No. 16, K. 545, C major (“Sonata Facile”) – Beginner
    17. Sonata No. 17, K. 570, B-flat major – Intermediate
    18. Sonata No. 18, K. 576, D major (“The Hunt”) – Advanced
    19. No. 27, Op. 90, E minor
    20. No. 15, Op. 28, D major (“Pastorale”)
    21. No. 16, Op. 31 No. 1, G major
    22. No. 21, Op. 53, C major (“Waldstein”)
    23. No. 18, Op. 31 No. 3, E-flat major
    24. No. 14, Op. 27 No. 2, C-sharp minor (“Moonlight”)
    25. No. 22, Op. 54, F major
    26. No. 23, Op. 57, F minor (“Appassionata”)
    27. No. 17, Op. 31 No. 2, D minor (“Tempest”)
    28. No. 12, Op. 26, A-flat major
    29. No. 28, Op. 101, A major
    30. No. 29, Op. 106, B-flat major (“Hammerklavier”) (Most difficult)
    31. No. 30, Op. 109, E major
    32. No. 31, Op. 110, A-flat major
    33. No. 32, Op. 111, C minor

     

    The 25 Best Music Albums of 2024

     

     

     

     

     

    Substack

    https://open.substack.com/pub/jakecosmosaller/p/cosmos-music-played-2024?r=3i9lm&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true

    Medium

    View at Medium.com

    Wattpad

    Music Played 2024

    You just published Music Played 2024!

    Your story can be found here

    the end

     

     

     

     

     

     

     

  • Cosmos Music Played 2024

    Cosmos Music Played 2024

    Cosmos Music Played 2024

    Music Journal 2024

    https://wp.me/p7NAzO-3gn

    piano jpg
    piano jpg

    Composergarynoland – Composition Lessons, Music, Piano

     

    piano
    piano

    Playing the PIano at the End of Time

     

    Cosmos Music Played 2024

    Cosmos Movies TV Programs 2024 List

    Cosmos’s Music Journal 2023

    Cosmos’s Music Play List 2018

    Reigniting My Passion for Piano

    Over the last year, I’ve reignited my passion for playing the piano. Music has always been a significant part of my life, and returning to it daily has been incredibly rewarding. Here’s a glimpse into my musical journey, goals for the year, and strategies to achieve them.

    My Musical Journey: I took piano lessons from first grade until I graduated from college. While in high school, I wrote a string quartet, piano sonata, flute sonata, and the first movement of a symphony. The string quartet and flute sonatas were performed at a concert honoring Berkeley gifted young people. I majored in music composition at Cal State Hayward and Oberlin but changed my major to political science and psychology at the University of the Pacific after some academic struggles. I played the piano daily from 1972 to 1984, and from 1988 to 2016, when I retired. From 2000 to 2003, I resumed writing music and composed five or six pieces. In 2021, I resumed playing the piano. This past year, I played daily until June when I took a six-month break as I did not have access to a piano. I will continue playing daily until June and, while in the States, will rent a piano to ensure I can keep practicing. Later in the year, I will buy a MIDI cable, and Sibelius music composition software and resume writing music posting one piece per month.

    Goals for 2024:

    1. Daily Practice: Dedicate one hour per day to piano practice.
    2. Mastering Sonatas: Work my way through Mozart and Beethoven Sonatas. Purchase new music, including Funk classics, Jazz, and Rock standards.
    3. Music Education: Take music theory and composition courses.
    4. Equipment Upgrade: Buy a MIDI cable and download Sibelius to learn music writing.
    5. Composition: Rewrite music I composed in high school and aim to write one piece per month to post on my blog.
    6. Piano Access: Buy or rent a piano while in the States.

    Strategy:

    • Self-Teaching: Utilize YouTube tutorials to learn the fundamentals of music writing and take online music theory courses.
    • Piece Analysis: Review each piece before playing, noting high and low notes, key signatures, and changes. Create cheat sheets for ornamentations such as turns and mordents.
    • Separate Hand Practice: For Bach pieces, practice each hand separately before playing together.
    • Listening and Learning: Listen to the music on YouTube before attempting to play.

    Rediscovering Mozart and Beethoven: My journey through the piano books will culminate in conquering Mozart and Beethoven’s Sonatas. I recently played my first Mozart Sonata and, to my surprise, did not do too badly. I plan to revisit it next year after completing my initial piano books.

    Ode to My Pianos: Ever since I was a young lad, I dreamt of being a professional piano player. Though that dream may never come true, my love for the instrument remains unwavering. At 70, I now play my Roland 88 piano almost every day, delighting in the creative ways I interpret the classics.

    Learning to Play the Piano Leads to a Career in Music: Buying a new piano and music software allowed me to practice nightly. Angela’s weekly piano lessons helped me master pieces, and I even joined a jazz band, the Diplomatic Jazz Ensemble. We released an album that gained unexpected popularity, leading me to retire from the Foreign Service and pursue a career as a studio musician and composer in San Francisco.

    How to Re-Learn to Play the Piano: Returning to piano after a hiatus involves picking a series of beginner to intermediate books, analyzing each piece, and practicing with a structured approach. Concentrating on accuracy and rhythm, I aim to play three to five pieces daily, gradually increasing my speed.

    Piece List: Here’s what I’ve played recently:

    1. Carl Philipp Emanuel Bach – Allegro
    2. Joseph Haydn – Andantino
    3. Joseph Haydn – Scherzo in F
    4. Mozart – Rondo in C
    5. Beethoven – Bagatelle in C
    6. Beethoven – Ecossaise in G
    7. Joseph Haydn – Seven German Dances 1-7 and Coda
    8. Carl Maria von Weber – Ecossaise in G major
    9. Jacob Schmitt – Sonatina in C
    10. Joseph Nepomuk Hummel – Bagatelle

    Alzheimer’s Prevention: I believe that playing music, learning languages, and engaging in mental games are excellent ways to ward off dementia and Alzheimer’s. Given my increased risk, I’ve committed to daily piano practice, studying Korean, and engaging in creative writing and blogging as part of my prevention strategy.

    Encouragement to Aspiring Musicians: To those nearing retirement and considering resuming an instrument, I encourage you to go for it. The rewards are immeasurable.

    For more details, visit my webpage: The World According to Cosmos – On Playing Mozart Sonatas.

    Embrace the joy of music and make it a part of your daily life!

    Piano Playing  3-7-5

     

    piano

    playing my keyboards daily

    I am getting better

     

    Ode to My Pianos

     

    Ever since I was a young lad

    I wanted to play the piano

    Had delusions I could be

    A professional piano player.

     

    But alas that was not my fate

    I had four pianos in my life

    Most recently I bought a Rolland 88 piano

    And play it almost every day.

     

    And now at age 70

    I am finally getting fairly good

    But I know that my dream

     

    Of being a professional piano player.

    Will never come true

    But that is okay.

     

    As I stumble my way through my music

    Mutilating Bach, Beethoven, Blues Standards,

    Mozart and so many others

    In creative ways never heard before.

     

    I think that their spirits

    Will understand

    And be amused and laughing

    And not be too hurt

    By my attempts.

     

    An object

    Write a poem about any object which you love the most let it be perfume,books,etc.

    The list

    Korean Light Classical Set

    1. Chopin Piece
    2. Beethoven Disco For Eliza
    3. Apartment
    4. Verglis Mein Nicht
    5. Malguenia
    6. Disco City
    7. Io Ti Daro Di Piu
    8. Dark Eye Boogie Woman
    9. El Bimbo
    10. Rumba Rhapsody
    11. Korean Song Book
    12. Ganadiri
    13. Nununhannuri
    14. Moknochuchang
    15. Babo
    16. Sarang
    17. Ayaohchmari
    18. Chackunlabi
    19. Changelog
    20. Hangku
    21. Kudaeyae
    22. Laegaedo Saranoi
    23. Miwoimiwoimiwoi
    24. Baramireoo
    25. Sarangsarangnuka Milhaeni
    26. Bayayae
    27. Yet Siinuilorae
    28. Chrumomoichukkae
    29. Ku Saram
    30. Biramchoram Nakyomchorum
    31. Saransuron Kudae
    32. Sarangiyo

    100 Greatest Hits

    1. Ain’t No Mountain High Enough Marvin Gaye
    2. All Blues Nailed It, Miles Davis,
    3. All Day All The Night The Kinks
    4. All My Loving The Beatles
    5. Anarchy In The UK -Really Rocked Out With This One Sex Pistols
    6. And She Was Talking Heads
    7. Back On The Chain Gang Pretenders
    8. Bad Moon Rising Creedence Clearwater Revival Nailed It
    9. Badge Cream
    10. Being A Gong Get It On T Rex
    11. Beth Kiss
    12. Blueberry Hill Fats Domino Nailed It
    13. Bo Diddley Nailed It
    14. The Book Of Love Peter Gabriel
    15. Both Sides Now Joni Mitchel
    16. California Sun Ramones
    17. Can’t Help Falling In Love Elvis Presely
    18. Candle In The Wind Elton John
    19. Chain Gang Nailed It Nirvana
    20. Desperado Eagles
    21. Every Little Thing She Does Is Magic The Police
    22. Everyday I Write The Book Elvis Costello
    23. Everyday People Sly And The Family Stone
    24. Feeling Alright Traffic
    25. Fields Of Gold Sting
    26. 50 Ways To Leave Your Lover Paul Simon
    27. Forever Young Rod Stewart
    28. Foxy Lady Jimi Hendrix
    29. Freddy’s Dead Curtis Mayfield
    30. Free Falling Tom Petty
    31. Georgia On My Mind Ray Charles
    32. Give Up The Funk Chairs The Roof Off The Sucker Parliament
    33. Glory Days Bruce Springsteen
    34. I Can’t Help Myself Sugar Pie Honey Bunch The Four Tops
    35. I Still Haven’t Found What I Was Looking For You 2
    36. I Walk The Line Johnny Cash
    37. I’m Hoochie Choohie Man Muddy Waters
    38. Imagine John Lennon Then Plastic Ono Band
    39. Isn’t She Lovely Stevie Wonder
    40. It’s In The Way You Use It Eric Clapton
    41. It’s Too Late Carole King
    42. Just My Imagination Running Away From Me The Temptations
    43. Kashmir Led Zeppelin
    44. Landslide Fleetwood Mac
    45. Lay Lady Lay Bob Dylan
    46. Like A Prayer Madonna
    47. Living In America James Brown Losing My Religion R.E.M.
    48. Love Walks In Van Halen
    49. Lust For Life Iggy Pop
    50. Man In The Mirror Michael Jackson
    51. Me And Bobby Mcgee Janis Joplin
    52. Midnight Train At Georgia Gladys Knights And The Pips
    53. Money Pink Floyd
    54. Moondance Van Morrison
    55. Naima John Coltrane
    56. You Make Me Feel Like A Natural Woman Aretha Franklin
    57. Never Say Goodbye The Jackson Jackson 5 Night Fever The Bg’s
    58. The Night They Drove Old Dixie Down The Band
    59. 1999 Prince
    60. No Particular Place To Go, Chuck Berry,
    61. Ol 55 Tom Waits
    62. Only The Lonely You Know The Way I Feel Roy Orbison
    63. Oya Como Va Santana
    64. Peggy Sue Buddy Holly
    65. Proud Mary Ike And Tina Turner
    66. Pin Ball Wizzard The Who
    67. Pride And Joy Stevie Ray Vaughan
    68. Rambling Man Allman Brothers Band
    69. Reeling In The Years Steely Dan
    70. Rock The Casbash The Clash
    71. Ruby Tuesday The Rolling Stones
    72. September Earth Wind And Fire
    73. Silly Love Songs Paul Mccartney
    74. Sitting On The Dock Of The Bay Otis Redding
    75. The Sound Of Silence Simon And Garfield
    76. Sweet Emotions Aerosmith
    77. Sweet Home Chicago Robert Johnson
    78. Sweet Jane Velvet Underground
    79. Teach Your Children Crosby, Stills, Nash And Young
    80. The Tears Of A Clown Smokey Robinson And The Miracles
    81. 3 Little Birds Bob Marley
    82. The Thrill Is Gone B.B. King
    83. Tired Of Being Alone Al Green
    84. Touch Of Grey Grateful Dead
    85. Turn Turn Turn To Everything There’s This Season The Byrds
    86. Tutti Fruity Little Richard
    87. We Will Rock You Queen
    88. Working In The Coal Mine Devo
    89. Wouldn’t It Be Nice The Beach Boys
    90. You Can’t Hurry Love Diana Ross And The Supremes
    91. Young Americans David Bowie

    Bach Two and Three Part Inventions

    1. 1 In C
    2. 2 IN E Flat
    3. 3 In D
    4. 4 In E Flat  Major
    5. 5 In E Flat
    6. 6 In E
    7. 7 In B Minor
    8. 8 In F
    9. 9 In A Flat
    10. 10 In G
    11. 11 In G Minor
    12. 12 In A
    13. 13 In C
    14. 14 In B Flat
    15. 15 In D
    16. 16 Sinfonia 1 In C
    17. 17 Sinfonia 2 In C Minor
    18. 18 Sinfonia 3 In D
    19. 19 Sinfonia 4 In D Minor
    20. 20 Sinfonia 5 In E Flat
    21. 21 Sinfonnia 6 In E
    22. 22 Sinfonia 7 In G
    23. 23 Sinfonia 8 In F
    24. 24 Sinfonia 9 In F Minor
    25. 25 Sinfonia 10 In G
    26. 26 Sinfonia In G Minor
    27. 27 Sinfonia 12 In A
    28. 28 Sinfonia 13 In C
    29. 29 Sinfonia 14 In B Flat
    30. 30 Sinfonia 15 In F

    Blues Standards

    1. All Your Love (I Miss Loving)
    2. Baby Please Don’t Go
    3. Baby, What You Want Me To Do
    4. Back Door Man
    5. Bluebird
    6. Blues Before Sunrise
    7. Blues With A Feeling
    8. Boogie Chillen No. 2
    9. Caledonia
    10. Checkin’ Up On My Baby
    11. Confessin’ The Blues
    12. Crossroads
    13. Everyday (I Have The Blues)
    14. Evil (Is Going On)
    15. Five Long Years
    16. Going Down Slow
    17. Good Morning Little Schoolgirl
    18. Help Me
    19. Honest I Do
    20. How Long, How Long Blues
    21. I Believe I’ll Dust My Broom
    22. I Can’t Quit You Baby
    23. I’m A Man
    24. I’m A Steady Rollin’ Man
    25. I’m Gonna Move On The Outskirts Of Town
    26. I’m Ready
    27. I’m Your Hoochie Coochie Man
    28. It Hurts Me Too
    29. Key To The Highway
    30. Killing Floor
    31. Little Red Rooster
    32. Mean Old Frisco
    33. Mean Old World
    34. Mellow Down Easy
    35. Merry Christmas, Baby
    36. Milk Cow Blues
    37. My Babe
    38. Nobody Knows You When You’re Down And Out
    39. On The Road Again
    40. Please Send Me Someone To Love
    41. Ramblin’ On My Mind
    42. Reconsider Baby
    43. Rollin’ And Tumblin’
    44. Saint James Infirmary
    45. Louis Blues
    46. See See Rider
    47. Sitting On Top Of The World
    48. The Sky Is Crying
    49. Smokestack Lightning
    50. Spoonful
    51. Sweet Home Chicago
    52. Tain’t Nobody’s Biz-Ness If I Do
    53. The Thrill Is Gone
    54. Trouble In Mind
    55. Walkin’ Blues
    56. Wang Dang Doodle
    57. You Don’t Have To Go

    Duke Ellington Song Book

    1. Alabama Home
    2. Azure
    3. Birmingham Breakdown
    4. Black Butterfly
    5. Blip Blip
    6. Boy Meets Horn
    7. Brown Skin Gal In The Colico Gown
    8. Caravan
    9. Creole Love Call
    10. Come Sunday
    11. Day Dream
    12. Do Nothing Until You Hear From Me
    13. Doing The Crazy Walk
    14. Don’t Get Around Much Anymore
    15. Echoes Of Harlem
    16. Everything But You
    17. Five O Clock Drag
    18. Gal From Joes
    19. Gypsy With Out A Song
    20. I Got It Bad (And That Ain’t Good)
    21. Let A Song Go Out Of My Heart
    22. I Never Felt This Way Before
    23. I’m Just A Lucky So And So
    24. Riding On The Moon And Dancing On The Stars
    25. So In Love With You
    26. In A Sentimental Mood
    27. It Doesn’t Mean A Thing (If It Ain’t Got That Swing)
    28. Jeep In Jumping
    29. Lady In Blue
    30. Lost In Meditation
    31. Mood Indigo
    32. Paris Burning
    33. Please Forgive Me
    34. Prel;Ude To A Kiss
    35. Ring Dem
    36. Rocking My Rhtyim
    37. Satin Doll
    38. Solitude
    39. Something To Live For
    40. Sosphicated Lady
    41. Take The A Train

    Took a break from June to December as I had no piano available

    Bach WTC

     

    1. prelude and fugue 1
    2. prelude and fugue 2
    3. prelude and fugue 3
    4. prelude and fugue 4
    5. prelude and fugue 5
    6. prelude and fugue 6

    Eric Satie Three Gymnopies

    1. Eric Satie three  gymnopies 1
    2. Eric Satie three  gymnopies 2
    3. Eric Satie three  gymnopies 3

    Improvised Jake Blues

    24 Sonatas

    Haydn Sonatas

    1. Haydn
    2. Haydn 1
    3. Hyadn 2
    4. Haydn 3
    5. Haydn 4
    6. Haydn 5
    7. Haydn 6

    Mozart Sonatas

    1. Mozart 6
    2. Mozart 7
    3. Mozart 8
    4. Mozart 9
    5. Mozart 10

    when I finish the Sonata book, I will finish the WTC before turning back to Mozart and latter Beethoven. That should take me to the end of the year along with my music classes and compositions.

    Substack

    https://open.substack.com/pub/jakecosmosaller/p/cosmos-music-played-2024?r=3i9lm&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true

    Medium

    View at Medium.com

    Wattpad

    Music Played 2024

    You just published Music Played 2024!

    Your story can be found here

    the end

     

     

     

     

     

  • Ode to The Tower of Power -Greatest Funk Band of All Time

    Ode to The Tower of Power -Greatest Funk Band of All Time

    https://wp.me/p7NAzO-36E

    Ode to The Tower of Power -Greatest Funk Band of All Time

    Ode to the Tower of Power – The Greatest Funk Band of All Time

     

     

     

     

     

    The Tower of Power is the greatest funk band of all time. They got their start in Oakland, California in 1968 and have playing funk music ever since. They released over 50 albums and still go on tour everywhere.  They have the best horn section in the world. They are my favorite band. Many musicians have played with them over the years.  Their greatest hits include the classic make-out song, “You’r Still a Youn Man” and “What is Hip.”  They know what hip is.

    Enjoy

     

     

     

     

     

     

    T

     

     

     

     

     

    Tower of Power

    Index

    Tower of Power Palindrome

    Our Musical Street

    “Street Party”
    Ode to the Tower of Power

    Frank Zappa and Tower of Power Tour Together

    Tower of Power Senryu

    Tower of Power Palindrome

    Music
    Soul music
    Funky music
    The Tower of Power
    Fill the air
    The Tower of Power
    Funky music
    Soul music
    Music.

    Our Musical Street

    30 lines

    I grew up
    In a very creative time
    a very musical time.

    The 60’s had the best music
    Mot ruled the Bay Area
    As well as Great rock music

    Acid jazz
    Acid Rock
    Fusion Jazz
    The Grateful Dead
    Mamas and the Papas
    Jefferson Airplane
    Jimmy Hendrix
    last high school
    was Berkeley High School
    Santana

    And so many others

    The best funk band
    Of them all

    Tower of Power
    Beloved by all
    High school students.

    For their immortal classic
    Make out song
    You’re still a Young Man.

    Tower of Power rocked
    Every party in town
    On every street.

    Music flowed.
    On every musical street
    In the city.

    That was Berkeley
    In the 60’s and 70’s.

    Tower of Power Senryu

     

    tower of power

    the best funk band of all time

    they know what is hip

    Street Party”

    Many years ago
    In the Berkeley and Oakland
    In the East bay, back in the day
    In the fabled 60s, early 70s.

    There were often legendary pop-up
    Flash mob type impromptu street parties
    Where everyone gathered around
    Digging the scene and each other.

    Drinking, smoking weed
    Jiving, flirting, dancing
    Getting down to the sweet sound
    Of Tower of Power and Motown.

    Whites, blacks, Asians, Hispanics
    Men, women, and those in-between
    Gays, straight
    Young, old, middle age

    It did not matter
    Everything was everything
    Everything was cool.
    It was all good.

    It was all cool back in the day
    An interracial gathering
    Of shared humanity,
    Just celebrating life.

    But this was before
    Guns became so common
    Before things got so violent
    And evil s… became the norm

    Back in the day
    It was a peaceful happening
    A true love fest
    Those days are so yesterday.

    Nowadays, people are afraid
    A street party festival
    Will end up guns blazing wild west style
    The festival will end up with many people
    Going to an early grave.

    “Ode to the Tower of Power” on FanStory1: This piece celebrates the band’s incredible horn section, guitar players, keyboard players, drummers, and singers. It highlights iconic songs like “What Is Hip?” and “You’re Still a Young Man.”

    Ode to the Tower of Power

    Ode to the Tower of Power

    The greatest funk band

    There ever was

     

    You are the epitome

    Of funk and soul music

     

    The very definition of funk

     

    Multi-racial

    Multi-cultural

    Multi-talented

    Mutli-gendered

     

    The best horn section

    In the universe

     

    Just sublime

     

    Formed in the East Bay

    In the turbulent 60s

    Playing that funky music

    For almost 50 years

     

    Their love song

    You’re still a young man

    Is perhaps the greatest

    make out song

    Of all times

     

    The first song

    I slowed danced to

    Back in high school

     

    A song I played

    To seduce my wife

     

    I wonder how many babies

    Were conceived because

    Of this classic soul song.

     

    Another classic song

    What is hip

    Which poised

    An unanswered question

     

    And inspired this triolet

     

    What is love, tell me if you know

    Love is what it is

    Do you know what love is, Joe?

    What is love, tell me if you know

    And how can you make it grow?

    Madness is what it does

    What is love, tell me if you know

    Love is what it is

     

    The tower of Power

    No doubt

     

    Will still be playing

    That funky music

    White boy

     

    A hundred years

    From now

     

    For funk

    Will never die

     

    For once you get funk

    In your soul baby

     

    You can never go back

    To boring vanilla

    white boy music

     

    because you got soul, now.

    Because you got

    That soul vaccination baby

     

    And need to go

    Down to the night club

     

    And play that funky music

    White boy

    Until the day you die.

    https://youtu.be/SN8pWdZhVaM

    Lyrics

    You’re still a young man, baby
    Whoo-ooh, don’t waste your time
    You’re still a young man, baby
    Whoo-ooh, don’t waste your timeDown on my knees,
    Heart in hand
    I was accused of being too young,
    But I’m not so youngCan’t you understand
    That I think like a man?
    You’re still a young man, baby
    Whoo-ooh, don’t waste your timeYou’re still a young man, baby
    Whoo-ooh, don’t waste your time
    Back once again,
    Begging you pleaseDarling, think twice about me,
    ‘Cause I’m not so bad
    I could make you happy,
    I’m not a mad lad

    (You’re too young to love)
    If you and I could be together
    (You’re too young to love)
    I’d get to you through any weather

    (You’re too young to love)
    I love you and I love you only

    (You’re too young to love)
    I’d never leave you lonely
    You’re too young, whoo-ooh,
    Don’t waste your time

    The damage is done,
    You’ll see that you’re wrong
    You’ll wake up wondering
    Just how well I’ve done

    Well, I’ve done all right
    Yes, there are some girls
    But you know I’d drop them on sight,
    Just for you

    Because I love you
    You’re still a young man, baby
    Whoo-ooh, don’t waste your time…

    Songwriters: Stephen Kupka, Emilio Castillo
    For non-commercial use only.
    Data from:Musixmatch

    What Is Hip?

    Song by

    So you wanna jump out yo trick bag,
    Ease on into a hip bag.
    But you ain’t just exactly sure what’s hip.
    So you start to let your hair grow.
    Spent big bucks on your wardrobe.
    But somehow you know there’s much more to the trip.
    What is hip? Tell me tell me, if you think ya know.
    What is hip? And if you’re really hip, the passing years will show,
    You into a hip trip, maybe hipper than hip.
    But what is hip?
    So you became part of the new breed.
    Been smoking only the best weed.
    Hanging out with so-called hippest set.
    Been seen in all the right places,
    Seen with just the right faces.
    You should be satisfied,
    But still it ain’t quite right.
    What is hip? Tell me tell me if you think you know.
    What is hip? And if you’re really hip.
    The passing years would show,
    You into a hip trip, maybe hipper than hip.
    What is hip?
    Hipness is
    what it is!
    Hipness is
    what it is!
    Hipness is
    what it is!
    Sometimes hipness is what it ain’t!
    You done went and found you a guru,
    In an effort to find you a new you.
    And maybe even managed to raise your conscience level.
    As you’re striving to find the right road,
    There’s one thing you should know:
    What’s hip today might become passe’.
    What is hip? Tell me tell me if you think you know.
    What is hip? And if you’re really hip, the passing years would show
    That you into a hip trip. Maybe hipper than hip.
    WHAT IS HIP?
    Think about it y’all!

    Co-Pilot provided background information

    Tower of Power is an American R&B and funk-based band and horn section, originating in Oakland, California, that has been performing since 19681. The band has had several lead vocalists, the best known being Lenny Williams, who fronted the band between early 1973 and late 1974, the period of their greatest commercial success1. They have had eight songs on the Billboard Hot 100; their highest-charting songs include “You’re Still a Young Man”, “So Very Hard to Go”, “What Is Hip?”, and “Don’t Change Horses (in the Middle of a Stream)”1.

    The band was formed by tenor saxophonist/vocalist Emilio Castillo and baritone saxophonist Stephen “Doc” Kupka in 19681. The band’s soul sound appealed to both minority and counterculture listeners1. The band’s name was changed to Tower of Power after they agreed that their original name, The Mots, would not help them play at Bill Graham’s Fillmore Auditorium in San Francisco1.

    Tower of Power has released 31 albums, including 15 studio albums, 5 live albums, and 11 compilations1. Their most recent album, “Step Up”, was released in 20202.

    Here is a list of some of their most popular songs:

    “You’re Still a Young Man”
    “So Very Hard to Go”
    “What Is Hip?”
    “Don’t Change Horses (in the Middle of a Stream)”
    “Soul Vaccination”
    “This Time It’s Real”
    “Time Will Tell”
    “Only So Much Oil in the Ground”

    “Ode to the Tower of Power” on FanStory1: This piece celebrates the band’s incredible horn section, guitar players, keyboard players, drummers, and singers. It highlights iconic songs like “What Is Hip?” and “You’re Still a Young Man.”

     

    What Is Hip Lyrics

    [Verse 1]

    So ya wanna dump out yo’ trick bag
    Ease on in a hip thang
    But you ain’t exactly sure what is hip
    So you started to let your hair grow
    Spent big bucks on your wardrobe
    Somehow, ya know there’s much more to the trip

    [Chorus]
    What is hip?
    Tell me, tell me, if you think you know
    What is hip?
    If you’re hip
    The question, “Will it show?”
    You’re into a hip trip
    Maybe hipper than hip
    What is hip?
    [Verse 2]
    You became a part of a new breed
    Been smoking’ only the best weed
    Hangin’ out with the so-called “Hippie set.”
    Seen in all the right places
    Seen with just the right faces
    You should be satisfied, but it ain’t quite right

    [Chorus]
    What is hip?
    Tell me, tell me, if you think you know
    What is hip?
    If you’re hip
    The question, “Will it show?”
    You’re into a hip trip
    Maybe hipper than hip
    What is hip?

    [Break]
    Come on

    [Refrain]
    Hipness is. What it is
    Hipness is. What it is
    Hipness is. What it is
    Sometimes hipness is, what it ain’t

     

     

     

    “A Summer Night to Remember” on FanStory2: This story reminisces about a memorable night and emphasizes the impact of Tower of Power’s music, particularly their best songs.

    I hope these are helpful! Do you have any other specific themes or bands you’d like to explore in your writing?

    1fanstory.com2fanstory.com3poemhunter.c

    Frank Zappa

    Frank Zappa was one of my favorite musician of all time. He died way too soon.  I would love to have seen him mock Donald Trump.  There is no evidence that Frank Zappa and the Tower of Power ever met but if they had it would have been pure musical magic as depicted in the following Ode to both bands.

    Frank Zappa and Tower of Power Tour Together

    40 lines

    When two great artists meet
    Magic often happens.

    One day back in the day
    Frank Zappa met the members
    Of the Tower of Power
    The greatest funk band
    Of all time,

    Joe Dassin played the sax
    For the Tower of Power
    And was a big Zappa fiend.

    Toto Cotugno played the drums
    For Zappa and was a big
    Tower of power fan.

    Having grown up
    In Berkeley
    Grooving to the
    Tower of Power
    Funk sounds.

    Joe and Toto were friends
    From back in the day
    At Berkeley High School.

    Where they got their start
    Playing in the BHS jazz band
    The best high school jazz band
    In the Bay Area.

    And one night they decided
    To approach the band’s leaders
    To propose a joint tour that summer.

    To Joe and Toto’s great surprise
    Frank Zappa was into
    The Tower of Power
    And Doc the lead sax player
    Was a big Zappa head.

    And the tour was on.
    It started in late September
    During the l’ete indien (the Indian summer)
    And ending on New Year’s Eve.

    Uniting two
    Of the great seminal bands
    Of the late 70’s California music scene.

    When two great artists meet

    and use somewhere in your poem or story:

    Joe Dassin

    Toto Cotugno

    l’été indien (the Indian Summer)

    and make your genre: Music

    For those who don’t know about these two great bands(that never played together in real life as far as I know), they knew about each other as Tower of Power was based in Oakland, and Zappa was based in LA and they started the same time more or less.
    The Berkeley High School Jazz Band was and is one of the best high school Jazz bands in the Bay Area and many musicians got their start playing in the Band including a number of Tower of Power musicians and the Band Green Day.
    I asked CO-Pilot for background info:
    Tower of Power

    please provide background information on the Band Tower of Power including a list of their albums and their musical influences
    Sent by Copilot:
    Tower of Power is an American R&B and funk band that originated in Oakland, California, in 1968. Known for their powerful horn section and tight rhythm, they have been a significant influence in the genres of soul, funk, and jazz-funk12.
    Background
    The band was formed by Emilio Castillo and Stephen “Doc” Kupka. Initially called “The Motowns,” they changed their name to Tower of Power to better reflect their unique sound1. Over the years, they have had numerous members, with notable lead vocalists including Lenny Williams, who led the band during their peak commercial success in the early 1970s1.
    Musical Influences
    Tower of Power’s sound is heavily influenced by artists such as James Brown, Otis Redding, Marvin Gaye, and Sam Cooke3. Their music blends elements of soul, funk, jazz, and rock, creating a distinctive style that has set them apart from other bands4.
    Albums
    Here’s a list of some of their notable albums:
    1. East Bay Grease (1970)
    2. Bump City (1972)
    3. Tower of Power (1973)
    4. Back to Oakland (1974)
    5. Urban Renewal (1975)
    6. In the Slot (1975)
    7. Ain’t Nothin’ Stoppin’ Us Now (1976)
    8. We Came to Play (1978)
    9. Back on the Streets (1979)
    10. Direct Plus! (1981)
    11. Monster on a Leash (1991)
    12. T.O.P. (1993)
    13. Souled Out (1995)
    14. Rhythm & Business (1997)
    15. Soul Vaccination: Tower of Power Live (1999)
    16. Oakland Zone (2003)
    17. Great American Soulbook (2009)
    18. Soul Side of Town (2018)
    19. Step Up (2020)
    20. 50 Years of Funk & Soul: Live at the Fox Theater, Oakland, CA, June 2018 (2021)5.
    Tower of Power continues to perform and record, maintaining their reputation as one of the most dynamic and enduring bands in the funk and soul genres.
    Do you have a favorite Tower of Power song or album? 🎷🎺
    1: Wikipedia 2: AllMusic 3: Off The Leash 4: Tower of Power Official Site 5: Bing Search
    1en.wikipedia.org2allmusic.com3offtheleash.band4towerofpower.com5bing.com6billboard.com7genius.com8en.wikipedia.org9allaboutjazz.com10discogs.com11genius.com12gettyimages.com+7 more

    . Tower of Power is an American R&B and funk band that originated in Oakland, California, in 1968. Known for their powerful horn section and tight rhythm, they have been a significant influence in the genres of soul, funk, and jazz-funk.

    Background

    The band was formed by Emilio Castillo and Stephen “Doc” Kupka. Initially called “The Motowns,” they changed their name to Tower of Power to better reflect their unique sound. Over the years, they have had numerous members, with notable lead vocalists including Lenny Williams, who led the band during their peak commercial success in the early 1970s.

    Musical Influences

    Tower of Power’s sound is heavily influenced by artists such as James Brown, Otis Redding, Marvin Gaye, and Sam Cooke. Their music blends elements of soul, funk, jazz, and rock, creating a distinctive style that has set them apart from other bands.

    Albums

    Here’s a list of some of their notable albums:

    1. East Bay Grease (1970)
    2. Bump City (1972)  My favorite
    3. Tower of Power (1973)
    4. Back to Oakland (1974)
    5. Urban Renewal (1975)
    6. In the Slot (1975)
    7. Ain’t Nothin’ Stoppin’ Us Now (1976)
    8. We Came to Play (1978)
    9. Back on the Streets (1979)
    10. Direct Plus! (1981)
    11. Monster on a Leash (1991)
    12. T.O.P. (1993)
    13. Souled Out (1995)
    14. Rhythm & Business (1997)
    15. Soul Vaccination: Tower of Power Live (1999)
    16. Oakland Zone (2003)
    17. Great American Soulbook (2009)
    18. Soul Side of Town (2018)
    19. Step Up (2020)
    20. 50 Years of Funk & Soul: Live at the Fox Theater, Oakland, CA, June 2018 (2021).

    Tower of Power continues to perform and record, maintaining their reputation as one of the most dynamic and enduring bands in the funk and soul genres.

     

    : [Wikipedia](https://en.wikipedia.org/wiki/Tower_of_Power)
    : [AllMusic](https://www.allmusic.com/artist/tower-of-power-mn0000013393)
    : [Off The Leash](https://www.offtheleash.band/about-tower-of-power)
    : [Tower of Power Official Site](https://towerofpower.com/tower-of-power-discography)
    : [Bing Search](https://bing.com/search?q=Tower+of+Power+albums) Message has links.

    :
    please provide background info on the musciain Frank Zappa including listing all of his albums

    Frank Zappa was an American musician, composer, and bandleader known for his eclectic and innovative approach to music. Born on December 21, 1940, in Baltimore, Maryland, Zappa’s career spanned more than three decades until his death on December 4, 19931.
    Background

    Zappa was largely self-taught and drew from a wide range of musical influences, including 20th-century classical composers like Edgard Varèse, Igor Stravinsky, and Pierre Boulez, as well as rhythm and blues, doo-wop, and jazz23. He was known for his satirical lyrics, complex compositions, and virtuosic guitar playing. Zappa’s work often challenged societal norms and pushed the boundaries of conventional music genres1.

    Musical Influences

    Zappa’s influences were incredibly diverse. He was deeply inspired by avant-garde classical composers, particularly Edgard Varèse, whose work had a profound impact on Zappa’s musical direction2. He also drew from the rich traditions of R&B and doo-wop, which can be heard in his early recordings with The Mothers of Invention3.

    Albums

    Frank Zappa was extraordinarily prolific, releasing 62 albums during his lifetime and an additional 67 posthumous albums, making a total of 129 albums as of June 202445. Here is a selection of some of his notable albums:

    1. Freak Out! (1966) – with The Mothers of Invention
    2. Absolutely Free (1967) – with The Mothers of Invention
    3. We’re Only in It for the Money (1968) – with The Mothers of Invention My favorite of his albums.
    4. Hot Rats (1969)
    5. Over-Nite Sensation (1973)
    6. Apostrophe (‘) (1974)
    7. One Size Fits All (1975) – with The Mothers of Invention
    8. Zoot Allures (1976)
    9. Sheik Yerbouti (1979)
    10. Joe’s Garage (1979)
    11. Shut Up ‘n Play Yer Guitar (1981)
    12. You Are What You Is (1981)
    13. Ship Arriving Too Late to Save a Drowning Witch (1982)
    14. The Man from Utopia (1983)
    15. Jazz from Hell (1986)
    16. Broadway the Hard Way (1988)
    17. The Yellow Shark (1993)
    18. Civilization Phaze III (1994) – posthumous
    19. The Lost Episodes (1996) – posthumous
    20. Funky Nothingness (2023) – posthumous

    Zappa’s discography is vast and varied, reflecting his relentless creativity and willingness to explore different musical landscapes.

    4: Wikipedia 1: Britannica 5: Bing Search 2: WRTI 3: Wikipedia
    1britannica.com2wrti.org3en.wikipedia.org4en.wikipedia.org5bing.com6discogs.com7wikiwand.com8loudersound.com9famouscomposers.net10guitarworld.com11gettyimages.com+6 more
    It seems there isn’t much documented evidence of direct collaboration or touring between Tower of Power and Frank Zappa. However, there are a few interesting connections:

    1. Frank Zappa’s Song “Bobby Brown”: In an interview, Zappa mentioned a device called the “Tower of Power” in the context of explaining the lyrics to his song “Bobby Brown”. This reference is unrelated to the band but shows Zappa’s playful use of language and cultural references.

    2. Radio Shows and Tributes: Both Tower of Power and Frank Zappa have been featured in various radio shows and tributes. For instance, a radio show called “Notes from the Jazz Underground” spotlighted both Zappa and Tower of Power in separate segments, highlighting their influential music.

    While they may not have worked together directly, both Tower of Power and Frank Zappa have left a significant mark on the music world with their innovative styles and contributions.

    It’s great to hear you’re a fan of both! Do you have a favorite album or song from either artist? 🎷🎸

    : [Reddit](https://www.reddit.com/r/Music/comments/ahkkz/frank_zappa_explains_the_lyrics_to…)
    : [NorCal Public Media](https://norcalpublicmedia.org/notes-from-the-jazz-underground/vintage-zappa-and-…) Message has links.

    tell me about the Berkeley High School Jazz band and what famous musicians got their start playing in that band

    The Berkeley High School Jazz Band is renowned for its rich history and significant contributions to the jazz world. The program has been a breeding ground for many prominent musicians, thanks to its strong emphasis on musical excellence and innovation.

    Background

    The jazz program at Berkeley High School began to take shape in the 1950s and 1960s under the direction of educators like Bob Lutt and Phil Hardymon1. The program gained further prominence with the support of Dr. Herb Wong, a jazz aficionado and educator who integrated jazz into the school’s curriculum1. Over the years, the program has continued to thrive, producing some of the best musicians in the jazz world.

    Notable Alumni

    Many famous musicians got their start in the Berkeley High School Jazz Band, including:

    Jim Davidson – my friend.

    Introducing Jim Davidson

    Jim Davidson Music

    More Jim Davidson Music

     

    • Joshua Redman: A celebrated saxophonist and bandleader, Redman is known for his improvisational skills and has released numerous acclaimed albums2.
    • Steven Bernstein: A talented trumpeter and bandleader, Bernstein has worked with a variety of artists and leads the band Sexmob2.
    • Benny Green: A renowned jazz pianist, Green has played with legends like Art Blakey and Betty Carter and has a successful solo career2.
    • Peter Apfelbaum: A multi-instrumentalist and composer, Apfelbaum formed the Hieroglyphics Ensemble while still at Berkeley High3.
    • Craig Handy: A respected saxophonist, Handy has performed with the Mingus Big Band and other notable jazz ensembles2.

    The Berkeley High School Jazz Band continues to be a significant force in jazz education, inspiring young musicians and contributing to the vibrant jazz community.

    1: BHS Jazz History 2: San Francisco Classical Voice 3: BHS Jazz Alumni
    1bhsjazz.org2sfcv.org3bhsjazz.org

    Green Day

    Green Day is an American punk rock band formed in 1987 in Rodeo, California, by lead vocalist and guitarist Billie Joe Armstrong and bassist Mike Dirnt. Drummer Tré Cool joined the band in 1990, solidifying the lineup that has remained largely unchanged1.

    Background

    Green Day emerged from the East Bay punk scene, particularly the 924 Gilman Street club in Berkeley, California1. They initially performed under the name “Sweet Children” before changing to Green Day. Their early work was released through the independent label Lookout! Records, with their debut album 39/Smooth coming out in 19901.
    Breakthrough and Success

    The band’s major breakthrough came with their third album, Dookie (1994), released through Reprise Records. The album was a massive success, selling over 10 million copies in the U.S. and bringing punk rock into the mainstream1. Following this, albums like Insomniac (1995), Nimrod (1997), and Warning (2000) continued to build their reputation, though they didn’t match the commercial success of Dookie1.

    In 2004, Green Day released American Idiot, a rock opera that resonated with a younger generation and sold six million copies in the U.S. The album’s success led to a Broadway adaptation, which won two Tony Awards1.

    Recent Work

    Green Day has continued to release music and tour extensively. Their recent albums include Revolution Radio (2016), Father of All Motherfuckers (2020), and Saviors (2024)1. The band remains influential in the punk rock genre and continues to attract a dedicated fan base.

    Side Projects

    Members of Green Day have also been involved in various side projects, including Pinhead Gunpowder, The Network, Foxboro Hot Tubs, The Longshot, and The Coverups1.

    Notable Albums

    Here are some of their key albums:

    1. 39/Smooth (1990)
    2. Kerplunk (1991)
    3. Dookie (1994)
    4. Insomniac (1995)
    5. Nimrod (1997)
    6. Warning (2000)
    7. American Idiot (2004)
    8. 21st Century Breakdown (2009)
    9. ¡Uno!, ¡Dos!, ¡Tré! (2012)
    10. Revolution Radio (2016)
    11. Father of All Motherfuckers (2020)
    12. Saviors (2024)1.

    Green Day’s energetic performances and socially conscious lyrics have made them a staple in the punk rock scene for over three decades.
    1: Wikipedia
    1en.wikipedia.org2news.yahoo.com3eastbaytimes.com4mynorthwest.com5greenday.com6greenday.fandom.com+2 more

    Did the muscian Jimmi Hendrix attend Berkeley High School?

    No, Jimi Hendrix did not attend Berkeley High School. He was born in Seattle, Washington, and attended several schools there, including Washington Junior High School and Garfield High School12. Hendrix dropped out of high school and later enlisted in the U.S. Army before pursuing his music career1.
    However, Hendrix did perform in Berkeley, California. One of his notable performances was at the Berkeley Community Theatre on May 30, 1970, which was recorded and released as the live album “Live at Berkeley”34.
    Is there anything else you’d like to know about Jimi Hendrix or his music? 🎸
    1: IMDb 2: The Famous People 3: Wikipedia 4: Jimi Hendrix Official Site
    1imdb.com2thefamouspeople.com3en.wikipedia.org4jimihendrix.com5youtube.com6youtube.com7youtube.com8youtube.com9archive.seattletimes.com10jimihendrix.com11smarturl.it12smarturl.it13smarturl.it14smarturl.it15jimihendrix.com16vimeo.com17theaters.berkeleyschools.net18gettyimages.com+14 more

    thanks for that. According to my sources, Jimmi Hendrix may have attended Berkeley High School in the 10th grade or so before dropping out and joining the US Army band where he played in clubs in Germany

    It’s interesting to hear about different accounts regarding Jimi Hendrix’s early life. While most sources indicate that Hendrix primarily attended schools in Seattle, it’s possible there are lesser-known anecdotes or local stories about his time in Berkeley. Hendrix’s life was indeed full of movement and varied experiences, which sometimes leads to different interpretations of his early years.
    After leaving high school, Hendrix did join the U.S. Army and was stationed at Fort Campbell, Kentucky. He formed a band called The King Kasuals and played in clubs around the base and later in Germany.
    If you have any specific sources or stories about Hendrix’s time in Berkeley, I’d love to hear more about them! 🎸
    : IMDb : The Famous People

    Substack

    https://open.substack.com/pub/jakecosmosaller/p/ode-to-the-tower-of-power?r=3i9lm&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true

    Medium

    https://medium.com/@jakealler/ode-to-the-tower-of-power-94591cf65b42?sk=ea8796045be39a85e1cb7c98fa91dc68

    Wattpad

    You just published Ode to the Tower of Power!

    Your story can be found here

    Spotify Podcast

    https://podcasters.spotify.com/pod/show/jake1818/episodes/Ode-to-the-Tower-of-Power-e2otjv8

    The End

     

     

     

  • April 1 to April 6 Poems 2024 Poetry Madness

    April 1 to April 6 Poems 2024 Poetry Madness

    2024 Poetry Madness – April 1 to April 6 Poems

    https://wp.me/p7NAzO-2P4

    I am again entering the annual April Poetry Month challenge. I will update this once a week and post the updates on Blog Lovin, Facebook, Fan Story, Instagram,  Medium, Substack, Watt Pad  and X. Comments are welcomed.

    Index

    April 1

    PSH Ode to Durian

    WD  Optimistic Laturnae

    WC Dew Drop Inn  Sarang pabo love fool

    NaPoWrMo Easter Bunny Warm up March 31

    NaPoWrMo April 1 Cage

    April 2

    PSH The Words of the Year 1955 PSH

    WD Sad and happy days

    WC Dew Drop Inn Spring Time Flowers Blooming Love

    NaPoWrMo Ode to Coffee

    April 3

    PSH Berkeley Mad Psychotic Pineapple Burns Sonnet

    PSH 2 AI Version Traditional Sonnet

    WD  My Musical Street

    WC Dew Drop Inn

    NaPoWrMo

    The Parliament of Owls Decree Death to All Humans

    AV version the Parliament of Owls Decree Death to All Humans

    April 4

     PSH Love Expressed Through Food

    WD Look at the Sky

    WC Dew Drop In Ending Shaving in Retirement

    NaPoWriMo It Can’t Happen Here

    April 5

     PSH Cosmic Dog From Goa

    WD Tell Me No Lies

    WC Dew Drop Inn Making Baseball Great Again

    NaPoWriMo  Only In SF

     

    April 6

    PSH  Visiting My Father’s Grave

    Writers DIgest Meeting My Fate

    Writing Com Dew Drop Inn  Daily RItual Drinks

    NaPoWrMo PNRCP

     

    Begin Poems

    April 1

    Ode to Durian

    The infamous durian fruit is a strange phenomenon.
    Common in China, Southeast Asia, and India,
    and in Chinese, Southeast Asian, and Indian diaspora communities,

    It has such a powerful sour smell that it is banned in airline cabins.

    I first ate Durian in a rural town in Central Thailand

    my hasher friends dared me to eat it

    it was horrible at first the smell
    But if you can get beyond
    The awful, dirty socks, rotten, sour smell,
    The taste is pure heaven,
    Proof perhaps that God has a sense of humor?

    April 1, 2024: Poetry Writing Prompt from Suzanne Lummis

    This poetry writing prompt submitted by Suzanne Lummis:

    Evolve a poem that involves an exotic fruit, one fruit, and a town you’ve never visited, or else have distant memories of.  The poem does not have to be About the fruit. It probably should Not be about the fruit. No one gives a fig about a fruit. But the fruit makes an Appearance. Extra points if it’s a Pomegranate.  No need to mention Persephone, but if you do… It better be something we don’t already know.

    Writer’s Digest

    Optimistic Laturnae

    life

    more love

    with my wife

    standing by me

    love

    The lanturne is a five-line verse shaped like a Japanese lantern with a syllabic pattern of one, two, three, four, one.

    Writing Com Dew Drop Inn

     

    April 1—Be a fool in a poem!

    Sarangpabo – Korean Love Fool for You

    lovers at the beach
    lovers at the beach

     

     

     

     

     

    When I first saw you

    In my dreams.

    You were the most beautiful woman

    In the world to me

    And still are.

     

    When you looked at me

    With love blazing

    From your dark brown

    Goo-goo eyes.

     

    sparks flew from heart to heart

    (이심초심 ishimchomshim)

     

    You hynotized, messemeried me

    Your love mojo working overtime

    Turning me into nothing but

    A 사랑 바보 Sarang pabo (love fool).

     

    Eight years later

    You walked off that bus

    Into my life,

     

    Becoming

    my wife,

    My soul mate.

     

    And yes,

    I am still

    your 사랑 바보Sarang pabo.

     

    And will remain under

    Your love spell

    Until the day I die.

     

    Translation into Korean (rough AI Version)

    Hangul:

    처음 너를 보았을 때

    꿈 속에서.

     

    넌 세상에서 가장 아름다운 여자였어

    내게

    그리고 지금도 그런 너.

     

    네가 나를 보며

    사랑이 눈부시게

    네 어두운 갈색 눈에서

    불타오르는 모습.

     

    마음에서 마음으로 불꽃이 튀었어

    (이심초심 ishimchomshim)

     

    넌 나를 최면에 걸었고, 날 사로잡았어

    네 사랑의 마법이 야근을 하며

    나를 사랑 바보로 만들었어.

     

    8년 뒤

    넌 그 버스에서 내게 다가왔어

    내 삶 속으로,

     

    내 아내가 되며,

    내 영혼의 동반자가 되었어.

     

    그리고 맞아,

    나는 여전히

    네 사랑 바보야.

     

    네 사랑 주문 아래에

    내가 죽을 때까지.

    Romanized Script:

    Cheoeum neoreul boasseul ttae

    Kkum sogeseo.

     

    Neon sesangeseo gajang areumdaun yeoja-eosseo

    Naege

    Geurigo jigeumdo geureon neo.

     

    Nega nareul bomyeo

    Salangi nunbusige

    Ne eoduun galssaek nun-eseo

    Bultao-reuneun moseup.

     

    Ma-eumeseo ma-eum-euro bulkkoch-i twieosseosseo

    (이심초심 ishimchomshim)

     

    Neon nareul choemyeon-e geol-eoss-eo, nal salojab-ass-eo

    Ne salang-ui mabeob-i yageun-eul hamyeo

    Naleul salang babo-lo mandeul-eoss-eo.

     

    anyeon dwi

    Neon geu beoseueseo naege dag-awass-eo

    Nae salm sog-eulo,

     

    Nae anae-ga doemyeon,

    Nae yeonghon-ui dongbanja-ga doeeoss-eo.

     

    Geuligo maj-a,

    Naneun yeojeonhi

    Ne salang babo-ya.

     

    Ne salang jumun alae-e

    Naega jugeul ttaekkaji.

     

     NaPoWrMo

    March 31 warm Up

    Easter Bunny Warning

    April 1 Cage

     

    Easter Bunny Warning

     

    president trump

     

     

     

     

     

    The Easter Bunny

    Had a warning

    He was tired

    Of being played the fool.

     

    Tired of being associated

    With low-life fake Christians

    Proclaiming that Donald Trump

    Is the next messiah.

     

    The Easter Bunny said,

    “Donald Trump

    Ain’t no Christian

    He ain’t no friend of mine.

     

    He is the antichrist

    The poster child

    For the seven deadly sins”.

     

    Donald Trump denounced

    The Easter Bunny.

    Saying on Truth Social,

     

    “The Easter Bunny is nothing

    But a  low-life wanna-be thug,

    A real loser!

     

    An anti-fa, anti-American, BLM, communist, fascist

    Radical left-wing Marxist vermin thug,

    Part of the woke crowd,

     

    That is ruining our once-great country.

    That needs a Second Amendment remedy.

    Warm Up  Cage

     

    One of the most terrible things

    Of the Former President’s last term

    Were the infamous Cages.

     

    Where children were ripped away

    From their parents or adult caregivers.

    Who were accused of being coyotes,

     

    And put into huge cages,

    Exposed to the hot desert temperatures.

    With limited food, internet, phones

    Medical care, translators, water

    Or access to other services.

     

    The apologists for Trump

    Claimed that the cages

    Did not exist!

     

    Just more liberal fake news

    And all that.

     

    Or it was the need

    To ensure that children

    Were not being trafficked

     

    To discourage the invading armies

    Of dangerous criminals

    Being organized in mythical

    Mass caravans of brown people.

     

    Or these were more

    Like Summer camp

    With happy campers!

     

    NOT

    A

    SINGLE

    WORD

    OF

    THAT

    WAS

    REMOTELY

    TRUE

     

    These cages were cages

    Children were housed there

    For months.

     

    Many were never reunited

    As the parents were deported

    Many have spent decades

    Trying to track down

    Their missing children.

     

    Now Trump is talking

    About massive detention camps

    He will set up

    If he is re-elected,

     

    Most likely they will be housed

    In tents exposed to the weather

    Just like cages.

     

    Immigrants including dreamers

    And those suspected of being illegals

    And  other undesirables

    Antifa, BLM, and LGBTQ,

    Protestors, Muslims, “foreign terrorists”

    Criminal gang members

     

    And ultimately Jews

    Because Jews always

    End up in these Camps.

     

    All will be sent to these

    “Temporary immigration detention Centers”

    TIDC for short

     

    The apologist will describe them

    As wonderful caring facilities

    But restrict access to them

    For national security reasons

     

    They will be concentration camps

    Or filtration Centers to use the Russian term

    Or Re-education Centers

     

    Located in rural areas

    Where they would be promoted

    As “job centers”

     

    The spine list SCOTUS

    And republican party

    Will either look the other way

    Or claim that they are constitutional

     

    Or play the same game

    Lying

    That they are great camps

    The inhabitants are happy

    The communities love

    Having new jobs

     

    AND

    OTHER

    DAMN

    LIES!

     

    Eventually the media and public

    Will forget that they exist too.

     

    If I am lucky

    And this happens

    I will not end up there!!!!!

    For writing this poem!

     

     

    April 2 Prompt

    PSH The Words of the Year 1955 PSH

    WD Sad and happy days

    WC Dew Drop Inn

    Springtime Flowers Blooming Love

    NaPoWrMo

    It Can’t Happen Here

     

    PSH prompt The Words of the Year 1955 1955 Words

    Title: The Words of the Year 1955 PSH

     

    According to

    Meriam Webster’s new tool

    Time Traveler by Merriam-Webster: Words from 1955

     

    1955 my birth year.

    Started with many words

    that are still current

    almost 68 years later.

     

    Some of the prompt words that struck

    My fancy includes the following

    Artificial intelligence

    Big bang theory

    Cosmonaut

    Counterintuitive

    DIY

    Drive (someone) bananas

    Algorithm

    Fallout shelter

    Firebase

    Hidden agenda

    Home computer

    ICBM

    Idiot box

    Information science

    Intellectually disabled

    Jazzed

    Juicehead

    Juice up

    Miniaturization

    Microwave oven

    Mind-boggling

    Muscle shirt

    New Left

    Parkinson’s Law

    Pinball

    Rasta

    Rastafarian

     

    There are hidden agendas

    All around us.

     

    Artifical intellegence

    The bigest buzz word

    Nowadays

    Was just becoming a thing

    scientists speculated.

     

    The big bang theory a big thing

    Back in the day

    Not a comedy about nerdy scientists.

     

    Cosmonauts and astronauts

    Pre-moon shot days.

     

    Counter intuitive thinking

    Begining of the DYI

    Home Depot macho man culture.

     

    The home computer

    And micowave oven

    Not yet in everyone’s house.

     

    But the idiot box

    Had invaded American homes

    But only four networks

    To choose from

     

    Not the thousand channels

    We have now.

    It was the pre-internet

    Pre-streaming era.

     

    Information science

    Was not  for

    The intellecually disabled

    It was not rocket science.

     

    The juice heads

    Were juiced

    And jazzed up  the max.

     

    While secretly smoking weed

    With the rasta dreadlock wearing

    Jamacian rastafarians,

     

    And playing pinball

    In the arcades.

     

    While thinking about

    The new left

    And the beatnit movement.

     

    Thinking about

    The latest mind blowing

    Miniturization devices.

     

    the roots of modern life

    beginning way back

    in the day.

    Writers Digest Sad and Happy

     

     

     

     

     

     

    Every day I wake up

    At dawn

    And drink a cup

    Of snarling hot  coffee.

     

    Writing my daily poems

    Including this one

    And my journals.

     

    While half listening

    To the idiots on TV

    Blathering on and on.

     

    When I pay attention

    To their drivel,

     

    I became increasingly sad,.

    Even mad,

    And feel real bad

     

    I turn off the boob tube.

    Turn off the news.

    And play me some old-school blues.

     

    When my wife walks into the room

    With love blazing from her eyes,

    She chases away the lingering blues.

     

    And I feel my happiness

    Returning to me.

     

    And know as long

    As we have other

    Everything will be Jake

     

    And I will be at peace

    With my world.

     

    Write a poem every day of April with the 2024 April Poem-A-Day Challenge. For today’s prompt, we have our first two-for-Tuesday prompt.

    For today’s prompt, we have our first two-for-Tuesday prompt, which means you get two prompts. You can write to one of the prompts, both the prompts separately, or try to write a poem that works with both prompts at the same time. The prompts are:

    Write a happy poem, and/or…

    Write a sad poem.

    Two sides of the same emotional coin.

     

    NaPoWrMo

     It Can’t Happen Here

    january 6 riot
    January 6 riot

     

     

     

     

     

    It Can’t Happen Here

    was a prescient look

    at the rise of Christian Fascism

    in the United States

     

    Set in the later 1930s

    It looked at the rise

     

    of a Christain Fascist dictator

    modeled after Charles Lindbergh

    and his American First movement

     

    who with the support

    of the American Bund

     

    and other pro-fascist forces

    mounted a spirited third-party

    effort to become President

     

    amid the suffering of the Great Depression

    promising to keep us out of the war

     

    and ally with the fascists in Europe

    against the evil communist

    Godless menace of Stalin.

     

    “American Fascism came

    wrapped in the flag

    and carrying a Christian flag”

     

    Although it was not successful

    it probably kept us out of World War 11

    longer than we should have

     

    there are so many parallels

    to modern Trump and post Trumpian

    MAGA movement

     

    which is a modern alt. right

    explicit Christian Fascist movement

    that openly admires

     

    the right-wing autocrats

    in Hungary, Türkiye

    and Putin’s Russia

     

    hoping to turn the U.S.

    into a Christian Fascist one-party state

    run by Donald Trump

    and his acolytes

     

    with millions rounded up

    subject to deportation

    with dissent outlaw

    the deep state tamed

     

    the media sold off

    to regime supporters

    and the late-night TV comics

    defanged

     

    No more Stephen Colbert, Jimmy Kimble

    John Stewart and SNL

    replaced by right-wing comic hacks

    shilling for the great leader

     

    while the book did not happen

    and Philips Roth’s Plot Against America

     

    the warning that it could happen here

    is more relevant than ever

    as Trump and Biden are in a dead heat

     

    I am optimistic that Trump will not prevail

    this time around

    but I worry about all the potential Trump

    wanna be politicians out there

     

    who promise to Make America Great Again

    by returning to the 1890’s

    when they claim the U.S. went down

    the wrong path

     

    when white men ruled the world

    minorities knew their place

    Women were second-class citizens

    the LGBTQ community in the closet

    their very existence illegal

     

    with a twist

    Christian Fascism

    the new ruling ideology

    underpinning the latest

    illiberal democracy

    Posted on Https://theworldaccordingtocosmos.com

    Writing Com Dew Drop Inn

     

     

     

     

     

     

    Springtime Flowers Blooming Love

     

    Springtime in Korea

    walking down the world peace forest

    near the international airport in Incheon

    with the love of my life by my side.

     

    Enjoying the Flowering Trees

    The snowing apple trees, cherry blossoms

    pear blossoms. the purple azaleas, the anemone,

    the buttercups, the daffodils, the magnolia,

    the  scotch bloom, the tulips,

    the wildflowers in the field.

     

    the fragrance of love in the air

    Life is great.

    April 3 Poems

    PSH 1

    Berkelely Mad Pyscotic Pineapple Burns Sonnet

    PSH 2 AI Version traditional Sonnet

    WD  My Musical Street

    WC Dew Drop Inn Look at the Sky

    NaPoWrMo

    Berkelely Mad Pyscotic Pineapple Burns Sonnet

    berkeley street photo
    berkeley street photo

     

     

     

     

     

    the Berkeley mad pyscotic pineapple.

    was an underground Berkeley icon.

    the pineapple said, “Bad Luck comes in Three.”

    last night he smoked a joint and went for a walk.

    the pineapple dude encountered a cat,

    not just a cat but a cosmic black cat.

    and the cat was riding on a dog,

    and a mouse was riding on the cat,

    the pineapple was amused to see this,

    I told him only in the SF Bay area,

    thinking back to when I was eight.

    and wished I had a cosmic cat.

    I would have made such a cacophony.

    the cosmic cat was still my secret friend.

     

    The Burns Sonnet is a Shakespearian sonnet but it does not follow traditional meter or rhyme

     

    Please convert the previous text into a traditional sonnet using most of these words in line 13 must use the word cacophony and follow the following criterion

    1 inner life of pineapple

    2 berkeley fate

    3 bad luck comes in three

    4last night went for a walk

    5-8 line five to eight two animals meet someone unusual

    9 10 wish for the pineapple

    11 12 what did I wish for when your eight

    13-14  hullabaloo, ragamuffin, hooferaw, scoundreles cacophony and discuss a secret something is hidden or something no one else knows

     

    AI Version

     

    AI version Title: “The Cosmic Cat”

    sf dog 3
    sf dog 3

     

     

     

     

     

    The Berkeley mad, psychotic pineapple,

    An underground icon in the streets of Berkeley,

    Whispered, “Bad Luck comes in Three,” so cynical,

    Last night, he wandered, joints ablaze, unwary.

    Encountering a cat, not mere feline grace,

    But cosmic blackness riding on a dog,

    A mouse perched high, a curious embrace,

    In SF Bay’s odd realm, where dreams may jog.

    Oh, how I wished when I was merely eight,

    For a cosmic cat, a secret friend concealed,

    To stir a hullabaloo, a wild debate,

    A ragamuffin dance, a truth revealed.

    In hooferaw and scoundrel’s cacophony,

    The pineapple’s fate intertwined with glee. 🍍🌌

     

     

    Writer’s Digest Our Musical Street

    30 lines

    I grew up
    In a very creative time
    a very musical time.

    The 60’s had the best music
    Motown ruled the Bay Area
    As well as Great rock music

    Acid jazz
    Acid Rock
    Fusion Jazz
    The Grateful Dead
    Mamas and the Papas
    Jefferson Airplane
    Jimmy Hendrix
    last high school
    was Berkeley High School
    Santana

    And so many others

    The best funk band
    Of them all

    Tower of Power
    Beloved by all
    High school students.

    For their immortal classic
    Make out song
    You’re still a Young Man.

    wonder how many people

    fell in love slow dancing

    to this song

     

    how many babies

    were conceived?

    Tower of Power rocked
    Every party in town
    On every street.

    Music flowed.
    On every musical street
    In the city.

    That was Berkeley
    In the 60’s and 70’s.

    Please use the following as the Title of your story or poem:

    “Our Musical Street”

    Please select “Music” as one of your genres.

    Tower of Power is an American R&B and funk-based band and horn section, originating in Oakland, California, that has been performing since 1968. The band has had several lead vocalists, the best known being Lenny Williams, who fronted the band between early 1973 and late 1974, the period of their greatest commercial success1. They have had eight songs on the Billboard Hot 100; their highest-charting songs include “You’re Still a Young Man”, “So Very Hard to Go”, “What Is Hip?”, and “Don’t Change Horses (in the Middle of a Stream)”1.

    The band was formed by tenor saxophonist/vocalist Emilio Castillo and baritone saxophonist Stephen “Doc” Kupka in 19681. The band’s soul sound appealed to both minority and counterculture listeners1. The band’s name was changed to Tower of Power after they agreed that their original name, The Mots, would not help them play at Bill Graham’s Fillmore Auditorium in San Francisco1.
    Tower of Power has released 31 albums, including 15 studio albums, 5 live albums, and 11 compilations1. Their most recent album, “Step Up”, was released in 20202.

    Here is a list of some of their most popular songs:

    “You’re Still a Young Man”
    “So Very Hard to Go”
    “What Is Hip?”
    “Don’t Change Horses (in the Middle of a Stream)”
    “Soul Vaccination”
    “This Time It’s Real”
    “Time Will Tell”
    “Only So Much Oil in the Ground”

    If you’re interested in listening to their music, you can check out their official website2.

     

    2024 April PAD Challenge: Day 3

    Write a poem every day of April with the 2024 April Poem-A-Day Challenge. For today’s prompt, write a musical act or artist poem.

    Believe it or not, today is one of the more important days of the April Poem-A-Day Challenge. While each day is a new challenge, I’ve found that most poets who make it through the first three days of prompts have the best chances of still being here at the end of the month. So let’s write a poem!

    For today’s prompt, pick a musical act or artist and either make that the title of your poem or incorporate into the title of your poem; then, write your poem. Possible titles might be: “Michael Jackson,” “Olivia Rodrigo,” “the Beatles,” “Guided by Voices at Austin City Limits,” “Watching a Movie With Elton John,” or “Eating Ice Cream With Dr. Dre.” Have fun with it!

    Remember: These prompts are springboards to creativity. Use them to expand your possibilities, not limit them.

    Writing Com Dew Drop Inn Look at the Sky

     

     

    NaPoWrMo Prompt

    the Parliament of Owls Decree Death to All Humans

    AV version the Parliament of Owls Decree Death to All Humans

    Death to All Humans

    The Parliament of Animals met one day in a secret undisclosed location as they were under constant surveillance by the human CIA and others who wanted to disrupt the parliament’s work.

    the wise owl presided. He read the charges

     

    “We are assembled here to judge the actions of the human race. the human race is being charged with

    crimes against nature,

    destruction of the environment,

    mass murder,

    enslavement of animals,

    mutilation of animals,

    and violation of Gaia’s basic commandments to preserve the environment for all animals including humans.

    Speaking for the prosecution will be the Tiger and Lions, speaking for the defense with the domestic cats and dogs. We have in the room ten men and women who are representative of the human race.

    The parliament can make any recommendation to remedy the situation including the death penalty, exile, or reparations. All animals will be required to conduct these recommendations.”

    “Okay, Mr. Tiger first we will ask the humans how they plead.” “

     

    Humans. You have been charged with the following crimes.

    crimes against nature,

    destruction of the environment,

    mass murder,

    enslavement of animals,

    mutilation of animals,

    and violation of Gaia’s basic commandments to preserve the environment for all animals including humans.

    How do you plead?

     

    Sam Adams, the lawyer for the humans, responded,

     

    “Not guilty your honor for these charges except for eating animals which we contend is part of the natural order of the world and many if not most of you are guilty of the same charge.”

    “Clarification – your basic argument is that everyone eats animals, so humans are not guilty

    “ “Yes, that is correct, your honor.” “

     

    Okay, Mr. Tiger, you’re opening.” “Okay. The facts are clear. For thousands of years until the Industrial Revolution humans had a little mass impact on the overall environment. Ever since then all animals have been impacted and my species has been hunted to extinction for the greed of humans who have not eaten tiger meat. The predator class, including bears, coyotes, feral dogs, lions, tigers, and wolves have been fighting back against the predation of humans, but we are losing. And if we don’t do anything within 10 years, there won’t be any tigers or other big predators left in the wild. And the natural order of things would be controlled by the evil, selfish humans who don’t give a damn about their fellow creatures. Therefore, we are proposing that 95% of humans must be killed. The remaining humans will be allowed to live as our slaves It is only fair. That is my request to the parliament of animals. Death to humans!”

    The crowd rose and chanted “Death to all humans” until the owl ruled that they must not disrupt the proceedings.

     

    The owl turned to the cat and and dog for their defense. the dog responded, “

     

    Humans and dogs have been partners, and we know humans more than any of you. Humans are capable of great kindness, and compassion and we maintain they are not fundamentally evil. And then they can be redeemed through education and through. Campaign to reform human thought. I think we should give humans a second chance.”

     

    the owl motioned to the dog

    “I concur with Brother Cat. Humans are okay and we like them they are our friends, although they should be found not guilty because of insanity.”

    The owl said he was ready for his verdict.

     

    “Death to 95 percent of humans, and enslavement of the rest, but we will allow 50,000 to immigrate to the Moon and Mars. I will meet with the UN to give them the decree.

    Once that is published all animals must rise up and kill all humans on sight. This suspends the parliament of animals. Death to all humans.” The word went out animals rose all over the world and the reign of human tyranny ended within a year.

     

    AI Version The Parliament of Animals

    In the clandestine chambers of the Parliament of Animals, where shadows danced and secrets whispered, the wise owl presided. Under the ever-watchful gaze of human surveillance, the charges were read aloud:

    “We are assembled here to judge the actions of the human race. The human race stands accused of crimes against nature, destruction of the environment, mass murder, enslavement of animals, mutilation of animals, and violation of Gaia’s sacred commandments. Speaking for the prosecution are the Tigers and Lions; for the defense, the domestic cats and dogs. Ten representatives of humanity sit in this room. The parliament holds the power to recommend remedies: death penalty, exile, or reparations. All animals shall be bound by these decisions.”

    The Tiger, his golden eyes ablaze, addressed the humans, “How do you plead?”

    The humans, their faces etched with defiance, stood before the assembly. Sam Adams, their lawyer, stepped forward, his voice unwavering, “Not guilty, Your Honor. Except for eating animals—a primal act woven into our existence—we maintain our innocence. It is the natural order, and many among you, my fellow creatures, partake in this ancient feast.”

    The room buzzed with tension. The wise owl blinked, feathers rustling. The verdict hung in the air, suspended between judgment and mercy. The fate of humanity rested on the scales of justice, balanced precariously.

    And so, the Parliament of Animals convened, weaving threads of fate, pondering the sins of bipeds, and deciding whether to condemn or absolve. In this surreal courtroom, where the boundaries blurred and the moon bore witness, the world awaited its reckoning.

     

    Last but not least, here’s our prompt for the day – optional, as always. Today, we’d like to challenge you to write a surreal prose poem. For inspiration, check out Franz Kafka’s collection of short parables (my favorite is “The Green Dragon”).

    Franz Kafka

    Illustrated byAimee Pong

    An Imperial Message

    Pekin and the Emperor

    The News of the Building of the Wall: A Fragment

    The Great Wall and the Tower of Babel

    The Building of the Temple

    Prometheus

    Poseidon

    The Sirens

    The New Attorney

    The Building of a City

    The Imperial Colonel

    The Green Dragon

    The Tiger

    The Truth About Sancho Panza

    Robinson Crusoe

    My Destination

     

    April 4

    PSH

    Writers Digest

    Writing Com Dew Drop In

    NaPoWriMo

    April 5th

    PSH

    Writers Digest

    Writing Com Dew Drop In

    NaPoWriMo

    PSH The Cosmic Dog from Goa

     

    My final time with God

    Happened a year latter

    I was staying down in Goa

    With my wife

     

    Enjoying being with her

    After our reconciliation

    We stayed at the Taj Mahal Goa

    Living like Kings and Queen

     

    Just for a few days

    High up on a hill

    Overlooking the beach

     

    Every morning I went down to the beach

    And did yoga by the water

    While contemplating life

     

    And every morning

    I saw the same dog

     

    Not just a dog

    But a cosmic dog

    Filled with the divine spark of God

     

    And the dog recognized me

    And spoke to me and I knew

    That God was present once more

    In the face of the that cosmic dog

     

    Kindred spirit

    perhaps to the cosmic cat

    that had save my soul

    in Berkeley so long ago

     

    I told the dog everything

    And he just looked at me

    With those soulful eyes of his

    And I knew he knew that I knew

    That he was possessed by God

     

    God had sent him to me

    To make sure that I was on the right path

     

    That the reconciliation that God had promoted

    Was on track that I was back with my wife

    And that everything was the way it should be

     

    Again, I asked God whether he was Jesus or Allah

    Or Brahmin or Ganesh or Buddha

     

    God the cosmic dog just stared at me

    I finally asked him directly

     

    Say if you are God the God of Jesus

    Bark once

     

    The Dog looked at me and barked

     

    I said well if you are Allah bark twice

    The dog barked twice

     

    Well are you buddha then bark three times if yes

    The god dog barked three times

     

    Hmm well are you Satan

    The dog growled at me

    And I knew I had gone too far

     

    Finally, I was at peace

    And for the next three days

     

    The God Dog was my constant companion

    And I knew God for the final time

    In my life

     

    Writer’s DIgest  Tell Me No Lies

     

    Tell me no lies

    My dear

    and I will tell you

    no lies too.

     

    But every word

    I say

    could be a lie.

     

    you never know

    what is true

    and what is a lie.

     

    So tell me no more lies

    and I will tell you the truth

    if you can handle it.

    April 4

    PSH

    WD

    WC Dew Drop Inn

    NaPoWrMo

     

    April 5

    PSH

    WD

    WC Dew Drop Inn Make Baseball Great Again!

    NaPoWrMo Only in SF

    It is time

    to make American baseball

    Great again

     

    starting with creating a worldwide

    baseball competition

    with each season

    with the national champions

     

    competing in a World Cup World Series

    with the final round pitting the

    North American Champions

    against the winners of Africa,

    Asian, Europe, and South America

     

    with the final rounds

    best of seven

    always held in the U.S.

     

    The other things to do

    include rapid expansion plans

     

    including the MLB teams

    adopting local schools and colleges

    fully funding baseball programs

    and only hiring college graduates.

    as players.

     

    and making tickets affordable

    no more than ten dollars per game!

     

    if they do this,

    we can make baseball

    once again the best sport

    in the U.S.

     

    Let’s all join together

    to make baseball great again!

    NaPoWrMo Only In SF

     

     

     

     

    Tiny, the Jamaican

    was a  big  6’5 reggae Rasta man,

    sprouting long black and purple dreadlocks

    and a purple mohawk

     

    wearing a black leather jacket

    with weed logos on it,

    played guitar in the SF Reggae Kings.

     

    A big Three Stooges fan,

    Named his four pets,

    “Shemp” the cat,

    “Moe” the dog,

    Curly” the mouse,

    and Curly Joe, the Vietnamese pig.

     

    The four amigos got along famously

    They lived in an apartment

    in the western addiction,

    off of Geary,

    in a rapidly gentrifying part of the city

     

     

    One day, Shemp said to Moe

     

    “Moe, I have a question for you,

    and I want an honest answer,

    none of your canine BS answer.

    You know us cats are straight shooters.”

     

    “Okay,  my cat brother. Shoot.”

     

    “Well, I understand that

    cats, dogs, mice, and pigs

    are natural born enemies,

     

    How come we get along?

    And you get along

    with Curly and Curly Joe?”

     

    “Good question.

     

    “First, when we met

    I hated you all

    and you were afraid

     

    I might eat you in your sleep

    and the thought

    crossed my mind.

     

    But over time

    I mellowed out

    and realized

     

    we were all a band of brothers

    living in this house.

     

    I think it

    also has something to do

    with the cloud of weed

    in the air

     

    and the chill  deep house

    reggae  peace and love

    vibes in the house.”

     

    “cool.

     

    “Good answer.

     

    I too think of you

    all as my brothers.”

     

    “You know what I like the most?”

    Our nightly walk

    when Tiny, Tina, and Linda

    take us out

    and we put on our show.

     

    You know Curly Joe

    letting you ride on him,

    and I ride on you

    and Curly

    sits on my head

     

    to complete the show

    as we freak out the tourists

    good citizens, and outlaws

     

    who constantly take pictures

    saying to themselves

     

    “Only in SF”.

     

    And you know

    They are right.

    Only in SF.

     

    Let’s keep SF weird.”

     

    Tiny came in

    and they all went

    for their walk.

     

     

    April 1

    Ode to Durian

    The infamous durian fruit is a strange phenomenon.
    Common in China, Southeast Asia, and India,
    and in Chinese, Southeast Asian, and Indian diaspora communities,

    It has such a powerful sour smell, that it is banned in airline cabins.

    first ate Durian in a rural town in Central Thailand

    my hasher friends dared me to eat it

    it was horrible at first the smell
    But if you can get beyond
    The awful, dirty socks, rotten, sour smell,
    The taste is pure heaven,
    Proof perhaps that God has a sense of humor?

     

    Sour

     

     

    April 1, 2024: Poetry Writing Prompt from Suzanne Lummis

    This poetry writing prompt submitted by Suzanne Lummis:

    Evolve a poem that involves an exotic fruit, one fruit, and a town you’ve never visited, or else have distant memories of.  The poem does not have to be About the fruit. It probably should Not be about the fruit. No one gives a fig about a fruit. But the fruit makes an Appearance. Extra points if it’s a Pomegranate.  No need to mention Persephone, but if you do… It better be something we don’t already know.
    A Mango would also be good.
    No Oranges.
    Nothing personal against them, but that’s another poem. And Gary Soto wrote it.
    Don’t forget about the Town.

    If you write a poem from this prompt, post it as a comment underneath the prompt in the Poetry Super Highway Facebook Group.

    #napowrimo #poetry

    Writer’s Digest

    Optimistic Laturnae (CC FS)

    life

    more love

    with my wife

    standing by me

    love

     

    The lanturne is a five-line verse shaped like a Japanese lantern with a syllabic pattern of one, two, three, four, one.

     

    March 31 warm Up

     

    Easter Bunny Warning

     

    The Easter Bunny

    Had a warning

    He was tired

    Of being played the fool.

     

    Tired of being associated

    With low-life fake Christians

    Proclaiming that Donald Trump

    Is the next messiah.

     

    The Easter Bunny said,

     

    “Donald Trump

    Ain’t no Christian

    He ain’t no friend of mine.

     

    He is the antichrist

    The poster child

    For the seven deadly sins”.

     

    Donald Trump denounced

    The Easter Bunny.

     

    Saying on Truth Social,

     

    “The Easter Bunny is nothing

    But a  low-life wanna-be thug,

    A real loser!

    An anti-fa, anti-American, BLM, communist, fascist

    Radical left-wing Marxist vermin thug,

    Part of the woke crowd,

    That is ruining our once-great country.

    That needs a Second Amendment remedy.

     

     

     

    April 1—Be a fool in a poem!

     

    Sarangpabo – Korean Love Fool for You

    When I first saw you

    In my dreams.

     

    You were the most beautiful woman

    In the world to me

    And still are.

     

    When you looked at me

    With love blazing

    From your dark brown

    Goo-goo eyes.

     

    sparks flew from heart to heart

    (이심초심ishimchomshim)

     

    You hynotized, messemeried me

    Your love mojo working overtime

    Turning me into nothing but

    A 사랑 바보Sarang pabo (love fool).

     

    Eight years later

    You walked off that bus

    Into my life,

     

    Becoming

    my wife,

    My soul mate.

     

    And yes,

    I am still

    your 사랑 바보Sarang pabo.

     

    And will remain under

    Your love spell

    Until the day I die.

     

    Translation into Korean (rough AI Version)

     

    Certainly! Here’s the English text followed by the Hangul and Romanized script line by line:

    English:

    When I first saw you

    In my dreams.

     

    You were the most beautiful woman

    In the world to me

    And still are.

     

    When you looked at me

    With love blazing

    From your dark brown

    Goo-goo eyes.

     

    Sparks flew from heart to heart

    (이심초심 ishimchomshim)

     

    You hypnotized, mesmerized me

    Your love mojo working overtime

    Turning me into nothing but

    A 사랑 바보 Sarang pabo (love fool).

     

    Eight years later

    You walked off that bus

    Into my life,

     

    Becoming

    My wife,

    My soul mate.

     

    And yes,

    I am still

    Your 사랑 바보 Sarang pabo.

     

    And will remain under

    Your love spell

    Until the day I die.

    Hangul:

    처음 너를 보았을 때

    꿈 속에서.

     

    넌 세상에서 가장 아름다운 여자였어

    내게

    그리고 지금도 그런 너.

     

    네가 나를 보며

    사랑이 눈부시게

    네 어두운 갈색 눈에서

    불타오르는 모습.

     

    마음에서 마음으로 불꽃이 튀었어

    (이심초심 ishimchomshim)

     

    넌 나를 최면에 걸었고, 날 사로잡았어

    네 사랑의 마법이 야근을 하며

    나를 사랑 바보로 만들었어.

     

    8년 뒤

    넌 그 버스에서 내게 다가왔어

    내 삶 속으로,

     

    내 아내가 되며,

    내 영혼의 동반자가 되었어.

     

    그리고 맞아,

    나는 여전히

    네 사랑 바보야.

     

    네 사랑 주문 아래에

    내가 죽을 때까지.

    Romanized Script:

    Cheoeum neoreul boasseul ttae

    Kkum sogeseo.

     

    Neon sesangeseo gajang areumdaun yeoja-eosseo

    Naege

    Geurigo jigeumdo geureon neo.

     

    Nega nareul bomyeo

    Salangi nunbusige

    Ne eoduun galssaek nun-eseo

    Bultao-reuneun moseup.

     

    Ma-eumeseo ma-eum-euro bulkkoch-i twieosseosseo

    (이심초심 ishimchomshim)

     

    Neon nareul choemyeon-e geol-eoss-eo, nal salojab-ass-eo

    Ne salang-ui mabeob-i yageun-eul hamyeo

    Naleul salang babo-lo mandeul-eoss-eo.

     

    8nyeon dwi

    Neon geu beoseueseo naege dag-awass-eo

    Nae salm sog-eulo,

     

    Nae anae-ga doemyeon,

    Nae yeonghon-ui dongbanja-ga doeeoss-eo.

     

    Geuligo maj-a,

    Naneun yeojeonhi

    Ne salang babo-ya.

     

    Ne salang jumun alae-e

    Naega jugeul ttaekkaji.

     

     

    April 2 Prompt

    PSH The Words of the Year 1955 PSH

    WD Sad and happy days

    WC Dew Drop Inn

    NaPoWrMo  Springtime Flowers Blooming Love

     

    PSH prompt The Words of the Year 1955 1955 Words

     

    Title: The Words of the Year 1955 PSH

     

    According to

    Meriam Webster’s new tool

    Time Traveler by Merriam-Webster: Words from 1955

     

    1955 my birth year

    Started with many words

     

     

    Some of the prompt words that struck

    My fancy include the following

     

    Oddly we are still talking

    About many of these words

    In 2024

     

    There are hidden agendas

    All around us

     

    If you write a poem from this prompt, post it as a comment underneath the prompt in the Poetry Super Highway Facebook Group.

    This poetry writing prompt submitted by D.L. Lang:

    Use the Merriam-Webster website’s time travel feature, pick a year, and use those words in a poem.

    1955

     

     

    PSH

    WD Sad and happy days

     

    NaPoWrMo

    WC Dew Drop In

     

    Sad and happy days

     

    every day I wake up

    at dawn

    and drink a cup

    of snarling hot  coffee.

     

    writing my daily poems

    including this one

    and my journals.

     

    while half listening

    to the idiots on TV

    blathering on and on.

     

    when I pay attention

    to their drivel,

     

    I became increasingly sad,.

    even mad,

    and feel real bad

     

    I turn off the boob tube.

    turn off the news.

    and play me some old-school blues.

     

    when my wife walks into the room

    with love blazing from her eyes,

    she chases away the lingering blues.

     

    and I feel my happiness

    returning to me.

     

    and know as long

    as we have other

    everything will be Jake

     

    and I will be at peace

    with my world.

    2024 April PAD Challenge: Day 2

    Write a poem every day of April with the 2024 April Poem-A-Day Challenge. For today’s prompt, we have our first two-for-Tuesday prompt.

    For today’s prompt, we have our first two-for-Tuesday prompt, which means you get two prompts. You can write to one of the prompts, both the prompts separately, or try to write a poem that works with both prompts at the same time. The prompts are:

    Write a happy poem, and/or…

    Write a sad poem.

    Two sides of the same emotional coin.

    NaPoWrMo

     

    It Can’t Happen Here

    was a prescient look

    at the rise of Christian Fascism

    in the United States

     

    Set in the later 1930s

    It looked at the rise

     

    of a Christain Fascist dictator

    modeled after Charles Lindbergh

    and his American First movement

     

    who with the support

    of the American Bund

     

    and other pro-fascist forces

    mounted a spirited third-party

    effort to become President

    amid the suffering of the Great Depression

    promising to keep us out of the war

     

    and ally with the fascists in Europe

    against the evil communist

    Godless menace of Stalin.

     

    “American Fascism came

    wrapped in the flag

    and carrying a Christian flag”

     

    Although it was not successful

    it probably kept us out of World War 11

    longer than we should have

     

    there are so many parallels

    to modern Trump and post Trumpian

    MAGA movement

     

    which is a modern alt. right

    explicit Christian Fascist movement

    that openly admires

     

    the right-wing autocrats

    in Hungary, Türkiye

    and Putin’s Russia

     

    hoping to turn the U.S.

    into a Christian Fascist one-party state

    run by Donald Trump

    and his acolytes

     

    with millions rounded up

    subject to deportation

    with dissent outlaw

    the deep state tamed

     

    the media sold off

    to regime supporters

    and the late-night TV comics

    defanged

     

    No more Stephen Colbert, Jimmy Kimble

    John Stewart and SNL

    replaced by right-wing comic hacks

    shilling for the great leader

     

    while the book did not happen

    and Philips Roth’s Plot Against America

     

    the warning that it could happen here

    is more relevant than ever

    as Trump and Biden are in a dead heat

     

    I am optimistic that Trump will not prevail

    this time around

    but I worry about all the potential Trump

    wanna be politicians out there

     

    who promise to Make America Great Again

    by returning to the 1890’s

    when they claim the U.S. went down

    the wrong path

     

    when white men ruled the world

    minorities knew their place

    Women were second-class citizens

    the LGBTQ community in the closet

    their very existence illegal

     

    with a twist

    Christian Fascism

    the new ruling ideology

    underpinning the latest

    illiberal democracy

    Posted on Https://theworldaccordingtocosmos.com

     

    Writing Com Dew Drop Inn

     

    Springtime Flowers Blooming Love

     

    Springtime in Korea

    walking down the world peace forest

    near the international airport in Incheon

    with the love of my life by my side.

     

    Enjoying the Flowering Trees

    The snowing apple trees, cherry blossoms

    pear blossoms. the purple azaleas, the anemone,

    the buttercups, the daffodils, the magnolia,

    the  scotch bloom, the tulips,

    the wildflowers in the field.

     

    the fragrance of love in the air

    Life is great.

     

     

    April 3 Poems

     

    PSH 1

    Berkelely Mad Pyscotic Pineapple Burns Sonnet

    PSH 2 AI Version traditional Sonnet

    WD  My Musical Street

    WC Dew Drop Inn

    NaPoWrMo

     

    Berkelely Mad Pyscotic Pineapple Burns Sonnet

     

    the Berkeley mad pyscotic pineapple.

    was an underground Berkeley icon.

    the pineapple said, “Bad Luck comes in Three.”

    last night he smoked a joint and went for a walk.

    the pineapple dude encountered a cat,

    not just a cat but a cosmic black cat.

    and the cat was riding on a dog,

    and a mouse was riding on the cat,

    the pineapple was amused to see this,

    I told him only in the SF Bay area,

    thinking back to when I was eight.

    and wished I had a cosmic cat.

    I would have made such a cacophony.

    the cosmic cat was still my secret friend.

     

    The Burns Sonnet is a Shakespearian sonnet but it does not follow traditional meter or rhyme

     

    Please convert the previous text into a traditional sonnet using most of these words in line 13 must use the word cacophony and follow the following criterion

    1 inner life of pineapple

    2 berkeley fate

    3 bad luck comes in three

    4last night went for a walk

    5-8 line five to eight two animals meet someone unusual

    9 10 wish for the pineapple

    11 12 what did I wish for when your eight

    13-14  hullabaloo, ragamuffin, hooferaw, scoundreles cacophony and discuss a secret something is hidden or something no one else knows

     

    AI Version

     

    AI version Title: “The Cosmic Cat”

    The Berkeley mad, psychotic pineapple,

    An underground icon in the streets of Berkeley,

    Whispered, “Bad Luck comes in Three,” so cynical,

    Last night, he wandered, joints ablaze, unwary.

    Encountering a cat, not mere feline grace,

    But cosmic blackness riding on a dog,

    A mouse perched high, a curious embrace,

    In SF Bay’s odd realm, where dreams may jog.

    Oh, how I wished when I was merely eight,

    For a cosmic cat, a secret friend concealed,

    To stir a hullabaloo, a wild debate,

    A ragamuffin dance, a truth revealed.

    In hooferaw and scoundrel’s cacophony,

    The pineapple’s fate intertwined with glee. 🍍🌌

     

     

    Writer’s Digest Our Musical Street

     

    30 lines

    I grew up
    In a very creative time
    a very musical time.

    The 60’s had the best music
    Motown ruled the Bay Area
    As well as Great rock music

    Acid jazz
    Acid Rock
    Fusion Jazz
    The Grateful Dead
    Mamas and the Papas
    Jefferson Airplane
    Jimmy Hendrix
    last high school
    was Berkeley High School
    Santana

    And so many others

    The best funk band
    Of them all

    Tower of Power
    Beloved by all
    High school students.

    For their immortal classic
    Make out song
    You’re still a Young Man.

    wonder how many people

    fell in love slow dancing

    to this song

     

    how many babies

    were conceived?

    Tower of Power rocked
    Every party in town
    On every street.

    Music flowed.
    On every musical street
    In the city.

    That was Berkeley
    In the 60’s and 70’s.

    Please use the following as the Title of your story or poem:

    “Our Musical Street”

    Please select “Music” as one of your genres.

    Tower of Power is an American R&B and funk-based band and horn section, originating in Oakland, California, that has been performing since 1968. The band has had several lead vocalists, the best known being Lenny Williams, who fronted the band between early 1973 and late 1974, the period of their greatest commercial success1. They have had eight songs on the Billboard Hot 100; their highest-charting songs include “You’re Still a Young Man”, “So Very Hard to Go”, “What Is Hip?”, and “Don’t Change Horses (in the Middle of a Stream)”1.

    The band was formed by tenor saxophonist/vocalist Emilio Castillo and baritone saxophonist Stephen “Doc” Kupka in 19681. The band’s soul sound appealed to both minority and counterculture listeners1. The band’s name was changed to Tower of Power after they agreed that their original name, The Mots, would not help them play at Bill Graham’s Fillmore Auditorium in San Francisco1.
    Tower of Power has released 31 albums, including 15 studio albums, 5 live albums, and 11 compilations1. Their most recent album, “Step Up”, was released in 20202.

    Here is a list of some of their most popular songs:

    “You’re Still a Young Man”
    “So Very Hard to Go”
    “What Is Hip?”
    “Don’t Change Horses (in the Middle of a Stream)”
    “Soul Vaccination”
    “This Time It’s Real”
    “Time Will Tell”
    “Only So Much Oil in the Ground”

    If you’re interested in listening to their music, you can check out their official website2.

     

    Bump City

    From Wikipedia, the free encyclopedia
    Bump City
    Studio album by

    Released May 1972
    Recorded 1971-1972
    Studio Trans Maximus Inc. Recording Studios, Memphis, Tennessee
    Genre Soulfunk
    Length 35:52
    Label Warner Bros. Records
    Producer Ron Capone, Tower of Power
    Tower of Power chronology
    East Bay Grease
    (1970)
    Bump City
    (1972)
    Tower of Power
    (1973)

    Bump City is the second album by the soul/funk group Tower of Power. The album cover is derived from a sketch by David Garibaldi.[citation needed] It’s also their first album for Warner Bros. Records. With Rufus Miller now gone, Rick Stevens took the reins as the sole lead vocalist for this album.

    Professional ratings
    Review scores
    Source Rating
    Allmusic  [1]
    Christgau’s Record Guide C[2]

    Track listing[edit]

    All songs written by Emilio Castillo and Stephen “Doc” Kupka unless otherwise noted.

    1. “You Got to Funkifize” – 4:31
    2. “What Happened to the World That Day?” – 4:11
    3. “Flash in the Pan” – 3:34
    4. “Gone (in Memory of Jacqueline Mesquite)” (Greg Adams, Skip Mesquite) – 3:41
    5. “You Strike My Main Nerve” (Kupka, Castillo, L. Williams, L. Gordon) – 2:52
    6. “Down to the Nightclub” (Kupka, Castillo, David Garibaldi) – 2:43
    7. “You’re Still a Young Man” – 5:35
    8. “Skating on Thin Ice” – 3:48
    9. “Of the Earth” – 4:30

    Personnel[edit]

    • Rick Stevens – lead vocals
    • Skip Mesquite – first tenor saxophone, flute, vocals (lead on “Gone”)
    • Emilio Castillo – second tenor saxophone, vocals
    • Greg Adams – trumpet, flugelhorn (solo on “Gone”), French horn, piano (on “Gone”), vocals[3]
    • Stephen “Doc” Kupka – baritone saxophone, vocals
    • Mic Gillette – trumpet, trombone, French horn, vocals
    • Willie James Fulton – guitar, vocals
    • David Garibaldi – drums
    • Francis Rocco Prestia – bass
    • Brent Byars – conga drums, vocals
    • Jay Spell – piano (on “What Happened to the World That Day”, “You’re Still a Young Man” and “Of the Earth”)
    • Memphis Strings – arranged and conducted by Greg Adams on “What Happened to the World That Day?”, “You’re Still a Young Man” and “Of the Earth”
    Technical

    Charts[edit]

    Albums – Billboard (United States) [4]

    Year Chart Position
    1972 The Billboard 200 85
    1972 R&B Albums 16

    Singles – Billboard (United States) [5][6]

    Year Single Chart Position
    1972 “You’re Still A Young Man” The Billboard Hot 100 29
    1972 “You’re Still A Young Man” R&B Singles 24
    1972 “Down To The Nightclub” The Billboard Hot 100 66

     

    2024 April PAD Challenge: Day 3

    Write a poem every day of April with the 2024 April Poem-A-Day Challenge. For today’s prompt, write a musical act or artist poem.

    Believe it or not, today is one of the more important days of the April Poem-A-Day Challenge. While each day is a new challenge, I’ve found that most poets who make it through the first three days of prompts have the best chances of still being here at the end of the month. So let’s write a poem!

    For today’s prompt, pick a musical act or artist and either make that the title of your poem or incorporate into the title of your poem; then, write your poem. Possible titles might be: “Michael Jackson,” “Olivia Rodrigo,” “the Beatles,” “Guided by Voices at Austin City Limits,” “Watching a Movie With Elton John,” or “Eating Ice Cream With Dr. Dre.” Have fun with it!

    Remember: These prompts are springboards to creativity. Use them to expand your possibilities, not limit them.

    NaPoWrMo Prompt

    the Parliament of Owls Decree Death to All Humans

    AV version the Parliament of Owls Decree Death to All Humans

    Death to All Humans

    The Parliament of Animals met one day in a secret undisclosed location as they were under constant surveillance by the human CIA and others who wanted to disrupt the parliament’s work.

    the wise owl presided. He read the charges

    “We are assembled here to judge the actions of the human race. the human race is being charged with

    crimes against nature,

    destruction of the environment,

    mass murder,

    enslavement of animals,

    mutilation of animals,

    and violation of Gaia’s basic commandments to preserve the environment for all animals including humans.

    Speaking for the prosecution will be the Tiger and Lions, speaking for the defense with the domestic cats and dogs. We have in the room ten men and women who are representative of the human race.

    The parliament can make any recommendation to remedy the situation including the death penalty, exile, or reparations. All animals will be required to conduct these recommendations.”

    “Okay, Mr. Tiger first we will ask the humans how they plead.” “

    Humans. You have been charged with the following crimes.

     

    crimes against nature,

    destruction of the environment,

    mass murder,

    enslavement of animals,

    mutilation of animals,

    and violation of Gaia’s basic commandments to preserve the environment for all animals including humans.

    How do you plead?

     

    Sam Adams, the lawyer for the humans, responded,

    “Not guilty your honor for these charges except for eating animals which we contend is part of the natural order of the world and many if not most of you are guilty of the same charge.”

    “Clarification – your basic argument is that everyone eats animals, so humans are not guilty

    “ “Yes, that is correct, your honor.” “

    Okay, Mr. Tiger, your opening.”

    “Okay. The facts are clear. For thousands of years until the Industrial Revolution humans had a little mass impact on the overall environment. Ever since then all animals have been impacted and my species has been hunted to extinction for the greed of humans who have not eaten tiger meat. The predator class, including bears, coyotes, feral dogs, lions, tigers, and wolves have been fighting back against the predation of humans, but we are losing. And if we don’t do anything within 10 years, there won’t be any tigers or other big predators left in the wild. And the natural order of things would be controlled by the evil, selfish humans who don’t give a damn about their fellow creatures. Therefore, we are proposing that 95% of humans must be killed. The remaining humans will be allowed to live as our slaves It is only fair. That is my request to the parliament of animals. Death to humans!”

    The crowd rose and chanted “Death to all humans” until the owl ruled that they must not disrupt the proceedings.

    The owl turned to the cat and and dog for their defense. the  Cat responded, “

    “ Humans are okay and we like them they are our friends, although they should be found not guilty because of insanity.”

    the owl motioned to the dog, who responded,

    “Humans and dogs have been partners, and we know humans more than any of you. Humans are capable of great kindness, and compassion and we maintain they are not fundamentally evil. And then they can be redeemed through education and through. Campaign to reform human thought. I think we should give humans a second chance.”

    The owl said he was ready for his verdict.

    “Death to 95 percent of humans, and enslavement of the rest, but we will allow 50,000 to immigrate to the Moon and Mars. I will meet with the UN to give them the decree.

    Once that is published all animals must rise up and kill all humans on sight. This suspends the parliament of animals. Death to all humans.” The word went out animals rose all over the world and the reign of human tyranny ended within a year.

    AI Version The Parliament of Animals

    In the clandestine chambers of the Parliament of Animals, where shadows danced and secrets whispered, the wise owl presided. Under the ever-watchful gaze of human surveillance, the charges were read aloud:

    “We are assembled here to judge the actions of the human race. The human race stands accused of crimes against nature, destruction of the environment, mass murder, enslavement of animals, mutilation of animals, and violation of Gaia’s sacred commandments. Speaking for the prosecution are the Tigers and Lions; for the defense, the domestic cats and dogs. Ten representatives of humanity sit in this room. The parliament holds the power to recommend remedies: death penalty, exile, or reparations. All animals shall be bound by these decisions.”

    The Tiger, his golden eyes ablaze, addressed the humans, “How do you plead?”

    The humans, their faces etched with defiance, stood before the assembly. Sam Adams, their lawyer, stepped forward, his voice unwavering, “Not guilty, Your Honor. Except for eating animals—a primal act woven into our existence—we maintain our innocence. It is the natural order, and many among you, my fellow creatures, partake in this ancient feast.”

    The room buzzed with tension. The wise owl blinked, feathers rustling. The verdict hung in the air, suspended between judgment and mercy. The fate of humanity rested on the scales of justice, balanced precariously.

    And so, the Parliament of Animals convened, weaving threads of fate, pondering the sins of bipeds, and deciding whether to condemn or absolve. In this surreal courtroom, where the boundaries blurred and the moon bore witness, the world awaited its reckoning.

    Last but not least, here’s our prompt for the day – optional, as always. Today, we’d like to challenge you to write a surreal prose poem. For inspiration, check out Franz Kafka’s collection of short parables (my favorite is “The Green Dragon”).

    Franz Kafka

    Illustrated byAimee Pong

    An Imperial Message

    Pekin and the Emperor

    The News of the Building of the Wall: A Fragment

    The Great Wall and the Tower of Babel

    The Building of the Temple

    Prometheus

    Poseidon

    The Sirens

    The New Attorney

    The Building of a City

    The Imperial Colonel

    The Green Dragon

    The Tiger

    The Truth About Sancho Panza

    Robinson Crusoe

    My Destination

     

    April 3—Look at the sky!

    One day the world woke up

    To the impending end

    As a new asteroid.

     

    Quickly dubbed

    The doomsday asteroid

    Headed to Earth.

     

    Everyone looked up

    At the doomsday asteroid

    As the world scrambled

    To send space missiles

    To blow it away.

     

    Brazilians, Chinese, the EU, Koreans, Japanese, Iraqis,

    Iranians UAE, Israel,. Indians, Pakistanis,  Russians,  Saudis,

    South Africans, Russians, and Ukrainians.

     

    50 nations all joined the IPDF.

    Including to everyone’s surprise

    The elusive enigmatic North Koreans.

     

    All join together under a newly formed.

    International Planetary Defense Force

    Under the auspices of the UN.

     

    NASA provided the executive leadership

    The others all provided parts of the ship,

    The software, hardware, and nuclear bombs.

     

    The ship would be unmanned

    And was launched worldwide

    Interest as everyone watched

    Hoping for the best.

     

    The bombs worked

    The asteroid was blown away

    With only some minor  damage

     

    The IPDF vowed to remain ever-vigilant

    And fully funded, with a new mission.

     

    Setting up permanent space colonies

    In space stations, the moon, Mars,

    The moons of Jupiter and Saturn.

     

    Vowing to have them set up by 2030!

    Using the latest AI-generated research.

     

    The goal to have over 50,000 people

    Living and working off the planet.

     

    One of the rare international ventures

    That survived the new multi-power

    Global great power conflicts.

     

    April 4

     PSH  Love Expressed Through Food

     

    WD  Mistake Poem – Don’t Make a Mistake, Vote For Jake

    WC Dew Drop In Ending Shaving in Retirement

    NaPoWriMo

    It Can’t Happen Here

    PSH Love Expressed Through Food

     

     

     

     

     

    My love loves to cook

    Delicious food on the stove

    Cooking up a storm

    All to express her love for me

    Showing her deep emotion

    Though the food she cooks up

     

    We met in a dream

    And I recall that dream

    Whenever I eat her delicious food

     

    It was love at first sight

    Our love deepend through her food

    Looking at her with lust in my heart

    As I taste every inch of her

    Smelling her as we make love

     

     

    Love                                               Stove

    emotion                                         cook

    dreams                                           food 

    attraction                                        eat  

    Lust                                                 taste

    sex                                                Smell

     

    Writing Prompt from Jon Wesick

    This poetry writing prompt submitted by Jon Wesick:

    The Assembly Line of Surprise

    Step 1 – Choose a subject to write about. This should probably be something about being human such as a mental state, emotion, or social issue. Often this is abstract.

    Love

    Step 2 – Choose an object to compare it to. It’s best if this is something very different than in step 1. Concrete things like machinery give good imagery. The more outrageous the better. Congratulations! You’ve just created a metaphor.

    Stove

    Step 3 – Make two columns on a piece of paper. List the parts of the subject step 1 in the first column and the parts of the item in step 2 in the second.

    Love                                               Stove

    emotion                                         cook

    dreams                                           food 

    attraction                                        eat  

    Lust                                                 taste

    sex                                                Smell

     

    Step 4 – Map items in each column to those in the other. Choose the most interesting mappings. These will be phrases in your poem.

    Step 5 – Put these phrases together into a poem.

    Let’s “cook up” an example. Steps 1 and 2 – Compare despair to a microwave oven

    Step 3 – Table.

    Despair Microwave Oven
    Fatigue Klystron
    Sleeplessness Turntable
    Irritability Browning dish
    Emptiness Observation window
    Loss of libido Control panel
    Gloom Timer
    Despondency Defrost function
    Hopelessness Auto cook menu
    Futility Number pad
    Start/stop button
    Tomato sauce caked on walls
    Sparking when tin foil inside

    Step 4 – I’d map sleeplessness to dried tomato sauce, irritability to sparking, and libido to the defrost function.

    Step 5 – Put mapping into a poem.

    Writers DIgest Mistake Poem “Don’t Make a Mistake Vote for Jake”

     

    I should have run for office

    I would have a perfect slogn

     

    Rifting on the word mistake

    Rhyming it with my name Jake.

    In a old “Burma shave style

    Cowboy poetry poem..

     

    Don’t make a mistake

    Vote for Jake

     

    He is so awake

    Don’t brake

    Don’t use your emergency brake

    Everything’s Jake. ‘

    Just  Vote for Jake

     

    He ain’t no fake

    He’s no flake

    He ain’t on the make

    Just vote for Jake

     

    He’s aint no rake

    He ain’t no rattle snake

    He ain’t no common snake

    He ain’t on the take.

    Just vote for Jake

     

    Take a tea break.

    Don’t have a cluster headache,

    Don’t have a sinus headache.

    Just vote for Jake

     

    Make a political earthquake

    Don’t Shake

    Take a stake.

    Just Vote for Jake.

     

    For today’s prompt, write a mistake poem. Everyone makes mistakes. Yes, even that person standing in the corner shaking their head to the contrary. And even those people who don’t admit to making mistakes have seen others make them. So whether it’s the mistakes you’ve made, witnessed in others, etc., write a poem about it today.

    BUT (and yes, I’m using a big “but” here) poem nicely to each other today. I would hate to remove anyone for getting into arguments about X, Y, or Z in the comments; that’s why social media was created.

    Note:  Burma Shave ads were everywhere from 1910 to the late 70s.  Here’s Bing Co-Pilot on “Burma Shave” and Cowboy poetry.

    Burma-Shave was an American brand of brushless shaving cream, famous for its quirky and memorable advertising campaign. From the 1920s to the early 1960s, they posted humorous rhyming poems on sequential highway roadside signs. These signs became iconic and are fondly remembered by many.

    Here are a few classic Burma-Shave jingles that adorned the highways:

    1. “Cattle crossing means go slow, that old bull is some cows’ bold.”
    2. “The bearded lady tried to jump, she’s now a famous movie star.”
    3. “Shaving brushes out of date, use the razors perfect mate.”
    4. “The crowd you see around that store are Burma shavers buying more.”
    5. “PHA likes the cream, ma likes the jar, both like the price, so there you are.”12

    These clever and whimsical signs were typically posted in sets of six along highways, with the last sign revealing the product name. Passing motorists would eagerly read each sign to discover the punchline. The signs were originally produced in red-and-white or orange-and-black color combinations, although the latter was eventually phased out. While the Interstate system and increased vehicle speeds led to the signs’ discontinuation, their legacy lives on as a nostalgic piece of American advertising history. Some of these signs can still be seen at The House on the Rock in Spring Green, Wisconsin, and re-creations appear on Arizona State Highway 66, part of the original U.S. Route 66, between Ash Fork and Kingman, Arizona 34. 🚗🌟

    Burma-Shave was an American brand of brushless shaving cream, famous for its quirky and memorable advertising campaign. From the 1920s to the early 1960s, they posted humorous rhyming poems on sequential highway roadside signs. These signs became iconic and are fondly remembered by many.

     

    Cowboy poetry is a unique genre that celebrates the rugged lifestyle, camaraderie, and natural beauty of the American West. These poems often evoke nostalgia, humor, and a deep connection to the land. Let me share a few classic cowboy poems with you:

    1. “Tying Knots in the Devil’s Tail” by Gail I. Gardner:
    2. “A Prairie Song” (Anonymous):
    3. “The Strawberry Roan” by Curley Fletcher:
    4. “The Old Frying Pan” by James W. Whilt:
    5. “The Camp-fire Has Gone Out” (Anonymous):

    These cowboy poems capture the essence of life on the range, the bond between rider and horse, and the fading traditions of the American West. 🤠🌵

     

    Writing Com Dew Drop Inn Ending Daily Shaving in Retirement

    When Sam Adams

    retired from

    the U.S. Department of State,

     

    he made five vows

    which he kept for years.

     

    first, he would quit daily shaving

    shaving once or twice a month

     

    second, he would never wear

    a suit and tie

    instead opting for the northwest look

     

    Long pants, khaki or jeans, T-shirt

    and a Western-style shirt

    like a Pendleton shirt.

     

    Third, he would retire in Korea

    where his wife had family

    and Southern Oregon

    and an annual trip to DC

    where they had rentals.

     

    Fourth, they would travel

    a lot every year

    seeing as much as the world

    as they could while they could still do.

     

    starting with an epic road trip

    across the US

    10,000 miles 35 states

    in three months

     

    and a cruise to Alaska

    his last State of 50 to visit

    and an annual visit to someplace

    warm in the winter.

     

    Fifth, he would start a blog and podcast.

    the World According to Cosmos,

    to highlight his poetry and short story

    submissions and occasional political rants.

     

    He kept his vows

    except that COVID blew away

    his travel plans from 2019 to 2022!

    and he wore a suit once,

    to attend the wedding of the son

    of his best Korean friend.

     

     

    April 5

     PSH Cosmic Dog From Goa

    WD Tell Me No Lies

     WC Dew Drop Inn Making Baseball Great Again

    NaPoWriMo  Only In SF

     

    PSH The Cosmic Dog from Goa

    cute dog
    cute dog

     

     

     

     

     

    My final time with God

    Happened a year latter

    I was staying down in Goa

    With my wife

     

    Enjoying being with her

    After our reconciliation

    We stayed at the Taj Mahal Goa

    Living like Kings and Queen

     

    Just for a few days

    High up on a hill

    Overlooking the beach

     

    Every morning I went down to the beach

    And did yoga by the water

    While contemplating life

     

    And every morning

    I saw the same dog

     

    Not just a dog

    But a cosmic dog

    Filled with the divine spark of God

     

    And the dog recognized me

    And spoke to me and I knew

    That God was present once more

    In the face of the that cosmic dog

     

    Kindred spirit

    perhaps to the cosmic cat

    that had save my soul

    in Berkeley so long ago

     

    I told the dog everything

    And he just looked at me

    With those soulful eyes of his

    And I knew he knew that I knew

    That he was possessed by God

     

    God had sent him to me

    To make sure that I was on the right path

     

    That the reconciliation that God had promoted

    Was on track that I was back with my wife

    And that everything was the way it should be

     

    Again, I asked God whether he was Jesus or Allah

    Or Brahmin or Ganesh or Buddha

     

    God the cosmic dog just stared at me

    I finally asked him directly

     

    Say if you are God the God of Jesus

    Bark once

     

    The Dog looked at me and barked

     

    I said well if you are Allah bark twice

    The dog barked twice

     

    Well are you buddha then bark three times if yes

    The god dog barked three times

     

    Hmm well are you Satan

    The dog growled at me

    And I knew I had gone too far

     

    Finally, I was at peace

    And for the next three days

     

    The God Dog was my constant companion

    And I knew God for the final time

    In my life

     

    Writer’s Digest Tell Me No LIes

     

    Tell me no lies

    My dear

    and I will tell you

    no lies too.

     

    But every word

    I say

    could be a lie.

     

    you never know

    what is true

    and what is a lie.

     

    So tell me no more lies

    and I will tell you the truth

    if you can handle it.

     

    Writing Com Dew Drop Inn April 5—Get a sport into a poem!  Make Baseball Great Again!

     

    It is time

    to make American baseball

    Great again

     

    starting with creating a worldwide

    baseball competition

    with each season

    with the national champions

     

    competing in a World Cup World Series

    with the final round pitting the

    North American Champions

    against the winners of Africa,

    Asian, Europe, and South America

     

    with the final rounds

    best of seven

    always held in the U.S.

     

    The other things to do

    include rapid expansion plans

     

    including the MLB teams

    adopting local schools and colleges

    fully funding baseball programs

    and only hiring college graduates.

    as players.

     

    and making tickets affordable

    no more than ten dollars per game!

     

    if they do this,

    we can make baseball

    once again the best sport

    in the U.S.

     

    Let’s all join together

    to make baseball great again!

    NaPoWrMo  Only In SF

    Tiny, the Jamaican

    was a  big  6’5 reggae Rasta man,

    sprouting long black and purple dreadlocks

    and a purple mohawk

     

    wearing a black leather jacket

    with weed logos on it,

    played guitar in the SF Reggae Kings.

     

    A big Three Stooges fan,

    Named his four pets,

    “Shemp” the cat,

    “Moe” the dog,

    Curly” the mouse,

    and Curly Joe, the Vietnamese pig.

     

    The four amigos got along famously

    They lived in an apartment

    in the western addiction,

    off of Geary,

    in a rapidly gentrifying part of the city

     

    One day, Shemp said to Moe

    “Moe, I have a question for you,

    and I want an honest answer,

    none of your canine BS answer.

    You know us cats are straight shooters.”

    “Okay,  my cat brother. Shoot.”

    “Well, I understand that

    cats, dogs, mice, and pigs

    are natural born enemies,

    How come we get along?

    And you get along

    with Curly and Curly Joe?”

    “Good question.

    First, when we met

    I hated you all

    and you were afraid

    I might eat you in your sleep

    and the thought

    crossed my mind.

    But over time

    I mellowed out

    and realized

    we were all a band of brothers

    living in this house.

    I think it

    also has something to do

    with the cloud of weed

    in the air

    and the chill  deep house

    reggae  peace and love

    vibes in the house.”

    “cool.

    “Good answer.

    I too think of you

    all as my brothers.

     

    You know what I like the most?”

    Our nightly walk

    when Tiny, Tina, and Linda

    take us out

    and we put on our show.

    You know Curly Joe

    letting you ride on him,

    and I ride on you

    and Curly

    sits on my head

    to complete the show

    as we freak out the tourists

    good citizens, and outlaws

    who constantly take pictures

    saying to themselves

    “Only in SF”.

     

    And you know

    They are right.

    Only in SF.

     

    Let’s keep SF weird.”

     

    Tiny came in

    and they all went

    for their walk.

    April 6

    PSH  Visiting My Father’s Grave

    Writers DIgest Meeting My Fate

    Writing Com Dew Drop Inn  Daily RItual Drinks

    NaPoWrMo PNRCP

     

    Visiting my father’s grave

    In Yakima Washington State,

    The ancestral land of the Aller clan

    Thinking about my father

    And his legacy

    And thinking that I am

    My father’s son

     

    There is so much

    I wanted to tell him

    So much I wanted to share

     

    So much I wanted him to see

    My accomplishments

    He was taken from me

    Before I had achieved my dreams

     

    i am sure he would have been

    proud of the man

    I turned out to be.

     

    This poetry writing prompt submitted by Lara Dolphin:

    A “taphophile” is someone who has more than a passing interest in burial places.

    Cemeteries can hold beautiful sculptures, moving epitaphs, and genealogical secrets as well as religious meaning. If you were a tombstone tourist and could visit any burial place or shrine in the world, where would it be? Who would it belong to? Someone famous or obscure? Write a poem about one grave in particular.

    Writer’s DIgest Meeting My Fate Minimal Poem

     

    that september date

    I met my fate

    when she walked

    out of my dreams

    off a bus

    into my life

    becoming my wife.

    For today’s prompt, write a minimum poem. Some people only do the minimum; others like to pay the minimum. When I first started working, I earned minimum wage. My kids had to reach a minimum height requirement to ride roller coasters at amusement parks. 

    Writing Com Dw Drop In Daily  Beverages

    in the morning

    I drink a cup

    of snarling hot coffee

    while watching the news

     

    in the afternoon

    I shift to tea

    either earl gray

    or herbal tea

     

    at sunset

    I drink red wine

    with my wife

     

    as the evening

    shifts into night

     

    I drink rum

    or whiskey

     

    to end the day

    right.

    NaPoWrMo PNRCP

     

    My mother was an original

    One of a kind person

    Unique in her ways.

     

    She had many sayings

    That has stuck with me

    Over the years.

     

    She was not a big fan

    Of birthdays

    Even forgot my 18th birthday.

     

    She said on her birthday

     

    “Well that means

    One year closer to the grave.”

     

    One of her funiest saying

    Was how she described

    Getting to Berkeley

    In the late 30’s.

     

    She had ran away

    From a large but abusive family

    In Little Rock, Arkansas.

     

    Part of the so-called “lost tribe”

    Of the Cherokee Indians

    Also known as the Black Irish

     

    She said that she was just

    Part of the government run

    “Plantetary Nut  Reconfigeration Program”.

     

    Every ten years

    The world flips

    And all the nuts

    Roll down here

    And end up in California.

     

    Here’s some info on the Lost Tribe of the Cherokees. There are only about 50,000 left.  According to Bing Co-Pilot, “The Lost Tribe of the Cherokees, also known as the Black Dutch or Black Irish, is estimated to number around 9,000 in Arkansas and approximately 500 more in southern Missouri. These individuals seek recognition as a tribe after years of investigation. The federal Bureau of Indian Affairs (BIA) has been diligently working on their recognition petition for nine years1.

    Interestingly, some theories propose a connection between the Cherokee people and the Ten Lost Tribes of IsraelGenetic studies have even labeled the Cherokees as a Middle Eastern-North African population, suggesting this intriguing possibility23.

    While the Cherokee Nation in Oklahoma does not consider this group to be legitimate, their quest for recognition continues, and their history remains a fascinating chapter in Native American heritage. 🌳🔍

    TBC next week

    The End

     

     

     

  • More Roy Dufrain Writing

    More Roy Dufrain Writing

    More Roy Dufrain Writing

    Roy Dufrain Updates

    guest post by Roy Dufraine

    The Year of Twelve Songs Pt 2. Some of you have heard this one before, but not quite like this. Link to the whole story in the comments section below. 😎
  • Roy Dufrain Updates

    Roy Dufrain Updates

    https://wp.me/p7NAzO-2MW

    Roy Dufrain Updates

    guest post by Roy Dufrain

    Roy Dufrain is my college roommate from UOP.  We lived at the Euclid House next to campus which became an alternative frat house of sorts. We had wild parties every Friday night for two and a half years – the best parties on campus. Boy, we had fun   He taught me so much, became a “deadhead” because of him, and tried various things with him, and we occasionally performed demented music together at campus events.  He was a Raymon College student, but unfortunately, because of money problems did not finish his senior year.  He was also the editor at the university’s paper and published a number of my poems and essays while we were there.

    University of the Pacific Raymond college history

    Raymond College, an undergraduate honors college at the University of the Pacific, existed from 1962 to 1979. Located in Stockton, California, it was a unique institution with an interdisciplinary curriculum that emphasized learning across the natural sciences, social sciences, and humanities. Let’s delve into its fascinating history:

        1. Founding and Vision:
          • Raymond College was the brainchild of University of the Pacific President Robert Burns. Faced with a new generation of qualified applicants, he sought to create a personalized educational experience for students.
          • Inspired by the success of Oxford, Cambridge, and the Claremont colleges, President Burns envisioned residential cluster colleges as a way to maintain high academic standards while expanding the university.
          • Raymond College was the first of three cluster colleges developed under this vision.
        2. Curriculum and Structure:
          • The college offered an innovative interdisciplinary liberal arts curriculum.
          • Initially, it provided an accelerated three-year program, but later expanded to offer a four-year program as well.
          • Key components of the curriculum included:
            • Introduction to the Modern World: A shared cohort experience for incoming first-year students.
            • Language study: A year of language learning.
            • Math, physics, chemistry, and biology: Sequential courses.
            • Humanities and social science classes: Literature, philosophy, art, religion, economics, history, psychology, and sociology.
          • Students received written evaluations (term letters) instead of traditional letter grades.
        3. Provost and Philosophy:
          • Provost Warren Bryan Martin played a pivotal role in shaping Raymond College.
          • He emphasized the importance of the liberal arts and the holistic preparation of students for a fulfilling life.
          • The first class of students arrived in the fall of 1962.
        4. Legacy and Impact:
          • Raymond College influenced the entire University of the Pacific.
          • Its emphasis on student-centered learning, liberal arts, and interdisciplinary studies raised academic expectations across campus.
          • The college operated in the tradition of the liberal arts, fostering intellectual curiosity and engagement.

    Raymond College, though short-lived, left a lasting mark on education, demonstrating that sometimes “growing larger by growing smaller” can lead to transformative experiences for students1234.

    He is a talented writer and musician living in Clear Lake California.

    you can check his work out here at Medium and on Substack as well as on his web page

    Roy Dufrain.Com

    THE YEAR OF TWELVE SONGS is my latest music project. Some of you got a preview recently, with an all-acoustic version of a song called Finish Strong. Now I’m sharing a new version with added instruments and my efforts at sound production. Plus some backstory and something sort like old-fashioned liner notes (remember those?). I plan to do this with a different song every month and hopefully learn a lot in the process. Check it out with the link below and let me know what you think.

    Roy Dufrain Jr.

    Hey Jake, everything is at roydufrain.com. hope all’s well with you.

    ROYDUFRAIN.COM

    ROY DUFRAIN JR | Substack

    ROY DUFRAIN JR

    Roy’s Best Books 2023

    Some words I liked a lot this year.

    ROY DUFRAIN JR

    Far Sickness, by Joshua and Ava Mohr

    This is my 8th annual December ramble about the books of my year. Not necessarily books that came out this year, but books I read (or heard) that moved me, taught me, made me cry, or cracked me up. It kind of feels like I’m late with this year’s edition but hey—two-day shipping at your preferred online bookseller, right?

    FICTION

    Nowadays I often avoid reading the latest best-selling, prize-winning, must-read fiction that everyone’s talking about. Because over the years I’ve learned not to trust hype. I like to wait a few years to see if anyone’s still talking about the book. See if the title comes up in a discussion and someone says, God, I loved that book, years after they read it, and they start talking about the character or scene that stuck with them. To me, that’s how you know. Not by critics’ reviews book trailers or Reese Witherspoon. (However, if Ms Witherspoon is out there somewhere, this does not mean I wouldn’t want MY book on your list someday! Just sayin’).

    ROY DUFRAIN JR is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

    Upgrade to paid

    But this year I read two of the latest novels from two big names in fiction—because I had loved previous work by both authors and because multiple writer-friends flat-out raved about these new books. And now I will rave about them myself.

     

    Demon Copperhead, by Barbara Kingsolver, is the best novel I’ve read in years. The best overall reading experience that delivers in all facets. The sense of total immersion in a world, the intense rooting interest in a main character, the epic scope of historical context, the deep underlying interrogation of the real world, and the sheer delight in artful language. I can’t think of what more to ask from a novel. And, frankly, I can say pretty much the same things about The Vaster Wilds, by Lauren Groff, although Groff’s tale delivers in its particular way. Read them both, and see what you think.

    NON-FICTION

    The Gutenberg Revolution: How Printing Changed the Course of History, by John Man. Okay, I admit there are maybe three people reading this who could be marginally interested in this book. One of them is my father, a fellow ink-stained wretch as we used to say in the biz. And the others have similar or adjacent backgrounds. But, even if you don’t have ink and perhaps newsprint in your blood, or an old pica pole in a desk drawer at home, this is a fascinating blow-by-blow account of the twists and turns of fate, greed and genius that resulted in one of humankind’s most impactful technologies, on a par with gunpowder, the electric light or the personal computer.

    BONUS NON-FICTION

    Beatles 66: The Revolutionary Year, by Steve Turner. An amazingly detailed, month-by-month tour through a year in which the world changed the Beatles and the Beatles changed the world. I went to Audible on this one and listened to most of it in the car on a long drive to and from a writer’s retreat. It made for a great company.

    Consider This: Moments in My Life After Which Everything was Different, by Chuck Palahniuk, author of the novel, Fight Club. This is a very different kind of craft book: personal, direct, funny, truth-telling, even illuminating at times. The subtitle hints at one of the biggest takeaways because Palahniuk is referencing what he sees as the key piece of wisdom he has to pass on—in the end, writes about the moment after which everything was different. If that gets your writer’s brain running like a hamster, this book’s for you.

    And in the GREAT BOOKS BY NICE FOLKS I KNOW category… Far Sickness, by writer/teacher/editor Joshua Mohr, who is a huge favorite among scribblers here on the Upper Left Coast. This slightly demented short novel—a collaboration with Josh’s ten-year-old daughter Ava—seems to live somewhere between the old Fractured Fairy Tales cartoons from the Rocky and Bullwinkle Show, and a Guillermo del Toro film, and this juxtaposition of innocence beside horror is only enhanced by Ava’s charmingly bloody illustrations. But underneath all of that is a heart-wrenching journey through the deepest kind of trauma and regret to somewhere resembling hope. Which is exactly what readers usually get from Josh’s work.

    That’s all for this year, folks. Remember, as Stephen King said…

    “Books are a uniquely portable magic.”

    ROY DUFRAIN JR is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

    The Last Great Acid Trip

    Or how I won a footrace against a dog named Pig Pen

    ROY DUFRAIN JR

    Remember the Red River Valley

    A story, a drink, and a song

    ROY DUFRAIN JR

    Ready for more?

    Subscribe

    © 2024 Roy Dufrain

    Remember the Red River Valley

    A story, a drink and a song

    I was watching the movie based on Cheryl Strayed’s memoir Wild, and there’s this scene where a little boy with the sweetest voice sings Red River Valley to Reese Witherspoon. I hadn’t heard that song in I don’t know how long, and in an instant I was transported—in that way that a song can flip a switch and turn your mind (and your heart) into a four-chord time machine. Know what I mean?

    I was no longer a late-middle-aged man reclined on my couch watching Reese Witherspoon’s hit movie. I was eight or nine years old, and it was 1966 or 67. My older sister Debi and I were staying with our grandparents somewhere in Sacramento. I don’t remember why or for how long, yet I’m sure I could draw an accurate floorplan of the tiny one-bedroom bungalow they had. Memory is such a rickety contraption

    https://www.roydufrain.com/p/remember-the-red-river-valley?r=kcikc&utm_campaign=post&utm_medium=web

    r=kcikc&utm_campaign=post&utm_medium=web

    https://www.roydufrain.com/p/the-last-great-acid-trip?r=kcikc&utm_campaign=post&utm_medium=web

    The Red Shoebox Guitar

    Sting-Rays, Stratocasters, Beatle Boots and Destiny

    1
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    Previously published by the Coachella Review. (thecoachellareview.com)

    Photo by Dima Dimax from Pexels

    On hot Saturdays the neighborhood men took refuge in their garages.

    They opened their garage doors and ran portable fans, and they turned up the Giants game on the transistor radios that sat on their workbenches. The men fixed things and made things and drank bottled beer out of old round-shouldered refrigerators. Wives and children were generally not invited.

    That summer of 1966, Bobby Highfill and I were both eight years old. Our mothers were forever shooing us out from under their feet and into the great outdoors, which in our corner of suburbia consisted of a few square blocks of housing tract and one dead-end street of undeveloped lots known to local kids as the Trashlands, where Bobby and I both served honorably in the Great Dirt Clod Wars of Concord, California.

    Another garage to which we were generally not invited belonged to Mrs. Chambers, a widow who seemed to always have her hair in curlers and parked her pale green Hudson Hornet by the curb and turned the garage over to her only child’s rock and roll band. Her son, Larry Chambers, was the lead guitarist, and my own uncle sang and played rhythm guitar.

    Uncle Art, my mother’s baby brother, lived with us on Cranbrook Way because he’d been kicked out by my grandparents for reasons my mother insisted I was too young to understand. He was seventeen years old, and he went to high school and drove a red Corvair and had a blonde girlfriend who wore pink lipstick and pointy sweaters. And he played guitar in a real working band that played dances all over the Bay Area and once opened up for Martha and the Vandellas.

    The band was called the Royal King’s Four. They played Top Forty fluff like Sherry by the Four Seasons and Sugar Shack by… whoever the hell did Sugar Shack. But, like every other cover band in the world in 1966, they were now learning Beatles songs as fast as they could.

    They rehearsed in Mrs. Chambers’ garage, usually in privacy, but when it was hot they would open the garage just like the neighborhood men. A small crowd would gradually form in the driveway, mostly teen girls in tight shorts with pastel blouses tied up in front to flash their soft, smooth bellies. Yes, even at eight I noticed how the girls were drawn to the music. But Bobby Highfill and I would wriggle our way through the girls to get a clear view of the band. Well, not the band so much as their instruments—more precisely, the guitars.

    The guitars were called Stratocasters, and they were magical. Mysterious chrome knobs and complicated hand movements controlled the sounds that traveled across the wires and erupted from the amplifiers as sparks of music. The guitar my uncle played was painted like a flame, and Larry’s guitar was black as his bad-boy pompadour. When the band took a break, the Stratocasters were laid down in cases lined with gold velvet, where they waited for their masters like swords locked in stone.

    It’s possible to want something so much that you don’t dare ask for it or even speak of it, for fear of the hole that a no would leave in your heart.

    And yet, someone noticed.

    It was one of those hot Saturdays, and Bobby and I were pedaling our Sting-Rays homeward after another glorious battle in the Trashlands, when we heard his father’s whistle on the wind. I’ve never been able to whistle like Mr. Highfill. My sister learned to do it, but I never could. He had one of those two-finger whistles that you heard from blocks away and recognized as a command. We pedaled harder.

    When we arrived at Bobby’s house, Mr. Highfill stood in the driveway, arms crossed. The garage door was open. He was a balding man in khaki slacks and a short sleeve button-down shirt. I’m not sure I ever knew what he did for a living—sales I think, but of what I have no idea.

    We skidded to a stop and dropped our bikes on the front lawn. Without a word, Mr. Highfill turned and, with a wave of his arm, invited us into the garage. We followed numbly beyond the raised door, into the inner sanctum, where the fan whirred and the refrigerator hummed and the fluorescent light sputtered. The live smell of fresh sawdust and the sweetness of paint hung in the warm air.

    Mr. Highfill took something off the workbench and bent down to lay it in my arms. It was my first guitar—handmade from the finest materials available in the closets and garages of suburbia: a Keds shoebox for the body; a plywood neck, nails for string pegs and four industrial-strength rubber bands for strings. The plywood was marked with thin stripes of brown paint to represent frets. The shoebox body of the guitar was spray-painted cherry red and decorated with golden musical notes rendered in glitter and Elmer’s glue.

    It was the most beautiful, most inspiring thing I had ever touched.

    My own father often said that I was old before my time. I was an oddly serious kid, frequently reading deep meanings in the tea leaves of my young life, and in my restless mind the red shoebox guitar foretold something momentous and inexorable. Of course, Bobby received a matching guitar, and I decided right then that we were manifestly destined to embark on a career as a performing duo.

    But first, we needed a repertoire.

    A year before, when I was seven, my favorite Beatle was Paul—you know, the cute Beatle. I liked John too, but he was merely the clever and cheeky Beatle. Some would say he was actually a smart-aleck punk overflowing with attitude. Then, at a certain point, it became clear that John was something more—he was the troubled Beatle.

    It became clear with the song, Help! It was one of the first Beatles records with lyrics that were noticeably more complex and interesting than “I want to hold your hand” or “She loves you, yeah yeah yeah.” I didn’t understand my reaction consciously at all, but I was drawn to it immediately. (Like I said, an oddly serious kid.) Forever after, my favorite Beatle was John—the Beatle with inner demons.

    Bobby and I spent most of that Sunday in my bedroom with a portable phonograph, a notepad, and the 45rpm record of Help! By day’s end, we had the vocals down cold… okay, we had the vocals down lukewarm.

    Next, we needed outfits.

    All the big bands wore matching outfits. The Beatles had shiny blue-gray suits with collarless jackets and black leather boots. The Beach Boys had striped shirts. Every band on TV matched—except for those hoodlums, the Rolling Stones. Even the Royal King’s Four had matching suits and skinny ties and boots like the Beatles.

    Bobby and I had seen pictures of the Beatles wearing turtleneck sweaters, and we each had red turtleneck shirts. We’d seen the Royal King’s Four wearing their jeans “pegged” at the bottom, and we bothered our mothers into doing the same to ours. But we still needed that final touch.

    We needed the boots.

    I don’t know how Bobby got his Beatle boots, but I had my aunt to thank. It happened when I was dragged along on a shopping trip with Aunt Irene and my mother. My two older sisters could be left on their own for the entire day, but I could not be trusted to the same degree.

    The shopping itinerary included Kinney Shoes. The ladies inspected pumps and flats and sandals and kept the salesman busy measuring their feet and helping them with try-ons. I posted myself at the display of kid-size Beatle boots, and I didn’t move. I didn’t say anything. I just stayed and stared in a trance of longing. Like all mothers, mine was adept at tuning out her children when convenient. And my Aunt Irene was not a sucker for a child’s dreamy yearning. She was a woman with both the posture and character of a straight-backed chair. But, to my surprise and relief, she became my benefactor. “Will you buy the damn shoes already,” she said to my mother. “I can’t stand to look at him anymore.”

    Now, all we needed was an audience.

    Our first (and only) paying gig was something of a guerrilla performance. We were not, per se, invited to perform in Mrs. Chambers’ driveway. However, it was conveniently located within our limited touring radius, being just down the street from my house on Cranbrook Way.

    We showed up on a Tuesday afternoon unannounced, looking sharp in our matching turtlenecks, pegged jeans and Beatle boots. The garage was open and the Royal King’s Four were practicing. A crowd of four or five girls loitered on the concrete, popping their gum, looking out cooly from under long bangs. We waited for the band to take a break, then we stepped out front with our matching shoebox guitars.

    Our setlist for this engagement consisted of Help!… followed, of course, by an encore performance of Help! In the showbiz vernacular of today, we killed. We were paid a whole quarter each by the fawning Mrs. Chambers and every member of the band. The teen girls squealed and said “Aww, so cute.” One of them tousled my hair.

    Being an oddly serious kid, I quickly invested most of my fortune in literature. Batman, Superman, Richie Rich, Little Archie. Comic books were twelve cents apiece then, three for a quarter. I’ve since performed for less satisfying payment on more than a few occasions.

    I didn’t yet know that the summer of ‘66 would be my last on Cranbrook Way.

    My father was fed up with the Bay Area rat race, especially some of the rats in charge. He found a new job in a small town by a big lake in the distant hills of Northern California. The Royal King’s Four broke up when Uncle Art joined the army. On our last day in Concord, Bobby came over to say goodbye and we took one last spin around the Trashlands on our Sting-Rays. Then my father added my bike to the pickup load while Bobby and I stood on the bright sidewalk and shook hands like men as tears slipped onto our cheeks.


    I found my second guitar under the Christmas tree in 1968—a three-quarter size Harmony acoustic from the Sears catalog. Classic sunburst finish, with a white plastic pick guard and a golden braided cord to use as a strap. I begged my parents for lessons at the local music store known as Bandbox Music. I was sure that Skip, the owners’ son, would turn me into a full-fledged guitar god in no time at all.

    After three weeks of one-finger chords and plinking out Twinkle Twinkle, I was hopelessly, irredeemably bored. Now I begged my parents to let me quit. But, thanks to those excruciating lessons, I wrote my first song in 1970, an instrumental I called Psychedelic Butterfly. By then I was twelve years old, the Beatles had broken up, and I was newly under the musical spell of Jerry Garcia and the Grateful Dead.

    I guess you’d have to say that Harmony acoustic was my first “real” guitar—certainly more real to the hands and eyes and ears. But perhaps not to the heart.

    My newest guitar is a beautiful all-mahogany Martin acoustic that cost more than many automobiles I’ve owned. But, every time I pick it up, some part of me is back at that garage on Cranbrook Way, keeping time with my Beatle boots and strumming that glittering red shoebox guitar.

    https://www.roydufrain.com/p/the-red-shoebox-guitar?r=kcikc&utm_campaign=post&utm_medium=web

    https://www.roydufrain.com/p/for-the-great-john-prine?r=kcikc&utm_campaign=post&utm_medium=web

     

    Roy introduced me to Baseball, and American Football. We saw a lot of basebal games on TV at the Euclid House as well as SNL in its prime time seasons.  as well as 70’s classic TV shows.

    THE YEAR OF TWELVE SONGS is my latest music project. Some of you got a preview recently, with an all-acoustic version of a song called Finish Strong. Now I’m sharing a new version with added instruments and my efforts at sound production. Plus some backstory and something sort like old-fashioned liner notes (remember those?). I plan to do this with a different song every month and hopefully learn a lot in the process. Check it out with the link below and let me know what you think.

    Roy Dufrain Jr.

     

  • More Jim Davidson Music

    More Jim Davidson Music

    More JIm Davidson Music

    Introducing Jim Davidson

    Jim Davidson Music Links

    Jim Davison is a piano player I have known since 1970.  Here are some more of his piano music. Enjoy.

    Here’s our latest recording. Karen shines, as she applies her melodious vocal talents to an old swing-era favorite, “Pennies From Heaven.” It was also an opportunity for me to play some stride piano, a style I love (though it’s technically challenging). Hope you enjoy it and find it as “nice” as we did.

    <iframe width=”1170″ height=”658″ src=”https://www.youtube.com/embed/DgYtCHr9CGs?list=PLX1JF6laivmDeiTySUhrFho-Aq3NYa5Yn&#8221; title=”Pennies From Heaven – Karen Sudjian and Jim Davidson – Take 2″ frameborder=”0″ allow=”accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share” allowfullscreen></iframe>

    Jim Davidson

    Professional Jazz Musician at Various San Francisco Bay Area Venues

    Various San Francisco Bay Area Venues

    New England Conservatory of Music

    Oakland, California, United States

    Professional Jazz Musician

    Various San Francisco Bay Area Venues

    – Present · 9 yrs 1 moJan 2015 – Present · 9 yrs 1 mo

      • Pianist, arranger, and producer for the Karen Sudjian and Jim Davidson group; sideman with the Dewayne Oakley Blues Ensemble. Former sideman with the Larry Stefl Group.

    ·       Karen Sudjian & Jim Davidson — Baker & Commons

    • WebJul 27, 2019 · Jim Davidsonattended the New England Conservatory of Music in Boston, where he studied piano with jazz great Jaki Byard. Through the years he has played with …

     

    EXPLORE 6 RELATED PAGES

    Beautiful Love – Karen Sudjian and Jim Davidson – YouTube

    Karen Sudjian, vocalJim Davidson, pianoWayne Samdahl, bassPaul Yonemura, drumsBaker & Commons, Berkeley, CAMarch 6, 2018

    1www.youtube.com

  • Yet More Music By Gary Noland

    Yet More Music By Gary Noland

    Yet More Music By Gary Noland

     

    (5) Gary Noland _ Facebook

    Composergarynoland – Composition Lessons, Music, Piano

    gary noland
    gary noloand cartoon

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

    Gary Noland Music Updates

    More Gary Noland Music

    Gary Noland’s Music Updates

    Gary Noland is a friend I have know for more than 50 years. He writes music in a distinctive style. Well worth listening to.

    You can listen to his music on Sound cloud or You Tube.

    https://soundcloud.com/gary…/sets/bearded-avatar-goyles

    https://soundcloud.com/gary-noland/old-boston-for-piano… My OLD BOSTON for piano, Op. 116, No. 18 from my 20 COVIDITTIES (2020). Listen and enjoy!

    https://soundcloud.com/…/sets/resting-on-ones-quarrels-and The Pimpleton Procrasturbation Ensemble performs RESTING ON ONE’S QUARRELS.

    ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME performed by The Pimpleton Procrasturbation Ensemble.

    ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME, Op. 139, No. 6
    THE PIMPLETON PROCRASTURBATION ENSEMBLE performs ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME, Op. 139, No. 6, by GARY LLOYD NOLAND (October 19th, 2022). For more information on the composer, pleas
    My WHIPPING THE NIGHT ORGASTIC performed by the Pimpleton Procrasturbation Ensemble (January 25th, 2023): https://soundcloud.com/…/sets/whipping-the-night-orgastic
    UNBEARDED AVATAR-GOYLES, Op. 131, No. 5, performed by The Pimpleton Procrasturbation Ensemble. Enjoy!

    permafrost My TEEMING IMPERMAFROST, Op. 127, No. 6, performed by The Pimpleton Procrasturbation Ensemble.

    ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME performed by The Pimpleton Procrasturbation Ensemble.

    ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME, Op. 139, No. 6
    THE PIMPLETON PROCRASTURBATION ENSEMBLE performs ANNOYING CREATURES THAT UNDERSTAY THEIR WELCOME, Op. 139, No. 6, by GARY LLOYD NOLAND (October 19th, 2022).

    My WHIPPING THE NIGHT ORGASTIC performed by The Pimpleton Procrasturbation Ensemble.

    https://soundcloud.com/…/thank-heavens-it-was-only-a&#8230; My latest piece: THANK HEAVENS IT WAS ONLY A DREAM! WAIT, WHAT? performed by The Pimpleton Procrasturbation Ensemble (January 26th, 2024)—enjoy!

    I am pleased to present this brand new recording of pianist MYRNA SETIAWAN performing my GOLDEN GATE RAG, Op. 123 (1974, revised 2021): https://soundcloud.com/…/sets/golden-gate-rag-op-123-myrna

    https://soundcloud.com/…/sets/when-xmas-ornaments-go-rogue I made a pact with my Facebook friend, composer Allan Segall, to exchange titles for pieces. I provided him with a title and a new piece of his emerged within a day or two. With all the projects I have been involved in lately, it took me several months to fulfill my end of the bargain. I finally asked him for a title a couple weeks ago (on January 9th, 2024, to be precise) and he provided me with the title of this brand new piece (completed on January 23rd, 2024), which I am happy to include amongst a growing portfolio of holiday pieces. The Pimpleton Procrasturbation Ensemble (consisting of the composer and his five anagrammatic alter egos) performs WHEN XMAS ORNAMENTS GO ROGUE.

    https://soundcloud.com/gary-noland/th

    My latest composition: THERE’S NO THERE WHERE? performed by The Pimpleton Procrasturbation Ensemble (January 23rd, 2023): https://soundcloud.com/gary…/sets/theres-no-there-whereeres-no-there-where The Pimpleton Procrasturbation Ensemble performs THERE’S NO THERE WHERE?

    My recent CD album, ALEXANDER THEROUX SONGS & MUSICAL PORTRAIT is now available for purchase thru the following link: https://www.trepstar.com/purchase.asp?idprod=408300&#8230;

    https://soundcloud.com/…/four-heine-lieder-for-soprano Soprano Hayley Boggs and pianists Victor Hurgo Morales and Maryna Buksha perform my FOUR HEINE LIEDER, Op. 91. Enjoy!

     

  • Gary Noland Music Updates

    Gary Noland Music Updates

    Gary Noland Music Updates

     

    gary noland
    gary noloand cartoon

    Composergarynoland – Composition Lessons, Music, Piano

    Introduhttps://wp.me/p7NAzO-1T

     updated

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    Gary Noland’s Music

    Introducing Jim Davidson

    Spillwords Published One Night In Bombay

     

    https://wp.me/p7NAzO-2wRIntroducing Gary Noland’s Music

    Updates

    My friend, Gary Noland has been quite active lately with lots of new music.  Here are some of his recent pieces for your listening amusement.

    Gary Noland

    eonsdrtoSp04232a0a3t9i0 4124c07aycu 34a8rgn14,gfuh1llt565Jl1  ·

    Brand new piece (15 August, 2017): Gary Noland, piano & narration, performs Fascicle No. 162, Part Six of his chamber novel Jagdlied Op. 20.

    Brand new piece (15 August, 2017): Gary Noland, piano & narration, performs Fascicle No. 162, Part Six of his chamber novel Jagdlied Op. 20.

    My PAEAN IN HOMAGE TO HIGH-MINDED MAGGOTS, UPSTANDING BOTTOMFEEDERS, AND OTHER MALIGNANT PARASITES OF UNIMPEACHABLE MORAL INTEGRITY performed by THE PIMPLETON PROCRASTURBATION ENSEMBLE (December 20th, 2022): https://soundcloud.com/…/paean-in-homage-to-high-minded

    (5) Gary Noland _ Facebook

     My latest piece: CONFUNKLED SNAFUBARBIES AND THEIR BIRDBRAINIAC CARBON COPIES CONFLABULATING AT THE FUNERAL HOME BEFORE THE FALL performed by THE PIMPLETON PROCRASTURBATION ENSEMBLE (December 18th, 2022): https://soundcloud.com/…/sets/confunkled-snafubarbies-and

    My SOFT-BOILED EGGHEADS performed by THE PIMPLETON PROCRASTURBATION ENSEMBLE (December 16th, 2022): https://soundcloud.com/gary-noland/sets/soft-boiled-eggheads

    My latest piece: TITS FOR TAT FROM A NURSING HOME NAZI’S NEMESIS performed by THE PIMPLETON PROCRASTURBATION ENSEMBLE (December 12th, 2022): https://soundcloud.com/…/sets/tits-for-tat-from-a-nursing

    My VENGEGASMIC PHRENZY performed by the redoubtable PIMPLETON PROCRASTURBATION ENSEMBLE: https://soundcloud.com/gary-noland/sets/vengegasmic-phrenzy

     Collected Piano Works (Author Interview)

    bookinform.com

    Gary Noland

    Lives in Portland, Oregon

    Self-Employed

    1/14/11, 3:37 PM

    Gary

    Hey Jake, Zappenin? Nice to see you in FB. I’m living in Portland, Oregon these days. Love it here. Jim tells me you’ve visited him on occasion in the Bay Area. I go there once or twice a year. Maybe we’ll cross orbits again sometime. I’m composing a 90-minute set of variations on my own theme for solo piano, which I started in April, 2009. Hope to have it completed in about three months. At 39 variations, I’ve probably broken the world record in terms of length and scope. You’re in Alexandria these days? Nice! Hope all is well. Cheers, Gary

    Enter

     

     

    Dear Friends, I AM PLEASED TO ANNOUNCE THE UPCOMING RELEASE OF MY NEW DOUBLE CD: 20 COVIDITTIES Op. 116—composed amidst suffocating smoke, impending conflagrations, destructive riots, politico-ideological turmoil, all whilst in the throes of a pernicious global pandemic. Available for purchase on Amazon for only $16.95 “… a most important work … molted out of a neo-romanticism into a completely postmodern reduction of elements (ad absurdum) … Sometimes that romanticism … provides a frame or narrative on which [Noland] builds around or elaborates other layers. This is a multi-tiered music … the tonal works providing the frame are exquisite in their own right … the Chopin/Strauss element seems to reflect the old bourgeoisie under attack from the culture that has arisen since … its deliberately loving, saccharine poesy seems unmoved … love and fine taste exist wherever the appoggiatura stabs the heart … impressive series … a highly sophisticated sonic cartoon …”—ERNESTO FERRERI, American composerD

     

    20 COVIDITTIES Op. 116—composed amidst suffocating smoke, impending conflagrations, destructive riots, politico-ideological turmoil, all whilst in the throes of a pernicious global pandemic.

    amazon.com

    Hi Jake, it is available for listening (in its entirety) on SoundCloud at the following link: https://soundcloud.com/gary-noland/sets/coviditties-op-116-by-gary

    TWENTY COVIDITTIES Op. 116 by GARY LLOYD NOLAND

    soundcloud.com

    I have not used Sibelius with a keyboard since it has pretty good playback capabilities built into it. Listen to this, for example: https://soundcloud.com/gary-noland/demagogue-unseatment-celebration-march-for-military-band-op-110

    DEMAGOGUE UNSEATMENT CELEBRATION MARCH for military band Op. 110

    soundcloud.com

    ://soundcloud.com/gary-noland/access-of-oil-for-french-horn-violin-cello-percussion-piano-op-114

    ACCESS OF OIL for French horn, violin, cello, percussion & piano Op. 114

    soundcloud.com

    I have a Yamaha Montage, which I started using in the summer but not in conjunction with Sibelius. As far as I know, virtually any MIDI keyboard ought to work with Sibelius. I haven’t tried it myself but I believe you shouldn’t have any problems with it. To be safe, ask the people at Sibelius and/or at Yamaha to recommend the right configurations. Best of luck with your new toys!

    12/2/20, 5:40 PM

    Gary

    A musical memoir of 2020, this brand new double CD makes the perfect Xmas stocking stuffer! I AM PLEASED TO ANNOUNCE THE OFFICIAL RELEASE OF MY BRAND NEW DOUBLE CD: 20 COVIDITTIES Op. 116—composed amidst suffocating smoke, impending conflagrations, destructive riots, politico-ideological turmoil, all whilst in the throes of a pernicious global pandemic. Available for purchase on Amazon. “… a most important work … molted out of a neo-romanticism into a completely postmodern reduction of elements (ad absurdum) … Sometimes that romanticism … provides a frame or narrative on which [Noland] builds around or elaborates other layers. This is a multi-tiered music … the tonal works providing the frame are exquisite in their own right … the Chopin/Strauss element seems to reflect the old bourgeoisie under attack from the culture that has arisen since … its deliberately loving, saccharine poesy seems unmoved … love and fine taste exist wherever the appoggiatura stabs the heart … impressive series … a highly sophisticated sonic cartoon …”—ERNESTO FERRERI, American composer

     

    20 COVIDITTIES Op. 116—composed amidst suffocating smoke, impending conflagrations, destructive riots, politico-ideological turmoil, all whilst in the throes of a pernicious global pandemic.

    amazon.com

    Hope all is well with you. I am writing to let you know about my latest double CD “ENTROPIC ABANDON: a Super-Psychedelic, Maximalistic, Decadissident Free-Wing Dog & Pony Circus Flextravabonanza of Blightgeisty, Neuromantic, Encore-gasmic Opuscula,” which is now available for pre-order on Amazon. The official release date is March 1st. Order your copies NOW!!!

     ENTROPIC ABANDON: a Super-Psychedelic, Maximalistic, Decadissident Free-Wing Dog & Pony Circus Flextravabonanza of Blightgeisty, Neuromantic, Encore-gasmic Opuscula

    amazon.com

    My latest double CD “ENTROPIC ABANDON: a Super-Psychedelic, Maximalistic, Decadissident Free-Wing Dog & Pony Circus Flextravabonanza of Blightgeisty, Neuromantic, Encore-gasmic Opuscula” is now available for pre-order on Amazon. The official release date is March 1st. Order yours today!!!

     ENTROPIC ABANDON: a Super-Psychedelic, Maximalistic, Decadissident Free-Wing Dog & Pony Circus Flextravabonanza of Blightgeisty, Neuromantic, Encore-gasmic Opuscula

    amazon.com

    RAND NEW PIECE: ORLAN DOY GLANDLY conducts members of THE PROCRASTURBATION ENSEMBLE in a performance of GERTY MACDOWELL’S DRAWERS by GARY LLOYD NOLAND.

    GERTY MACDOWELL’S DRAWERS

    soundcloud.com

    I am pleased to share this riveting performance by soprano Anna Haagenson and pianist Stephanie Thompson of the world premiere of my setting of Alexander Theroux’s poem “The Cabaret of Theresienstadt” (at 121:14), which was presented at the NACUSA 2021 Virtual New Music Festival on 18 April. This conference had originally been scheduled to take place in March, 2020 but was cancelled in the last minute due to the unfolding COVID crisis. I set ten poems of A. Theroux’s which I’ve been anxiously awaiting to hear performed (including one large choral setting for SATB, oboe, horn, bass & timpani). It is gratifying to finally hear this song interpreted by sensitive musicians. More performances of my Theroux settings are forthcoming. Anyone who is interesting in following the score may access it from my website in the “Scores 1” menu.

    In the Neighborhood — NACUSA 2021 Virtual New Music Festival / Conference

    youtube.com

    This edition of my double CD ENTROPIC ABANDON will be out of print on June 4th. If interested, this is the time to order it!

     ENTROPIC ABANDON: a Super-Psychedelic, Maximalistic, Decadissident Free-Wing Dog & Pony Circus Flextravabonanza of Blightgeisty, Neuromantic, Encore-gasmic Opuscula

    amazon.com

    May 28, 2021, 1:09 AM

    Although the recent double CD of my compositions “Entropic Abandon” (released on March 1st) is currently ranked No. 2 on the Amazon bestseller list of “Hot New Releases” in the “Special Interest” category, it is, unfortunately, going out of print come June 4th. All interested parties can take advantage of this last minute opportunity to order a copy from Amazon (two CDs for the price of one). https://www.amazon.com/…/dp/B08VXC9X5S/ref=zg_bsnr_35_2

    Amazon.com New Releases: The best-selling new & future releases in Special Interest

    amazon.com

    Here’s where one can purchase it, along with two other recent CDs: https://composergarynoland.godaddysites.com/discography

    Contact dr. noland about commissions or private music lessons

    composergarynoland.godaddysites.com

    Here’s a link to the hardbound color version of my chamber novel JAGDLIED: https://www.thriftbooks.com/w/jagdlied-a-chamber-novel-for-narrator-musicians-pantomimists-dancers–culinary-artists-standard-color-hardcover/19506767/item/29328620/?gclid=CjwKCAjwt8uGBhBAEiwAayu_9V82ECGJv3JS6AQBFhX59cnu6nNuQn9ZI4AgMCyn78x3floMplefNRoCdQ4QAvD_BwE#idiq=29328620&edition=20733719

    Jagdlied: A Chamber Novel for Narrator,… book

    thriftbooks.com

    My bio can be found on the home page of my website: https://composergarynoland.godaddysites.com/

    Contact dr. noland about commissions or private music lessons

    composergarynoland.godaddysites.com

    Hi Jake, I have a new collection (Volume 2) of my COLLECTED PIANO WORKS available for pre-ordering from most major, and many independent, book retailers worldwide. Thanks for asking! Hope all’s well with you and yours. Gary

    I’m excited to announce that Volume 2 of my COLLECTED PIANO WORKS, which includes 39 VARIATIONS ON AN ORIGINAL THEME IN F MAJOR Op. 98 and GRANDE RAG BRILLANTE Op. 15, is available to pre-order from Amazon at: Ihttps://www.amazon.com/Collec…/dp/1732302391/ref=sr_1_1… “…The [39 Variations] is an astounding tour de force. In its far-reaching, systematic exploration of the theme’s creative possibilities … it reminds one of the Goldberg and the Diabelli. But in its monumental dimensions it goes far beyond them both, and in the large number of historical styles referenced and integrated into the work … I am unaware of any parallel … I offer my humble congratulations on a titanic achievement!”-LUDWIG TUMAN, composer & pianist

    Gary Noland

    Introducing Gary Noland’s Music

    I have known Gary Noland since high school.  He is a very talented composer, piano player, and cartoonist who lives in Portland.  His music is eclectic with a snarky sarcastic tone to it, somewhat like listening to Frank Zappa’s classical music scores.   His cartoons are very Robert Crumpian in spirit.  Take a listen and let me know what you think.

    https://soundcloud.com/gary-noland/sets/new-album-by-gary-lloyd-1

    Here’s a link to a page on my website where orders for this CD and others can be made:

    https://composergarynoland.godaddysites.com/discography

    Here’s a link to the home page on my website, which includes my short bio:

    https://composergarynoland.godaddysites.com/

    Here’s a link to my chamber novel JAGDLIED and my play NOTHING IS MORE. Jag lied is offered in several versions: https://www.amazon.com/Dolly-Gray-Landon/e/B07GJV8Y11?ref=sr_ntt_srch_lnk_1&qid=1624516602&sr=1-1

    If you need anything else, don’t hesitate to ask.

    Thanks!

    All best,

    Gary L. Noland

    You can contact Gary Noland at nolandgary5@gmail.com

    BIO

    Introducing Gary Noland’s Music

    Dr. Gary Lloyd Noland (a.k.a. author Dolly Gray Landon & artist Lon Gaylord Dylan), grew up in a crowded house shared by ten people on a plot of land three blocks south of UC Berkeley known as People’s Park, which has distinguished itself as a site of civic unrest since the late 1960 Dr. Gary Lloyd Noland (a.k.a. author Dolly Gray Landon & artist Lon Gaylord Dylan), grew up in a crowded house shared by ten people on a plot of land three blocks south of UC Berkeley known as People’s Park, which has distinguished itself as a site of civic unrest since the late 1960s. As an adolescent, Gary lived for a time in Salzburg and Garmisch-Partenkirchen, where he absorbed many musical influences. Having studied with a long roster of acclaimed composers and musicians, he earned his Bachelor’s in music from UC Berkeley in 1979, continued studies at the Boston Conservatory, and transferred to Harvard University, where he added to his credits Dr. Gary Lloyd Noland (a.k.a. Author Dolly Gray Landon & artist Lon Gaylord Dylan), grew up in a crowded house shared by ten people on a plot of land three blocks south of UC Berkeley known as People’s Park, which has distinguished itself as a site of civic unrest since the late 1960s.

    As an adolescent, Gary lived for a time in Salzburg and Garmisch-Partenkirchen, where he absorbed many musical influences. Having studied with a long roster of acclaimed composers and musicians, he earned his Bachelor’s in music from UC Berkeley in 1979, continued studies at the Boston Conservatory, and transferred to Harvard University, where he added to his credits a Masters’ and a Ph.D. in Music Composition in 1989.

    Gary’s catalog consists of hundreds of works, which include piano, vocal, chamber, experimental, and electronic pieces; full-length plays in verse, “chamber novels,” and other text pieces; as well as graphically notated scores. His award-winning chamber novel JAGDLIED for Narrator, Musicians, Pantomimists, Dancers & Culinary Artists was listed by one reviewer as the “Top Book of 2018.” Gary’s compositions have been performed and broadcast (including on NPR) in many locations throughout the United States, as well as in Europe, Asia, and Australia. He founded the Seventh Species concert series in San Francisco in 1990 and, for 23 years, produced well over 50 concerts of contemporary classical music on the West Coast. He is also a founding member of Cascadia Composers. Gary has taught music at Harvard, the University of Oregon, and Portland Community College. His musical scores are available from J.W. Pepper, RGM, Sheet Music Plus, and Freeland Publications. Six CDs of his compositions are available on the North Pacific Music label at: www.northpacificmusic.com. He has well over 300 videos of his music and narratives available for listening on YouTube at: https://www.youtube.com/channel/UCJt_eNyJqOZBErG9McQ51nA and numerous other sites on the Internet. composition lessons Lake Oswego Beaverton

    The PIMPLETON PROCRASTURBATION ENSEMBLE performs STATE-OF-THE-ART EAR EXERCISES for MUSICAL COGNOSCENTI Op. 119 by GARY LLOYD NOLAND.

    Featuring the composer and his five alter egos:

    GARY LLOYD NOLAND: panda harmonium, malapropsichord, climaxophone, smorgasborgasmatron, bombasticordion, whoopeeboard, air cacophony or

    ORLAN DOY GLANDLY: squealharp, ventilator guitar, squawkarina, Gulag whistle, dodecaphone, double-crossillators, electro-kakazoo

    DARNOLD OLLY YANG: googah, hee-haw, harrumphinator, dalzheimers, oink bells, nerdy gurdy, didgeridoowahdoo, jello thumpers, custard pounders

    LON GAYLORD DYLAN: unstitched concussion, belly button cymbals, lambastanets, barking spider engines, underarmonica, stiletto knockers, pudding whackers

    DOLLY GRAY LANDON: forbidden flute, yo-yo-boe, C-sharp clarinet, stench horn, C-flat crumpet, smackbutt, bombdrone, polyphonic foot tuba

    ARNOLD DAY LONGLY: steam viola, nose cello, nostril bass, power-barf machine, scaremin, toilet brushes, discordion

    Review:

    Composergarynoland – Composition Lessons, Music, Piano

    The PIMPLETON PROCRASTURBATION ENSEMBLE performs WAYWARD effects & AFFLICTIONS Op. 120 by GARY LLOYD NOLAND

    Fever DREAMS Op. 118,

    an Unequivocal Crustbucket List of Smexy and Sophistocratic Quarantunes for Perspicacious Connoisseurmudgeons, Trans melancholiac Insomniacs, Necromantic Misanthropes, Compulsive Transgress mists, and other Categorical Certifiable from the Psycho-Experimental Ward of Herr Doctor Noland’s Avantgarde-Boiled Cynic Clinic

    24 Interludes for Piano, Vol. 2

    October 2006: “Twenty-Four Interludes” for piano Vol. 2  (Op. 71, Nos. 13-24), performed by Gary Noland. Duration: 75 minutes. www.NorthPacificMusic.com (NPM LD 027).

    24 Postludes for Piano, Vol. 2

    February 2006: “Twenty-Four Postludes for Piano” Vol. 2  (Op. 72, Nos. 13–24), performed by Gary Noland. Duration: 75 minutes. www.NorthPacificMusic.com (NPM LD 025). music CDs original compositions Beaverton Portland Lake Oswego

    More REVIEWS

    “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism. These dry, playful pieces pay homage to classical forms from various periods while gently satirizing them. Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music (‘Ventured, nothing gained’) to grand operas (‘Meditative’) and Jewish guilt (‘Spikes’). The irreverent program closes with two serious, impressive, endlessly modulating memorials: one to George Rothberg, an allusive homage to an important neo-romantic who was himself a master of allusion; another to Jon Sutton, an artist Noland feels was wrongfully neglected by a corporate culture that promotes dreck and mediocrity, making it ‘possible to have a Brahms or Schubert next door and not even realize it. This is a culture that ‘confers towering soapboxes to impostors of all persuasions, all too often to the exclusion of first-rate minds who are less savvy about how to work the system to their advantage’.

    North Pacific Music

    Smaller labels like North Pacific Music represent a new way of working that system, a small means of saving what Noland regards as ‘an endangered (and fast becoming extinct) high culture’. I could do without the ugly cover art, but the piano sound is extremely vivid—and Noland plays his work with wit and conviction.”

    —Jack Sullivan, American Record Guide, July/August 2007

    “Yesterday, the first day of the year [2004], I opened your CD package—and could hardly believe my ears when I listened to your Venge Art and 24 Postludes for Piano, Op. 72—how magnificent!!  I will include most [of] your works in our local shows, especially in the Art Block program Sound Sculpture—a program for visual and sonic art.… I listen to all arriving music and [respond] seldom as excited as I did to your music.… Have a terrific 2004.  You made mine with your inspiring music, talent, and creativity. Thank you.”

    —Brita Heisman, Executive Producer, KAZU Local Programming, Pacific Grove, CA.

    Royal Oil works Music

    January 2006:  “Royal Oil works Music” (electro-acoustic). Duration: ca. 75 minutes. Includes: “Prelude in E Minor” (Op. 34), “Serial Lullaby” (Op. 80, No. 1), “Spray Taint” (Op. 80, No. 2), “Dog Duo” (Op. 66), “Rag bones” (Op. 11), “Grey Malignant Banks” (Op. 80, No. 3) “My Babe’s Gone Down to Do Her Glue” (Op. 80, No. 4), “Royal Oil works Music” (Op. 80, No. 5) “Prelude & Zoo trot” (Op. 22), “Something Rotten” (Op. 80, No. 6) “Music is Dead” (Op. 53), “Treadmill” (Op. 37), “Deformed Fugue” (Op. 17), “Insurrection of the Office Slaves” (Op. 80, No. 7), “Psycho-Bacchanal” (Op. 80, No. 8). www.NorthPacificMusic.com  (NPM LD 024). music CDs original compositions Beaverton Portland Lake Oswego

    “We recently received a CD [Royal Oil works Music] of Gary Noland’s here at WOBC. I must say that upon previewing some of the tracks and reading the program notes that all of us have never laughed so hard in our lives. We usually don’t play music as arrogant and docile as Gary’s but the ironic-postmodern-naive-pretension that this CD showed made me reconsider. I would like to get in touch with M. Noland and arrange a telephone interview for one of our classical radio shows.”

    —Joshua Morris, Classical Director, WOBC 91.5 FM, Oberlin, OH

    “Gary Noland is a composer to end all composers

    … his attitude is not subtly disestablishmentarian, and you’d better enjoy it.… Some of the sounds are amusing, but the music is sort of deliberately annoying, both in sonority and in the mood—deliberately uninspired, almost to the point of inspiration. From Bach to rags to whatever, Noland seems determined to annoy as many people as he can, in an amusing way. He is an angry guy but witty.

    If the idea of deliberate lack of originality purveyed in an atmosphere of political incorrectness appeals to you, here, in no uncertain terms, it is. Titles such as ‘Spray Taint’, ‘Dog Duo’, and ‘Insurrection of the Office Slaves’ give the mood, while the title tune [‘Royal Oil works Music’] is the real purpose of the Bush administration, as explained in the notes.…”

    —David Moore, American Record Guide

    Seriously Odd Classical Tongue in Check Electro-Acoustic

    “Seriously odd classical… Tongue-in-cheek electro-acoustic combines baroque harpsichord and cheesy electronic sounds. Funny like Satie is funny – zany and irreverent. Lots of serialism … but the bizarre collage of styles and periods is brilliant. Oh, it’s also like PDQ Bach/Peter Schickele in some ways. Absurd liner notes!  Baroque-sounding … Serialist electro-acoustic … very refreshing, given how “ivory tower” this type of music often is. Cheesy synths, electronic percussion, and trumpets … up tempo and funky. Baroque harpsichord with pop and world music sounds going on in off-kilter, almost random rhythms. WTF? Very cool …Waa Waa synth, fugue-like … Zany … Cecil Taylor piano over drum machine breakbeats … Close to Dual (Ed Chang and Doug Theriault – crazy dense guitar and laptop processing), with national anthem-like moments?? And bird song?? Zany … Slow serialist/romantic … prelude to baroque trills to Richian/rag arpeggios to a Chopin breakdown to a jazz ending. Phew. This rocks … Bogy woozy synth with jazz percussion and serialist randomness. Lots of noodling, er, electronic wanking? Upbeat … Staccato baroque fugue on electronic choral sounds and pipe organ sounds … funny … Rhythmically interesting …  Fugue for harpsichord … Some free jazz freak-outs … Great title for this … Squeaky sounds with sax and choral synthesizer—like if you played the Handel theme from the film A Clockwork Orange, Sonny Rollins, Tchaikovsky, and, well, a psychotic serialist all at once.”

    —KZSU FM90.3, Stanford, CA

    “A look at the head-note will alert you to Gary Noland’s very personal way with words. Not for Noland the lures either of Olympian detachment or lower case “significance.” No, Noland is full-on and takes few linguistic prisoners. Similarly with the booklet artwork, Noland’s own, which is an example of crazed Robert Crumb à Africanize. And his music is much the same, Deformed Fugue, his 1977 piece for harpsichord summoning up pretty nicely his compositional stance. This is an elixir brewed of Couperin and Rameau, Scott Joplin, Bach, free funk, free Jazz (Cecil Taylor?), the Fugue, and an unholy alliance of straight sounding neo-classicism and its subsequent assault by the forces of percussive militancy.

     

    Noland may be a romantic but doesn’t want you to know.

    His Prelude is baroque-convincing though attended by some sour-is off notes he follows it with Serial Lullaby, a synthesizer-rich free funk piece that mocks its title. Spray Taint gives us assaulted baroque, the percussion blizzards full of jazz offbeat and whoop-bang noises (plus telephone rings and disco inferno). He subjects Ragtime to the same souring procedures as he does to his off-note harpsichord baroque and evokes a drugs fix (in My Babe’s Gone Down to Do Her Glue) with some haywire free form. He writes an American fanfare for the title track and subjects it to anti-Bush assault by bird song and drum blister.

    Quixiotic Sense

    His quixotic sense extends to opus numbers – the bowels of Op. 80 are scattered throughout the disc, and to instrumentation as well. I assume he makes all the noises, both pianistic and harpsichord synthesized and vocalized. He’s a veritable one-man band of off-kilter influences, the procedural repetition of which sometimes got me seriously down, though I did like his Swingle Sisters take-off on Music is Dead: A Paradox in Fugue.”

    —Jonathan Woolf, Music Web International

    24 Postludes for piano, Vol. 1

    August 2004: “Twenty-Four Postludes for Piano” Vol. 1 (Op. 72, Nos. 1–12), performed by Gary Noland. Duration: 72 minutes.  North Pacific Music (PO BOX 82627, Portland, Oregon 97282-0627, USA, tel/fax:  1-800-757-7384, www.NorthPacificMusic.com (NPM LD  018). music CDs original compositions Beaverton Lake Oswego

     REVIEWS/ENCOMIUMS

    “As usual I have been fiendishly busy and during my last absence, our humidification system went bonkers, depositing condensation and mold all over the place so now I am trying to deal with that on top of my overload. Nonetheless, I have put on the postludes whenever I’ve been at the computer and found them up to your usual iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits. They are balm to the grim state of mind in which I find myself.”

    —Robert Levin, pianist (cadenza improviser extraordinaire), scholar, Professor of Music, Harvard University

    “Many thanks for the CDs you sent me, which I have been listening to with great pleasure and fascination.… I am bowled over by the expertise of your music:  you use certain elements from the 19th century and jazz, etc., and just at the moment when I am about to say, OK, what else is new? you do several things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely, and throwing some kind of total surprise. All of these things are possible, but you seem to know exactly when to do what and how much.  I don’t know anybody else who can do it!  And the brief electronic statements are spooky in the best and most extreme sense.  They make my hair (what’s left of it) stand on end.…”

    —Andrew Imbrue, composer, Pulitzer Prize finalist

    “Mr. Noland’s Postludes are a collection of wild and crazy pieces for … piano. These are essentially parodying of various styles, set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities. He applies this procedure to the fugue, ragtime, German dances (Schubert), romantic waltzes (Richard Strauss seems to be a favorite), and virtuosic piano scherzos. There’s a Chinese polonaise, a whiff of pentatonic Debussy; and, like most composers after Berlioz, he can’t seem to keep his hands off the Dies Irae (though fortunately, the tongue is firmly in cheek). Both Peter Schickele and Conlon Nan arrow hover over the proceedings. I’d even throw in Mark Applebaum, another Californian … The opening fugue is dedicated to the late David Lewin, the prominent Harvard theorist.  Lukas Foss gets a dedication, also (maybe his Baroque Variations had some sort of influence on Noland at some point).

    The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion. The comic-book grotesquerie that graces the jewel box pretty much says it all … these pieces are striking and entertaining … (Postlude 12, an interminable exercise in blues montage, is the most daunting.) The pieces all have funny titles … Mustaches on the Mona Lisa, but those can be interesting if you’re in the right frame of mind.”

    —Allen Gimbel, American Record Guide

    “Composer and pianist Gary Noland are into ‘ha-ha music’—that is, classical music played for laughs, a genre famously (or infamously, depending on your taste in humor) popularized by Peter Schickele, also known as P.D.Q. Bach. This collection of solo piano music, identified as postludes rather than the more traditional preludes designation, indicates that, despite occasionally forcing the musical jokes (and writing far too many tortured puns in his liner notes), Noland has both the writing and playing chops to compensate for his painful musical humor. Dedicated to the late music theorist David Lewin, ‘Philomathetique’ is a witty trope on the music of Richard Strauss, with characterful motives and abundant quick modulations. ‘Effete Singulations’ is a deft, splashy bit of ragtime, while ‘Pickthanks and Premediates’ is a light-hearted romp played at a dizzying tempo and ‘Psychonipptions’ (dedicated to composer Henry Martin) is a send-up of 20th Century French music. Overall, Postludes is a mixed bag, but when Noland focuses on playing the piano well rather than simply playing for laughs, his compelling artistry shines through.”

    —Christian Carey, Splendid Magazine

    “Gary—you continue to be one of the most original of the contributors to ‘The Classical Salon.’ And ‘Effete Singulations’ [Postlude #2] opens one of my ragtime shows.”

    —David Rifkin, Host, “Classical Salon” and “The Ragtime Machine,” KUSF 90.3 FM, University of San Francisco.

    24 Interludes for piano, Vol. 1

    August 2004: “Twenty-Four Interludes for Piano” Vol. 1 (Op. 71, Nos. 1-12), performed by Gary Noland. Duration: 74 minutes. North Pacific Music (PO BOX 82627, Portland, Oregon 97282-0627, USA, tel/fax: 1-800-757-7384, www.NorthPacificMusic.com (NPM LD  019). music CDs original compositions Beaverton Lake Oswego

    “… intriguing, irritating, … distinctive, inventive, … subversive, … [the music] is never what you expect.  You hear all sorts of styles and influences—Beethoven, ragtime, Nan arrow, stride—often in very quick succession.… I had the strange feeling with many of these pieces [Interludes and Postludes] that, about halfway through, I had got fed up with them, but I was then sorry when they finished.… You can hardly be indifferent to Noland’s music and so I would urge you to try it. Despite my frequent irritation, I will certainly be returning to it and seeking out examples of Noland’s chamber works and multimedia compositions. Music aside, speaking as a cat-lover, I feel an instinctive sympathy with the composer depicted on the front cover of the Interludes fondly embracing his cat. Illogical? Well, yes; I think this music has got to me after all.”

    —Roger Blackburn, Music Web International

    “Gary Noland, a composer, and pianist with an impressive academic pedigree (including a Ph.D. from Harvard) and extensive performing experience, here presents an album of solo piano compositions, or ‘interludes.’ Actually, some of these pieces seem in no way transitory; instead, they present extended musical dialogues that call upon a host of musical styles and require the considerable technical facility to perform. Noland, a fleet-fingered, ebullient performer, is more than up to the task. Pastiche pieces like ‘Mumbo Gumbo’ and ‘Expresso Wagon’ evoke all manner of Romantic-era classical piano figurations; they gently lampoon some of the genre’s conventions, but always remain bright, witty, and engaging. ‘The Temptation of Saint Floyd’ also channels Romanticism, particularly the Strassman sort, demonstrating a more reflective demeanor and adding a dollop of schmaltz to the proceedings. ‘Push Button Fingers’ is prevailingly modern in construction, with syncopated rhythms and sprightly, angular runs creating a far more contemporary sound world. Noland’s work may be eclectic—sometimes even a bit goofy—but Interludes is cleverly constructed and consistently well performed.”

    —Christian Carey, Splendid Magazine, 12/29/2005

    FIND OUT MORE

    Selected Music from Venge Art

    July 2002: “Gary Noland:  Selected Music from VENGE ART.”  Duration:  75 minutes. Cellist Hamilton Heifetz and pianist Victor Steinhardt playing “Fantasy in E Minor” for cello & piano (Op. 24), pianist Randall Hodgkinson playing “Humoresque” for piano (Op. 3) and the “Russell Street Rag” (Op. 5), Gary Noland performing three segments of “P*run*Music” (Op. 48), Violist Katherine Murdock and pianist Randall Hodgkinson playing “Romance” for viola & piano (Op. 10), a computer-driven Disklavier performance of “Grande Rag Brillante” (Op. 15), The Onyx String Quartet playing “American Bozo Dance” (Op. 32, No. 8), and Guy Tyler conducting “Septet” (Op. 43) with clarinetist Carol Robe, alto saxophonist Tom Bergeron, French hornist Ellen Campbell, violinists Tawana Nagahara and Anthony Dyer, double-bassist Forrest Moyer, and pianist Art Maddox. Released by North Pacific Music (PO BOX 82627, Portland, Oregon 97282-0627, USA, tel/fax:  1-800-757-7384, www.NorthPacificMusic.com (NPM LD  012). music CDs original compositions Beaverton Lake Oswego

    “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him.  This he accomplishes naturally, convincingly, with originality and true passion.  His command of all musical languages and his ability to traverse musical time is nothing less than remarkable.  Listen!”

    —Donald Martino, Pulitzer Prize-winning composer

    “Composer Gary Noland is possessed of a rich musical imagination, whose technique distills the achievements of Roger, Strauss, and Schoenberg but also refracts their post-romantic/expressionist tendencies through the lens of twenty-first-century post-modernism, American style. Moreover, he fits Stravinsky’s definition of a great composer:  one who doesn’t merely steal but knows what to steal.  This Noland does with wit and aplomb unique to the music of our time.”

    —Ira Braes, pianist, musicologist, Professor of Music, The Hart School

    “Gary Noland’s Venge Art is more than just a collection of music.…inspiring.  He walks with assurance through the treacherous landscape of late tonality and early post-tonality (e.g., Strauss).…a gifted composer.”

    Payton MacDonald—American Record Guide

    FIND OUT MORE

    Player less Pianos

    May 2000: “Player less Pianos: Virtual Music for Pianos Virtual and Otherwise.” Seventh Species Composers Series Debut Recording, Limited Collector’s Edition (NPM LCE 007—North Pacific Music). A compilation recording of works by various composers. Includes Gary Noland’s “Grande Rag Brillante” (Op. 15), which was recorded on August 19, 1998, on a Disklavier at SPARK Studios in Emeryville. music CDs original compositions Beaverton Portland Lake Oswego

    Original Compositions by Gary Noland music CDs

    1996: “Passion.” A compilation recording of works by composers Gary Noland, George Rothberg, Georges Enescu, Greg Steinke, and Jackie T. Gabel performed by violist Rozanne Weinberger and pianist Evelyne Lust. Includes Noland’s “Romance” for viola & piano (Op. 10).  (NPM LD 003—North Pacific Music).  Recorded September 1994 at MET Studio Ball State University, Muncie, Indiana.  In Schwann Catalog. music CDs original compositions Beaverton Portland Lake Oswego

    FIND OUT MORE

    Be sure and listen to performances of Gary Noland’s music on this website under “videos,” “more videos,” etc.

    All CDs are available for purchase from www.northpacificmusic.com music CDs original compositions Beaverton Portland Lake Oswego

     

    https://wp.me/p7NAzO-2xlMore music by my friend Gary Noland

    Soprano HSIN YI LIN and pianist ASYA GULUA perform my setting of ALEXANDER THEROUX’S poem PRAYER OF A FAT MAN, Op. 104 (2019).

    Acclaimed novelist/poet/essayist Alexander Theroux gave the composer permission to set as many of his poems as he wishes from his Collected Poems (published by Fantagraphics in 2015). Noland originally scheduled a recital of a number of these songs to be performed by soprano Hsin Yi Lin and pianist Asya Gulua on April 11th, 2020 at Classic Pianos in …

     

    YOUTUBE.COM

    My Movie 3

    This video is about My Movie 3

    https://l.facebook.com/l.php?u=https%3A%2F%2Fyoutube.com%2Fwatch%3Fv%3DC6Vl3S-WMhI%26feature%3Dshare%26fbclid%3DIwAR0dTSYZazKPnoEhjSuywlQnjRCadYxcR8fOuEqaTwX1P7eQdpt8dus6zuA&h=AT0-cTHe6jXLSHWgDgIhACZYGWuWpzXReddWqlYZtMuPWwLgz_GxpUj7l1_yqOHTRVjUCdlOr7bDrM_gVbR8H5GmGR6IYs8NdlIL7c6AuzWvpkGgua3d7AV3k_-nzenR9pwe&__tn__=%2CmH-R&c%5B0%5D=AT0xHGcaTu8ZbLXE1aR_fj4nb5e5DodZaShKUkiMIQ_gca19tE4chZqPj80BIJGFFUGqHpXQvH07Phd8lVO7jQAqmqFONoKQjYUHWeozVCSE3iVGZtw8y8uksAGl0JiMFf05reHlIIFphPwDgHTrDilL0xmC1URy5LJevimd1QFQUNwdYlsrLw

     

    ALL FOOD IS POISON performed by The Pimpleton Procrasturbation Ensemble.

     

    SOUNDCLOUD.COM

    ALL FOOD IS POISON

    The PIMPLETON PROCRASTURBATION ENSEMBLE performs ALL FOOD IS POISON by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

     

    My SCOFFSCOURINGS performed by The Pimpleton Procrasturbation Ensemble (January 11th, 2023): https://soundcloud.com/gary-noland/sets/scoffscourings

     

    Gary Noland

    Jake Aller Hi Jake, I sent you some links last night in FB. I got an email message from you with a warning that it might be fake. It looked legit but nowadays I have to be absolutely certain that it is. Anyway, once again, here are the two links I sent…

    See more

    SOUNDCLOUD.COM

    FOUR HEINE LIEDER for soprano & piano, Op. 19

    FOUR HEINE LIEDER for soprano & piano, Op. 19

     

    Gary Noland

    Jake Aller Also, here is a link to my recent album of settings of Alexaner Theroux’s poems: https://soundcloud.com/gary…/sets/alexander-theroux-songs

    place at the home

    Gary Noland

    Hi Jake, I just put this new album together (seven pieces comprising my Op. 152: DREAD MEETS DESIRE) which can be accessed at the following link: https://soundcloud.com/…/dread-meets-desire-op-152-nos. I can give you more, but I think th…

    See more

    SOUNDCLOUD.COM

    DREAD MEETS DESIRE, Op. 152, Nos. 1-7

    DREAD MEETS DESIRE, Op. 152, Nos. 1-7

     

    Gary Noland

    Hi Jake, here is a link to my FOUR HEINE LIEDER, Op. 19: https://soundcloud.com/…/four-heine-lieder-for-soprano

    of Sylvia Gray and Viktors Berstis at a soirrée hosted by the two of them in Portland’s Sellwood neigh…

     

    YOUTUBE.COM

    Burlesque, Opus 1 No. 20 – Gary Noland, Myrna Setiawan – pianist

    Performed by pianist Myrna Setiawan at a house concert on November 18, 2023.

     

     

    <iframe width=”1708″ height=”1067″ src=”https://www.youtube.com/embed/qob63I6b2GQ&#8221; title=”Burlesque, Opus 1 No. 20 – Gary Noland, Myrna Setiawan – pianist” frameborder=”0″ allow=”accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share” allowfullscreen></iframe>

    https://soundcloud.com/gary-noland/tainted-ruminiscences

    My TAINTED FORGETERIES, Op. 132, No. 9, performed by The Pimpleton Procrasturbation Ensemble.

     

    https://soundcloud.com/gary-noland/tainted-ruminiscences

    My TAINTED FORGETERIES, Op. 132, No. 9, performed by The Pimpleton Procrasturbation Ensemble.

     

     

     

    https://youtu.be/qob63I6b2GQ?feature=shared I am pleased to present this performance by pianist Myrna Setiawan of the West Coast premiere of my Burlesque for piano, Op. 1, No. 20 (which I myself premiered over forty years ago at the Boston Conservatory). Myrna has a perfect understanding of the piece, as if she had composed it herself. This performance took place at the home of Sylvia Gray and Viktors Berstis at a soirrée hosted by the two of them in Portland’s Sellwood neighborhood on November 18th, 2023. Brava to Myrna—one of Oregon’s most extraordinary pianists!

     

     

     

    January 12, 2023  · My SCOFFSCOURINGS performed by The Pimpleton Procrasturbation Ensemble (January 11th, 2023): https://soundcloud.com/gary-noland/sets/scoffscourings

     

     


    https://soundcloud.com/…/four-heine-lieder-for-soprano
    Soprano Hayley Boggs and pianists Victor Hugo Morales and Maryna Buksha perform my FOUR HEINE LIEDER, Op. 19. Enjoy!

     


    2d
      · YouTube  ·

     

    YOUTUBE.COM

    ELEGY IN HOMAGE TO OUR FOUR-LEGGED LOVED ONES for piano

    Provided to YouTube by Repost NetworkELEGY IN HOMAGE TO OUR FOUR-LEGGED LOVED O

     

     

     


    2d
      · YouTube  ·

     

     

    YOUTUBE.COM

    ELEGY IN HOMAGE TO OUR FOUR-LEGGED LOVED ONES for piano

    Provided to YouTube by Repost NetworkELEGY IN HOMAGE TO OUR FOUR-LEGGED LOVED O

     

    https://soundcloud.com/…/sets/hyperspace-case-study-from My HYPERSPACE CASE STUDY from SIXTY LURID ALBUMBLATTS, Op. 88, No. 43, performed by The Pimpleton Procrasturbation Ensemble.

    Soprano Hayley Boggs and pianist Victor Hugo Morales perform my setting of Heinrich Heine’s poem “Aus Meinen Tränen Sprießen” from my FOUR HEINE LIEDER, Op. 19, No. 1.

    AUS MEINEN TRÄNEN SPRIESSEN from FOUR HEINE LIEDER, Op. 19, No. 1

     

     

    Jan 13

    Jan 13

     

     

     

     

     

     

     

     

     

    My CONFUZZLE BOX performed by The Pimpleton Procrasturbation Ensemble.

     

    YOUTUBE.COM

    CONFUZZLE BOX

    Provided to YouTube by Repost NetworkCONFUZZLE BOX · Gary Lloyd NolandCONFUZZLE BOX℗ 7th SpeciesReleased on: 2023-12-19Auto-generated by YouTube.

     

     

     

     

    https://l.facebook.com/l.php?u=https%3A%2F%2Fyoutube.com%2Fwatch%3Fv%3DBhgLpbShcxw%26feature%3Dshared%26fbclid%3DIwAR0GFrhDt7YjCfIyBPuCaNNZqQPT1PDtyH9bTLdFIT4n8ffUCNf7UZ2Tl4A&h=AT2zglzjQwtvGhMsPBKHFyfAUpjlui-W83Iay7yeKzekvb3T4aXCZuYgd2mQekhxrMoN8CKiQ2_fcBARixW0ioax1S4ECm-rg0zMf5GKljZNs5qNnjaCk4tjaw2Ovc4hTyUV&__tn__=%2CmH-R&c[0]=AT152mq0WLFB79xgfal_xGt0pXK_vzva6vqCTokXBqdW6bC6Fb4_2xnGuTsW_-5uvOl-zOvk2I67jZpzXXt9ZMIELoBU8TuP8oX1mzPm1EkfeHe7xdxVzNwdHLTEHpukNg-iLt0EwBbjIQ1PssF5oEowGyN0sCu2Ejs1NSUP1h5jS9aqbVL9zQ

     

    OUT WITH THE BOYS FOR CAMPARIS & HAVANAS AT THE CINCO LOUNGE IN LISBON performed by The Pimpleton Procrasturbation Ensemble.

     

    YOUTUBE.COM

    OUT WITH THE BOYS FOR CAMPARIS & HAVANAS AT THE CINCO LOUNGE IN LISBON

    Provided to YouTube by Repost NetworkOUT WITH THE BOYS FOR CAMPARIS & HAVANAS AT THE CINCO LOUNGE IN LISBON · Gary Lloyd NolandOUT WITH THE BOYS FOR CAMPARIS…

     

    https://l.facebook.com/l.php?u=https%3A%2F%2Fyoutube.com%2Fwatch%3Fv%3DpdiSi2gPYDI%26feature%3Dshared%26fbclid%3DIwAR0dKXGGbcNTEpdh-C3lHrWn3T73BQgc924b2OEPPODZL9dRMRMH-3HarcU&h=AT0K79mgxS9snwk3Nulm5uIC0WdOS1Vc1mDfKP4k17Aom5hEMNTr83hY1a8JGupEr97pcAdTKykiG-oGTrodEj_mI9vpFdQ6AsyTFHMkaov_JqP52X1qBkIUtPMxO22pFvmb&__tn__=%2CmH-R&c[0]=AT2rdUWNIh01diouUeDHUu2WeQHli7G24bWiqNb9Hle8pYHyuzxKnZ7qky95wSPu3ekY69qqVWO9u1LQA_GjyTaWIAEhVrnbvj1wQrIiw2ib6SdQzmo-lAW5rcVpJJ8-4eOU4O-FuH-wLROcsJEkgnzGSgiCPlhM9rwc2CkLUQdpMOXr0d6eXg

     

    WHIPPING THE NIGHT ORGASTIC performed by The Pimpleton Procrasturbation Ensemble.

     

    YOUTUBE.COM

    WHIPPING THE NIGHT ORGASTIC

    Provided to YouTube by Repost NetworkWHIPPING THE NIGHT ORGASTIC · Gary Lloyd Noland

     

    Gary Noland 

     

  • Jim Davidson Music Links

    Jim Davidson Music Links

    https://wp.me/p7NAzO-2JxIntroduci[Best_Wordpress_Gallery id=”4″ gal_title=”All images”]

     

    ng Jim Davidson

    Jim Davidson Music Links

    Jim Davidson is a friend I have known since high school in the 70s in Berkeley, California.

    He is perhaps the world’s leading authority on all things Perry Mason, and has published the definitive book on Perry Mason.

    He is also a talented musician, and an expert on comics and classic TV shows.

    You can find his work at the following links

    ;

    Here’s my comics history blog:

    https://comicshistoryhub.blogspot.com/

    Here’s my TV history site:

    http://www.classictvinfo.com/

    Here’s my Perry Mason book:

    https://amzn.to/41QFnLj

    Here’s a playlist of my live music performances:

    https://www.youtube.com/playlist?list=PLX1JF6laivmCEtsKEBOESR7ONhowMdkvm

    Here’s a playlist of my studio music performances:

    https://www.youtube.com/playlist?list=PLX1JF6laivmDeiTySUhrFho-Aq3NYa5Yn

    Here’s the Facebook page for my music group:

    https://www.facebook.com/karensudjianjimdavidson

     

  • Cosmos Music List 2023

    Cosmos Music List 2023

    Cosmos Music List 2023

    I continued to play the piano almost daily in 2023.  I played hundreds of pieces during the year and made a lot of progress on re-learning the piano.
    piano

    piano

    Cosmos Movie List 2023

    Cosmos Music Journals

    Cosmos’s Music Play List 2018

    Music Journal 2023

    Strategy

    Review every piece before playing – marking down higher notes and lower notes so won’t have to stumble as much, note signature, note changes throughout figure out repetition patterns, etc write cheat sheets. For more challenging pieces play each hand separately and then put it together, particularly for bach pieces. and for Baroque music write out the trills, turns, modents etc. start on the note play very quickly pratice before playing

    I started highlighting significant things to pay attention to during the previewing of music, which should lead to much smoother playing.

    I will teach myself the fundamentals of writing music via YouTube videos.

    List of Music Played

    1. Ballade Pour Adeline Richard Lederman
    2. A Comme Amour Richard Lederman
    3. Wild Mountain Flower Richard Lederman
    4. Isadora Paul Maurer
    5. Concerto Pour Une Voix Sint Preux
    6. Memories Of You Eubie Blake
    7. Side By Side Harry Woods
    8. Broken Promises John Schachter
    9. La Playa Ja Van Wetter
    10. L’ Amor Cesta Por Ríen Enrico Macias
    11. Sans Toi Mamie Alamo
    12. Estrellita Manuel M Pance
    13. Lippens Schengen Franz Lehar
    14. Song Of The Pearl Fishermen H Gaze
    15. Fly Me To The Moon Henry Mancini
    16. This Is My Song, Charlie Chaplain
    17. Hawaian Wedding Song Charles E King
    18. Theme From Love Story Francis Lai
    19. Love John Lennon
    20. Parles Moi Damor John Lenoir
    21. Love Is Blue Andre Popp
    22. To Love Again N Washington
    23. Lebensraum Franz Liszt
    24. Hymn Lamour M Mannat
    25. Love Me All Your Heart Carlos Riguel
    26. El Bimbo Claude Morgan
    27. Home Sweet Home John Payne
    28. September Song Kurt Weil
    29. Hey Jude John Lenon
    30. I Really Do Not Want To Know Don Robertson
    31. Yesterday, John Lennon
    32. Johnny Guitar Victor Yeong
    33. The Music Played By Udo Jurgens
    34. Janear 15
    35. La Novia Jay Prieto
    36. El Condor Pasa Da Robles
    37. Eternally Charles Chaplin
    38. Minuet Henry Purcell
    39. Air Henry Purcell
    40. Trumpet Tune Henry Purcell
    41. A Farewell Henry Purcell
    42. Bourree Philips Telemann
    43. Minuet Teleman
    44. Saraband Angelillo Corelli
    45. Musette Johann Sebastian Bach
    46. Minuet Anna Magdalena Bach
    47. Minuet Anna Magdalena Bach
    48. Polonaise Anna Magdalena Bach
    49. Musette Anna Magdalena Bach
    50. March Anna Magdalena Bach
    51. Minuet Anna Magdalena Bach
    52. Gavotte George Frederick Handel
    53. Little Prelude In F Js Bach
    54. Minuet Leopold Mozart
    55. Burlesque Leopold Mozart
    56. Minuet Mozart
    57. Little Prelude In C Js Bach
    58. Allegro Carl Philipp Emanuel Bach
    59. La Caroline Carl Philipp Emanuel Bach
    60. Little Scherzo Carl Philipp Emmanuel Bach
    61. Allegro Wolfgang Amadeus Mozart
    62. Andante Wolfgang Amadeus Mozart
    63. Presto Wolfgang Amadeus Mozart
    64. Minuet Carl Philipp Emanuel Bach
    65. Gavotte In Rondo Form Jean Francis Dandrew
    66. Rondino Jean Philippe Rameau
    67. Andantino Joesph Haydn
    68. Scherzo Joseph Haydn
    69. Rondo Wolfgang Amadeus Mozart
    70. Bagatelle Beethoven
    71. Ecossaise In G Beethoven
    72. Seven German Dances Haydn
    73. Coda Haydn
    74. Ecossaie Carl Maria Von Weber
    75. Sonatina Jacob Schmitt
    76. Bagatelle Johan Nepomuk Hummel
    77. Gavotte Daniel Gottlob Turk
    78. A Regal Dance Daniel Gottlob Turk
    79. Serenade Daniel Gottlob Turk
    80. Miniature Rondo Daniel Gottlob Turk
    81. Evening Song Daniel Gottlob Turk
    82. The Hunters Daniel Gottlob Turk
    83. Carefree Daniel Gottlob Turk
    84. Adagio Mozart
    85. Lullaby Johan Philip Kirnberger
    86. Sonatina Anton Andre
    87. Sonatina Jakob Schweig
    88. Three Country Dances Beethoven
    89. Waltz Franz Schubert
    90. Russian Folk Song Ludwig Beethoven
    91. German Dances Ludwig Beethoven
    92. Four Landlers Franz Schubert
    93. Allegro Minuet One Franz Schubert
    94. Andantino Waltz In C Op 19 Franz Schubert
    95. Two Australian Fold Themes Carl Czerny
    96. Peasant Song Felix Mendelssohn
    97. On Tiptoes Henri Bertini
    98. Dance Intermezzo Henri Bertini
    99. The Clock Theodore Kulak
    100. Cradle Song Theodore Kulak
    101. Melody Robert Schuman
    102. The Wild Horseman Robert Schuman
    103. Bagatelle Robert Schuman
    104. Soldier’s March Robert Schuman
    105. Hunting Song Robert Schuman
    106. The Reaper’s Song Robert Schuman
    107. Arabesque Frederick Burmuller
    108. Pastorale Frederick Burmuller G Major
    109. An Old Romance A Minor
    110. Little Suite Cornelius Gunter D Minor
    111. March Cornelius Gunter C Major
    112. Scherzo F Cornelius Gunter F Major
    113. Song Of The Hussars Louis Koehler C Major
    114. Village Waltz Louis Kohler G Major
    115. Chromatic Polka Louis Kohler G Major
    116. Short Cannon Konrad M Kunz F Major
    117. Short Cannon Konrad M Kunz E Major
    118. Short Cannon Konrad M Kunz G Major
    119. Short Cannon Konrad M Kunz B Flat Major
    120. Morning Prayer Peter Schakowsky
    121. Old French Song Peter Schakowsky
    122. German Song Peter Schakowsky
    123. Italian Song Peter Schakowsky
    124. Reverie Peter Schakowsky
    125. The Sick Doll Peter Schakowsky
    126. Song From The Ceruse Cezar Frank D Minor
    127. Pauper’s Complaint Cezar Frank 6
    128. Once Upon A Time Robert Volkmann G
    129. The Enchanted Garden Robert Volkmann A Minor
    130. Dance With Me Robert Volkmann F
    131. Over Hill And Dale Robert Volkmann C
    132. Playing Soldiers Vladimir Rebikoff C
    133. Evening In The Meadow Vladimir Rebikoff D Minor
    134. Oriental Dance Vladimir Rebikoff D Minor
    135. Tender Moments Alexander Rachmaninoff F
    136. Promenade Alexander Rachmaninoff A Minor
    137. Fugue In A Classic Style Nicolas Makowski G
    138. Three Easy Pieces On Five Notes Igor Stravinsky
    139. Tarantella Serge Prokofieff F
    140. Humming Dmitri Kabalevsky D Minor
    141. First Dance Dmitri Kabalevsky F
    142. Little March Dmitri Kabalevsky C
    143. Chit Chat Dmitri Kabalevsky C
    144. Waltz Dmitri Kabalevsky D Minor
    145. Tomatina Dmitri Kabalevsky A Menor
    146. Prelude Dmitri Kabalevsky G Minor
    147. Ride Dmitri Kabalevsky
    148. Fairy Tale Dmitri Kabalevsky E Flat
    149. Scherzo Dimitri Kabalevsky G Menor
    150. Constante Héctor Villa Lobos C
    151. Circle Dance Héctor Villa Lobos D Minor
    152. Melody Aram Khachaturian C Minor
    153. Bella Bartok Pieces
    154. Six Miniatures Bella Bartok C
    155. Six Miniatures Bella Bartok A Minor
    156. Six Miniatures Bella Bartok C
    157. Six Miniatures Bella Bartok F
    158. Six Miniatures Bella Bartok C
    159. Six Miniatures Bella Bartok C
    160. Microcosmos Bella Bartok Pieces Vol One
    161. Six Unison Melodies
    162. Dotted Notes
    163. Repetition
    164. Syncopation
    165. With Alternate Hands
    166. Parallel Motion
    167. Reflection
    168. Change Of Position
    169. Question And Answer
    170. Village Song
    171. Parallel Motion And Change Of Position.
    172. Contrary Motion Capture
    173. Four Unison Melodies
    174. Imitation And Counterpoint
    175. Imitation And Inversion
    176. Pastorale
    177. Imitation And Inversion
    178. Repetition
    179. Syncopation
    180. Canon At The Octave
    181. Imitation Reflected.
    182. Canon At The Lowest Fifth
    183. Little Dance In Canon Form
    184. In Dorian Mode
    185. Slow Dance
    186. In Phrygian Mode
    187. Chorale
    188. Free Canon
    189. Appendix
    190. Disco For Elise Beethoven
    191. In May Franz Behr C
    192. The Clock Ada Richer G
    193. Woodland Walz Franz Gwyn C
    194. Copycat Audell Thompson C
    195. The Snake Charmer William Gunn A Minor
    196. Minuet Js Bach
    197. Soldier’s March Robert Schumann
    198. Minuet 1 Mozart
    199. Parade Of The Midget Elizabeth L. Hopson
    200. Beethoven Sonatina No 1 C
    201. Indian Drum Kathrin K Davis E Minor
    202. The Merry Farmer Robert Schumann F
    203. Waltz M Louisa Wright B Flat
    204. Dreamland Katherine Allan Lively D Minor
    205. The Wild Horseman Robert Schumann C
    206. The Swimming Pool Myrla Adler F
    207. L’ Avalanche Stephen Heller A Minor
    208. Around The Hills Mabel Lewis Cane F
    209. Prelude 1 C Ws Bach C
    210. Spooks Maxxwell Eksten A Minor
    211. Spinning Song Albert Glimmerier F
    212. A Melody After Mendelssohn Louisa Wright
    213. Beethoven’s Sonatina One F
    214. Veil Dance Louisa Wright F Minor
    215. Under The Rose Arbor Theodora Dutton F
    216. Blue Danube Waltz Johann Strauss C
    217. Elfin Dance Edward Grieg E Minor
    218. Menuetto Iosco Joseph Haydn C
    219. In The Gypsy Camp Franz Behr, A Minor
    220. Pipes Of Pan B Flat
    221. Tocata Pietro Domenico Paradies A Menor
    222. Fur Elise C Edited The Version.
    223. Serenade Franz Schubert D Minor
    224. Rustic Dance C.R. Howard G Minor
    225. From A Birch Canoe Richard Bender E Flat
    226. Tarantella Paul Beaumont A Minor
    227. Two Butterflies Myra Adler C
    228. Loose Blatter Flying Leaves Car Killing D
    229. Chopin Prelude No. 6
    230. Chopin Prelude No. 7
    231. Venetian Boat Song Nu 2 Mendelssohn
    232. None But The Lonely Heart Tchaikovsky A Minor
    233. Christmas Tchaikovsky A Flat
    234. Le Tambourine Jean Philippe Rameau D Minor
    235. Berceuse Lullaby A Links B Flat Minor.
    236. Cradle Song Weigelia Brahms A Flat
    237. Waltz Brahms A Flat
    238. Simple Aveu /Simple Confession Francis Theme D Major
    239. Gps Rondo Haydn G
    240. Pizzicatos Leo Delius A Flat
    241. Bridal Chorus Lohengrin Wagner B Flat
    242. Barcarolle Offenbach F
    243. Au Matin Benjamin Godard E Flat
    244. Dark Eyes Russian Folk Song Richard Benda D Minor
    245. Fur Elise A Minor Beethoven
    246. Wagner Bratcher A Minor
    247. The Maiden’s Prayer T Barczewski
    248. Humoresque A Dvorak
    249. Petit Chien Chopan
    250. Turkish March Beethoven
    251. Cuckoo Waltz Je Johansson
    252. Blumen Lied G Lange
    253. The Battle Of Waterloo G Anderson
    254. Chausson De L-Adieu E Major -Very Challenging Piece
    255. Csikos Post H Necked E Minor
    256. Marche Military F Schubert
    257. Hochzeitsmarsch Mendelssohn
    258. Crisco Post H Necke
    259. Alpeenabendroite T Oresten Challenging.
    260. Woodland Echoes Ap Wyman Challenging
    261. Traumerei Richard Schuman Easier
    262. Die Schmid Im Walden Th Michelle
    263. Silvery Waves Ap Wykes
    264. Waves Of The Danube J Ivanovic
    265. Brahms Hungarian Dance Number 5
    266. Invitation To The Dance Cm Weber
    267. Dance Of The Clocks A Porcellio Challenging
    268. Piano Concerto Theme Gregg Is Not As Complicated As I Thought.
    269. Bagatelle Beethoven – Nailed It.
    270. Norwegian Dance E Grieg
    271. Solberg’s Song E Grieg
    272. Mazurka Chopin
    273. Nocturne Chopin
    274. La Cinquinaine G Marie A
    275. Borowski G Celeste
    276. Placer D’amour Marital Tedesco
    277. Gavotte Bach G
    278. Sigmund’s Love Song G Wagner
    279. Polka Tchaikovsky
    280. Cleminta Six Sonatinas
    281. Cleminta Six Sonatinas
    282. Cleminta Six Sonatinas
    283. Cleminta Six Sonatinas
    284. Cleminta Six Sonatinas
    285. Cleminta Six Sonatinas
    286. Cleminta Six Sonatinas
    287. Schumann Kinderszenen G Major
    288. A Curious Story D Major
    289. Catch Me, D Major.
    290. Entreating Child D Major
    291. Perfect Happiness D Major
    292. An Important Event A Major
    293. Dreaming F Major
    294. By The Fireplace
    295. Knight Of The Rocking Chair
    296. Too Serious
    297. Frightening
    298. The Child Falling Asleep.
    299. The Poet Speaks.
    300. Melody
    301. Humming Song
    302. Ein Choral
    303. A Little Piece
    304. The Poor Orphan Child
    305. Merry Peasant Returning To His Work.
    306. Sicilian
    307. Old Bogie
    308. May Month Of May
    309. A Little Study G
    310. Spring Song E
    311. First Sorrow G
    312. The Little Morning Wanderer A
    313. The Reaper’s Song C
    314. Little Romance C
    315. Rustic Song A
    316. Ronde A
    317. The Horseman F
    318. Harvest Song A Min
    319. Reminiscences Of The Theater A Min
    320. Canon A Min
    321. Remembrance A Min
    322. The Stranger D Minor.
    323. War Song D Minor
    324. Sherardize
    325. Gathering Of The Grapes
    326. Thema
    327. Mignon
    328. Italian Mariner’s Song Lied Italian Mariana
    329. Sailor’s Song
    330. Wintertime One
    331. Wintertime Two
    332. A Little Fugue
    333. Fingered Choral
    334. New Year’s Eve
    335. Northern Song
    336. Sonata For The Young G
    337. Theme And Variation G
    338. Doll’s Cradle C
    339. Rondoletto D Minor
    340. Friendly Landscape
    341. The Wayside Inn
    342. Prophetic Bird
    343. Hunting Song
    344. The Departure
    345. Summer Song
    346. Little Cracle Song
    347. Papillons 1 To 3
    348. Robert Schumann Humming Song
    349. Jean Sibelius A Hymn From Finland
    350. Michale Glinka The Lark
    351. Js Bach March
    352. Francis Couperin Rigaudon
    353. Francis Couperin The King’s Crest Of Viols
    354. Js Bach Be Thou With Me
    355. Bela Bartok Teasing
    356. Gluck Gavotte
    357. Schumann First Sorrow
    358. Edward Poldini Waltz Of The Mice
    359. Bela Bartok Ritual Dance
    360. Vladmirrebikoff The Wandering Musicians
    361. Robert Schumann Cradle Song
    362. Edwardo Poldini Waltz Serenade
    363. Vladmirrebikoff Legende
    364. Karganoff Petite Valse
    365. Chopin Preludie E Menor
    366. Gf Han Del Sarabanda
    367. Beethoven’s Three German Dances
    368. Wa Mozart Menuetto
    369. Jean Philip Rameau Little Rondo
    370. Phillip Emmanuel Bach Piece For Right Or Left Hand Alone
    371. Joseph Hayden Scherzo
    372. Leopold Mozart Minuet
    373. George Phillip Telemann Prelude
    374. Js Bach Prelude C Major
    375. Robert Schumann Little Study
    376. Robert Schuman Song Of The Reaper
    377. Frederick Burgmueller Pastorale
    378. Joseph Hayden Allegretto
    379. Js Bach Prelude F Major A
    380. Edmund Grubber The Caissons Go Rolling Along
    381. Arkansas Traveler
    382. Red River Valley
    383. Coming Through The Rye
    384. Henry Ghys Amaryllis
    385. Beethoven, I Love The Ich Liebe Dich
    386. Ethelbert Nevin The Rosary
    387. Gf Handel Minuet
    388. Joseph Haydn Minuet And Trio
    389. Beethoven’s Allegretto From The 7th Symphony
    390. Joesph Haydn Andantino
    391. Joseph Haydn Minuet
    392. Erie Satie Gumnopedie No 2
    393. Aram Khahaturian Oriental Dance
    394. Sergei Prokofieff Rainbows In The Rain
    395. Harry Warren September In The Rain
    396. Gus Edwards In My Merry Oldsmobile
    397. Billy Rose Barney Google
    398. Louis Silver April Shadows
    399. Harry Arlen, I Love A Parade
    400. Max Steiner Lara’s Theme
    401. Ag Villodo El Choclo
    402. Joseph Haydn Hymn To Saint Anthony
    403. Luigi Bocherrini Minuet
    404. Charles Guonod Ballet From Faust
    405. Charles Guonod Funeral March Of A Marriott
    406. Anthony Dvorak Indian Legend
    407. Rimsey Korsakoff Sheherazaade
    408. Felix Mendelson Nocturne From Midsummer Night’s Dream
    409. Peter Tchaikovsky Romeo And Juliet
    410. Js Bach Gavotte
    411. Mozart Piano Sonata In C Major
    412. Bedrich Smetana Polka And Furiant
    413. Franz Schubert Waltz
    414. Felix Mendelson Consolation
    415. Rimsky Korsakoff’s The Flight Of The Bumblebee
    416. Bedrich Smetana Prelude Album #6
    417. Rimsky Korsakoff’s The Flight Of The Bumblebee
    418. Bredich Smetana Prelude Album #6
    419. Eduard Poldini Poupe Vasanta
    420. Edward Mcdowell A Moon Idyl C
    421. Antaoleliadoff The Music Box A Major
    422. Ch Gluck Air From Orfeo E Eurdice
    423. Vladimir Rebikoff In The Mill
    424. Frederick Chopin Mazurka B Flat Major
    425. Peter Tschiowsky Song Of The Lark
    426. Caesar Cui Petite Valse
    427. Js Bach Gavotte From 5th French Suite
    428. Js Bach – Polonaise From The French Suite
    429. Buddy Kaye, Fred Wise, Sidney Lippman You’re Adorable.
    430. Alan Jay Lerner, Fredrick Lowe Almost Like Being In Love.
    431. Don Black, John Barry, Born Free
    432. Terry Kirman, Cherish
    433. Joan Whitney, Alex Kramer Far Away Places
    434. Curly Putman Green Grass Of Home
    435. Niel Diamond, I’m A Believer.
    436. John Lennon, Paul Mc Cartney Michelle
    437. P Gerhard, D Hollow Snoopy Versus The Red Baron
    438. Tommy Boyce, Bobby Hart I’m Not Your Stepping Stone.
    439. Dean Kay, Kelly Gordon Life
    440. Jay Livingston, Ray Evans, Wish Me A Rainbow.
    441. Bach Leid
    442. Bach Leid
    443. Bach Choral
    444. Bach Minuet In G Major
    445. Bach Minuet In G Major
    446. Bach Minuet In G Major
    447. Bach Choral
    448. Bach March In D Major
    449. Bach Minuet
    450. Bach Minuet In D Minor
    451. Bach Minuet In G Major
    452. Bach Minuet In D
    453. Bach March
    454. Bach Musette
    455. Bach March
    456. Bach Minuet
    457. Bach Minuet 11
    458. Bach March D Major
    459. Bach Musette
    460. Bach Minuet In G Major 1
    461. Bach March G Major
    462. Bach Minuet In G 2
    463. Bach Polonaise B Flat
    464. Bach Minuet D Minor
    465. Bach Bouree A Major
    466. Bach Minuet C Major
    467. Bach Minuet C Minor
    468. Bach Musette G Major
    469. Bach Minuet B Flat Major
    470. Bach Minuet D Minor
    471. Bach March E Flat Major
    472. Bach Seven Preludes C Major
    473. Bach Seven Preludes C Major
    474. Bach Seven Preludes C Minor
    475. Bach Seven Preludes D Minor
    476. Bach Seven Preludes B Flat  Major
    477. Bach Seven Preludes G Minor
    478. Henry Purcell Minuet
    479. Henry Purcell Air
    480. Henry Purcell Trumpet Tune
    481. Henry Purcell A Farewell
    482. George Phillip Teleman Bouree
    483. George Phillip Teleman Minuet
    484. Arcangelo Corelli Sarabande
    485. Bach Musette
    486. Anna Magalena Bach Minuet
    487. Anna Magalena Bach Minuet
    488. Anna Magalena Bach Polonaise
    489. Bach Minuet Dm
    490. Bach March
    491. George Frederick Handle Gavotte And Variation
    492. Bach Little Prelude In F
    493. Leopold Mozart Minuet
    494. Bach Little Prelude In F
    495. Leopold Mozart Burlesque
    496. Mozart Minuet
    497. Bach Little Prelude In C
    498. Carl Philipp Emanuel Bach Allegro
    499. Joseph Hayden Adantino
    500. Joseph Hayden Scherzo In F
    501. Mozart Rondo in C
    502. Beethoven Bagatelle in C
    503. Beethoven Ecossaise in G
    504. Joseph Hayden Seven German Dances 1
    505. Joseph Hayden Seven German Dances 2
    506. Joseph Hayden Seven German Dances 3
    507. Joseph Hayden Seven German Dances 4
    508. Joseph Hayden Seven German Dances 5
    509. Joseph Hayden Seven German Dances 6
    510. Joseph Hayden Seven German Dances 7
    511. Joseph Hayden Seven German Dances Coda
    512. Carl Maria Von Webb Ecossaise G major
    513. Jacob Schmitt Sonatini C
    514. Joseph Nepumuk Hummel Bagaatelle
    515. Daniel Gottlob Turk Gavotte A Maj
    516. Daniel Gottlob Turk A Regal Dance G
    517. Daniel Gottlob Turk Seranade F
    518. Daniel Gottlob Turk Minature Rondo F
    519. Daniel Gottlob Turk Evening Song C
    520. Daniel Gottlob Turk Hunters G
    521. Daniel Gottlob Turk Carefree
    522. Mozart Adagio C
    523. Johann Philipp Kirnberger Lullaby in F
    524. Anton Andre Sonatina in C
    525. Jacob Schmitt Sonatina in G
    526. Beethoven Three German Dances 1 D Maj
    527. Beethoven Three German Dances 2 D Minor
    528. Beethoven Three German Dances 3 D Major
    529. Muzio Clementi Sonatina in C/C/F
    530. Mozart Minuet in F
    531. Framz Schubert Waltz in D major
    532. Beethoven Russian Folk Song in G
    533. Beethoven German Folk Song in G
    534. Franz Schubert Two Ecossaises in G
    535. Franz Schubert Two Ecossaises in D Minor
    536. Franz Schubert Four Landlers 1 D Major
    537. Franz Schubert Four Landlers D major
    538. Franz Schubert Four Landlers 3 G
    539. Franz Schubert Allegreto Trio from Minuet in F
    540. Franz Schubert Adantino From Waltz in C
    541. Felix Mendelsohn Peasant Song F Maj
    542. Henry Bertini On Tip Toes C
    543. Henry Bertini Dance Intermezzo G
    544. Theodore Kullak The Clock F Min
    545. Theodore Kullak Cradle Song F Maj
    546. Carl Czerky Two Austrian Folk Songs Number One
    547. Carl Czerky Two Austrian Folk Songs Number two in C
    548. Felix Mendelson Peasant Song in F Major
    549. Henry Bertini On Tip Toes In C
    550. Henry Bertini Dancing  Intermezo in G
    551. Thomas Kulak The Clock In F Minor
    552. ThomasKulak Cradle Song in F Major
    553. Robert Schumann Melody
    554. Robert Schumann The Wild Horsemen In C
    555. Robert Schumann Bagatelle In C
    556. Robert Schumann Soldiers March in G
    557. Robert Schumann Hunting Song
    558. Robert Schumann The Reaper Song
    559. Frederick Burgumeller Arabesque in A minor
    560. Frederick Bugumuller Pastorle in G
    561. Stephen Heller an old romance a minor
    562. Cornelius Gurlitt Little Suite 1 morning Song D minor
    563. Cornelius Gurlitt Little Suite March c major
    564. Cornelius Gurlitt Scherzo F major
    565. Louis Kuhler song of the Hussar C major
    566. Louis Kohler Village Waltz G
    567. Louis Kohler chromatic polka G
    568. Conrad Kurtz four short Cannons F
    569. Conrad Kurtz four short cannons number two in E
    570. Conrad Kurtz four short cannons #3 in G
    571. Conrad Kurtz four short cannons #4 in B flat
    572. Peter Tschiowsky Morning Prayer G
    573. Peter Tschiowsky Old French Song B Flat
    574. Peter Tschiowsky German Solng C Minor
    575. Peter Tschiowsky Italian Song G Major
    576. Peter Tschiowsky Reverie C
    577. Peter Tschiowsky Sick Doll G minor
    578. Cezar Frank Song from the Creuse D minor
    579. Cezar Frank Puppets Complaint G
    580. Robert Volkman Once Upona TIme G
    581. Robert Volkman Enchanted Garden in A Minor
    582. Robert Volkman’s Dance with Me in F major
    583. Robert Volman Over Hill and Dale C
    584. Vladimir Rebikoff Playing Soldiers in C
    585. Vladimir Rebikoff Evening in the Medows D Minor
    586. Vladimir Rebikoff Oriental Dance in G Minor
    587. Alexander Gretchaminoff Tender Moments In F
    588. Alexaner Gretchaminoff Promendade A minor
    589. Nicolas Mukovsky Fuge in Classic Style in
    590. Igor StranvinskyThree Easy Pieces on Five Notes Andantino 1 in C
    591. Igor StranvinskyThree Easy Pieces on Five Notes 2 lento in D minor
    592. Igor StranvinskyThree Easy Pieces on Five Notes Larghetto in G
    593. Serge Prokofofffiwffell Trarantella in F
    594. Dmirti Kabelsky Humming E Minor
    595. Dmirti Kabelsky First Dance in F
    596. Dmirti Kabelsky Little March in C
    597. Dmirti Kabelsky Chit Chat in G
    598. Dmirti Kabelsky Wltz in DMinor
    599. Dmirti Kabelsky Tocatina in A minor
    600. Dmitri Kabelsky Prelude in B Flat minor
    601. Dmirti Kabelsky Ride, Ride in C
    602. Dmirti Kabelsky Fairy Tale in E Flat
    603. Dmirti Kabelsky Scherzo in D minor
    604. Dmirti Kabelsky In th Country E Major
    605. Hector Villa Lopez Constante Children’s Song in C
    606. Hector Villa Lopez Circle Dance Children’s Song in D minor
    607. Aram Khatchturian Melody in C Minor
    608. Bella Bartok Six Minatures 1 in C
    609. Bella Bartok Six Minatures 2 in C
    610. Bella Bartok Six Minatures in C
    611. Bella Bartok Six Minatures 4 in F
    612. Bella Bartok Six Minatures 5 in C
    613. Bella Bartok Six Minatures 6 in C
    614. Robert Schumann Arabeske
    615. Robert Schumann Blumenstuck Flower Piece D Flat Major
    616. Robert Schumann Waltz in A minor
    617. Robert Schumann Romance in F Sharp Major

    Korean Light Classical Piano Pieces

    1. Chopin piece
    2. Beethoven Disco for Eliza
    3. Apartment
    4. Verglis Mein Nicht
    5. Malguenia
    6. Disco city
    7. Io ti Daro Di piu
    8. dark eye boogie woman
    9. El bimbo
    10. Rumba Rhapsody

     

    Old Korean Popular Songs

    1. Old Korean popular songs
    2. Ganadiri
    3. nununhannuri
    4. moknochuchang
    5. babo
    6. sarang
    7. ayaohchmari
    8. chackunlabi
    9. changneong
    10. hangku
    11. kudaeyae
    12. laegaedo saranoi
    13. miwoimiwoimiwoi
    14. baramireoo
    15. sarangsarangnuka milhaeni
    16. bayayae
    17. yet siinuilorae
    18. chrumomoichukkae
    19. ku saram
    20. biramchoram nakyomchorum
    21. saransuron kudae
    22. Sarangiyo

    Bach Little Notebook for William Frederick Bach

    1. Application
    2. Prelude One
    3. Wer Nur Den Lieben Gott Labt Walten
    4. Prelude 2
    5. Jesus My Friend
    6. Allemande Number One
    7. Allemande Two
    8. Prelude Three
    9. Prelude 4
    10. Prelude 5
    11. Minuet 1
    12. Minuet 2
    13. Minuet 3
    14. Prelude 6
    15. Prelude 7
    16. Prelude 8
    17. Prelude 9
    18. Prelude 10
    19. Prelude 11
    20. Prelude 12
    21. Prelude 13
    22. Prelude 14
    23. Prelude 15
    24. Piece Pour La Clavecin
    25. Prelude 16 C
    26. Prelude 17 D Minor
    27. Prelude E Major 18
    28. Prelude 19
    29. Prelude 20
    30. Fuge
    31. Prelude 1 And 2 20 21
    32. Prelude 23
    33. Prelude 24
    34. Prelude 25
    35. Prelude 26
    36. Prelude 27
    37. Prelude 28
    38. Prelude 30
    39. Prelude 31
    40. Prelude 23
    41. Prelude 26
    42. Prelude 27
    43. Prelude 28
    44. Prelude 29
    45. George Philiph Telemann Alemande
    46. Courante
    47. Gigue
    48. Partia Di Signore Steilzeln overture
    49. Partia Di Signore Steilzeln Vivace
    50. Partia Di Signore Steilzeln Air Italiano
    51. Partia Di Signore Steilzeln Bouree
    52. Partia Di Signore Steilzeln Minuet
    53. Partia Di Signore Steilzeln Minuet Trio
    54. Fantasia One
    55. Fantasia Two
    56. Fantasia Three
    57. Fantasia Four
    58. Fantasia Five
    59. Fantasia Six
    60. Fantasia Seven
    61. Fantasia Eight
    62. Fantasia Nine
    63. Fantasia 10
    64. Fantasia 11
    65. Fantasia 12
    66. Fantasia 13
    67. Fantasia 14
    68. Fantasia 15

     

     

  • Korean Tribute Concert to First Responders November 9, 2023

    Korean Tribute Concert to First Responders November 9, 2023

    Cosmos’s Music Journal 2023

    Korea has great concert venues.  On November 9, 2023, I went to a great concert at the Sejong Concert Hall in downtown Seoul. The show was a tribute show in honor of First Responders which is an annual concert.  The music was mostly classical and great, the performers were a mixture of professional and amateur performers,

    The concert was great – a mixture of amateurs and professionals, all friends and colleagues of the conductor, Kim Jaun, who is my best Korean friend’s wife. She retired last year from decades as the principal of one of the leading Arts high schools in Seoul, and is a choir conductor and classical pianist, still doing concerts and events at age 66!  I have known the Songs since my Peace Corps days 50 years ago.

    The program follows along with the song lyrics and YouTube video links supplied by Bing the AI Chat box who is now my AI Friend. Amazing what she can come up with.  I like her better than BARD.  Both have an almost human personality.

    Sejong Cultural Center is the top concert hall in the city and always has great events both local and international including during the summer free outdoor concerts.  When I was at the Embassy decades ago, I used to go to free concerts all the time as it was across the street from the Embassy, and attended some great concerts there as well.

    Over the years I have attended great shows at various venues including Ray Charles, BB King, Psi, (Ganga style) Choi Yong Pill, and various visiting symphonies.  I plan on going to concerts once a month from now on.

    here’s the program – which was unfortunately mostly in Korean and not on line.

    Disney Medley performed by the solus of Seoul Brass

    Hector  Villas Lopos Gradados and Bachanas Brazileros  for Cello and Violin

    D Shostatovick  Five pieces for two violins and Piano

    J Martini Plasir d’amour

    The song you’re looking for is “Plaisir d’amour” by Jean-Paul-Égide Martini. Here are the lyrics to the song in English:

    The pleasure of love lasts only a moment

    The pain of love lasts a lifetime

    I gave up everything for an ungrateful one

    The pleasure of love lasts only a moment

    Your promises are like the leaves of a tree

    In the month of May they spread everywhere

    A wind blows and carries them away

    The pleasure of love lasts only a moment

    Love is a child who knows nothing

    It starts by laughing and ends up crying

    He who says that he has never loved

    The pleasure of love lasts only a moment

    And here are the lyrics to the song in French:

    Plaisir d’amour ne dure qu’un moment

    Chagrin d’amour dure toute la vie

    J’ai tout quitté pour l’ingrate Sylvie

    Elle me quitte et prend un autre amant

    Tant que cette eau coulera doucement

    Vers ce ruisseau qui borde la prairie

    Je t’aimerai, me répétait Sylvie

    L’eau coule encore, elle a change pourtant

    Plaisir d’amour ne dure qu’un moment

    Chagrin d’amour dure toute la vie

    Tant que cette eau coulera doucement

    Vers ce ruisseau qui borde la prairie

    Love is a child who knows nothing

    It starts by laughing and ends up crying

    He who says that he has never loved

    The pleasure of love lasts only a moment

    G Rossini Largo al factorum Delta Chita from the Opera  Il Barbiere di Sivigila

    Here are the lyrics to G. Rossini’s Largo al factotum della città from the opera Il Barbiere di Siviglia in both English and Italian:

    English:

    Make way for the factotum of the city,

    Here I am at your service.

    I’m the man who can do anything,

    For you, for you, for all of you.

    Yes, I’m the factotum of the city,

    The most important man around.

    I’m the man who can do anything,

    For you, for you, for all of you.

     

    and in Italian

    Ah, bravo Figaro! Bravo, bravissimo!

    Fortunatissimo per verità!

    Pronto a far tutto,

    La notte e il giorno

    Sempre d’intorno in giro sta.

    Miglior cuccagna per un barbiere,

    Vita più nobile, no, non si da.

    Rasori e pettini

    Lancette e forbici,

    Al mio comando

    Tutto qui sta.

    V’è la risorsa,

    Poiché intorno a me

    Tutto qui sta.

    Ah, bravo Figaro! Bravo, bravissimo!

    Fortunatissimo per verità!

    Pronto a far tutto,

    La notte e il giorno

    Sempre d’intorno in giro sta.

    Miglior cuccagna per un barbiere,

    Vita più nobile, no, non si da.

    Rasori e pettini

    Lancette e forbici,

    Al mio comando

    Tutto qui sta.

    V’è la risorsa,

    Poiché intorno a me

    Tutto qui sta.

    Korean love song

    infinite love

    한없는 사랑

    한없는 사랑 is a Korean song by the artist 김현식. Here are the lyrics in Korean:

    한없는 사랑

    이젠 내게 무슨 의미가 있나

    그대여 이젠 떠나가세요

    그대여 이젠 떠나가세요

    한없는 사랑

    이젠 내게 무슨 의미가 있나

    그대여 이젠 떠나가세요

    그대여 이젠 떠나가세요

    그대여 이젠 떠나가세요

    그대여 이젠 떠나가세요

    Here is the English translation of the lyrics:

    Endless love

    Please leave now

    Please leave now

    Endless love

    What meaning does it have for me now?

    Please leave now

    Please leave now

    Please leave now

    Please leave now

    C Gounod “Je veux vivre “from the Opera Romeo E Juliette

    The song you’re looking for is “Je veux vivre” from the opera “Roméo et Juliette” by Charles Gounod. Here are the lyrics to the song in English:

    I want to live in this dream that charms me,

    And in which love commands.

    I want to live, I want to believe

    In my delirium, my fever, my madness!

    Then let me enjoy the sweet charm

    Of this beautiful day!

    Yes, I want to live in this dream that charms me,

    And in which love commands.

    I want to live in this dream that charms me,

    And in which love commands.

    I want to live, I want to believe

    In my delirium, my fever, my madness!

    Then let me enjoy the sweet charm

    Of this beautiful day!

    Yes, I want to live in this dream that charms me,

    And in which love commands.

    And here are the lyrics to the song in French:

    Je veux vivre dans ce rêve qui m’enivre,

    Ce jour encore plus doux que l’espoir.

    Dans cet ivresse, où rien ne peut m’atteindre,

    Où l’amour monte jusqu’au ciel.

    Je veux vivre, je veux croire

    Aux choses que je ne vois pas.

    Je veux que le printemps vienne,

    Et que ta main me touche.

    Je veux vivre dans ce rêve qui m’enivre,

    Ce jour encore plus doux que l’espoir.

    Dans cet ivresse, où rien ne peut m’atteindre,

    Où l’amour monte jusqu’au ciel.

    Here are some links to YouTube performances of the song:

    Je veux vivre – Diana Damrau

    Je veux vivre – Anna Netrebko

    Je veux vivre – Sumi Jo

    A Pizzaollo Libertango

    A Pizzaollo Oblivion

     “Libertango” by Astor Piazzolla in English:

    If you love me, I’m like air

    Like air, I’m everywhere

    If you don’t love me, I’m like a light

    Like a light, I go away

    And here are the lyrics to the song in the original Spanish:

    Si tu me quieres, soy como el aire

    Como el aire, yo siempre estoy

    Si no me quieres, yo no soy nada

    Solo soy nada, nada más

    “Oblivion” by Astor Piazzolla in English:

    How much I loved you, you’ll never know

    You took happiness with you when you left

    How much I suffered, it’s better you don’t know

    My silent pain, my hidden tears

    And here are the lyrics to the song in the original Spanish:

    Cuánto te amé, nunca lo sabrás

    Te llevaste la felicidad cuando te fuiste

    Cuánto sufrí, mejor no lo sabrás

    Mi dolor callado, mis lágrimas escondidas

    E Garner Misty

    Look at me
    I’m as helpless as a kitten up a tree
    And I feel like I’m clinging to a cloud, I can’t understand
    I get misty, just holding your hand

    Walk my way
    And a thousand violins begin to play
    Or it might be the sound of your hello, that music I hear
    I get misty, the moment you’re near

    You can say that you’re leading me on
    But it’s just what I want you to do
    Don’t you notice how hopelessly I’m lost
    That’s why I’m following you

    On my own
    Would I wander through this wonderland alone
    Never knowing my right foot from my left, my hat from my glove
    I’m too misty, and too much in love
    I’m too misty, and too much in love

    AH Malote Lords Prayer in Korean and English

    Korean:

    이름이 거룩히 빛나시며

    나라이 임하시며

    뜻이 하늘에서 일어나는 대로

    땅에서도 이루어지소서

    오늘 우리에게 일용할 양식을 주시고

    우리가 우리에게 잘못한 사람을 용서함과 같이

    우리 죄를 용서하시고

    시험에 빠지지 않게 하시고

    악에서 구하소서

    아멘

    English:

    Our Father in heaven,

    hallowed be your name.

    Your kingdom come,

    your will be done,

    on earth as it is in heaven.

    Give us this day our daily bread,

    and forgive us our debts,

    as we also have forgiven our debtors.

    And lead us not into temptation,

    but deliver us from evil.

    Amen.

    for more information see the following from BING AI’s helpful guide to the Sejong Culture Center.

    . Sejong Center for the Performing Arts – Seoul Metropolitan Government

    The Sejong Center for the Performing Arts, located in Jongno-gu, is an institution established by the Seoul Metropolitan Government. It serves as a major hub and venue for the performing arts in Seoul, boasting quality performances, musicals, and more.

    The building itself is also noteworthy as it reinterprets an antiquated Korean architectural style in a modern style.

    Comprising three basement floors and six ground floors, the center consists of a large theater, a small theater, an art museum, a convention center, a conference hall, a seminar hall, a fountain plaza, and a deck plaza, as well as the Schengen annex.

    The Sejong Center for the Performing Arts is easily accessible as it is located at the center of the city; visitors can take the subway and get off Gwangwhamoon Station (Exit 1) or other modes of transportation to Sejong-aero.

     

    Sejong Center – Wikipedia

    Sejong Center for the Performing Arts – Seoul Metropolitan Government

    the Sejong Cultural Society home page

    17,864 Sejong Culture Center Stock Videos, Footage, & 4K Video Clips – Getty Images

    45 years in, Sejong Center for the Performing Arts is as current as ever (joins.com)

    Musical producer points out merits, problems of Korean market (joins.com)

    Sejong Center – All You Need to Know BEFORE You Go (with Photos) (tripadvisor.com)

    Visit Seoul – Sejong Center for the Performing Arts | The Official Travel Guide to Seoul

    1. en.sejong.ac.kr7. sos.sejong.ac.kr8. sejong.ac.kr9. kccla.org10. tripadvisor.com11. koreajoongangdaily.joins.com12. sjcf.or.kr13. english.visitseoul.net14. ili.sejong.ac.kr15. ili.sejong.ac.kr16. ili.sejong.ac.kr

    the other major cultural centers are according to Bing AI chat bot

    Seoul: There are two Korean cultural centers in Seoul.

    The first one is the Korean Cultural Center Seoul (한국문화원 서울), located at 194, Itaewon-ro, Yongsan-gu, Seoul. The nearest subway stop is Kapyeong Station (Line 6), Exit 2. The phone number is 02-2071-9000. The ticket information and web link are [here].

    The second one is the National Museum of Korea (국립중앙박물관), located at 137, Sobbing-ro, Yongsan-gu, Seoul. The nearest subway stop is Icon Station (Line 4), Exit 2. The phone number is 02-2077-9000. The ticket information and web link are [here].

    Busan: There is one Korean cultural center in Busan.

    It is the Busan Museum of Art (부산시립미술관), located at 58, APEC-ro, Haneda-gu, Busan. The nearest subway stop is BEXCO Station (Line 2), Exit 5. The phone number is 051-744-2602. The ticket information and web link are [here].

    Daegu: There is a Korean cultural center in Daegu.

    It is the Daegu Art Museum (대구시립미술관), located at 374, Sadako-dong, Suseong-gu, Daegu. The nearest subway stop is Daeok Station (Line 2), Exit 2. The phone number is 053-790-3000. The ticket information and web link are [here].

    Gwangju: There is one Korean cultural center in Gwangju.

    It is the Gwangju Museum of Art (광주시립미술관), located at 52, Haze-ro, Buk-gu, Gwangju. The nearest subway stop is Germanna 4-ga Station (Line 1), Exit 1. The phone number is 062-613-7100. The ticket information and web link are [here].

    Daejeon: There is one Korean cultural center in Daejeon.

    It is the Daejeon Museum of Art (대전시립미술관), located at 396, Manny eon-ro, Seo-gu, Daejeon. The nearest subway stop is Government Complex Daejeon Station (Line 1), Exit 3. The phone number is 042-270-1500. The ticket information and web link are [here].

    Ulsan: There is one Korean cultural center in Ulsan.

    It is the Ulsan Museum (울산박물관), located at 45, Ulsan Dahak-ro, Nam-gu, Ulsan. The nearest subway stop is Ulsan University Station (Line 1), Exit 1. The phone number is 052-226-2200. The ticket information and web link are [here].

    Jeju: There is one Korean cultural center in Jeju.

    It is the Jeju National Museum (제주국립박물관), located at 19, Eluding-ro, Jeju-si, Jeju-do. The nearest bus stop is Jeju National Museum (Bus 100, 502, 820). The phone number is 064-720-8000. The ticket information and web link are [here].

    Other concert venues

    Seoul

    • Olympic Hall: Located in Songpa-gu, Seoul, Olympic Hall is a popular venue for concerts and other events. It is located near the Olympic Park subway station (Line 5) and can be reached by taking Exit 3. For more information, you can visit their website at olympicpark.co.kr. Ticket prices vary depending on the event.
    • Jamsil Arena: Jamsil Arena is another popular concert venue located in Songpa-gu, Seoul. It is located near the Sports Complex subway station (Line 2) and can be reached by taking Exit 6. For more information, you can visit their website at jamsilarena.co.kr. Ticket prices vary depending on the event.
    • Seoul Arts Center: Located in Seocho-gu, Seoul, the Seoul Arts Center is a large complex that includes several performance halls. The center is located near the Nambu Bus Terminal subway station (Line 3) and can be reached by taking Exit 5. For more information, you can visit their website at sac.or.kr. Ticket prices vary depending on the event.
    • Seoul
      • Blue Square: Located in Hannam-dong, Yongsan-gu, Seoul, Blue Square is a popular venue for concerts and other events. It is located near the Hangangjin subway station (Line 6) and can be reached by taking Exit 2. For more information, you can visit their website at bluesquare.kr. Ticket prices vary depending on the event.
      • Yes24 Live Hall: Located in Gwangjin-gu, Seoul, Yes24 Live Hall is a popular venue for concerts and other events. It is located near the Konkuk University subway station (Line 2) and can be reached by taking Exit 6. For more information, you can visit their website at yes24livehall.com. Ticket prices vary depending on the event.
      • MUV Hall: Located in Mapo-gu, Seoul, MUV Hall is a popular venue for concerts and other events. It is located near the Hongik University subway station (Line 2) and can be reached by taking Exit 9. For more information, you can visit their website at muvhall.com. Ticket prices vary depending on the event.

      Gyeonggi

      • Ansan Arts Center: Located in Danwon-gu, Ansan, Gyeonggi-do, Ansan Arts Center is a popular venue for concerts and other events. It is located near the Ansan subway station (Line 4) and can be reached by taking Exit 1. For more information, you can visit their website at ansanart.com. Ticket prices vary depending on the event.
      • Pyeongtaek Cultural Center: Located in Pyeongtaek-si, Gyeonggi-do, Pyeongtaek Cultural Center is a popular venue for concerts and other events. It is located near the Pyeongtaek subway station (Line 1) and can be reached by taking Exit 1. For more information, you can visit their website at ptcc.or.kr. Ticket prices vary depending on the event.

      Incheon

      • Incheon Culture & Arts Center: Located in Michuhol-gu, Incheon, Incheon Culture & Arts Center is a popular venue for concerts and other events. It is located near the Incheon City Hall subway station (Line 1) and can be reached by taking Exit 3. For more information, you can visit their website at icac.or.kr. Ticket prices vary depending on the event.
      • Incheon Grand Park: Located in Namdong-gu, Incheon, Incheon Grand Park is a popular venue for outdoor concerts and other events. It is located near the Jemulpo-gu Office subway station (Incheon Line 1) and can be reached by taking Exit 2. For more information, you can visit their website at grandpark.incheon.go.kr. Ticket prices vary depending on the event

        Busan

        • Busan Cultural Center: Located in Busanjin-gu, Busan, the Busan Cultural Center is a popular venue for concerts and other events. It is located near the Buam subway station (Line 2) and can be reached by taking Exit 1. For more information, you can visit their website at bcco.or.kr. Ticket prices vary depending on the event.
        • Busan Cinema Center: Located in Centum City, Busan, the Busan Cinema Center is a unique venue that includes a large outdoor screen as well as several indoor theaters. It is located near the Centum City subway station (Line 2) and can be reached by taking Exit 12. For more information, you can visit their website at biff.kr. Ticket prices vary depending on the event.
        • Here is a list of concert venues in Seoul, Gyeonggi, and Incheon with their location, contact information, and web links:
  • On Playing Mozart Piano Sonata

    On Playing Mozart Sonatas

    Cosmos’s Music Journal

    2023Cosmos Music Journals

    Cosmos Music Journals

    Cosmos’s Music Play List 2018

     

    mozart
    Mozart

     

     

     

     

     

     

     

     

     

     

     

     

    As some of you might know, I have resumed playing the piano daily. I bought a Roland Electric piano a year ago. I recently played my first Mozart Sonata and well I did not do badly.  I will return to it next year after finishing the following piano books.:

    Playing the following music books

     

    BOLD = finished

     

    Bela Microcosmos

    Erie Satie Gymnopedies.

    Clementi piano sonatinas

    Piano Classics Korean music book

    Jazz piano album George Winston

    Jazz Piano Album Korean

    Piano classics Korean

    60 progressive piano pieces

    Schuman Album one

    60 progressive piano pieces

    Schuman Album one

    Music for Everyone  

    Bach Little Notebook

    Bach’s two and three-part inventions

    Easy classics

    Korean Piano Books 1

    Korean Piano Book 2

    Blues Standards

    100 Greatest Artists

    Another Korean classic book

    Ellington standards

    Bach WTC

    sonata album

    Hayden

    Mozart some duplicates

    Beethoven – some duplicates

    Mozart Sonatas

    Beethoven Sonatas

    Numerical List of Piano Pieces Played

    1. Wild Mountain Flower Richard Lederman
    2. A Comme Amour Richard Lederman
    3. Isadora Paul Maurer
    4. Concerto Pour Une Voix Sint Preux
    5. Memories Of You Eubie Blake
    6. Side By Side Harry Woods
    7. Broken Promises John Schachter
    8. La Playa Ja Van Wetter
    9. L’ Amor Cesta Por Ríen Enrico Macias
    10. Sans Tôi Mamie Alamo
    11. Estrella Manuel M Pance
    12. Lippens Schengen Franz Lehar
    13. Song Of the Pearl Fishermen H Gaze
    14. Fly me to the Moon Henry Mancini
    15. This Is My Song, Charlie Chaplin
    16. Hawaiian Wedding Song Charles E. King Charles E. King
    17. Theme From Love Story Francis Lai
    18. Love John Lennon
    19. Parles Moi Damor John Lenoir
    20. Love Is Blue Andre Popp
    21. To Love Again N Washington
    22. Lebensraum Franz Liszt
    23. Hymn Lamour M Mannat
    24. Love Me All Your Heart, Carlos Miguel
    25. El Bimbo Claude Morgan
    26. Home Sweet Home John Payne
    27. September Song Kurt Weil
    28. Hey Jude John Lenon
    29. I Really Do Not Want to Know Don Robertson
    30. Yesterday, John Lennon
    31. Johnny Guitar Victor Yeong
    32. The Music Played by Udo Jurgens
    33. Janear 15
    34. La Novia Jay Prieto
    35. El Condor Pasa da Robles
    36. Eternally Charles Chaplin
    37. Minuet Henry Purcell
    38. Air Henry Purcell
    39. Trumpet Tune Henry Purcell
    40. A Farewell Henry Purcell
    41. Bourree Philips Telemann
    42. Minuet Teleman
    43. Saraband Angelillo Corelli
    44. Musette Johann Sebastian Bach
    45. Minuet Anna Magdalena Bach
    46. Minuet Anna Magdalena Bach
    47. Polonaise Anna Magdalena Bach
    48. Musette Anna Magdalena Bach
    49. March Anna Magdalena Bach
    50. Minuet Anna Magdalena Bach
    51. Gavotte George Frederick Handel
    52. Little Prelude in F Jes Bach
    53. Minuet Leopold Mozart
    54. Burlesque Leopold Mozart
    55. Minuet Mozart
    56. Little Prelude in C Jes Bach
    57. Allegro Carl Philipp Emanuel Bach
    58. La Caroline Carl Philipp Emanuel Bach
    59. Little Scherzo Carl Philipp Emmanuel Bach
    60. Allegro Wolfgang Amadeus Mozart
    61. Andante Wolfgang Amadeus Mozart
    62. Presto Wolfgang Amadeus Mozart
    63. Minuet Carl Philipp Emanuel Bach
    64. Gavotte In Rondo Form Jean Francis Dandrew
    65. Rondino Jean Philippe Rameau
    66. Andantino Joesph Haydn
    67. Scherzo Joseph Haydn
    68. Rondo Wolfgang Amadeus Mozart
    69. Bagatelle Beethoven
    70. Ecossaise In G Beethoven
    71. Seven German Dances Haydn
    72. Coda Haydn
    73. Ecossaise Carl Maria von Weber
    74. Sonatina Jacob Schmitt
    75. Bagatelle Johan Nepomuk Hummel
    76. Gavotte Daniel Gottlob Turk
    77. A Regal Dance Daniel Gottlob Turk
    78. Serenade Daniel Gottlob Turk
    79. Miniature Rondo Daniel Gottlob Turk
    80. Evening Song Daniel Gottlob Turk
    81. The Hunters Daniel Gottlob Turk
    82. Carefree Daniel Gottlob Turk
    83. Adagio Mozart
    84. Lullaby Johan Philip Kirnberger
    85. Sonatina Anton Andre
    86. Sonatina Jakob Schweig
    87. Three Country Dances Beethoven
    88. Waltz Franz Schubert
    89. Russian Folk Song Ludwig Beethoven
    90. German Dances Ludwig Beethoven
    91. Four Landlers Franz Schubert
    92. Allegro Minuet One Franz Schubert
    93. Andantino Waltz in C Op 19 Franz Schubert
    94. Two Australian Fold Themes Carl Czerny
    95. Peasant Song Felix Mendelssohn
    96. On Tiptoes Henri Bertini
    97. Dance Intermezzo Henri Bertini
    98. The Clock Theodore Kulak
    99. Cradle Song Theodore Kulak
    100. Melody Robert Schuman
    101. The Wild Horseman Robert Schuman
    102. Bagatelle Robert Schuman
    103. Soldier’s March Robert Schuman
    104. Hunting Song Robert Schuman
    105. The Reaper’s Song Robert Schuman
    106. Arabesque Frederick Burmuller
    107. Pastorale Frederick Burgsmüller G Major
    108. An Old Romance A Minor
    109. Little Suite Cornelius Gunter  Minor
    110. March Cornelius Gunter C Major
    111. Scherzo F Cornelius Gunter F Major
    112. Song Of the Hussars Louis Kohler C Major
    113. Village Waltz Louis Kohler G Major
    114. Chromatic Polka Louis Kohler G Major
    115. Short Cannon Konrad M Kunz F Major
    116. Short Cannon Konrad M Kunz E Major
    117. Short Cannon Konrad M Kunz G Major
    118. Short Cannon Konrad M Kunz B Flat Major
    119. Morning Prayer Peter Schakowsky
    120. Old French Song Peter Schakowsky
    121. German Song Peter Schakowsky
    122. Italian Song Peter Schakowsky
    123. Reverie Peter Schakowsky
    124. The Sick Doll Peter Schakowsky
    125. Song From the Ceruse Cezar Frank D Minor
    126. Pauper’s Complaint Cezar Frank 6
    127. Once Upon a Time Robert Volkmann G
    128. The Enchanted Garden Robert Volkmann A Minor
    129. Dance With Me Robert Volkmann F
    130. Over Hill and Dale Robert Volkmann C
    131. Playing Soldiers Vladimir Rebikoff C
    132. Evening In the Meadow Vladimir Rebikoff D Minor
    133. Oriental Dance Vladimir Rebikoff D Minor
    134. Tender Moments Alexander Rachmaninoff F
    135. Promenade Alexander Rachmaninoff A Minor
    136. Fugue In a Classic Style Nicolas Makowski G
    137. Three Easy Pieces on Five Notes Igor Stravinsky
    138. Tarantella Serge Prokofieff F
    139. Humming Dmitri Kabalevsky D Minor
    140. First Dance Dmitri Kabalevsky F
    141. Little Marco Dimitri Kabalevsky C
    142. Chit Chat Dmitri Kabalevsky C
    143. Waltz Dmitri Kabalevsky D Minor
    144. Tomatina Dmitri Kabalevsky a Menor
    145. Prelude Dmitri Kabalevsky G Minor
    146. Ride Dmitri Kabalevsky
    147. Fairy Tale Dmitri Kabalevsky E Flat
    148. Scherzo Dmitri Kabalevsky G Menor
    149. Constante Héctor Villa Lobos C
    150. Circle Dance Héctor Villa Lobos D Minor
    151. Melody Aram Khachaturian C Minor
    152. Bella Bartok Pieces
    153. Six Miniatures Bela Bartok Bela Bartok C
    154. Six Miniatures Bela Bartok A Minor
    155. Six Miniatures Bela Bartok C
    156. Six Miniatures Bela Bartok Bela Bartok F
    157. Six Miniatures Bela Bartok C
    158. Six Miniatures Bela Bartok Bela Bartok C
    159. Microcosmos Bela Bartok Pieces Vol One
    160. Six Unison Melodies
    161. Dotted Notes
    162. Repetition
    163. Syncopation
    164. With Alternate Hands
    165. Parallel Motion
    166. Reflection
    167. Change Of Position
    168. Question and Answers
    169. Village Song
    170. Parallel Motion and Change of Position.
    171. Contrary Motion Capture
    172. Four Unison Melodies
    173. Imitation And Counterpoint
    174. Imitation And Inversion
    175. Pastorale
    176. Imitation And Inversion
    177. Repetition
    178. Syncopation
    179. Canon At the Octave
    180. Imitation Reflected.
    181. Canon At the Lowest Fifth
    182. Little Dance in Canon Form
    183. In Dorian Mode
    184. Slow Dance
    185. In Phrygian Mode
    186. Chorale
    187. Free Canon
    188. Appendix
    189. Disco For Elise Beethoven
    190. In May Franz Behr C
    191. The Clock Ada Richer G
    192. Woodland Walz Franz Gwyn C
    193. Copycat Audell Thompson C
    194. The Snake Charmer William Gunn A Minor
    195. Minuet JS Bach
    196. Soldier’s March Robert Schumann
    197. Minuet 1 Mozart
    198. Parade Of the Midget Elizabeth L. Hopson
    199. Beethoven Sonatina No 1 C
    200. Indian Drum Kathrin K Davis E Minor
    201. The Merry Farmer Robert Schumann F
    202. Waltz M Louis Wright Louis Wright B Flat
    203. Dreamland Katherine Allan Lively D Minor
    204. The Wild Horseman Robert Schumann C
    205. The Swimming Pool Myrla Adler F
    206. L’ Avalanche Stephen Heller A Minor
    207. Around The Hills Mabel Lewis Caine Lewis Cave F
    208. Prelude 1 C Wes Bach C
    209. Spooks Maxwell Eksteen A Minor
    210. Spinning Song Albert Glimmerier F
    211. A Melody After Mendelssohn Louis Wright
    212. Beethoven’s Sonatina One F
    213. Veil Lance Louis Wright F Minor
    214. Under The Rose Arbor Theodora Dutton F
    215. Blue Danube Waltz Johann Strauss C
    216. Elfin Dance Edvard Grieg Edvard Grieg E Minor
    217. Menuetto Iosco Joseph Haydn C
    218. In The Gypsy Camp Franz Behr, A Minor
    219. Pipes Of Pan B Flat
    220. Toccata Pietro Domenico Paradies A Meno
    221. Fur Elise C Edited the Version.
    222. Serenade Franz Schubert D Minor
    223. Rustic Dance C.R. Howard G Minor
    224. From A Birch Canoe Richard Bender E Flat
    225. Tarantella Paul Beaumont A Minor
    226. Two Butterflies Myra Adler C
    227. Loose Blatter Flying Leaves Car Killing D
    228. Chopin Prelude No. 6
    229. Chopin Prelude No. 7
    230. Venetian Boat Song Nu 2 Mendelssohn
    231. None But the Lonely Heart Tchaikovsky A Minor
    232. Christmas Tchaikovsky A Flat
    233. Le Tambourine Jean Philippe Rameau D Minor
    234. Berceuse Lullaby a Links B Flat Minor.
    235. Cradle Song Weigelia Brahms a Flat
    236. Waltz Brahms A Flat
    237. Simple Aveu /Simple Confession Francis Theme D Major
    238. Gps Rondo Haydn G
    239. Pizzicatos Leo Delius a Flat
    240. Bridal Chorus Lohengrin Wagner B Flat
    241. Barcarolle Offenbach F
    242. Au Matin Benjamin Godard E Flat
    243. Dark Eyes Russian Folk Song Richard Benda D Minor
    244. Fur Elise a Minor Beethoven
    245. Wagner Bratcher A Minor
    246. The Maiden’s Prayer T Barczewski
    247. Humoresque A Dvorak
    248. Petit Chien Chopan
    249. Turkish March Beethoven
    250. Cuckoo Waltz Je Johansson
    251. Blumen Lied G Lange
    252. The Battle of Waterloo G Anderson
    253. Chausson de l-Adieu E Major -Very Challenging Piece
    254. Csikos Post H Necked E Minor
    255. Marche Military F Schubert
    256. Hochzeitsmarsch Mendelssohn
    257. Crisco Post H Nike
    258. Alpeenabendroite T Oresten Challenging.
    259. Woodland Echoes Ap Wyman Challenging
    260. Traumerei Richard Schuman Easier
    261. Die Schmid Im Walden Th Michelle
    262. Silvery Waves Ap Wykes
    263. Waves Of the Danube J Ivanovic
    264. Brahms Hungarian Dance Number 5
    265. Invitation To the Dance Cm Weber
    266. Dance Of the Clocks A Porcellio Challenging
    267. Piano Concerto Theme Gregg Is Not as Complicated as I Thought.
    268. Bagatelle Beethoven – Nailed It.
    269. Norwegian Dance E Grieg
    270. Solberg’s Song E Grieg
    271. Mazurka Chopin
    272. Nocturne Chopin
    273. La Cinquinaine G Marie A
    274. Borowski G Celeste
    275. Placer D’amour Marital Tedesco
    276. Gavotte Bach G
    277. Sigmund’s Love Song G Wagner
    278. Polka Tchaikovsky
    279. Clementi Six Sonatinas
    280. Clementi Six Sonatinas
    281. Clementi Six Sonatinas
    282. Clementi Six Sonatinas
    283. Clementi Six Sonatinas
    284. Clementi Sonatinas
    285. Clementi Six Sonatinas
    286. Schumann Kinderszenen G Major
    287. A Curious Story D Major
    288. Catch Me, D Major.
    289. Entreating Child D Major
    290. Perfect Happiness D Major
    291. An Important Event A Major
    292. Dreaming F Major
    293. By The Fireplace
    294. Knight Of the Rocking Chair
    295. Too Serious
    296. Frightening
    297. The Child Falling Asleep.
    298. The Poet Speaks.
    299. Melody
    300. Humming Song
    301. Ein Choral
    302. A Little Piece
    303. The Poor Orphan Child
    304. Merry Peasant Returning to His Work.
    305. Sicilian
    306. Old Bogie
    307. May Month of May
    308. A Little Study G
    309. Spring Song E
    310. First Sorrow G
    311. The Little Morning Wanderer A
    312. The Reaper’s Song C
    313. Little Romance C
    314. Rustic Song A
    315. Ronde A
    316. The Horseman F
    317. Harvest Song A Min
    318. Reminiscences Of the Theater A Min
    319. Canon A Min
    320. Remembrance A Min
    321. The Stranger D Minor.
    322. War Song D Minor
    323. Sherardize
    324. Gathering Of the Grapes
    325. Thema
    326. Mignon
    327. Italian Mariner’s Song Lied Italian Mariana
    328. Sailor’s Song
    329. Wintertime One
    330. Wintertime Two
    331. A Little Fugue
    332. Fingered Choral
    333. New Year’s Eve
    334. Northern Song
    335. Sonata For the Young G
    336. Theme And Variation G
    337. Doll’s Cradle C
    338. Rondoletto D Minor
    339. Friendly Landscape
    340. The Wayside Inn
    341. Prophetic Bird
    342. Hunting Song
    343. The Departure
    344. Summer Song
    345. Little Cracle Song
    346. Papillons 1 To 3
    347. Robert Schumann Humming Song
    348. Jean Sibelius A Hymn from Finland
    349. Michale Glinka The Lark
    350. Jes Bach March
    351. Francis Couperin Rigaudon
    352. Francis Couperin The King’s Crest of Viols
    353. Jes Bach Be Thou with Me
    354. Bela Bartok Teasing
    355. Gluck Gavotte
    356. Schumann First Sorrow
    357. Edward Poldini Waltz of The Mice
    358. Bela Bartok Ritual Dance
    359. Vladmirrebikoff The Wandering Musicians
    360. Robert Schumann Cradle Song
    361. Edwardo Poldini Waltz Serenade
    362. Vladmirrebikoff Legende
    363. Karganoff Petite Valse
    364. Chopin Prelude E Menor
    365. Gf Han Del Sarabanda
    366. Beethoven’s Three German Dances
    367. Wa Mozart Menuetto
    368. Jean Philip Rameau Little Rondo
    369. Phillip Emmanuel Bach Piece for Right or Left Hand Alone
    370. Joseph Hayden Scherzo
    371. Leopold Mozart Minuet
    372. George Phillip Telemann Prelude
    373. Jes Bach Prelude C Major
    374. Robert Schumann Little Study
    375. Robert Schuman Song of The Reaper
    376. Frederick Burgmueller Pastorale
    377. Joseph Hayden Allegretto
    378. Jes Bach Prelude F Major A
    379. Edmund Grubber the Caissons Go Rolling Along
    380. Arkansas Traveler
    381. Red River Valley
    382. Coming Through the Rye
    383. Henry Ghys Amaryllis
    384. Beethoven, I Love the Ich Liebe Dich
    385. Ethelbert Nevin The Rosary
    386. Gf Handel Minuet
    387. Joseph Haydn Minuet and Trio
    388. Beethoven’s Allegretto from the 7th Symphony
    389. Joesph Haydn Andantino
    390. Joseph Haydn Minuet
    391. Erie Satie Gumnopedie No 2
    392. Aram Khahaturian Oriental Dance
    393. Sergei Prokofieff Rainbows in The Rain
    394. Harry Warren September in The Rain
    395. Gus Edwards In My Merry Oldsmobile
    396. Billy Rose Barney Google
    397. Louis Silver April Shadows
    398. Harry Arlen, I Love a Parade
    399. Max Steiner Raras Teme
    400. Ag Villodo El Choclo
    401. Joseph Haydn Hymn to Saint Anthony
    402. Luigi Boccherini Minuet
    403. Charles Gounod Ballet from Faust
    404. Charles Gounod Funeral March of a Marriott
    405. Anthony Dvorak Indian legend
    406. Rimsky Korsakoff Scheherazade
    407. Felix Mendelson Nocturne from Midsummer Night’s Dream
    408. Peter Tchaikovsky Romeo and Juliet
    409. JS Bach Gavotte
    410. Mozart Piano Sonata in C Major
    411. Bedrich Smetana Polka and Friant
    412. Franz Schubert Waltz
    413. Felix Mendelson Consolation
    414. Rimsky Korsakoff the flight of the Bumblebee
    415. Bredich Smetana Prelude album #6
    416. Eduard Poldini Poupe Vasanta
    417. Edward Mc Donnel A Moon Idly

    Technical Tips for Those Returning to Playing an Instrument

    Before playing each piece, I analyze the piece, noting the key, tempo and basic organizational structure. Then, I note areas to pay attention on the music itself creating a cheat sheet so to speak, including key, key changes, registry changes, very high and very low notes which are hard for me to sight read, and repetition patterns.  I found that this simple step has paid off in helping me play a lot better, and I feel my skills are returning to where they were when I last played about seven years ago. I am sure I will achieve my lifelong goal of reaching semi-professional level playing within a few years.

    I highly recommend this tip, plus playing each hand separately first when doing complicated counterpoint like in Bach, and listening, when possible, to the music you are going to play on YouTube while reading the score, to anyone returning to playing music.

    Alzheimer’s Prevention

    I heard a long time ago that playing music, learning languages, and doing mental games like crossword puzzles every day is the best thing you can do to ward off the dreaded Dementia or Alzheimer’s.   Since my mother died of Alzheimer’s I am at increased risk.  I have been doing all three for almost a year now, playing the piano, studying Korean via Duolingo and watching K Dramas, doing daily writing prompts, writing three to five poems or short stories per day every day, and writing down my dreams and journal entries writing three to four hours every day, and weekly blog postings, instead of crossword puzzles.

    Bing AI Chatbot’s  recommended play list

     

    Here is a list of piano pieces that you might enjoy playing as an intermediate adult piano learner:

    • Chopin: Fantasie-Impromptu Op 66. This is a fast and expressive piece that showcases Chopin’s brilliant technique and musical imagination. It has a contrasting lyrical middle section that is very beautiful and romantic. You can find the sheet music here and watch a video performance here.
    • Rachmaninov: Elégie. This is a melancholic and passionate piece that reflects Rachmaninov’s emotional style. It has a rich harmonic language and a soaring melody that will touch your heart. You can find the sheet music here and watch a video performance here.
    • Liszt: Un sospiro. This is a delicate and graceful piece that requires a lot of control and finesse. It has a flowing arpeggio accompaniment and a singing melody that creates a dreamy atmosphere. You can find the sheet music here and watch a video performance here.
    • Satie: Je te veux. This is a charming and playful piece that was originally written as a song for a cabaret singer. It has a catchy melody and a simple harmonic structure that makes it easy to learn and enjoy. You can find the sheet music here and watch a video performance here.
    • Tchaikovsky: November from The Seasons Op 37a. This is a nostalgic and expressive piece that depicts the autumn mood in Russia. It has a lyrical theme and a varied accompaniment that creates contrast and interest. You can find the sheet music here and watch a video performance here.
    • Brahms: Intermezzo Op 118 No 2. This is a gentle and soothing piece that is one of Brahms’ most popular works for piano. It has a warm and tender melody and a subtle harmonic complexity that makes it very satisfying to play. You can find the sheet music here and watch a video performance here.
    • Debussy: Serenade for the Doll, No 3 from Children’s Corner. This is a whimsical and colorful piece that evokes the image of a toy doll dancing. It has a lively rhythm and a playful melody that will make you smile. You can find the sheet music here and watch a video performance here.
    • Mendelssohn: Song without Words in F sharp minor Op 67 No 2. This is a lyrical and elegant piece that is part of Mendelssohn’s famous collection of miniatures for piano. It has a smooth and expressive melody and a refined accompaniment that creates harmony and balance. You can find the sheet music here and watch a video performance here.

    I hope you find this list helpful and inspiring. Have fun playing these wonderful piano pieces!

    You Can Do It

    I am posting this as an encouragement to others reaching retirement who have always wanted to resume playing an instrument to just go for it.  You can do it and the rewards will be immeasurable.

  • Cosmos’s Music Journal 2023

    Cosmos’s Music Journal 2023

    Cosmos’s Music Journal 2023

    see Cosmos Music journals for 2016-2023 for reference

    Listing music played, composed, and listened to/downloaded.

    I have resumed playing the piano daily.  I will work my way through the music that I have and later in the year might get some new music to play.

    I will download music writing software in March and resume writing music.  I will teach myself the fundamentals of writing music via youtube videos.

     Goals

    Play every day one to five pieces of music

    strategy

    Review every piece before playing –  marking down higher notes and lower notes so won’t have to stumble as much,  note signature, note changes throughout figure out repetition patterns, etc write cheat sheets. For more challenging pieces play each hand separately and then put it together, particularly for Bach pieces.

    I started highlighting significant things to pay attention to during previewing of music, which should lead to much smoother playing.

    Playing the following music books

    Easy classics  Done

    Bela Microcosmos – teaching Angela how to play piano  Done

    Clementi piano sonatinas  first two done

    Bach Little Notebook

    Piano Classics Korean music book  Done

    Bach’s two and three-part inventions

    60 progressive piano pieces  Done

    Schuman Album one

    Blues Standards

    100 Greatest Artists

    Another Korean classic book Done

    Ellington standards

    Bach WTC

    Mozart Sonatas

    Beethoven Sonatas

    Note  out twills turns mordants etc on the cheat sheet including counting how many use Bach’s book as a guide

    After Schuman’s book Bach’s two and three-part inventions

    After summer do 100 best songs, then Blues and Ellington songs

    Two or three per day

    After that Bach then ready to conquer Beethoven’s and Mozart’s Sonatas starting with Mozart

    May buy some more music this summer at Barnes and Nobel

    including Gershwin songbook

    Jazz piano book

    Other classic piano books

    Korean classic songbook as well (buy here)

    September  order music writing software

    Learn how to write music

    Self-teaching off of YouTube Tutorials

    The goal is to write one piece per month

    Music Played

    Before playing look at the music and determine the key, major/minor, repetition pattern,  rhythmic patterns, cleft changes, etc  For Bach play each hand separately and then play together, for all music listen to it on YouTube before playing

    1/5

    Ballade Pour Adeline Richard Clayderman
    A comme Amour Richard Clayderman
    Wild Mountain Flower Richard Clayderman
    Isadora Paul Mauret
    Concerto pour Une Voix Sint Preux
    Memories of You Eubie Blake
    Side by Side Harry Woods

    Music Listened to

    Diana Krall loves Songs during dinner

    Music to download

    Starting soon will re-activate my music download program via the library

    1/6/2023

    Broken Promises John Schachter
    La Playa Ja Van Wetter
    L’ amor C’est Pour Ríen Enrico Macias
    Sans Toi Mamie Alamo
    Estrellita Manuel M Pance

    January 7

    Lippen Schengen Franz Lehar
    Song of the Pearl Fishermen H Gaze

    January 8

    Fly Me to the Moon Henry Mancini
    This is my song, Charlie Chaplain
    Hawaian Wedding Song Charles E King
    Theme from Love Story Francis Lai
    Love John Lennon
    Parles Moi D’Amour John Lenair
    Love Is Blue Andre Popp
    To Love Again N Washington

    1/11

    Lebensraum Franz Liszt
    Hymn Lamour M Mannat
    Love Me All Your Heart Carlos Riguel
    El Bimbo Claude Morgan
    Home Sweet Home John Payne

    1/12/2022

    September Song Kurt Weil
    Hey Jude John Lenon
    I Really Don’t Want to Know Don Robertson

    Janc played by Udo Jurgens

    January 15

    la Novia Jay Prieto
    EL Condor Pasa   DA Robles
    Eternally Charles Chaplin

    started easy classics to modern

    Minuet Henry Purcell

    1/16/2023

    Air Henry Purcell
    Trumpet tune Henry Purcell
    A farewell Henry Purcell
    Bourree Philips Telemann
    Minuet Teleman
    Saraband Angelillo Corelli
    Musette Johann Sebastian Bach

    1/18/2023

    Minuet Anna Magadlena Bach
    Minuet Anna Magadlena Bach
    Polonaise Anna Magadlena Bach
    Musette  Anna Magadlena Bach
    March Anna Magdalena Bach
    Minuet Anna Magadlena Bach

    1/19/2022

    Gavotte George Frederick Handel
    Little Prelude in F JS Bach
    Minuet Leopold Mozart
    Burleske Leopold Mozart
    Minuet Mozart
    Little Prelude in C JS Bach
    Allegro Carl Philipp Emanuel Bach
    La Caroline Carl Philipp Emanuel Bach

    Music Listened

    Buddha Bar Music
    Diana Krall

    1/20/2022

    Music Played

    Little Scherzo Carl Philipp Emmanuel Bach
    Allegro Wolfgang Amadeus Mozart
    Andante Wolfgang Amadeus Mozart
    Presto Wolfgang Amadeus Mozart
    Minuet Carl Philipp Emanuel Bach
    Gavotte in Rondo Form Jean Francis Dandrew
    Rondino Jean Philippe Rameau

    1/23/2023

    Andantino Joesph Haydn
    Scherzo      Joseph Haydn
    Rondo  Wolfgang Amadeus Mozart
    Bagatelle Beethoven
    Ecossaise in G Beethoven

    1/24/2023

    Seven German Dances Haydn
    Coda Haydn

    1/25/2023

    Ecossaie Carl Maria Von Weber
    Sonatina Jacób Schmitt
    Bagatelle Johan Nepomuk Hummel
    Gavotte Daniel Gottlob Turk
    A Regal Dance Daniel Gottlob Turk
    Serenade Daniel Gottlob Turk
    Miniature Rondo Daniel Gottlob Turk
    Evening Song Daniel Gottlob Turk
    The Hunters Daniel Gottlob Turk
    Carefree Daniel Gottlob Turk

    1/26/2023

    Adagio  Mozart
    Lullaby Johan Philip Kirneberger
    Sonatina Anton Andre
    Sonatina Jakob Schweig
    Three country dances Beethoven

    1/27/2023

    Waltz Franz Schubert
    Russian Folk song Ludwig Beethoven
    German Dances Ludwig Beethoven

    1/28/2023

    Four Landlers Franz Schubert

    1/29

    Allegro minuet one Franz Schubert
    Andantino Waltz in C op 19 Franz Schubert
    Two Australian Fold Themes Carl Czerny
    Peasant Song Felix Mendelssohn
    On Tiptoes Henri Bertini
    Dance Intermezzo Henri Bertini

    1/30

    The clock Theodore Kulak
    Cradle Song Theodore Kulak

    1/31/2023

    Melody Robert Schuman
    The Wild Horseman Robert Schuman

    February

    2/1/2023

    Bagatelle Robert Schuman
    Soldier’s March Robert Schuman
    Hunting Song Robert Schuman
    The Reaper’s Song Robert Schuman
    Arabesque Frederick  Burgmuller
    Pastorale  Frederick Burgmuller G Major
    An Old Romance A minor
    Little Suite Cornelius Gunter D Minor
    March Cornelius Gunter C Major
    Scherzo F Cornelius Gunter F Major

    February 2

    Song of the Hussars Louis Koehler C major
    Village Waltz  Louis Kohler G major
    Chromatic Polka  Louis Kohler G major
    Short Cannon Konrad M Kunz  F Major
    Short Cannon Konrad M Kunz  E major
    Short Cannon Konrad M Kunz   G major
    Short Cannon Konrad M Kunz  B flat Major

    Feb 3

    Morning Prayer Peter Tschaikowsky
    Old French Song Peter Tschaikowsky
    German Song Peter Tschaikowsky
    Italian Song Peter Tschaikowsky
    Reverie Peter Tschaikowsky
    The Sick Doll Peter Tschaikowsky

    2/5

    Song from the Creuse  Cezar Frank D minor
    Pauper’s Complaint Cezar Frank 6
    Once Upon a Time Robert Volkmann  G
    The Enchanted Garden Robert Volkmann A minor
    Dance with Me Robert Volkmann F
    Over Hill and Dale Robert Volkmann c
    Playing Soldiers Vladimir Rebioff  C
    Evening in the Meadow Vladimir Rebioff D minor
    Oriental Dance Vladmir Rebioff  D Minor

    2/6/2022

    Tender Moments Alexander Gretchaninoff F
    Promenade Alexander Gretchaninoff A minor
    Fugue in a Classic Style Nicolas Miaskowvsky g
    Three Easy Pieces on Five Notes Igor Stravinsky
    Tarantella Serge  Prokoffieff F
    Humming Dmitri Kabalevsky  D minor
    First Dance Dmitri Kabalevsky F
    Little March Dmitri Kabalevsky C
    Chit Chat Dmitri Kabalevsky C
    Waltz Dmitri Kabalevsky D minor
    Tosatina Dmitri Kabalevsky A minor

    2/7

    Finish easy classics
    Prelude Dmitri Kabalevsky G minor
    Ride  Dmitri Kabalevsky
    Fairy Tale Dmitri Kabalevsky E Flat
    Scherzo Dimitri Kabalevsky  G Minor
    Constante Héctor Villa Lobos C
    Circle Dance Héctor Villa Lobos D Minor
    Melody Aram Khatcaturrian C Minor

    Microcosmos Bella Bartok pieces vol one

    2/8/2023

    Six unison melodies
    Dotted notes
    Repetition
    Syncopation
    With alternate hands
    Parallel motion
    Reflection
    Change of position
    Question and answer
    Village song
    Parallel motion and change of position
    Contrary Motionn
    Four unison melodies
    Imitation and counterpoint
    Imitation and inversion
    Pastorale
    Imitation and inversion
    Repetition
    Synocaption
    Canon at the octave
    Imitation reflected
    Canon at the lowest fifth
    Little Dance in Canon Form
    In Dorian Mode
    Slow Dance
    In Phrygian Mode
    Chorale
    Free Canon
    Appendix

    Easy Piano Vol two

    Chopan

    2/9

    Disco for Elise Beethoven

    Started Vol 2 of Classics a bit more challenging but within my comfort zone

    Shifting to another easier book 60 pieces of more popular music then back to the second volume

    Music Listened to:

    Mahler first symphony
    Tchaikovsky 6th Symphony
    Jim Davidson Videos

    2/10/2023

    In May Franz Behr C
    The Clock  Ada Richer  G
    Woodland Walz  Franz Gwyn  c
    Copy Cat  Audelle Thompson C
    The Snake Charmer William  Gunn A minor
    Minuet JS Bach
    Soldier’s March Robert Schumann
    Minuet 1  Mozart
    Parade of the Midget Elizabeth L Hopson

    Feb 11

    Beethoven Sonatina No 1 C
    Indian Drum Kathrin K Davis E Minor

    Feb 12

    The Merry Farmer Robert Schumann F
    Waltz M Louisa Wright B flat
    Dreamland Katherine Allan Lively D Minor
    The Wild Horseman Robert Schumann C
    The Swimming Pool Myrla Adler F
    L’ Avalance Stephen Heller A minor
    Around the Hills Mabel Lewis Cane F
    Prelude 1 C WS Bach C
    Spooks Maxxwell Eksten A minor
    Spinning Song Albert Ellmemrhier  F

    2/13/2023

    A Melody after Mendelssohn Louisa Wright
    Sonatina 1 Clemetini  C

    2/14/2023

    Beethoven Sonatini One  F

    2/15/2023

    Veil Dance Louisa Wright F Minor
    Under the Rose Arbor Theodora Dutton F
    Blue Danube Waltz Johann Strauss C

    2/16/2023

    Elfin Dance Edward Grieg  E minor
    Menuetto Iosco Joseph Haydn  C

    2/17/2023

    In the Gypsy Camp  Franz Behr A minor
    Pipes of Pan B Flat

    2/18

    Toccata Pietro Domenico Paradies A minor
    Note:  this one was a challenge for me

    Fur Elise C edited the version
    This was better

    2/19

    Serenade Franz Schubert  D Minor
    Rustic Dance C.R. Howard G minor

    Music Listened to

    Carmina Burana Carl Orff
    Gustav Mahler Symphonies
    Beethoven Symphonies
    Tchaikovsky Symphonies
    Rimsky-Korsakov Scheherazade

    2/20/2023

    From a Birch Canoe Richard Bender E Flat
    Tarantella Paul Beaumont A minor
    Two Butterflies Myra Adler C
    Loose Blatter Flying Leaves Car Killing D

    Music listened to

    2/23

    Chopin Prelude No 6
    Chopin Prelude NO 7
    Venetian Boat Song nu 2 Mendelssohn

    Listened to

    Beethoven 7th Symphony
    Beatles

    Favorite Korean Pop Songs

    2/24/2023

    None but the Lonely Heart Tchaikovsky  A Minor

    2/25/26

    Christmas Tchaikovsky  A Flat
    Le Tambourine Jean Philippe Rameau D minor
    Berceuse  Lullaby A Ilhinksy b flat minor

    2/26/2023

    Cradle Song Wiegenlied Brahms A Flat
    Waltz Brahms A Flat
    Simple Aveu /simple confession Francis Thome  D major

    3/1

    GPS Rondo Haydn G
    Pizzicatos Leo Delius  A flat
    Bridal Chorus Lohengrin Wagner B Flat
    Barcarolle Offenbach  F

    3/2/2023

    Au Matin Benjamin Godard E flat

    3/3/2023

    Dark Eyes Russian Folk Song Richard Benda  D minor
    Started classical album misc. vol one
    Fur Elise A minor Beethoven
    Wagner Brautchor  A minor

    3/11

    The Maiden’s Prayer T Badarzerwski
    Humoresque  A Dvorak
    Petin Chien  Chopan

    3/12/2023

    Turkish March Beethoven
    Cuckoo Waltz JE Johansson
    Blumenlied G Lange
    The Battle of Waterloo G Anderson

    3/13/2023

    Chausson De l-Adieu  E major -very challenging piece

    3/13/2023

    Ciskos Post H necke E Minor

    3/14/2023

    Marche Military F Schubert

    3/16/2023

    Hochzeitsmarsch Mendelssohn

    3/17/2022

    Crisco Post H Necke
    Alpeenabendroite T oresten  Challenging

    3/23/2024

    Woodland Echoes Ap Wyman  Challenging
    Traumerei Richard Schuman  easier

    3/24/2023

    Die Schmid im Walden Th Michelle

    3/29

    Silvery Waves AP Wykes

    Waves of the Danube J Ivanovic

    4/1

    Brahms Hungarian Dance number 5

    4/2

    Invitation to the Dance CM Weber

    p;

    4/3

    Dance of the Clocks A Porcellio challenging

    4/4

    Piano Concerto theme Gregg is not as complicated as I thought

    Bagatelle Beethoven –  nailed it

    4/5

    Norwegian Dance E Grieg

    4/6

    Solberg’s Song E Grieg
    Mazurka  Chopin
    Nocturne Chopin

    4/7

    LA Cinquinaine   G Marie  A

    4/9

    Valeste F. Borowski  G

    Music listened to; Debussy piano music
    theme to Casablanca

    4/10

    Placer D’amour Marital Tedesco
    Gavotte Bach G

    Music listened to

    Slow blues

    Schubert piano pieces

    4/11/2023

    Sigmund’s Love Song G Wagner
    Polka Tchaikovsky

    Finished book

    Listened to Bach WTC and Parties

    Finished six Clementine sonatas

    Start Schuman book Wednesday goal is 3 per day as they are pretty short and is my comfort zone before they were a bit beyond but after playing now for months almost every day my skill level has gotten much better I am playing better than ever before.  Must be the turmeric or something.

    4/18  Schumann

    Kinderszenen  G Major
    A curious story D major
    Catch Me, D major
    Entreating Child D major

    4/19  Schumann

    Perfect Happiness D Major
    An important event  A major
    Dreaming f major

    Listened

    Café De Mare
    Buddha Bar

    4/22/2023

    Robert Schumann

    By the fireplace
    Knight of the Rocking Chair
    Almost too Serious
    Frightening
    Child Falling asleep
    The Poet speaks

    4/23/2023

    Schumann Album for the Young

    Melody
    Humming Song
    Ein Choral
    A little Piece
    The Poor Orphan Child

    Schumann

    Merry Peasant returning to his work
    Sicilian
    Old Bogie
    May Month of May
    A little Study G
    Spring Song  E
    First Sorrow G
    The Little Morning Wanderer A
    The Reaper’s song C

    4/275

    Little Romance c
    Rustic Song A
    Ronde A
    The Horseman  f

    4/27

    Harvest Song A min
    Reminiscences of the Theater A min
    Canon   A Min
    Remembrance  A Min

    4/1

    The stranger D minor
    War Song  D minor
    Sherardize
    Gathering of the Grapes

    4/3

    Thema
    Mignon
    Italian Mariner’s Song Lied Italian Mariana
    Sailor’s Song

    4/4

    Winter time one
    Winter time two
    A little Fugue

    4/5

    Fingered Choral
    New Year’s Eve

    4/7

    Northern Song
    Sonata for the young G
    Theme and Variation G
    Doll’s Cradle C
    Rondoletto D minor

    4/14

    Friendly Landscape

    4/15

    The way side inn

    4/16

    Prophetic bird

    4/18

    Hunting song

    4/20

    The departure

    4/22

    Slummer Song

    4/23

    Little Cracle Song

    4/24

    Papillons 1 to 3

    4/29

    Papillons 3 to 6

    Music listened to

    buddha bar

    blues
    Mendelsohn Symphony

    Robert Schuman is one of my favorite piano composers.  He and his wife were both composers and piano players.

    see wiki article below

     

    Robert Schumann[a] (German: [ˈʁoːbɛʁt ˈʃuːman]; 8 June 1810 – 29 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.

    In 1840, Schumann married Friedrich Wieck‘s daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms.

    Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies, one opera, and other orchestral, choral, and chamber works. His best-known works include CarnavalSymphonic StudiesKinderszenenKreisleriana, and the Fantasie in C. Schumann was known for infusing his music with characters through motifs, as well as references to works of literature. These characters bled into his editorial writing in the Neue Zeitschrift für Musik (New Journal for Music), a Leipzig-based publication that he co-founded.

    Schumann suffered from a mental disorder that first manifested in 1833 as a severe melancholic depressive episode—which recurred several times alternating with phases of “exaltation” and increasingly also delusional ideas of being poisoned or threatened with metallic items. What is now thought to have been a combination of bipolar disorder and perhaps mercury poisoning led to “manic” and “depressive” periods in Schumann’s compositional productivity. After a suicide attempt in 1854, Schumann was admitted at his own request to a mental asylum in Endenich (now in Bonn). Diagnosed with psychotic melancholia, he died of pneumonia two years later at the age of 46, without recovering from his mental illness.

    https://en.wikipedia.org/wiki/Robert_Schumann

    The End

     

  • More Gary Noland Music

    More music by my friend Gary Noland

    Soprano HSIN YI LIN and pianist ASYA GULUA perform my setting of ALEXANDER THEROUX’S poem PRAYER OF A FAT MAN, Op. 104 (2019).
    Acclaimed novelist/poet/essayist Alexander Theroux gave the composer permission to set as many of his poems as he wishes from his Collected Poems (published by Fantagraphics in 2015). Noland originally scheduled a recital of a number of these songs to be performed by soprano Hsin Yi Lin and pianist Asya Gulua on April 11th, 2020 at Classic Pianos in …

    See more
    My Movie 3
    YOUTUBE.COM
    My Movie 3
    This video is about My Movie 3
    ALL FOOD IS POISON performed by The Pimpleton Procrasturbation Ensemble.
    ALL FOOD IS POISON
    SOUNDCLOUD.COM
    ALL FOOD IS POISON
    The PIMPLETON PROCRASTURBATION ENSEMBLE performs ALL FOOD IS POISON by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com
    My SCOFFSCOURINGS performed by The Pimpleton Procrasturbation Ensemble (January 11th, 2023): https://soundcloud.com/gary-noland/sets/scoffscourings
    May be a cartoon of 3 people, people standing and text that says 'GARY LLOYD NOLAND SCOFFSCOURINGS'
    enjoy
  • Gary Noland’s Music Updates

    Gary Noland’s Music Updates

    Introducing Gary Noland’s Music

    Introducing Jim Davidson

    Updates

    My friend, Gary Noland has been quite active lately with lots of new music.  Here are some of his recent pieces for your listening amusement.

    Gary Noland

    eonsdrtoSp04232a0a3t9i0 4124c07aycu 34a8rgn14,gfuh1llt565Jl1  ·

    Brand new piece (15 August, 2017): Gary Noland, piano & narration, performs Fascicle No. 162, Part Six of his chamber novel Jagdlied Op. 20.

    Brand new piece (15 August, 2017): Gary Noland, piano & narration, performs Fascicle No. 162, Part Six of his chamber novel Jagdlied Op. 20.

     

     

     

    My PAEAN IN HOMAGE TO HIGH-MINDED MAGGOTS, UPSTANDING BOTTOMFEEDERS, AND OTHER MALIGNANT PARASITES OF UNIMPEACHABLE MORAL INTEGRITY performed by THE PIMPLETON PROCRASTURBATION ENSEMBLE (December 20th, 2022): https://soundcloud.com/…/paean-in-homage-to-high-minded

    (5) Gary Noland _ Facebook

     

     

     

     

     

     My latest piece: CONFUNKLED SNAFUBARBIES AND THEIR BIRDBRAINIAC CARBON COPIES CONFLABULATING AT THE FUNERAL HOME BEFORE THE FALL performed by THE PIMPLETON PROCRASTURBATION ENSEMBLE (December 18th, 2022): https://soundcloud.com/…/sets/confunkled-snafubarbies-and

    My SOFT-BOILED EGGHEADS performed by THE PIMPLETON PROCRASTURBATION ENSEMBLE (December 16th, 2022): https://soundcloud.com/gary-noland/sets/soft-boiled-eggheads

    My latest piece: TITS FOR TAT FROM A NURSING HOME NAZI’S NEMESIS performed by THE PIMPLETON PROCRASTURBATION ENSEMBLE (December 12th, 2022): https://soundcloud.com/…/sets/tits-for-tat-from-a-nursing

    My VENGEGASMIC PHRENZY performed by the redoubtable PIMPLETON PROCRASTURBATION ENSEMBLE: https://soundcloud.com/gary-noland/sets/vengegasmic-phrenzy

     

     

     

     

    Hello Jake, here is a full author interview I would like to share on my COLLECTED PIANO WORKS: Vol. 1.

     Collected Piano Works (Author Interview)

    bookinform.com

    Gary Noland

    Lives in Portland, Oregon

    Self-Employed

    1/14/11, 3:37 PM

    Gary

    Hey Jake, Zappenin? Nice to see you in FB. I’m living in Portland, Oregon these days. Love it here. Jim tells me you’ve visited him on occasion in the Bay Area. I go there once or twice a year. Maybe we’ll cross orbits again sometime. I’m composing a 90-minute set of variations on my own theme for solo piano, which I started in April, 2009. Hope to have it completed in about three months. At 39 variations, I’ve probably broken the world record in terms of length and scope. You’re in Alexandria these days? Nice! Hope all is well. Cheers, Gary

    Enter

     

    Dear Friends, I AM PLEASED TO ANNOUNCE THE UPCOMING RELEASE OF MY NEW DOUBLE CD: 20 COVIDITTIES Op. 116—composed amidst suffocating smoke, impending conflagrations, destructive riots, politico-ideological turmoil, all whilst in the throes of a pernicious global pandemic. Available for purchase on Amazon for only $16.95 “… a most important work … molted out of a neo-romanticism into a completely postmodern reduction of elements (ad absurdum) … Sometimes that romanticism … provides a frame or narrative on which [Noland] builds around or elaborates other layers. This is a multi-tiered music … the tonal works providing the frame are exquisite in their own right … the Chopin/Strauss element seems to reflect the old bourgeoisie under attack from the culture that has arisen since … its deliberately loving, saccharine poesy seems unmoved … love and fine taste exist wherever the appoggiatura stabs the heart … impressive series … a highly sophisticated sonic cartoon …”—ERNESTO FERRERI, American composerD

     

    20 COVIDITTIES Op. 116—composed amidst suffocating smoke, impending conflagrations, destructive riots, politico-ideological turmoil, all whilst in the throes of a pernicious global pandemic.

    amazon.com

    Hi Jake, it is available for listening (in its entirety) on SoundCloud at the following link: https://soundcloud.com/gary-noland/sets/coviditties-op-116-by-gary

    TWENTY COVIDITTIES Op. 116 by GARY LLOYD NOLAND

    soundcloud.com

    I have not used Sibelius with a keyboard since it has pretty good playback capabilities built into it. Listen to this, for example: https://soundcloud.com/gary-noland/demagogue-unseatment-celebration-march-for-military-band-op-110

    DEMAGOGUE UNSEATMENT CELEBRATION MARCH for military band Op. 110

    soundcloud.com

    ://soundcloud.com/gary-noland/access-of-oil-for-french-horn-violin-cello-percussion-piano-op-114

    ACCESS OF OIL for French horn, violin, cello, percussion & piano Op. 114

    soundcloud.com

    I have a Yamaha Montage, which I started using in the summer but not in conjunction with Sibelius. As far as I know, virtually any MIDI keyboard ought to work with Sibelius. I haven’t tried it myself but I believe you shouldn’t have any problems with it. To be safe, ask the people at Sibelius and/or at Yamaha to recommend the right configurations. Best of luck with your new toys!

    12/2/20, 5:40 PM

    Gary

    A musical memoir of 2020, this brand new double CD makes the perfect Xmas stocking stuffer! I AM PLEASED TO ANNOUNCE THE OFFICIAL RELEASE OF MY BRAND NEW DOUBLE CD: 20 COVIDITTIES Op. 116—composed amidst suffocating smoke, impending conflagrations, destructive riots, politico-ideological turmoil, all whilst in the throes of a pernicious global pandemic. Available for purchase on Amazon. “… a most important work … molted out of a neo-romanticism into a completely postmodern reduction of elements (ad absurdum) … Sometimes that romanticism … provides a frame or narrative on which [Noland] builds around or elaborates other layers. This is a multi-tiered music … the tonal works providing the frame are exquisite in their own right … the Chopin/Strauss element seems to reflect the old bourgeoisie under attack from the culture that has arisen since … its deliberately loving, saccharine poesy seems unmoved … love and fine taste exist wherever the appoggiatura stabs the heart … impressive series … a highly sophisticated sonic cartoon …”—ERNESTO FERRERI, American composer

     

    20 COVIDITTIES Op. 116—composed amidst suffocating smoke, impending conflagrations, destructive riots, politico-ideological turmoil, all whilst in the throes of a pernicious global pandemic.

    amazon.com

    Hope all is well with you. I am writing to let you know about my latest double CD “ENTROPIC ABANDON: a Super-Psychedelic, Maximalistic, Decadissident Free-Wing Dog & Pony Circus Flextravabonanza of Blightgeisty, Neuromantic, Encore-gasmic Opuscula,” which is now available for pre-order on Amazon. The official release date is March 1st. Order your copies NOW!!!

     ENTROPIC ABANDON: a Super-Psychedelic, Maximalistic, Decadissident Free-Wing Dog & Pony Circus Flextravabonanza of Blightgeisty, Neuromantic, Encore-gasmic Opuscula

    amazon.com

    My latest double CD “ENTROPIC ABANDON: a Super-Psychedelic, Maximalistic, Decadissident Free-Wing Dog & Pony Circus Flextravabonanza of Blightgeisty, Neuromantic, Encore-gasmic Opuscula” is now available for pre-order on Amazon. The official release date is March 1st. Order yours today!!!

     ENTROPIC ABANDON: a Super-Psychedelic, Maximalistic, Decadissident Free-Wing Dog & Pony Circus Flextravabonanza of Blightgeisty, Neuromantic, Encore-gasmic Opuscula

    amazon.com

    RAND NEW PIECE: ORLAN DOY GLANDLY conducts members of THE PROCRASTURBATION ENSEMBLE in a performance of GERTY MACDOWELL’S DRAWERS by GARY LLOYD NOLAND.

    GERTY MACDOWELL’S DRAWERS

    soundcloud.com

    I am pleased to share this riveting performance by soprano Anna Haagenson and pianist Stephanie Thompson of the world premiere of my setting of Alexander Theroux’s poem “The Cabaret of Theresienstadt” (at 121:14), which was presented at the NACUSA 2021 Virtual New Music Festival on 18 April. This conference had originally been scheduled to take place in March, 2020 but was cancelled in the last minute due to the unfolding COVID crisis. I set ten poems of A. Theroux’s which I’ve been anxiously awaiting to hear performed (including one large choral setting for SATB, oboe, horn, bass & timpani). It is gratifying to finally hear this song interpreted by sensitive musicians. More performances of my Theroux settings are forthcoming. Anyone who is interesting in following the score may access it from my website in the “Scores 1” menu.

    In the Neighborhood — NACUSA 2021 Virtual New Music Festival / Conference

    youtube.com

    This edition of my double CD ENTROPIC ABANDON will be out of print on June 4th. If interested, this is the time to order it!

     ENTROPIC ABANDON: a Super-Psychedelic, Maximalistic, Decadissident Free-Wing Dog & Pony Circus Flextravabonanza of Blightgeisty, Neuromantic, Encore-gasmic Opuscula

    amazon.com

    May 28, 2021, 1:09 AM

    Although the recent double CD of my compositions “Entropic Abandon” (released on March 1st) is currently ranked No. 2 on the Amazon bestseller list of “Hot New Releases” in the “Special Interest” category, it is, unfortunately, going out of print come June 4th. All interested parties can take advantage of this last minute opportunity to order a copy from Amazon (two CDs for the price of one). https://www.amazon.com/…/dp/B08VXC9X5S/ref=zg_bsnr_35_2

    Amazon.com New Releases: The best-selling new & future releases in Special Interest

    amazon.com

    Here’s where one can purchase it, along with two other recent CDs: https://composergarynoland.godaddysites.com/discography

    Contact dr. noland about commissions or private music lessons

    composergarynoland.godaddysites.com

    Here’s a link to the hardbound color version of my chamber novel JAGDLIED: https://www.thriftbooks.com/w/jagdlied-a-chamber-novel-for-narrator-musicians-pantomimists-dancers–culinary-artists-standard-color-hardcover/19506767/item/29328620/?gclid=CjwKCAjwt8uGBhBAEiwAayu_9V82ECGJv3JS6AQBFhX59cnu6nNuQn9ZI4AgMCyn78x3floMplefNRoCdQ4QAvD_BwE#idiq=29328620&edition=20733719

    Jagdlied: A Chamber Novel for Narrator,… book

    thriftbooks.com

    My bio can be found on the home page of my website: https://composergarynoland.godaddysites.com/

    Contact dr. noland about commissions or private music lessons

    composergarynoland.godaddysites.com

    Hi Jake, I have a new collection (Volume 2) of my COLLECTED PIANO WORKS available for pre-ordering from most major, and many independent, book retailers worldwide. Thanks for asking! Hope all’s well with you and yours. Gary

    I’m excited to announce that Volume 2 of my COLLECTED PIANO WORKS, which includes 39 VARIATIONS ON AN ORIGINAL THEME IN F MAJOR Op. 98 and GRANDE RAG BRILLANTE Op. 15, is available to pre-order from Amazon at: Ihttps://www.amazon.com/Collec…/dp/1732302391/ref=sr_1_1… “…The [39 Variations] is an astounding tour de force. In its far-reaching, systematic exploration of the theme’s creative possibilities … it reminds one of the Goldberg and the Diabelli. But in its monumental dimensions it goes far beyond them both, and in the large number of historical styles referenced and integrated into the work … I am unaware of any parallel … I offer my humble congratulations on a titanic achievement!”-LUDWIG TUMAN, composer & pianist

    Gary Noland

    Introducing Gary Noland’s Music

    I have known Gary Noland since high school.  He is a very talented composer, piano player, and cartoonist who lives in Portland.  His music is eclectic with a snarky sarcastic tone to it, somewhat like listening to Frank Zappa’s classical music scores.   His cartoons are very Robert Crumpian in spirit.  Take a listen and let me know what you think.

    https://soundcloud.com/gary-noland/sets/new-album-by-gary-lloyd-1

    Here’s a link to a page on my website where orders for this CD and others can be made:

    https://composergarynoland.godaddysites.com/discography

    Here’s a link to the home page on my website, which includes my short bio:

    https://composergarynoland.godaddysites.com/

    Here’s a link to my chamber novel JAGDLIED and my play NOTHING IS MORE. Jag lied is offered in several versions: https://www.amazon.com/Dolly-Gray-Landon/e/B07GJV8Y11?ref=sr_ntt_srch_lnk_1&qid=1624516602&sr=1-1

    If you need anything else, don’t hesitate to ask.

    Thanks!

    All best,

    Gary L. Noland

    You can contact Gary Noland at nolandgary5@gmail.com

    BIO

    Introducing Gary Noland’s Music

    Dr. Gary Lloyd Noland (a.k.a. author Dolly Gray Landon & artist Lon Gaylord Dylan), grew up in a crowded house shared by ten people on a plot of land three blocks south of UC Berkeley known as People’s Park, which has distinguished itself as a site of civic unrest since the late 1960 Dr. Gary Lloyd Noland (a.k.a. author Dolly Gray Landon & artist Lon Gaylord Dylan), grew up in a crowded house shared by ten people on a plot of land three blocks south of UC Berkeley known as People’s Park, which has distinguished itself as a site of civic unrest since the late 1960s. As an adolescent, Gary lived for a time in Salzburg and Garmisch-Partenkirchen, where he absorbed many musical influences. Having studied with a long roster of acclaimed composers and musicians, he earned his Bachelor’s in music from UC Berkeley in 1979, continued studies at the Boston Conservatory, and transferred to Harvard University, where he added to his credits Dr. Gary Lloyd Noland (a.k.a. Author Dolly Gray Landon & artist Lon Gaylord Dylan), grew up in a crowded house shared by ten people on a plot of land three blocks south of UC Berkeley known as People’s Park, which has distinguished itself as a site of civic unrest since the late 1960s.

    As an adolescent, Gary lived for a time in Salzburg and Garmisch-Partenkirchen, where he absorbed many musical influences. Having studied with a long roster of acclaimed composers and musicians, he earned his Bachelor’s in music from UC Berkeley in 1979, continued studies at the Boston Conservatory, and transferred to Harvard University, where he added to his credits a Masters’ and a Ph.D. in Music Composition in 1989.

    Gary’s catalog consists of hundreds of works, which include piano, vocal, chamber, experimental, and electronic pieces; full-length plays in verse, “chamber novels,” and other text pieces; as well as graphically notated scores. His award-winning chamber novel JAGDLIED for Narrator, Musicians, Pantomimists, Dancers & Culinary Artists was listed by one reviewer as the “Top Book of 2018.” Gary’s compositions have been performed and broadcast (including on NPR) in many locations throughout the United States, as well as in Europe, Asia, and Australia. He founded the Seventh Species concert series in San Francisco in 1990 and, for 23 years, produced well over 50 concerts of contemporary classical music on the West Coast. He is also a founding member of Cascadia Composers. Gary has taught music at Harvard, the University of Oregon, and Portland Community College. His musical scores are available from J.W. Pepper, RGM, Sheet Music Plus, and Freeland Publications. Six CDs of his compositions are available on the North Pacific Music label at: www.northpacificmusic.com. He has well over 300 videos of his music and narratives available for listening on YouTube at: https://www.youtube.com/channel/UCJt_eNyJqOZBErG9McQ51nA and numerous other sites on the Internet. composition lessons Lake Oswego Beaverton

    The PIMPLETON PROCRASTURBATION ENSEMBLE performs STATE-OF-THE-ART EAR EXERCISES for MUSICAL COGNOSCENTI Op. 119 by GARY LLOYD NOLAND.

    Featuring the composer and his five alter egos:

    GARY LLOYD NOLAND: panda harmonium, malapropsichord, climaxophone, smorgasborgasmatron, bombasticordion, whoopeeboard, air cacophony or

    ORLAN DOY GLANDLY: squealharp, ventilator guitar, squawkarina, Gulag whistle, dodecaphone, double-crossillators, electro-kakazoo

    DARNOLD OLLY YANG: googah, hee-haw, harrumphinator, dalzheimers, oink bells, nerdy gurdy, didgeridoowahdoo, jello thumpers, custard pounders

    LON GAYLORD DYLAN: unstitched concussion, belly button cymbals, lambastanets, barking spider engines, underarmonica, stiletto knockers, pudding whackers

    DOLLY GRAY LANDON: forbidden flute, yo-yo-boe, C-sharp clarinet, stench horn, C-flat crumpet, smackbutt, bombdrone, polyphonic foot tuba

    ARNOLD DAY LONGLY: steam viola, nose cello, nostril bass, power-barf machine, scaremin, toilet brushes, discordion

    Review:

    Composergarynoland – Composition Lessons, Music, Piano

    GARY LLOYD NOLAND CHALLENGES MUSICAL CONVENTIONS, TRADITIONS, AND CUSTOMS

     

    The distinction between music and noise is, I think, perfectly described by Physics.info. “Music and noise are both mixture

     

     

     

     

     

     

     

    the music of sound waves of different frequencies. The component frequencies of music are discrete, separable, and rational, with a discernible dominant frequency. The component frequencies of noise are continuous and random with no discernible dominant frequency.” Hence, the further we delve into dissonant or even atonal music, the more likely it is to be perceived as noise. Ultimately the line between the two is very blurry, and writer Meghan Davis took this concept to task smartly, when she wrote: “Someone nearby is tapping their toe. Is this an irritating noise or a musical sound? As it turns out, the difference depends almost entirely upon the listener.” And that ultimately is the point, my friends. The beauty of sound is in the ears of the beholder.

    So why this long premise on sonic contrasts? Well, when you engage with the music of an avant-garde composer, and dare I say, sound designer, such as Gary Lloyd Noland, there is no sitting on the fence. You either judge his album, “State-of-the-Art Ear Exercises for Musical Cognoscenti Op. 119”, as ingeniously brilliant, or utter hogwash. If this hard and fast assumption sounds dramatically drastic, well then so does Noland’s classically inspired, post-modern sonic concoctions.

    Gary Noland has boundless artistic spirit

    Gary Lloyd Noland, who has received glowing critiques, has a boundless artistic spirit, and a seemingly endless technical and musical ambition. His compositions strive to challenge the listener to cast away conventions, traditions, customs, and any formal limitations their musical mindsets may have locked them into. The 18 tracks contained within this album will take you through sounds composed of multiple frequencies that are produced by instruments whose names alone will have your mind twisting into a loop.

    Your ears will be teased, stroked, stretched, and surprised, by the featured players – Gary Lloyd Noland and his alter-egos: Orland Doy Gladly, Darnalod Olly Yang, Lon Gaylord Dylan, Dolly Gray Landon, and Arnold Day Longly. Even more surprising, are the names of the instrumentation used by the players. Among them, the pandaharmonium, squealharp, googah, unstitched concussion, stench horn, nose cello, and toilet brushes.

    Now if you’re thinking of, outright dissonant bombast, think again. Because the album is awash with beautiful classical motifs filled with luscious melody and harmony. They’re simply interposed by varying flurries of atonal sounds which most people link to dissonance. If you could imagine an ensemble led by the combined minds of Richard Strauss, Frank Zappa, Brain Eno, and Luigi Russolo, you may just have the slightest idea of where Gary Lloyd Noland is going. And that’s practically everywhere.

    Even the song titles themselves will make you sit up and take notice: “Murder Hornet Lullaby”, “Vaginavenger Vortex”, “Elevator Mucus”, “Only Drooly Grubbles” and “Larcabounger Zizz”, being just a selected few. That being said, Gary Lloyd Noland’s endearing eccentricities only really seem far more subversive to those stuck in the conventions of the mainstream jungle.

    Warped Musical Sensibilities

    Though Noland’s appeal comes from his warped musical sensibilities; most of the melodies and core structures contained within the album are fairly accessible, reflecting an alluring fondness for classical music. It’s just that his arrangements are far more unusual and idiosyncratic than your normal or garden variety of music. The infusion of Noland’s avant-garde sensibility and experimental spirit makes for a fascinating combination, and very much is, what sets him apart everyone else. And I mean, EVERYONE else.

    This album is literally packed with ideas and sounds, as Gary Lloyd Noland ventures into a different avenue with every track. The instrumentals have distinctive identities, and they’re extremely palatable in even in their most unusual forms. In 2021, you will definitely find fewer challenging albums, and maybe even more challenging albums, but you will never find anything quite like “State-of-the-Art Ear Exercises for Musical Cognoscenti Op. 119” anywhere else on this planet…maybe even in the entire universe for that matter!

    —TUNEDLOUD!

    WAYWARD AFFECTS & AFFLICTIONS

    $17.00

    The PIMPLETON PROCRASTURBATION ENSEMBLE performs WAYWARD effects & AFFLICTIONS Op. 120 by GARY LLOYD NOLAND

    Fever DREAMS Op. 118,

    an Unequivocal Crustbucket List of Smexy and Sophistocratic Quarantunes for Perspicacious Connoisseurmudgeons, Trans melancholiac Insomniacs, Necromantic Misanthropes, Compulsive Transgress mists, and other Categorical Certifiable from the Psycho-Experimental Ward of Herr Doctor Noland’s Avantgarde-Boiled Cynic Clinic

    24 Interludes for Piano, Vol. 2

    October 2006: “Twenty-Four Interludes” for piano Vol. 2  (Op. 71, Nos. 13-24), performed by Gary Noland. Duration: 75 minutes. www.NorthPacificMusic.com (NPM LD 027).

    24 Postludes for Piano, Vol. 2

    February 2006: “Twenty-Four Postludes for Piano” Vol. 2  (Op. 72, Nos. 13–24), performed by Gary Noland. Duration: 75 minutes. www.NorthPacificMusic.com (NPM LD 025). music CDs original compositions Beaverton Portland Lake Oswego

    More REVIEWS

    “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism. These dry, playful pieces pay homage to classical forms from various periods while gently satirizing them. Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music (‘Ventured, nothing gained’) to grand operas (‘Meditative’) and Jewish guilt (‘Spikes’). The irreverent program closes with two serious, impressive, endlessly modulating memorials: one to George Rothberg, an allusive homage to an important neo-romantic who was himself a master of allusion; another to Jon Sutton, an artist Noland feels was wrongfully neglected by a corporate culture that promotes dreck and mediocrity, making it ‘possible to have a Brahms or Schubert next door and not even realize it. This is a culture that ‘confers towering soapboxes to impostors of all persuasions, all too often to the exclusion of first-rate minds who are less savvy about how to work the system to their advantage’.

    North Pacific Music

    Smaller labels like North Pacific Music represent a new way of working that system, a small means of saving what Noland regards as ‘an endangered (and fast becoming extinct) high culture’. I could do without the ugly cover art, but the piano sound is extremely vivid—and Noland plays his work with wit and conviction.”

    —Jack Sullivan, American Record Guide, July/August 2007

    “Yesterday, the first day of the year [2004], I opened your CD package—and could hardly believe my ears when I listened to your Venge Art and 24 Postludes for Piano, Op. 72—how magnificent!!  I will include most [of] your works in our local shows, especially in the Art Block program Sound Sculpture—a program for visual and sonic art.… I listen to all arriving music and [respond] seldom as excited as I did to your music.… Have a terrific 2004.  You made mine with your inspiring music, talent, and creativity. Thank you.”

    —Brita Heisman, Executive Producer, KAZU Local Programming, Pacific Grove, CA.

    Royal Oil works Music

    January 2006:  “Royal Oil works Music” (electro-acoustic). Duration: ca. 75 minutes. Includes: “Prelude in E Minor” (Op. 34), “Serial Lullaby” (Op. 80, No. 1), “Spray Taint” (Op. 80, No. 2), “Dog Duo” (Op. 66), “Rag bones” (Op. 11), “Grey Malignant Banks” (Op. 80, No. 3) “My Babe’s Gone Down to Do Her Glue” (Op. 80, No. 4), “Royal Oil works Music” (Op. 80, No. 5) “Prelude & Zoo trot” (Op. 22), “Something Rotten” (Op. 80, No. 6) “Music is Dead” (Op. 53), “Treadmill” (Op. 37), “Deformed Fugue” (Op. 17), “Insurrection of the Office Slaves” (Op. 80, No. 7), “Psycho-Bacchanal” (Op. 80, No. 8). www.NorthPacificMusic.com  (NPM LD 024). music CDs original compositions Beaverton Portland Lake Oswego

    “We recently received a CD [Royal Oil works Music] of Gary Noland’s here at WOBC. I must say that upon previewing some of the tracks and reading the program notes that all of us have never laughed so hard in our lives. We usually don’t play music as arrogant and docile as Gary’s but the ironic-postmodern-naive-pretension that this CD showed made me reconsider. I would like to get in touch with M. Noland and arrange a telephone interview for one of our classical radio shows.”

    —Joshua Morris, Classical Director, WOBC 91.5 FM, Oberlin, OH

    “Gary Noland is a composer to end all composers

    … his attitude is not subtly disestablishmentarian, and you’d better enjoy it.… Some of the sounds are amusing, but the music is sort of deliberately annoying, both in sonority and in the mood—deliberately uninspired, almost to the point of inspiration. From Bach to rags to whatever, Noland seems determined to annoy as many people as he can, in an amusing way. He is an angry guy but witty.

    If the idea of deliberate lack of originality purveyed in an atmosphere of political incorrectness appeals to you, here, in no uncertain terms, it is. Titles such as ‘Spray Taint’, ‘Dog Duo’, and ‘Insurrection of the Office Slaves’ give the mood, while the title tune [‘Royal Oil works Music’] is the real purpose of the Bush administration, as explained in the notes.…”

    —David Moore, American Record Guide

    Seriously Odd Classical Tongue in Check Electro-Acoustic

    “Seriously odd classical… Tongue-in-cheek electro-acoustic combines baroque harpsichord and cheesy electronic sounds. Funny like Satie is funny – zany and irreverent. Lots of serialism … but the bizarre collage of styles and periods is brilliant. Oh, it’s also like PDQ Bach/Peter Schickele in some ways. Absurd liner notes!  Baroque-sounding … Serialist electro-acoustic … very refreshing, given how “ivory tower” this type of music often is. Cheesy synths, electronic percussion, and trumpets … up tempo and funky. Baroque harpsichord with pop and world music sounds going on in off-kilter, almost random rhythms. WTF? Very cool …Waa Waa synth, fugue-like … Zany … Cecil Taylor piano over drum machine breakbeats … Close to Dual (Ed Chang and Doug Theriault – crazy dense guitar and laptop processing), with national anthem-like moments?? And bird song?? Zany … Slow serialist/romantic … prelude to baroque trills to Richian/rag arpeggios to a Chopin breakdown to a jazz ending. Phew. This rocks … Bogy woozy synth with jazz percussion and serialist randomness. Lots of noodling, er, electronic wanking? Upbeat … Staccato baroque fugue on electronic choral sounds and pipe organ sounds … funny … Rhythmically interesting …  Fugue for harpsichord … Some free jazz freak-outs … Great title for this … Squeaky sounds with sax and choral synthesizer—like if you played the Handel theme from the film A Clockwork Orange, Sonny Rollins, Tchaikovsky, and, well, a psychotic serialist all at once.”

    —KZSU FM90.3, Stanford, CA

    “A look at the head-note will alert you to Gary Noland’s very personal way with words. Not for Noland the lures either of Olympian detachment or lower case “significance.” No, Noland is full-on and takes few linguistic prisoners. Similarly with the booklet artwork, Noland’s own, which is an example of crazed Robert Crumb à Africanize. And his music is much the same, Deformed Fugue, his 1977 piece for harpsichord summoning up pretty nicely his compositional stance. This is an elixir brewed of Couperin and Rameau, Scott Joplin, Bach, free funk, free Jazz (Cecil Taylor?), the Fugue, and an unholy alliance of straight sounding neo-classicism and its subsequent assault by the forces of percussive militancy.

     

    Noland may be a romantic but doesn’t want you to know.

    His Prelude is baroque-convincing though attended by some sour-is off notes he follows it with Serial Lullaby, a synthesizer-rich free funk piece that mocks its title. Spray Taint gives us assaulted baroque, the percussion blizzards full of jazz offbeat and whoop-bang noises (plus telephone rings and disco inferno). He subjects Ragtime to the same souring procedures as he does to his off-note harpsichord baroque and evokes a drugs fix (in My Babe’s Gone Down to Do Her Glue) with some haywire free form. He writes an American fanfare for the title track and subjects it to anti-Bush assault by bird song and drum blister.

    Quixiotic Sense

    His quixotic sense extends to opus numbers – the bowels of Op. 80 are scattered throughout the disc, and to instrumentation as well. I assume he makes all the noises, both pianistic and harpsichord synthesized and vocalized. He’s a veritable one-man band of off-kilter influences, the procedural repetition of which sometimes got me seriously down, though I did like his Swingle Sisters take-off on Music is Dead: A Paradox in Fugue.”

    —Jonathan Woolf, Music Web International

    24 Postludes for piano, Vol. 1

    August 2004: “Twenty-Four Postludes for Piano” Vol. 1 (Op. 72, Nos. 1–12), performed by Gary Noland. Duration: 72 minutes.  North Pacific Music (PO BOX 82627, Portland, Oregon 97282-0627, USA, tel/fax:  1-800-757-7384, www.NorthPacificMusic.com (NPM LD  018). music CDs original compositions Beaverton Lake Oswego

     REVIEWS/ENCOMIUMS

    “As usual I have been fiendishly busy and during my last absence, our humidification system went bonkers, depositing condensation and mold all over the place so now I am trying to deal with that on top of my overload. Nonetheless, I have put on the postludes whenever I’ve been at the computer and found them up to your usual iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits. They are balm to the grim state of mind in which I find myself.”

    —Robert Levin, pianist (cadenza improviser extraordinaire), scholar, Professor of Music, Harvard University

    “Many thanks for the CDs you sent me, which I have been listening to with great pleasure and fascination.… I am bowled over by the expertise of your music:  you use certain elements from the 19th century and jazz, etc., and just at the moment when I am about to say, OK, what else is new? you do several things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely, and throwing some kind of total surprise. All of these things are possible, but you seem to know exactly when to do what and how much.  I don’t know anybody else who can do it!  And the brief electronic statements are spooky in the best and most extreme sense.  They make my hair (what’s left of it) stand on end.…”

    —Andrew Imbrue, composer, Pulitzer Prize finalist

    “Mr. Noland’s Postludes are a collection of wild and crazy pieces for … piano. These are essentially parodying of various styles, set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities. He applies this procedure to the fugue, ragtime, German dances (Schubert), romantic waltzes (Richard Strauss seems to be a favorite), and virtuosic piano scherzos. There’s a Chinese polonaise, a whiff of pentatonic Debussy; and, like most composers after Berlioz, he can’t seem to keep his hands off the Dies Irae (though fortunately, the tongue is firmly in cheek). Both Peter Schickele and Conlon Nan arrow hover over the proceedings. I’d even throw in Mark Applebaum, another Californian … The opening fugue is dedicated to the late David Lewin, the prominent Harvard theorist.  Lukas Foss gets a dedication, also (maybe his Baroque Variations had some sort of influence on Noland at some point).

    The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion. The comic-book grotesquerie that graces the jewel box pretty much says it all … these pieces are striking and entertaining … (Postlude 12, an interminable exercise in blues montage, is the most daunting.) The pieces all have funny titles … Mustaches on the Mona Lisa, but those can be interesting if you’re in the right frame of mind.”

    —Allen Gimbel, American Record Guide

    “Composer and pianist Gary Noland are into ‘ha-ha music’—that is, classical music played for laughs, a genre famously (or infamously, depending on your taste in humor) popularized by Peter Schickele, also known as P.D.Q. Bach. This collection of solo piano music, identified as postludes rather than the more traditional preludes designation, indicates that, despite occasionally forcing the musical jokes (and writing far too many tortured puns in his liner notes), Noland has both the writing and playing chops to compensate for his painful musical humor. Dedicated to the late music theorist David Lewin, ‘Philomathetique’ is a witty trope on the music of Richard Strauss, with characterful motives and abundant quick modulations. ‘Effete Singulations’ is a deft, splashy bit of ragtime, while ‘Pickthanks and Premediates’ is a light-hearted romp played at a dizzying tempo and ‘Psychonipptions’ (dedicated to composer Henry Martin) is a send-up of 20th Century French music. Overall, Postludes is a mixed bag, but when Noland focuses on playing the piano well rather than simply playing for laughs, his compelling artistry shines through.”

    —Christian Carey, Splendid Magazine

    “Gary—you continue to be one of the most original of the contributors to ‘The Classical Salon.’ And ‘Effete Singulations’ [Postlude #2] opens one of my ragtime shows.”

    —David Rifkin, Host, “Classical Salon” and “The Ragtime Machine,” KUSF 90.3 FM, University of San Francisco.

    24 Interludes for piano, Vol. 1

    August 2004: “Twenty-Four Interludes for Piano” Vol. 1 (Op. 71, Nos. 1-12), performed by Gary Noland. Duration: 74 minutes. North Pacific Music (PO BOX 82627, Portland, Oregon 97282-0627, USA, tel/fax: 1-800-757-7384, www.NorthPacificMusic.com (NPM LD  019). music CDs original compositions Beaverton Lake Oswego

    “… intriguing, irritating, … distinctive, inventive, … subversive, … [the music] is never what you expect.  You hear all sorts of styles and influences—Beethoven, ragtime, Nan arrow, stride—often in very quick succession.… I had the strange feeling with many of these pieces [Interludes and Postludes] that, about halfway through, I had got fed up with them, but I was then sorry when they finished.… You can hardly be indifferent to Noland’s music and so I would urge you to try it. Despite my frequent irritation, I will certainly be returning to it and seeking out examples of Noland’s chamber works and multimedia compositions. Music aside, speaking as a cat-lover, I feel an instinctive sympathy with the composer depicted on the front cover of the Interludes fondly embracing his cat. Illogical? Well, yes; I think this music has got to me after all.”

    —Roger Blackburn, Music Web International

    “Gary Noland, a composer, and pianist with an impressive academic pedigree (including a Ph.D. from Harvard) and extensive performing experience, here presents an album of solo piano compositions, or ‘interludes.’ Actually, some of these pieces seem in no way transitory; instead, they present extended musical dialogues that call upon a host of musical styles and require the considerable technical facility to perform. Noland, a fleet-fingered, ebullient performer, is more than up to the task. Pastiche pieces like ‘Mumbo Gumbo’ and ‘Expresso Wagon’ evoke all manner of Romantic-era classical piano figurations; they gently lampoon some of the genre’s conventions, but always remain bright, witty, and engaging. ‘The Temptation of Saint Floyd’ also channels Romanticism, particularly the Strassman sort, demonstrating a more reflective demeanor and adding a dollop of schmaltz to the proceedings. ‘Push Button Fingers’ is prevailingly modern in construction, with syncopated rhythms and sprightly, angular runs creating a far more contemporary sound world. Noland’s work may be eclectic—sometimes even a bit goofy—but Interludes is cleverly constructed and consistently well performed.”

    —Christian Carey, Splendid Magazine, 12/29/2005

    FIND OUT MORE

    Selected Music from Venge Art

    July 2002: “Gary Noland:  Selected Music from VENGE ART.”  Duration:  75 minutes. Cellist Hamilton Heifetz and pianist Victor Steinhardt playing “Fantasy in E Minor” for cello & piano (Op. 24), pianist Randall Hodgkinson playing “Humoresque” for piano (Op. 3) and the “Russell Street Rag” (Op. 5), Gary Noland performing three segments of “P*run*Music” (Op. 48), Violist Katherine Murdock and pianist Randall Hodgkinson playing “Romance” for viola & piano (Op. 10), a computer-driven Disklavier performance of “Grande Rag Brillante” (Op. 15), The Onyx String Quartet playing “American Bozo Dance” (Op. 32, No. 8), and Guy Tyler conducting “Septet” (Op. 43) with clarinetist Carol Robe, alto saxophonist Tom Bergeron, French hornist Ellen Campbell, violinists Tawana Nagahara and Anthony Dyer, double-bassist Forrest Moyer, and pianist Art Maddox. Released by North Pacific Music (PO BOX 82627, Portland, Oregon 97282-0627, USA, tel/fax:  1-800-757-7384, www.NorthPacificMusic.com (NPM LD  012). music CDs original compositions Beaverton Lake Oswego

    “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him.  This he accomplishes naturally, convincingly, with originality and true passion.  His command of all musical languages and his ability to traverse musical time is nothing less than remarkable.  Listen!”

    —Donald Martino, Pulitzer Prize-winning composer

    “Composer Gary Noland is possessed of a rich musical imagination, whose technique distills the achievements of Roger, Strauss, and Schoenberg but also refracts their post-romantic/expressionist tendencies through the lens of twenty-first-century post-modernism, American style. Moreover, he fits Stravinsky’s definition of a great composer:  one who doesn’t merely steal but knows what to steal.  This Noland does with wit and aplomb unique to the music of our time.”

    —Ira Braes, pianist, musicologist, Professor of Music, The Hart School

    “Gary Noland’s Venge Art is more than just a collection of music.…inspiring.  He walks with assurance through the treacherous landscape of late tonality and early post-tonality (e.g., Strauss).…a gifted composer.”

    Payton MacDonald—American Record Guide

    FIND OUT MORE

    Player less Pianos

    May 2000: “Player less Pianos: Virtual Music for Pianos Virtual and Otherwise.” Seventh Species Composers Series Debut Recording, Limited Collector’s Edition (NPM LCE 007—North Pacific Music). A compilation recording of works by various composers. Includes Gary Noland’s “Grande Rag Brillante” (Op. 15), which was recorded on August 19, 1998, on a Disklavier at SPARK Studios in Emeryville. music CDs original compositions Beaverton Portland Lake Oswego

    Original Compositions by Gary Noland music CDs

    1996: “Passion.” A compilation recording of works by composers Gary Noland, George Rothberg, Georges Enescu, Greg Steinke, and Jackie T. Gabel performed by violist Rozanne Weinberger and pianist Evelyne Lust. Includes Noland’s “Romance” for viola & piano (Op. 10).  (NPM LD 003—North Pacific Music).  Recorded September 1994 at MET Studio Ball State University, Muncie, Indiana.  In Schwann Catalog. music CDs original compositions Beaverton Portland Lake Oswego

    FIND OUT MORE

    Be sure and listen to performances of Gary Noland’s music on this website under “videos,” “more videos,” etc.

    All CDs are available for purchase from www.northpacificmusic.com music CDs original compositions Beaverton Portland Lake Oswego

     

    The End

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